• 융합정보논문지
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• 제12권3호
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• pp.214-221
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• 2022

자연의 유기적 형태에서 모티브를 얻어 작품을 제작하였으며 다양한 형태 도출을 시도해 보는데 본 연구의 목적이 있다. 연구 방법으로는 국내 학술지 검색을 통해 문헌 조사를 하였고 자연의 유기적인 형태와 디자인 개념을 접목하여 실무에서 무난하게 쓰일 수 있는 헤어 조형 4작품을 제작하였다. 연구결과 첫째, 초승달을 모티브로 조화와 균형의 법칙을 적용하여 작품을 제작하였다. 둘째, 파도를 모티브로 반복의 법칙을 적용하여 물결 웨이브의 흐름을 표현하였다. 셋째, 폭포에서 피여 오르는 아지랑이를 비조화 법칙을 적용하여 표현하였다. 넷째, 떠오르는 해를 강조하여 새로운 시작을 알리는 태양의 이미지를 주고자 하였다. 이에 자연의 유기적 형태는 디자인을 창조하는데 무안한 영감을 준다는 것을 알 수 있었다. 본 연구의 제한점은 마네킹으로만 작품을 제작하여 실제 모델에 제작한 이미지 효과가 동일한 이미지로 연출되는 정확도에 제한점을 두고 후속 연구로는 실제 모델에 활용하여 실용적 활용도를 높일 수 있는 연구가 지속적으로 이루어져야 할 것으로 사료된다.

• 한국시조학회지:시조학논총
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• 제30집
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• pp.9-20
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• 2009

본고는 조선조 사인(士人)들이 산수 유람을 하는 중 산수의 감상 태도로 중시한 원망(遠望)의 시선과 표현 원리 및 기본적인 미적 범주를 고찰한 것이다. 원망(遠望)의 '원(遠)'은 물리적 거리이면서 심미적 거리이다. 이 원망은 산수 전체를 조망(眺望)하면서 산수의 기세(氣勢) 및 기묘(奇妙)와 곡절(曲折)함을 파악하기 위해서이다. 이는 산수 자연의 물상(物象)의 국한성을 벗어나게 되고, 정신적 초월과 고양을 얻을 수 있다. 궁극적으로 산수자연의 무궁한 변화와 조화(造化)의 이치를 감득(感得)하기 위함이다. 원망의 원의 시선은 관조자의 마음을 염정(恬靜)하고 허정(虛靜)하게 한다. 이 시선은 인간과 자연의 조화를 이루는 계기를 만든다. 원망은 산수의 유한한 형질에서 무한의 세계로 향하게 한다. 이 무한 속에서 시가 창조를 이루는 의경을 생성시킨다. 이 원망은 유한의 속박으로부터 무한의 자유한 경지로 비약해 가는 심미안(審美眼)이다. 원망은 현실적 가치, 관념, 인위로부터 초월하여 인간 본래의 자연성과 자연이 합일케 되는 시점으로서의 의미를 지닌다. 이는 주관적인 감정과 외재하는 산수 자연의 무한함과 조화통일시키는 안목이다. 즉, 관조자의 의상(意象)과 물상(物象)과의 조화를 이루게 하는 원이다. 이 조화의 세계를 형상화시킴에 있어서는 사물의 외형의 집착을 꺼리고 표현 기교에 의존하지 않고 자유하고 자연스러운 형상을 이상적인 표현법으로 삼는다. 원망은 관조자의 심리 상태를 염정(恬靜)하게 하기 때문에, 산수와 인생의 양쪽 감정이 합일하는 경지에 이르게 되고, 그렇게 되면 세속과 초월한 경지인 자연 속에서 더 깊고 넓은 유정(有情)의 세계를 창조하게 된 것이다. 그 세계를 형상화하는 방법이 고원(高遠), 평원(平遠), 심원(深遠)의 삼원법(三遠法)이다. 이 표현법에 의해 풍격, 염담(恬淡)의 미가 성립된다. 염담은 현실적 갈등에서 정신적 해방과 산수자연의 표리를 맛볼 수 있게 한다.

• 대한수학교육학회지:수학교육학연구
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• 제9권1호
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• pp.217-228
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• 1999

The fundamental theorem of calculus is the most 'fundamental' content in teaching calculus. Since the aim of teaching the theorem goes beyond simple application of it, it is difficult to teach it meaningfully. Hence, for the meaningful teaching of the fundamental theorem of calculus, this article seeks to find the educational implication of the fundamental theorem of calculus through reviewing the genetic history of it. A genetic history of the fundamental theorem of calculus can be divided into the following five phases: 1. The deductive discovery of the fundamental theorem of calculus 2. Galileo's Law of falling body and the idea of the fundamental theorem of calculus 3. The discovery of the fundamental theorem of calculus and Barrow's proof 4. Newton's mensuration 5. the development of calculus in 19th century and the fundamental theorem of calculus The developmental phases of the fundamental theorem of calculus discussed above provides the three educational implications. first, we can rediscover this theorem through deductive methods and get the ideas of it in relation to kinetic problems. Second, the developmental phases of the fundamental theorem of calculus shows that the value of this theorem lies in the harmony of its theoretical beauty and practicality. Third, Newton's dynamic image of this theorem can be a typical way of understanding the theorem. We have different aims of teaching the fundamental theorem of calculus, according to which the teaching methods can be adopted. But it is self-evident that the simple application of the theorem is just a part of teaching the fundamental theorem of calculus. Hence we must try to put the educational implications reviewed above into practice.

• The International Journal of Costume Culture
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• 제3권3호
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• pp.212-222
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• 2000

This study intends to observe how the essential elements of art have changed Human's sense of beauty extending over the whole lives as well as fashion through the investigation of Light and Rays which have played a important role in giving birthe to the new trend of art within the upheaval age of various cultures. The peculiarities of which Futurism of Italy and Rayonism of Russia including Impressionism have a great role in giving birth to a new trend of art by means of the development of science technology are like these. Impressionists looked for the origin of the subtle harmony in nature within changes of sun-rays. The special feature of Impressionism paintings was to express the line of vision diversely according to changes of light rather than to focus on the line of vision with clear outlines. Henceforth, Neo-Impressionism which developed Impressionism more systematically leaded changes of Light and Rays more systematically and scientifically and maintained Divisionnisme techniques which extends to lead towards color and light through dividing and juxtaposing color. In the early 20th century Futurists tried to express dynamism through the interpenetration of light and revive color and light through the division techniques of color and persist an artificial light like eletricity rather than a natural light. Rayonism of Russia which was ifluenced from Impressionism and Futurism maintained intersection of reflecting rays which emerges from an object of things more deeply. This pursuit of light and rays also light and rays also appears as it is in modern fashion. First, it is the fashion which applied sun-rays persisted by Impressionists and expressed colors which show differently according to direction of light. Second, it is the fashion design which re-analyzed what Futurists expressed artificial light and rays. Third, it is the design which expressed Divisionnisme theory persisted by Impressionists and Futurists into fashion as it is and was made of being divided the form of glittering light into small dots. Fourth, it is the fashion design which applied Rayonists'work which applied intersection of reflected rays. Like this, it is aproved that the pursuit of light and rays expresses as it is in modern fashion of the 21st.

• 한국조경학회지
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• 제28권1호
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• pp.1-10
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• 2000

The main purpose of this research is to show the consideration of the geographical effects related with its features and configuration on the height of the wall in Hwasong. The method of this research is based on old documentary records and actual measuring. The result of this research is to take advantage of nature geographical features and configuration. First the castle of wall construction is based on outside defensive protection, mainly it was made of stones or bricks. And took advantage of its natural environment. According to circumstance, there were two kinds of general method to build the wall., Second It was considered, They had so many difficulty to move stones to build wall, especially to rugged hilly steep mountain. Third There were three kinds of stones to build wall, Bottom stones were piled with Big stones, because of its stability. Third There were three kinds of stones to build wall, Bottom stones were piled with Big stones, because of its stability. On top of the wall was built with small stones it shows good harmony with small, middle, big size stones. It is considered not only stability but also beauty of appearance. Fourth Placing ChiSung was able to adjust height of wall low at the same time it was also taken advantage of a active defensive power. The suggestion of this research is to take advantage f nature geographical features and at the same time it was a perfect way to save the cost of construction. The further research of this should be continued to deepen because, it is the early stage, so it is maningful of eoffering a guidance for the furder research. in this research has a number of important question remain unsolved.

• 복식
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• 제65권8호
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• pp.110-124
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• 2015

This study examined a phenomenon of exaggerated hairstyle in the history of Western custom through publications related with Western costume and research papers. By adopting the criteria of Delong, M. R. to analyze visual forms shown by interaction between human body and costume worn over the body, it analyzed the formative characteristics by the interaction between hairstyle and costume. In addition, it inferred the aesthetic characteristics through content analysis of examined phenomenon focusing on socio-cultural background and costume socio-psychological precedent studies. Formative characteristics of exaggerated hairstyle applied by analysis criteria of Delong, M. R. were in pursuit of the emphasis style. This was clearly and intensively recognized by forming spaces for mostly closure style, part style, three dimensional style, determinate style, and space separation style. Regarding the interaction between hair and ornamentations, 'precedence of ornamentation' was pursued as ornamentations were recognized earlier than the hair itself. It means associative meanings of the surface effect were accompanied by emotions of 'intensiveness' and the pursuit of the attractive style. As for the interaction between hairstyle and costume, there were many cases of pursuing 'continuity' mutually and visually by connecting the hairstyle and the costume. Aesthetic characteristics of exaggerated hairstyle were inferred as 1) the expression of the sprite of the age(i.e. art, culture, politics, society, ideology, religion), 2) symbols of wealth, class, authority, and excellence, 3) pursuit of addicted desire to ornament, and 4) harmony through continuity with costume. This study verified that hairstyle was connected as a part of costume, or formed as a way to express deeper human psychology beyond just a part of a costume. It was also confirmed that hairstyle was an expressive method to express the spirit of the age, such as art, culture, society, religion, ideology.

• 대한지구과학교육학회지
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• 제10권2호
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• pp.214-225
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• 2017

지구크기에 대한 최초의 정확한 측정은 기원전 230년, 헬레니즘의 과학자인, 에라토스테네스 (276-195 B.C.)에 의하여 이루어졌다. 역사적으로 수학적 추상화는 유럽의 고대 그리스인의 천재성을 보여주는 좋은 예이다. 그 당시에는 상상하기 어려운 태양이 멀리 떨어져 있기에 태양광선이 평행하게 지구에 입사한다는 전제를 요구하는, 논리적이고 과학적인 기법의 에라토스테네스의 과학적 방법의 성공이었다. 중요한 것은 간단한 수학적 비례식을 성립하기 위해서는 지구가 둥글고, 광선이 지구에 나란하게 들어온다는 가정이 필요하였다. 즉 천상으로부터 지상으로 유클리드 기학학이 연결된다는 내용이다. 그것은 최초로 태양중심을 주장한 아리스타쿠스의 제안을 받아들여야 했고, 아리스토텔레스의 자연관인 우주는 아름답고 우아하다는 사상에 기반을 두어 지구는 구처럼 대칭적이라는 것이다. 우리는 이러한 가정들을 현대가 아닌 그 당시 어떻게 정당화 했는지를 탐색하는 것이다. 또한 실험의 미적 관점에서 에라토스테네스의 지구측정의 중요한 특징은 단순성에 있다는 것을 강조하는 것이다.

• 한국의상디자인학회지
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• 제10권2호
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• pp.117-124
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• 2008

People have used the manner of expression "clothing" to find out and to symbolize the styles that suits one's roles, behaviors or altitudes. Moreover, the symbolic meaning of clothing is important as it reflects the culture of a time period as well at the life style of each classes of society. In the aspect in which clothing is critical data to re-examine a time period as to trace history, clothing is significant for understanding the characteristics of each time periods, and by focusing on women's wedding dress, a costume worn for one of the most essential ceremonies in one's life, this article studies how trends of each period have been symbolized through clothing. Thus, this study aims to set a foundation to understand the cultural features of a time period through the wedding ceremony. The article inquires about the hwalot to also understand its meaning during the period of its existence, and develops designs for modern wedding dresses for women. I. The wedding dress of women expressed the following meanings by using shapes, colors and patterns of the hwalot. 1) The formative art of hwalot is the ultimate beauty. 2) The wedding dress of women emphasized aesthetics. 3) The symbols praying for harmony between red and indigo, or the union of yin and yang indicates that marriage had been considered as a precious ceremony-an important matter of life. 4) The meaning of good auspice such as health, longevity, immortality, good luck and stability had been frequently used since people sought for new and eternal life. 5) The symbols of wealth and fame have been frequently used by those pursuing a wealthy life. 6) Marriage was considered as a union of families, and not a union of two individuals. II. This article presents two types of modern wedding dresses.

• 한국주거학회논문집
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• 제24권3호
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• pp.121-133
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• 2013

The purpose of this study is to analyze the design characteristics of external appearances of Hundertwasser's housing projects through both literature review and field study, and to understand how Hundertwasser's architecture philosophy was embodied in the design of external appearances so such projects. The subjects of the analysis are: Hundertwasser House; In the Meadow Bad Soden; The Forest Spiral Darmstadt; and The Green Citadel Magdeburg. The conclusion of the study is as follows. The fundamental architecture philosophy of Hunderwasser is the close linkage between mankind and nature. He has proven, through his four housing projects mentioned above, that it is possible to build houses without destroying and in harmony with nature. Hundertwasser had identified vitality, irregularity and diversity as being the source of beauty of nature. Using the human creativity, he had embodied such elements into his housing projects, thus suggesting an ideal housing environment whereby humanity is respected. Hundertwasser made use of organic curved line and spiral shapes that exist in nature when designing his housing projects. His creativity was articulated through vitality, diversity, and irregularity in colour schemes and a wide range of form. Indeed, he was an architect pursuing the underlying nature of both human and nature. The current living environment in Korea can be characterized as being standardized and desolate, which is a result of housing projects being focused too much on functionalism. Through its analysis of Hundertwasser's housing projects, one of the objectives of this study is to contribute to a new design paradigm being called for today, including for housing projects to be more ecological and environmental-friendly. By motivating architects and appealing to their clients, this study hopes to motivate those involved in various housing projects to think progressively. Such an attitude change could assist in transforming and thus enhancing the overall living environment in Korea.

• 한국의류산업학회지
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• 제14권5호
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• pp.739-748
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• 2012

Modern people gratify their self-satisfaction to express their distinctive image and symbolic significance through various and sensible direction. The image that is formed by each factor of coordination and harmony of aesthetic characteristic has emphasized its importance in modern society. And also, the item which is conflated by the wearer's feeling figures the image and it takes a role that lifts the degree of fashion's completion. For the rapid change of fashion trend in modern society, the role of Jewelry has been emphasized. Even though the shape of Jewelry is tiny, but it has risen as one of the fashion items which could be used for various application. Especially, the Brooches are mainly put on her's top where they hold someone's eyes, so it could be regard as Artwork which assists for wearer's distinctive style and lingering impression. Overviews of Researches Trend in Brooch, they have been concerned about Brooch Design, Internal state of the Accessory in clothes and Accessory Design which is expressed in Fashion. But, the study on the relations between Clothes and Brooch is insufficient. So, in this paper, first of all we arrange the terms according to characteristic of Brooch, and then study empirically for the relations between Clothes and Shape of Brooch, Colors of Brooch, Materials of Brooch in Fashion Collection in order to study for the new physical beauty that is expressed by interaction between Clothes and Brooch.