• 한국의류산업학회지
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• 제13권1호
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• pp.17-24
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• 2011

This study aims to provide basic materials for adaptive-clothing development for disabled seniors by considering the characteristics of design with both functionality and beauty, which is displayed to overseas functional clothing for disabled seniors. After 341 photographs from 15 overseas websites which sold adaptive-clothing for disabled seniors were collected, their designs were analyzed. The content analysis and frequency analysis using the descriptive statistics were performed as the analytical methods for this study. The results are as follows; first, the design of buttons uses snap fasteners, zippers, Velcro fasteners and rubber bands so as to attach easily and keep fasteners unseen. Second, the used open system is the Back open, the Side open, the Front open and the Hip open. Third, in terms of design, the change follows easy and loose silhouette in order to act comfortably outdoors as well as indoors by making the design of onepiece dresses, jackets and cardigans similar to ordinaries. From the details aspect, a few trimmings such as color, patterns, ruffles around edge, laces and smooth shirring do not stand in the way and give mental please.

• 한국의류학회지
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• 제40권1호
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• pp.69-80
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• 2016

This study investigated the National Competency Standards (NCS) of fashion planning to compare the fashion planning curriculum of domestic universities and colleges with NCS as well as suggest ways to activate the application of NCS to fashion planning education. Qualitative research was employed based on references from the old and new homepages of NCS as well as fashion planning related subjects of domestic universities and colleges. The results are as follow. First, fashion planning NCS was composed of 10 competency units. Competency units were composed of competency unit elements and performance criteria. The levels of the competency units and the competency unit elements were suggested based on 8 stages. There were significant differences in the content of competency units and the level of competency units between the old version and the revised version of fashion planning NCS. Second, considerable fashion planning related subjects seemed at a higher level than the function level of recent college graduates. There were also omitted subjects which were required for recent college graduates. Third, the requirements for the reorganization of curriculums and education systems as well as the cooperation among industry, colleges, universities, and development part of NCS were suggested for the activation of NCS based education and the validation of NCS.

• 패션비즈니스
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• 제25권6호
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• pp.70-80
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• 2021

The purpose of this study is to compare and analyze the identities and roles so that they can grasp their social roles and directions. Artists show a change in identity from the deification of modern artists with freedom and genius to artists who challenge the cognitive aspect of art and redefine the scope and concept of artists by expanding their social role. Artists dreaming of an ideal art utopia, in which art, society, politics, and daily life are coordinated, are constantly presenting the social role and direction of art through the combination and challenge of new ways of art and craft, beauty and function, creative imagination, and public service. Fashion designers act as contemporary genius artists, creators who express the appearance of the times, practitioners who advocate social values and changes, members of business in the fashion system, celebrities who are spotlighted by the public at the center of the fashion industry, or fashion influencers. Thus, fashion designers are complex or selective in their role depending on the fashion philosophy of individual designers or location given within the fashion system. They are becoming the subject of creating the culture of the times by expressing social ideology or playing a role in practicing art in life that leads social culture so as to raise the value of fashion in their development and satisfy cultural enjoyment of fashion consumers who consume art in everyday life.

• 한국의류산업학회지
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• 제24권5호
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• pp.636-646
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• 2022

This study attempted to investigate the research trend of MLD studies which were issued from 2001 to March 2022 by research period/area/method/purpose through the analysis of academic theses and journals and use the results for the growth and of MLD. The study results found the followings: First, in terms of the results by research period, a total of 84 academic papers and journals were published: Phase 1 (15), Phase 2 (47), Phase 3 (22). Second, when analyzed by research area, 'cosmetology' was the highest with 19 papers in terms of the number of studies. In fact, the field of study accounted for the largest portion in all three phases. Third, when analyzed by research method, quantitative research showed the largest percentage in all three phases. Fourth, when analyzed by research purpose, a practical approach was dominant with 81 papers out of the total number of 84 (3 papers in theoretical approach). Concerning a domestic MLD-related research trend, it is an essential step for MLD study establishment and qualitative improvements. Such research analysis of MLD studies is meaningful in that it has not been attempted before. In addition, it is anticipated that the study results would be helpful in searching a direction for the academic growth and development of MLD.

• 한국의류산업학회지
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• 제25권2호
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• pp.153-164
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• 2023

As interest in the environment and sustainability increases, a tendency to pursue eco-design is emerging. Sustainable design coincides with the Korean aesthetic sense of applying the principle of the circulation of nature. This study examined Korean traditional furniture, Bandaji, from the perspective of historical and cultural sustainability and extracted and adopted a sustainability-related motif. The purpose of this study was to develop a creative bag design that reflects Korean tradition and strengthens artistry. First, a bag was produced based on the morphological characteristics of Gyeonggi-do Bandaji. Second, though the original overall design was maintained, the decorative patterns were modified by, for example, increasing the number of ear decorations on the surface of the bag and reducing the number of traps. Third, a new geometric pattern was created for the surface of the bag; this entailed moving the position of the handle-shaped ear ornament and the leather. Fourth, new decorative patterns were drawn on the surface. This study is meaningful in that it presents a sustainable bag production methodology that reflects Korean aesthetics. It also showcases a designer's unique, creative, and artistic bag design. It is expected that design work inspired by Korean formative beauty will be an opportunity to simultaneously utilize and support various Korean cultural assets and artworks.

• 한국의상디자인학회지
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• 제21권1호
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• pp.163-180
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• 2019

A pattern is a symbolic mark of the psychological expression and ornamental desire of the human interior. In particular, plant patterns, from ancient times to modern times, express beauty across both the east and the west. The Joseon dynasty had a strong national will, and it was a time when the symbolism of Korea was established. Plant patterns were decorative and symbolic, filled with meaning in both the textile and craft sectors. This study looked at the frequency and figurative characteristics of the types of plant patterns in textiles, ceramics, woodworking, and metal craftsmanship of the Joseon dynasty. In addition, pattern designs were developed by extracting unit patterns to maintain the original shape, and by adding, magnifying, reducing, and superimposing flat steps and employing the four-fold sequence. The data collected was 826 examples in textiles and crafts, and 34 species of plants were analyzed as follows. In general, the flower patterns preferred soft flowers, flowers, apricot, and peony patterns, and fruit patterns emerged as decorative designs for pottery and woodwork from the 17th century, featuring pomegranates, grapes, fluorines, peaches, and walnut floss. Textiles and woodwork were arranged with many circular designs, while pottery and metal crafts were filled in many ways. Expressive types appeared to be the same as stylistic types for textiles and ceramics, and the construction types were the same in pottery and metal crafts. As such, it was found that even in the different areas of the sculpture, the same aesthetic values were reflected in the common figurative features today. Therefore, in this study, we developed a unique and competitive pattern design that accommodates the modern times and the Joseon dynasty. This development is expected to contribute not only to the development of cultural and tourism products in the future, but also to the tourism industry induced by the Korean wave.

• 한국생활과학회지
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• 제15권5호
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• pp.823-833
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• 2006

The globalization phenomenon of the 21st century has acted as the catalyst to accept diversity, and a new cultural code, ethnic, has emerged in the modem society by the pursuit of diversity throughout the whole society and culture. Unlike preceding studies focusing on ethnic concepts and design development, this study attempted comparative analyses on ethnic trends shown in the collections of two designers, Issey Miyake and Yohji Yamamoto, who have strong ethnic consciousness. It is considered the comparative analysis on the two designers' collections with ethic images will be a guide to indicate the fashion philosophy of the two designers in the category of Japan, and this will be useful as basic data for the establishment of the globalization identity which is needed in the future fashion industry. The study results are as follows. First, it was found that the ethnic code has been so widely accepted by the world designers in a very positive form to accept foreign cultures that the ethnic code is now showing an aspect of eclecticism. Second, designer Issey Miyake has been pursuing his own ethnic style based on his philosophy to liberate humans through continuous researches and efforts on clothes. Third, Yohji Yamamoto has been pursuing a Japanese ethnic style as a designer who has expressed the unique beauty of Japan from the characteristics of Japanese traditional clothes. Fourth, as a result of comparative analyses on collections, they both have pursued an ethnic style based on the unique national characteristics of Japan, but it was also found that their fashion philosophy has developed differently in the same category of ethnic trend.

• 한국융합학회논문지
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• 제13권4호
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• pp.513-519
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• 2022

우리는 4차 산업혁명이라는 편리한 시대에 살고 있으며, 새로운 기술의 발전으로 인해 풍요로운 생활을 하고 있다. 4차 산업혁명은 로봇기술, 생명과학, 인공지능이 주도하는 차세대 산업혁명으로, 스포츠도 융복합 연구의 필요성이 제기되면서 스포츠의 학문적 기초를 위한 노력들이 계속되고 있다. 최근에는 코로나19로 인한 홈트레이닝이 주목받고 있는데, 그 중 필라테스는 인기가 높으며 그와 동시에 관련 용품들의 수요도 급증했다. 이는 코로나19가 스포츠산업 생태계에 영향력을 주었음을 단적으로 보여주고 있다. 따라서 본 연구에서는 필라테스의 정확한 특허 정보를 통해 현재의 동향을 파악하고 향후 스포츠 융복합 산업과 스포츠 지식재산 관련 연구의 기초자료로 사용하는데 그 목적이 있다. 연구 방법은 특허청 특허정보 검색서비스인 키프리스(KIPRIS, www.kipris.or.kr)에서 제공하는 자료를 활용하여 2010년 1월 1일부터 2021년 12월 31일까지의 자료를 통해 특허 상태분석, 국제특허분류(IPC) 특허분석, 분류별 세부 특허분석을 실시하였다.

• 한국산업융합학회 논문집
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• 제27권1호
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• pp.47-55
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• 2024

The purpose of this study is to provide basic data on effective urban regeneration projects and development directions for improving the quality of life of local residents by analyzing urban regeneration projects that have been carried out so far according to evaluation items on public design characteristics. The research method was divided into literature review and case study. The research results are as follows. First, through analysis of previous research, seven evaluation items for public design characteristics were derived: publicness, accessibility, regional identity, aesthetics, communication, functionality, and sustainability. The research subjects were four urban regeneration project cases carried out across the country. Second, among the seven evaluation items for public design characteristics, publicness was all highly applied, but the other six items were applied differently in each case. Third, to increase sustainability, we must use eco-friendly materials and consider sustainable maintenance methods, functionality must be strengthened in terms of functionality and comfort of public facilities and public spaces, and communicability must be improved for local tourists. We actively look for ways to communicate with the public, accessibility involves incorporating more universal design, aesthetics focuses on adding beauty to spaces and facilities, and regional identity focuses on the unique and unique characteristics of each region. We suggest finding a theme and actively using it in urban regeneration projects. Lastly, for an urban regeneration project to be successful, it is necessary to effectively apply not only publicness but also accessibility, local identity, aesthetics, communication, functionality, and sustainability. In the future, public design characteristics should be more actively applied and considered in urban regeneration projects.

• 한국자원식물학회:학술대회논문집
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• 한국자원식물학회 2018년도 추계학술대회
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• pp.26-27
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• 2018

유전 자원에 대한 접근 및 이용에 따른 이익의 공정한 공유를 표방하는 나고야 의정서가 발효되면서, 최근 국내 천연자원을 이용한 바이오 소재 및 제품 개발 연구에 많은 지원이 이뤄지고 있다. 국내 화장품 연구 및 개발 동향은 기존의 합성 화합물 중심에서 벗어나 안전성이 확보된 천연 바이오 소재 중심으로 변화하고 있다. 또한 기능성화장품의 범위가 기존에 크게 미백, 주름개선, 자외선 차단 3가지에서 염모, 탈모 완화, 여드름 완화, 아토피성 피부의 보습 등으로 세분화 및 추가됨으로써 화장품 연구 개발의 범위가 확대되었다. 이러한 기능성 화장품 범위 확대, 화장품 소재에 대한 안전성 규제 강화, 동물실험 금지 등 화장품 연구 환경 변화로 인해 다양한 천연물 기반의 생물학적 활성을 갖는 유효 성분들이 기능성 화장품 소재로 연구되는 사례가 점차 증가하고 있다. 충북은 바이오산업을 지역 특화산업으로 선정하여 바이오산업 육성을 위한 중부권의 오송생명과학단지/오창과학산업단지와 북부권 제천 바이오벨리 조성, 충주기업도시 등을 통해 바이오 제약 및 화장품 기업 유치 와 바이오 산업클러스터를 완성해 가고 있다. 이와 더불어 오송생명과학단지 내에 위치한 오송화장품임상연구지원센터는 충북 지역 중소 화장품 기업들의 글로벌 시장 진출 및 동남아 수출 지원을 위해 임상시험, 효능평가, 해외 인증, 해외시장 박람회 등의 지원을 중점적으로 수행하고 있다. 이러한 하드웨어 인프라 조성과 함께 충북의 천연 소재를 이용한 다양한 국책 연구 개발 사업을 추진하여 충북 특화자원인 황기, 오미자 뿐 아니라 두충, 익지인, 소목 등을 이용한 화장품 소재 개발 연구를 수행하고 있다. 충북지역 기업체 및 연구기관을 중심으로 천연물의 지표 및 유효 물질 원료 확보와 이를 활용한 기능성 화장품 제품화가 본격적으로 추진되고 있어 향후 충북 천연물 산업은 화장품 산업을 중심으로 더욱 성장해 나갈 것으로 기대된다.