• Title/Summary/Keyword: ashfall

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The Numerical Simulation of Volcanic Ash Dispersion at Aso Caldera Volcano using Ash3D Model (Ash3D 모델을 이용한 아소 칼데라 화산에서의 화산재 확산 수치모의 연구)

  • Chang, Cheolwoo;Yun, Sung-Hyo
    • Journal of the Korean earth science society
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    • v.38 no.2
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    • pp.115-128
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    • 2017
  • Aso caldera volcano is located in central Kyushu, Japan which is one of the largest caldera volcanoes in the world. Nakadake crater is the only active central cone in Aso caldera. There was an explosive eruption on October 8, 2016, the eruption column height was 11 km, and fallout ash was found 300 km away from the volcano. In this study, we performed a numerical simulation to analyze the ash dispersion and the fallout tephra deposits during this eruption using Ash3D that was developed by the United States Geological Survey. The result showed that the ash would spread to the east and northeast, that could not affect the Korean peninsula, and the volcanic ash was deposited at a place from a distance of 400 km or more in the direction of east and northeast. The result was in close agreement with the identified ashfall deposits. Ash3D can be useful for quick forecast for the effects of hazards caused by volcanic ash.

Function and Meaning of Color Gray in Korean Films : Memory and Oblivion (한국영화에 표현된 회색의 기능과 의미 : 기억과 망각)

  • Kim, Jong-Guk
    • Journal of Information Technology Applications and Management
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    • v.28 no.3
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    • pp.77-87
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    • 2021
  • The color gray in the cinema expresses the private or public memory and oblivion in the reminiscence scenes. The aesthetic function and meaning of gray that interacts with other elements in cinematic time and space are expanded in various ways. This study was analyzed the cases in which gray was used as the main visual style by limiting the scope to Korean films. Based on the traditional cultural symbolic meaning of gray, I analyzed how it was applied and transformed in films, and interpreted the cultural-social meaning by the interaction between gray and other elements. In film history starting from monochrome, gray has been used as a visual device suitable for realizing cinematic or imaginary reality. Gray is adopted when dreams or recollections are visualized as imaginary reality, and it is used when dreamy imaginations of daydreaming are demonstrated. Gray, which reproduces the dreamlike reality of imagination, is the concrete and realistic way of expression. First, in Korean films, gray is a flashback visual device that recalls the past, and is an intermediary visual form that materializes the imaginary. In films such as Ode to My Father (2014), DongJu (2015), A Resistance(2019) and The Battle : Roar to Victory (2019), the gray of the past is a visual device for cultural memory that builds the homogeneity and identity of the group. In the era of hyper-visibility, gray in black and white images is intended to be clearly remembered by unfamiliarity rather than blurry oblivion by familiarity. Second, in genre films with disaster materials such as Train To Busan (2016) and Ashfall (2019), the grays of rain, fog, clouds, shadows and smoke highlight other elements, and the gray color causes anxiety and fear. In war films such as TaeGukGi: Brotherhood Of War (2003) and The Front Line (2011), gray shows a more intense brutality than the primary color. In sports films such as 4th Place (2015), Take Off (2009) and Forever The Moment (2007), gray expresses uncertainty and immaturity. Third, gray visualizes the historical memory of A Petal (1996), the oblivion in Oh! My Gran (2020) and Poetry (2010), and the reality of daydreaming Gagman (1988) and Dream (1990). At the boundary between imagination and reality, gray is a visual form of dreams, memories and forgetfulness.

TITAN2D Simulations of Pyroclastic Flows from Small Scale Eruption at Mt. Baekdusan (백두산에서 소규모 분화로 발생 가능한 화쇄류에 대한 TITAN2D 시뮬레이션 연구)

  • Yun, Sung-Hyo;Lee, Jeong-Hyun;Kim, Sunkyeong;Chang, Cheolwoo;Cho, Eunil;Yang, Innsook;Kim, Yunjeong;Kim, Sanghyun;Lee, Kilha;Kim, Seongwook;Macedonio, Giovanni
    • Journal of the Korean earth science society
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    • v.34 no.7
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    • pp.615-625
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    • 2013
  • Many eruptions of Mt. Baekdusan volcano have been recorded in the historical literatures, and there were unrest precursors in 2002. Based on the geological survey results, it has been recognized that Mt. Baekdusan's Plinian eruptions had caused ashfall, followed by the occurrence of pyroclastic flows, which were caused by the collapse of eruption column. Therefore, we simulated the range of the impacts of pyroclastic flows, which were caused by small eruptions from a specific crater. Based on the simulation results, it can be interpreted that, when the pyroclastic flows are caused by the eruption column collapse from an eruption with less than VEI 3, the impacts will range from the outer rim of the caldera to the mountain slope 7 km at the maximum distance. Furthermore, it is interpreted that, when the eruption column occurs by the crater located inside the caldera, most will be deposited inside the caldera and what overflows will be deposited thickly mostly in the north valley, the upper stream region of Erdaobaihe.