• 복식문화연구
• /
• 제18권4호
• /
• pp.687-702
• /
• 2010

The purpose of this study is to study the inner meaning and formative with distorted and atypical Informel image, body image expressed in modern fashion. Method of the study is as follow. The study method examined philosophy of art 19th century?in order to consider interconnections between social and cultural characteristics of expressionistic abstract art, a form of Informel and changed physical style. Based on this method, the Informel image that appeared in the plastic arts in terms of artistic significance and aesthetic value was examined. Based on the above discussion on modern fashion Informel images were expressed in any formative characteristics were considered. The results of this study are as follows. Contingencies through the spontaneous act of art to transcend the image of atypical lines formed elements of coincidence, was developed. Liberation was expressed from liberation of physical boundaries and created outward expansion of the free formative. Atypical was organic forms pursuing spontaneous plasticity and diversity, and appeared in the form of distortion and deformation.

• 복식문화연구
• /
• 제20권2호
• /
• pp.129-143
• /
• 2012

This study focuses on the application of collage techniques to contemporary fashion and intends to show that collage techniques have a significant influence on contemporary fashion, leading to a more creative design aesthetic through the combination of fashion and art. The author carried out an empirical analysis focusing on domestic and global fashion collections from 2000S/S to 2010F/W, fashion publications, and internet data, along with a literature review. As a result, the papier-colle approach, as represented by cubism, showed a creative surface effect through the texture of the paper itself by applying real paper and other materials directly to the clothing items. Second, Dadaist ready-made expressed a distortion of the material and freedom of expression by creating a collage with ready-made fashion items and daily necessities. Third, a photomontage expressed unique images by printing various images of photos that contrasted in perspective. In addition to this, beauty in dissonance and a new sense of space by a collage of disparate material. Fourth, decalcomanie was expressed by printing methods, giving a stable image of the symmetry of the perfect landscape as well as the unintended effect of coincidence in abstract images and particular textures. Fifth, assemblage as the representative collage technique of pop art introduced the overall object itself or modified form by combining it with fashion to express three-dimensional aggregate structures.

• 한국의상디자인학회:학술대회논문집
• /
• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
• /
• pp.142-144
• /
• 2005

• 한국의상디자인학회:학술대회논문집
• /
• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
• /
• pp.89-91
• /
• 2005

• 한국의상디자인학회:학술대회논문집
• /
• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
• /
• pp.21-22
• /
• 2005

• 한국의상디자인학회:학술대회논문집
• /
• 한국의상디자인학회 2005년도 Fasion road:Korea to belarus
• /
• pp.29-30
• /
• 2005

• 패션비즈니스
• /
• 제4권3호
• /
• pp.115-129
• /
• 2000

The purpose of this study is to discover the techniques and the trends of expression of modern knitwears focusing on the 1990's after. The resorts of this study is as follows: The techniques of expression of knitwears are classified by the sections on the techniques and the styles of expression. The divisions into the techniques are knitting, crochet, macrame, netting, knotting. And the divisions into upon the styles of expressions are color, pattern, texture, relief and seeing through The techniques of expression on the modern knitwears are expressed characteristic of variety and composition, are expended to the art wear by translated into art. According to a wide sense, ecology, ethnic, modern are the themes of knitwears of 1990's after. The characteristic technique of expression according to the themes are expressed by the harmony of image, yarn, color, silhouette, techniques of expression. The modern knitwears are tried by mixed and various techniques, developed to the area of art wear, escaping from simple and practical item.

• 복식문화연구
• /
• 제20권5호
• /
• pp.775-781
• /
• 2012

There are various kinds of patterns on Li brocade textile of Hainan province in China. Those patterns are rich and colorful. Li (黎族) traditional brocade is an ancient exquisite craftsmanship and a world cultural heritage. This study analyzed and categorized Li brocade pattern of traditional Chinese textiles. Li (黎族) traditional brocade is an ancient exquisite craftsmanship. Based on the research of classifications of Li brocade patterns, expound the application of women's costume. The patterns of Li brocade textile of Hainan province analyzed through three levels: design transforming, meaning prolongation, and refining spirit. The patterns were explored the feasibility way to inherit the patterns of Li brocade for the modern fashion product design. The results showed that Li brocade textile pattern of Hainan province were images sourced from local environment and geographical terrain. They contained the nation's history memory, religion, hope for life of the Li nationality. Those patterns can be categorized as human figure pattern, animal pattern, geometric pattern, appliance or architecture pattern, and Chinese character pattern.

• 한국생활과학회지
• /
• 제5권2호
• /
• pp.145-159
• /
• 1996

Surrealism was originated from the influence of dadaism as one of the new movement in the 20th C. That movement denied the traditional art form, searched the man's inner consciousness and subconsciousness, and discovered automatism as a means to realize this. In this paper, 1 studied the relationship between fashion and art trend, investigating the influence which surrealistic idea and its expression made on modern fashion. Surrealism has expanded and developed the creation of fashion for the 20th century, by supplying a new and good idea th fashion design, and in the coming 21th C., it will greatly contribute to the development for future form of clothes, carrying out the essential function of clothes, which is called the expression of human nature in the harmonization with man.

• 한국의류학회지
• /
• 제16권1호
• /
• pp.97-110
• /
• 1992

Impressionism was the epoch in art which marked the beginning of modern times. For the relatively short period of twenty years, from the middle of the 19th century until approximately 1875, Impressionism was style forming. Then the dissolving tendencies became increasingly stronger A number of artists remained true to the style, some of them lifelong, well into the 20th century. Other, after years of experimenting with other styles, returned to their Impres- sionistic beginnings. However, they were individual personalities with their own artistic hand. Quite a few painters entered the circle of Impressionism after 1875 & used the perceptions of this art in their later works. Especially, Impressionism's light & color affected both 20th's painting & other sorts of art. From the fashion point of view, the influence of Impressionism affected a great deal on the 20th than 19th fashion. As a result the influence of Impressionism on Modern Fashion was as follow: 1. The soft, pretty pastel color was illuminated Modern Fashion. 2. Impressionism affected on the elegance, feminity of design of Modern Fashion