• 제목/요약/키워드: arche

검색결과 13건 처리시간 0.016초

월경곤란시 여자중학생이 지각하는 스트레스 및 그 대응에 관한 소고 (A Review on Stress and Coping Level at Dysmenorrhea Perceived by Middle School Girls in Seoul)

  • 정문희
    • 한국보건간호학회지
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    • 제5권2호
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    • pp.45-51
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    • 1991
  • The purpose of this study is to investigate the stress and coping level as a result of dysmenorrhea which was experienced by girls. For the collection of data, the girls from the 1st to the 3rd grade in middle school in Seoul were selected through a random sampling technique. The survey was conducted from the 1st. to the 14th of June, 1991 by the use of questionnaires made after a pilot study. The final subjects for analysis were restricted to only those who had experienced me~arche, the number of which totaled 1,131. The stress, coping level, and other variables, were tested and analysed by descriptive statistics (eg, frequency, percentage, mean and standard deviation), t-test, ANOVA and Pearson's correlation coefficients. The obtained results are summarized as follows. 1. The chronological start for menarche was at a mean age of 13.1 The respondents who had experienced menarche numbered $70.9\%$ of the 1st grades and $96.2\%$ of the 2nd grades in middle school, otherwise the starting age for menarche was in the 4th grade in primary school. 2. Their menstrual cycle and period were longer than adult's one. The number of students studied who had experienced dysmenorrhea during their menstrual cycle were 860, and 650 of those revealed that their mothers or sisters had experienced similar problems. 3. The subjects who were late or head left early rather than being absent from school every menstruation cycle were more stressful. The results are thought to show that the girl's perception of dysmenorrhea seems to be more sensitive than adult's one. 4, A significant negative correlation was found between the perception of menstrual flow and strees level. It means that an increase in the stress of dysmenorrhea was associated with decreased menstrual bleeding. The degree of hypochondrical concern assessed by the girls was significantly correlated to stress and coping level. When the girls perceived high stress as a result of dysmenorrhea, they worried about their physical health more. The above results lead us to the suggestion that the starting point of early education with a school program is appropriate for the 4th grade in primary school. Especially if the girls in middle school should be required to give the information about correct knowledge and sufficient self -care management of menstruation monthly, if this could be implemented the loss in school days among the students due to dysmenorrhea would be minimized with more ease.

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화단형 침투시설의 단위설계침투량 산정 및 효과분석 (Estimation of Appropriate Infiltration Rate and the Effects of the Flowerbed Type Infiltration System)

  • 한영해;이태구
    • 한국조경학회지
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    • 제40권5호
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    • pp.140-147
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    • 2012
  • 본 연구에서는 우수 유출량을 일정수준 이하로 제어할 수 있는 화단형 침투시설을 개발하여 이의 적정 설계침투량을 산정하고 적용효과를 분석하였다. 침투시설의 설계침투량을 산정하고 성능을 분석하는 것은 지구단위계획과 같은 공간계획에 구체적으로 빗물침투시설을 계획할 경우에 적용 후 효과를 예측하는데 있어 반드시 검토되어야 할 사항이다. 이에 본 연구에서는 한국건설기술연구원 실험동 옆 주차장을 대상으로 본 시설의 단위설계침투량에 변화를 주어 물수지 분석 프로그램을 이용, 유출량 감소효과를 분석하였다. 침투시설의 설계침투량을 $0.1{\sim}3m^3/m^2.day$로 각각 변화를 주어 유출율 변화를 분석한 결과, $1.0m^3/m^2.day$에서 유출량 80%를 침투시키는 것으로 분석되었으며, 이때의 단위설계침투량이 0.0416($m^3/m^2.hr$)이었다. 또한 개발한 시스템을 현장침투실험한 결과, 단위설계침투량이 약 $0.045m^3/m^2.hr$으로 나타났다. 이 값은 시뮬레이션한 단위설계침투량과 유사한 것으로 분석되었다. 본 연구결과를 토대로 경제적인 규모와 환경적 효과를 최대한 고려한 침투량 산정이 가능하였으며, 또한 도시에서의 녹색인프라로서 빗물침투시설을 공간계획에 적용할 때 고려할 수 있는 근거를 마련했다는 데 의의를 갖는다.

임진택의 공동체 지향 연출론: 공동체적 세계관과 미학의 발현 -1970년대와 80년대 대학 공동체 마당굿 퍼포먼스 연출 시기에 초점을 맞추어- (Director Yim Jin-Taek's Grounded Aesthetics of Community-based Theatre)

  • 이강임
    • 한국연극학
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    • 제48호
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    • pp.289-332
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    • 2012
  • In this paper, based on the theory of performance studies and community-based theatre, I venture to explicate the socio-political significance of director Yim Jin-Taek's community-based performance called 'madanggut', which is heavily based on elements of indigenous culture. Yim's madanggut utilizes elements of indigenous cultures and searches for 'the Korean ethnic (arche)type' as 'the ideal Korean type' or 'genuine Korean-ness' for the reconstruction of 'the Korean ethnic community.' This paper interrogates the major task of Yim Jin-Taek's madanggut, which ideologically promulgates the idea of ethnocentric patriarchy supported by the traditional (mainly Confucianist) notion of 'community' - inquiring if this type of theatre can provide useful and practical prospects for imagining a more democratic and plural civilian society in Korea today, when the interaction of globalization, nationalism, regionalism, and localism simultaneously impact our everyday life and cultural identification. Regarding the recent global phenomenon of the resurgence of nationalism, I looked at madanggut's use of symbolic resources from the past for imaginative communal bonding as a nation. But, the claimed homogeneity of the national past by means of 'nation conflation' of different social groups is an illusionary conceptualization, and the national historiography silences memories of the marginalized groups and denies their histories. It is certain that in Korea nationalism has historically performed an important function during the colonization and democratization period. Nevertheless, as Yim's Nokdukkot realized, it cannot be overlooked that as a representative of 'the Korean ethnic community,' 'the protecting man/the sacrificial woman' is contradictory to the plural and lateral thinking of participatory democracy in community-building. It is time to think about a new political language that relates individuals to the community and nation. 'The ethnic type' cannot represent the whole nation and the members of the nation should be the examples of the community they belong to for a more democratic society. I have selected Yim's several community-based works mainly from the 1970s to the 1980s since the works provide grounding images, symbols, metaphors, and allegories pertinent to discussing how 'the Korean ethnic community' has been narrativized through the performances of madanggut during the turbulent epoch of globalization. I hope that this paper presents Yim's grounded aesthetics of community-based theatre with fully contoured critical views and ideas.