• 말소리와 음성과학
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• 제2권4호
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• pp.11-18
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• 2010

This study compared classical operatic singing and applied music singing using the vocal assessment software, Dr. Speech and SPEAD from Lx Speech Studio. Participants in this study included: eight female operatic singers (mean 22.6 yrs, average career 7.5 yrs); eight male operatic singers (mean 25.6 yrs, average career 7.3 yrs); eight female applied music singers (mean 25.1 yrs, average career 6.1 yrs); and eight male applied music singers (mean 27.6 yrs, average career 6.8 yrs). The results demonstrated significantly higher closed quotient values in female applied music singers during singing (p<.05). In addition, higher closed quotient values in speaking were presented in male classical singers and longer MPT was obtained in female operatic singers (p<.05). Furthermore, singer's formants were identified in all male operatic singers and in three female operatic singers. In contrast, only one applied music male and one female singer showed singer's formants while singing.

• 대한후두음성언어의학회지
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• 제27권2호
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• pp.114-121
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• 2016

Background and Objectives : Many students major in applied music singing have various difficulties in phonation when they sing or perform. But the studies about this cause are lack. The purpose of this study is whether singing voice therapy based on vocal music is effective or not to applied music singing students that have difficulties in phonation. Materials and Methods : Singing voice therapy program had been done to 8 students major in applied music singing during 7 weeks. We did laryngeal stroboscope, perceptual, acoustic and aerodynamic examination before and after singing voice therapy to this students. And we studied post examination results have differences or improvements compared to pre examination results. Results : Four male students don't have effective improvement after singing voice therapy but they shows slight improvement in aerodynamic examination values compared to pre examination values. Four female students shows improvement in aerodynamic examination values and pitch range increasing. Above all, one student's vocal nodules disappeared after singing voice therapy. Conclusion : Singing voice therapy based on music singing is very effective to the students major in applied music singing. Above all, their curriculum in applied music singing should include phonation training based on music singing before training perform and technic practices.

• 한국산학기술학회논문지
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• 제11권10호
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• pp.3673-3679
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• 2010

본 논문은 실용음악 전공자의 시창청음 교육을 위한 프로그램 개발 방향을 제시하고자 하였다. 실용음악 전공학생들을 대상으로 한 설문을 통한 내부 환경 및 기존 교재에 관한 분석이 논문의 출발점이며 이를 바탕으로 시창 부분과 청음 부분의 통합 학습 프로그램을 고찰하였다. 음악이론을 바탕으로 한 다양한 악곡의 활용, 리듬과 화성의 즉흥 표현을 위한 연습 방법 등이 프로그램 개발 내용의 핵심이다.

• 말소리와 음성과학
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• 제6권2호
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• pp.37-45
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• 2014

The purpose of this study was to determine whether the Korean Singing Voice Handicap Index (K-SVHI) was suitable for singers in other genres than vocal music to assess their vocal problems subjectively. Twenty six college students majoring in vocal music and twenty six students majoring in applied music were included in the study. They were divided into G0 and G1 in voice quality using the GRBAS scale during the tasks of singing. K-SVHI was divided into three sub-areas (Physical, Functional, and Emotional). In the singing task, both groups showed no significant difference between K-SVHI scores by G scale. In the reading task, the vocal music group had significantly higher K-SVHI in G0 than in G1 in K-SVHIs by G scale, while the applied vocal music group had significantly higher K-SVHI in G1 than in G0. Also, the two groups were not significantly different in G0, G1 in the singing task while the vocal music group showed higher K-SVHI than the applied vocal music group in G0 in the reading task. In addition, the vocal music group had higher K-SVHI than the applied vocal music group in G1 in both tasks. As comparing by groups in three sub-areas of K-SVHI, significant differences were found in the Emotional and Functional area. Those results showed that singers felt their voice problems differently by musical genres, which means that K-SVHI may not be a proper tool for evaluating voice handicap of singers in diverse voice music genres.

• 한국산학기술학회논문지
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• 제13권6호
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• pp.2491-2496
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• 2012

2000년대 들어서 가요계는 이전에는 볼 수 없었던 특이한 현상이 발생하였다. 많은 남자 가수들이 똑같은 목소리, 똑같은 창법으로 노래를 부르는 현상이 그것이다. 혹자들은 그것을 "소몰이 창법"이라 이름 붙였는데 당시에는 특이한 목소리로 인해 대중들에게 상당한 인기를 끌었다. 80년도 초 조용필의 "창밖의 여자"가 히트를 하면서 많은 가수들이 조용필의 창법을 익히고자 했던 적은 있었지만 많은 남자 가수들이 똑같은 목소리와 창법으로 앨범까지 발표한 적은 유래가 없었다. 본 연구에서는 "소몰이 창법"이 무엇인지 어떻게 시작 되었는지 또한 발성의 특징은 무엇인지 등에 관한 연구 논문이다.

• 사상체질의학회지
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• 제18권1호
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• pp.30-40
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• 2006

1. Objectives The present study purposed to examine the contents and the principles of music therapy according to Oriental medicine theories in order to prove that music therapy is not a new research area but its principle is found in the long tradition of Oriental medicine. 2. Methods We investigate the possibility of music therapy based on Oriental medicine theories and examine the meanings of music therapy from the viewpoint of Oriental medicine. 3. Conclusions and discussions (1) The principles of music therapy are the principle of homogeneity, catharsis and balance. (2) When one’s mind changes, there are naturally occurred sounds, which are called Oseong (五聲: the oriental five voices exhalation, laughing, singing, wailing and groaning), and the notes defined by arranging the Oseong according to the principle of Ohaeng (五行: the oriental five phases wood, fire, earth, metal, water) are Oheum (五音: the oriental five musical notes Gakeum, Chieum, Gungeum, Sangeum and Wooeum.). If Eum (musical notes) is classified into Ohaeng, it can be divided into Gakeum, Chieum, Gungeum, Sangeum and Wooeum. (3) Change of Sinji (神志: consciousness) induces change of Gigi (氣機: function of Gi), which can change the character of voices. Oseong controls the functions of Ojang (五臟: the oriental five viscera) by ruling one’s Jeongji (情志: emotion). It can reduce the damage of the viscera caused by excessive vent of emotion resulted from unconscious expression of Oseong - Hoseong (呼聲: exhalation), Soseong (笑聲: laughing), Gaseong (歌聲: singing), Gokseong (哭聲: wailing) and Sinseong (呻聲: groaning). (4) Yijeongseungjeong (以情勝情: Control emotion with emotion) therapies, which suppresses an emotion by stimulating another, include Noseungsabeop (怒勝思法: Control anxiety with anger), Heeseungbibeop (喜勝悲法: Control sorrow with joyfulness), (思勝恐法: Control fear with anxiety), Biseungnobeop (悲勝愁法: Control anger with sorrow) and Gongseungheebeop (恐勝喜法: Control joyfulness with fear). (5) Seongeum (聲音: voices and musical notes) can be applied to a stimulation method that not only harmonizes the rhythm of living organs but also controls the occurrence of diseases caused by mutual Pyeonseongpyeonsoi (偏盛偏衰: relative preponderance and weakness) through direct induction of the strength and weakness of Gi function of the oriental five viscera in a human body according to the individual character. Sounds preferred by the patient, the material of an instrument selected by the patient, the character of rhythm and music expressed by the patient and the sound or voice uttered frequently by the patient can be considered in diagnosis and treatments for the patient’s body and mind.

• 디지털융복합연구
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• 제13권11호
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• pp.409-415
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• 2015

인터넷이나 소셜 네트워크 서비스 등의 매체가 발달함에 따라 아티스트는 자신의 개성을 확립하기 위해 예전보다 보다 많은 노력을 해야 하는 시대가 되었다. 과거의 아티스트가 가창력이나 무대 매너 등 표면적으로 드러나는 요소만으로도 충분했다면, 최근에는 음악성, 삶의 철학, 사회 참여 등 자신의 정체성과 관련된 많은 분야에도 세심한 주의가 필요하다. 이러한 관점에서 1990년대 발라드를 대표하는 아티스트중 하나인 이승환을 주목하고자 한다. 그의 음악에서 나타나는 특징은 록 사운드를 기반으로 한 다양한 악기를 활용, 월드뮤직 사운드, 대규모 합창, 새로운 스타일에 대한 도전, 삶이 담겨있는 가사 등 크게 다섯 가지로 나눌 수 있다. 이승환은 싱어 송 라이터로서 수많은 앨범을 자신만의 색으로 채우며 한 시대를 풍미했으며, 지금도 활발하게 활동하고 있는 현재 진행형 아티스트이다.

• 성인간호학회지
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• 제13권4호
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• pp.591-600
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• 2001

Purpose: This study was to observe the effects of music therapy on the cognitive function, behavior, and emotions of elderly dementia patients, and to seek musical mediation for them. This study was conducted with patients in the Dementia Sanitarium in C City from March 13 to April 17. Method: The design of research was a nonequivalent control group non-synchronized design and the subjects were 25 patients-15 of whom were in the experimental group with 10 in the control group. The music therapy consisted of favorite music listening in the morning, favorite music group singing activity after lunch, and relaxing music listening after dinner. The schedule was followed 6 days a week for 2 weeks for a total of thirty-six session. The effect of music therapy was measured by MMSE-K and the behavior and emotion measuring equipment which had been derived by the researcher. The verification of the effects is that the score of cognitive function, behavior, and emotions of the experimental and the control group which were measured after the therapy had been applied was analyzed by descriptive statistics and t - test using SPSS WIN program. Result: 1) The degree of cognitive function of the experimental group which was received the music therapy is $11.53{\pm}5.37$ which is a little higher than the control group which is $11.20{\pm}6.32$, but it is not significant statistically (t= .14, p= .887). The first hypothesis which had assumed the recepients would have had a higher cognitive function level than the other was rejected. 2) Behavior score of the experimental group that received the music therapy is $68.90{\pm}7.86$ which is higher than the control group which is $66.40{\pm}11.13$, but it is not significant statistically(t= .61, p= .548). The second hypothesis which had assumed the recepients would have had a higher behavior level than the other was rejected. 3) Emotions score of the experimental group that received the music therapy is $42.13{\pm}5.04$ which is higher than the control group which is $35.20{\pm}6.12$, and it is significant statistically(t=3..09, p= .009). The third hypothesis which assumed the recepients would have had a higher emotion level was supported. Conclusion: music therapy which is composed of listening to music and group singing activity is an effective strategy for improvement of the emotions of the dementia elderly. But, the effect of music therapy on the cognitive function and behavior of elderly dementia patients is not significant statistically.

• 대한인간공학회지
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• 제15권1호
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• pp.79-90
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• 1996

A research project was conducted to assess the levels of noise exposed to "Noraebang" users and potential hazards to noise-induced hearing loss due to commercial Noraebang noise. A two-way, mixed-factors factorial design was employed for the experiment using independent variables of "noise source" (no- singer, 1-singer, and 2-singer conditions) and "music type" (Trot, Ballad, and Rock music) with 18 normal hearing subjects. Each singer group sang 5 popular songs of each music type in each signing condition, whereas background music was just played for the no-singer condition. For each music played/sung, equivalent continuous sound pressure levels and maximum sound pressure levels were measured for data analysis purposes. Pure-tone audiometry was applied for measuring subjects' hearing threshold levels before and after exposure to Noraebgang noise. The statistical analyses indicate that average continuous noise levels due to Noraebang leisure environment were very serious, especially when two people were singing (higher than 95 dBA). Furthermore, maximum noise levels often exceeded the OSHA's non-premissible 115 dBA level. Worse yet, hearing loss assessment implies that Noraebang facilities may pose a serious threat to noise-induced hearing loss, based on 6-8 dB loss at 125 Hz and 8 dB loss at 4000 Hz after about 1-hour Noraebang noise exposure.

• 디지털융복합연구
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• 제15권12호
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• pp.455-460
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• 2017

우리나라 대중음악에서 소울음악은 뛰어난 가수로서의 평가기준이 되고 있다. 우리가 열광하는 소울음악을 이해하기 위해서 음악의 모태가 되어진, 흑인들의 피와 땀이 서린 광활한 대지에서 외치는 소리(Filed Holler)와 그들의 처량한 신세를 한탄하며 노래하던 송스터(Songster)음악인 블루스. 그리고 정신적 유일한 안식처인 교회 음악과 중요한 뮤지션들을 고찰하였다. 특히, 탄생시점인 1960년대 미국의 사회적 배경은 소울음악을 이해하기 위해 가장 중요한 요인이라 할 수 있다. 수많은 외세의 침략가운데 처절한 식민 지배를 받아온 우리나라는 자연스럽게, 노예역사를 가진 흑인들의 정서를 공유하고 있다고 볼 수 있다. 흑인들에게 소울음악은, 사회적 태도의 표현이며 분노표출의 음악인 것이다. 그러나 지금 우리나라에서 홍수처럼 쏟아지는 많은 음악 가운데 삶의 본질을 관통하는 음악이 너무나 부족하다. 흑인들의 처절한 삶의 투쟁으로 얻어낸 고귀한 결정체인 소울음악이 우리에게 단지 이성에 대한 구애와 화려한 보컬의 능력을 과시하는 수단으로 전락하고 있음이 안타깝게 느껴진다. 소울음악이 흑인들에게 정체성과 자존감 회복의 강력한 도구가 되었듯이 우리사회에서 약자들의 소리를 시원하게 외칠 수 있는 본질의 소리가 되길 기대한다.