• 한국멀티미디어학회논문지
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• 제17권9호
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• pp.1134-1140
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• 2014

The history of mankind has been together with the history of image because image provides with excellent information as a communication means. However, this study argues that there is more underlying cause for it. A subject is the subject of unconscious and the role of image is huge in the process toward the subject. Of course, image has been dealt in-depth in psychoanalysis. Film study also applied psychoanalysis on it. However, they were not the approach from the viewpoint with image in the center. Accordingly, this study will verify the image toward the subject and the absoluteness of image. The result of this study is that image intervened deeply in the formation of the subject much higher than the level of simple communication. Since image communicates with the subject on more underlying level, the subject have been always entangled with image and men have delved in image and been attracted to it.

• 음성과학
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• 제8권2호
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• pp.49-59
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• 2001

The phoneme segmentation is a very difficult problem in speech sound processing because it has found out segmental algorithm in many kinds of allophone and coarticulation's trees. Thus system configuration for the speech recognition and voice retrieval processing has a complex system structure. To solve it, we discuss a possibility of new segmental algorithm, which is called the minus a thirds one or plus in tripartitioning(삼분손익) of twelve temporament(12 율려), first proposed by Prof. T. S. Han. It is close to oriental and western musical theory. He also has suggested a 3 consonant and 3 vowel phonemes in Hunminjungum(훈민정음) invented by the King Sejong in the 15th century. In this paper, we suggest to newly name it as ortho-phonic phoneme(OPP/정음소), which carries the meaning of 'the absoluteness and independency'. OPP also is acceptable to any other languages, for example IPA. Lastly we know that this algorithm is constantly applicable to the global language and is very useful to construct a voice recognition and retrieval structuring engineering.

• 한국수학사학회지
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• 제24권3호
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• pp.59-76
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• 2011

NBG의 공리들을 충족시키는 모델로서의 집합 V 를 도입하고 그것의 요소들을 sets라 부르고 그것의 부분집합들을 classes라 부른다. 일반연속체가설 (GCH) 와 선택공리 (AC) 가 ZF 집합론과 무모순이라는 것에 대한 괴델의 증명을 그 이후 나온 Mostowski-Shepherdson mapping 정리, Tarski-Vaught 정리 및 Montague-Levy 정리의 반사원리들, NBG가 ZF의 보존적 확장이라는 정리 등을 이용하여 재구성해 본다.

• 영미문화
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• 제14권1호
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• pp.117-139
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• 2014

This paper examines the moral vagueness penetrating Heart of Darkness. It views that the inarticulate moral presentation in the book is caused by the way in which the author distracts Marlow throughout his journey to Congo and ultimately to Kurtz, and puts him in a distance from what the real Cong is. Also Conrad's peculiar narrative style leads the readers' view astray Marlow describes what he sees and delivers the impression he gains in the journey but all he gets seems to be merely hazy and nebulous the readers are left with suspicion about his reliability on what he conveys to them. The effect is, because of the meagre tangibility on what Marlow experiences, he does not seem to get a clear grip on his moral rumination on what Congo can emit and what Kurtz ended up with, which allows the novel to defy a moral absoluteness. The moral awakening Marlow has gone through remains obscure. The readers are simply invited to work out what Marlow is up to.

• 대순사상논총
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• 제32집
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• pp.175-199
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• 2019

본 논문은 헤겔이 말한 노동(勞動, Arbeit)의 개념이 인간 실존에 내재한 무한성 구현의 근본 기재라는 이론에 착안하여 삼계를 상생(相生)으로 소통시킨 증산(甑山)의 천지공사(天地公事)를 노동의 개념으로 해석하는 것을 목적으로 한다. 헤겔이 주체의 자유와 해방의 가능성을 노동에서 찾고 있다는 점에서 인간의 몸으로 강세한 절대자 증산이 지향한 음양합덕(陰陽合德)·신인조화(神人調化)·해원상생(解冤相生)·도통진경(道通眞境)의 사상을 근거로 하여 천지공사를 노동의 개념으로 해석하였다. 이 논문에서 주목할 점은 절대자(絶對者)에게 노동이 발생하는 사태의 의미를 파악하는 것이다. 노동은 실존계의 인간에게 발생하는 개념이다. 이념계와 자연계 사이 즉 천지 사이에 있는 인간이 무한(無限)과 유한(有限)을 이어 구체적인 산물(産物)을 만들어내는 일이 노동이다. 근대적 의미의 노동은 수동적 활동이 아닌 주체적 활동이며 주체가 자신을 무한성을 향해 확장하는 행위이다. 이러한 노동이 절대자에게 발생하는 시점으로부터 실존에 대한 무한성 구현을 향한 형이상학적 패러다임의 변혁이 시작된다. 절대자의 노동 발생의 시점이 곧 우주 변혁의 시점인 것이다. 이러한 절대자의 노동 발생은 분열에서 통합이라는 천지인(天地人) 삼계(三界)의 상생적 소통을 통한 삼계의 질적 균등성을 형성한다. 부동의 원동자로서 초월적 세계에서 현상 세계를 수직적으로 조화(造化)한 구천대원조화주신(九天大元造化主神)에게 노동이 발생하는 것은 그가 실존(實存)의 위치로 하강하여 삼계에 절대성을 전이(轉移)하여 통일(統一)하는 것으로 이어진다. 따라서 절대자로서의 상제에게 노동은 곧 실존의 자격으로 인세에 행한 직접적 소통이자 그들과의 합일(合一)이며 천지공사가 바로 절대자의 그러한 실존적 노동에 해당하는 것이다.

• 한국실내디자인학회논문집
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• 제16호
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• pp.135-141
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• 1998

The objective of this study is to examine the specific progress in modern architecture with a premise that structure-oriented paradigm, as a primary factor, exerts a strong impacts on 18th and 19th centuries architecture. For this purpose, the concept and meaning backgrounds of structure-oriented paradigm have been checked also intrinsic thought s and critical aspects of modern architecture with the light of structure-oriented paradigm have been studied, This study summarized as follows: 1) The concept of structure-oriented paradigm in accordance with ideologies and technologies is framework of through which is shared as collective consciousness. 2) The backdrops of this consciousness are scientific methodologies stemmed from Renaissance and Enlightenment spiritual absoluteness claimed by German Idealists developed structural engineering with newly introduced material like iron steel and reinforced concrete. 3) The intrinsic through in architectural theories are rational and technological idelolgies which is derived from the backdrops of structure-oriented paradigm. 4)The critical sapects of modern architecture in structure-oriented paradigm point of view are $\circled1$ material alteration and directive imitation of vocabularies in classical architecture with simply using newly introduced building material and structure systems $\circled2$ morphological substitution with abstractly interpreted materials and structure systems $\circled3$ revolutionary conversion into engineering architecture through maximum consideration in compliance with tectonics capabilities

• 한국한의학연구원논문집
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• 제2권1호
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• pp.307-313
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• 1996

In order to study for the principle of the Dan-Jeon respiration and Seon meditation to be ascetic exercises for the sake of experience of Oriental medicine as practical science, they were investigated the theory of the Jeong-Gi-Shin. The results obtained were as fallows ; 1. The Dan-Jeon respiration was Mahayana of ascetic exercises to act demension of Gi to be observed two sides of material and spirit. 2. The Seon meditation was Mahayanea of exercises to experience demension of Shin to be the subject of life directly. 3. Even though Dan-Jeon respiration takes the golden mean of Shin, it belongs to the category of Jeon-Gi to correspond to appearance of material dimension. Seon meditation utilizes the Jeong-Gi in the stage of the golden mean of Shin. As results, Dan-Jeon respiration does not get out of the world of appearance centering around the Gi. But Seon meditation gets out of the world of appearance and utilizers the relativity in the free absoluteness.

• 한국산학기술학회논문지
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• 제12권10호
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• pp.4569-4573
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• 2011

레졸바는 앤코더에 비하여 가격 면에서 유리하지는 않지만 절대위치를 검지해야 하는 경우와 기계적으로 견고해야 하는 장소에서 정교한 제어용으로 사용되고 있다. 레졸바에 의한 위치와 속도검출 방법은 일반적으로 관측기를 응용하고 있으며, 아날로그 신호를 처리해야 하는 부분을 갖고 있다. 본 논문에서는 레졸바의 출력신호를 위치정보인 코사인과 사인파형으로 복조하고 복조된 아날로그 신호를 제어기에 전송하는 방법을 사용하였다. 또한, 제어기의 프로그램에 추정기를 설계하고 극저속에서 그 동작을 관찰하였다.

• 한국보육지원학회지
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• 제11권1호
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• pp.435-459
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• 2015

21세기는 포스트모더니즘의 시대라고 말한다. 진리와 지식의 절대성, 계몽주의, 이성주의, 객관주의, 합리주의, 결과주의 등의 가치를 지향한 모더니즘 시대에 대한 저항 및 반발로 등장한 포스트모더니즘은 오늘날 교육 분야뿐만 아니라 정치, 경제, 사회, 문화 등 기타 수많은 분야에서 나타나고 있는 지속적이고 다양한 변화를 설명해 줄 수 있는 새로운 사상으로 많은 주목을 받고 있다. 이에 본 연구에서는 유아교육현장에서 발견되는 포스트모던적 양상들을 고찰하였다. 그 결과, 유아교육현장에서의 포스트모던적 양상을 '상대성을 맥락으로 하는 유아교육: 유아의 흥미와 관심이 우선이니까요', '리좀적 구도를 지닌 유아교육: 유아들은 예측불가능하고 다채로워요', '양방향성을 추구하는 유아교육: 나도 아이들에게 배워요', '과정지향성이 강화되는 유아교육: 결과보다는 과정을 더 중요시하지요'으로 분류해 볼 수 있었다. 이상과 같은 결과를 바탕으로 결론 및 논의에서는 그러한 양상들의 상관성을 서술하고 유아교육현장과 관련한 시사점을 제시해 보았다.

• 조형예술학연구
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• 제2권
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• pp.193-221
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• 2000

The postmodern culture since the later 20C breaks downa tradition a relation between the reality and languages or sign images expressing it. It develops in the way to review the meaning on the object's imitation or the representation to have been followed since Plato and represent the new state and concept of expressed things. Also, The visual art leads an change of paradigm by images giving up the visual resemblance or the function of representation and endowing them with the new sense. This essay has a purpose to study an important discussion about this change centered on Baudrillard and Lacan. A sociologist Baudrillard promotes the concept of 'simulation' through detecting the reality and the social and historical state of the image. Studying on the course of this change, he calls the step that the image escapes from the stage to reflect the reality and become the pure imitation by itself simulation. The image in the stage of simulation is called 'hyperreality' because it doesn't have any an indicator or a substitute and happens by models without the original or the reality. So he asserts that art is not to contain some absoluteness or transcendency as the past, but to be as the spectacle with characteristics of meaningless, emptiness, contingency. Lacan dismantles the concept of the absolute Cogito to have become the center of the western ideology, and creates the concept of 'Other'. He concludes also the reality exists but can't be captured, and it's impossible for the thinking subject can reach it. The concept of new image which can be thought as the Symbolic in Lacan is 'Signifier without Signified' since it isn't possible to be the transcendent Signifier fixing the meaning finally in it. His 'Gaze' theory is which to be emitted in other's area determines the subject. Equally Baudrillard and Lacan sets up the new state of the image through the end of representation system As for Baudrillard, art intends to the worthlessness and is nothing but imagination. But in Lacan a picture represents the subject being in process by the dialectic of desire.