• 건축역사연구
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• 제20권4호
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• pp.95-114
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• 2011

Western style timber roof trusses used as typical roof structures of buildings during a modern period have been developed with the interactions with their facade and functionality. The shapes of trusses and member sizes have been diversely changed by the purposes of architects, historical circumstances, and structural characteristics. For this reason, the change in the shapes of western style timber trusses along the times is one of important technology assets demonstrating the development of their structures during the modern period. Therefore, the purpose of this paper is to find out their structural characteristics throughout parametric analysis of which parameters were determined from the collected and classified documents on western style timber roof structure built in the modern period carefully obtained from public institutions. Results of the parametric analysis are as follows. The number of king-post trusses and modified king-post trusses built between 1920 and 1937 reaches almost half of the total number of truss types investigated. The mean values of their spans, distances, tributary areas, and height are respectively, 10.5m, 2.4m, $24.37m^2$and 3.24m. The cross-section areas of trusses tend to reduce since the city construction law was enacted in 1920. Also, this study found that western architects usually used larger structural members than eastern architects and usages and finishing materials of roof trusses are not always considered as one of the important design parameters.

• 복식
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• 제51권4호
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• pp.141-163
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• 2001

This study was to analyse the meanings of the appropriation inherited in the modern costumes from the latter of the 20th century to the present. According to the dictionary, the meanings of a word. "appropriation" is to steal something, used in order to avoid saying this directly. The sorts of the appropriation represented in the works of Art was as follow : First. the reconstruction by the imitation of the works of a great master or partly induction of the works of a great master Second, the introduction by the history, modern art, the image of popular culture Third, the imitation by the works of photograph, etc The appropriation in the modern costumes could be distinguished as two facts : First, the appropriation of the image of popular culture, 1) the way by the induction of popular factors of the extremely routine, commonplace character 2) the way by the citation of critical sentence of society, complaint message of the situation of times. Second, the reinterpretation of the past works : 1) the way by the reinterpretation of a great artist′s works, or popular works. In accordance with its change of a standard of value of the beauty, the products of modern culture, called the artificial second image, that is, popular factor, ready made factor, a signboard, a trademark etc, was appropriated in modern costumes and was reinterpreted by the works of fashion designer′s empathy. We can say that the modern costumes is not only the products of creative, original action of fashion designers but also the mirror of times, having relationship with society.

• 문화기술의 융합
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• 제9권5호
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• pp.697-706
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• 2023

본 연구는 현악사중주의 역사를 살펴보고, 현대에 제시된 융합 공연을 분석하여 미래의 청중이 수용할만한 새로운 공연의 패러다임을 제안하는 것을 목표로 한다. 연구의 과정에서는 과거와 현대의 현악사중주가 어떻게 발전했는지를 면밀하게 살펴보고, 그 과정에서 나타난 청중의 변화에 관하여 분석한다. 더불어 현대 현악사중주의 기술 융합 공연 사례로부터 새로운 청중의 수요에 따른 오늘날의 클래식 공연산업이 어떠한 변화를 맞을 수 있을지를 모색한다. 연구의 결과로 현대의 현악사중주는 미디어와 AI 기술의 융합을 통한 새롭고 독창적인 방향의 공연이 필요하다는 결론을 내렸다.

• 한국주거학회논문집
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• 제17권2호
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• pp.87-96
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• 2006

Since the idea of registering architectural heritage from the early 20th century was introduced as part of the code in the Cultural Heritage Protection Law in July, 2001, more systematic and flexible application the code has been in great demand. It is the aim of this thesis that we preserve modern buildings and then use this research data what find our modern history. So we should find connection of modem and tradition with the overcome of the feeling of being victimized. Accordingly, based on preservation cases and finding of modern house heritage, it is the aim of this thesis that we find the way of the best use. The purpose of this research is to establish a more comprehensive and commonsensical guideline for the preservation of modern architecture satisfying both the government and the registering party, based on more thorough architectural analysis of residential edifices. The results of this study were as follows: (1) It is necessary for application and conservation by point, area and network method. (2) It is needed that periodically check and record central system for the purpose of the management of those. (3) It's consider that develop of conservation method on co-ownership with citizen by house personality.

• 건축역사연구
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• 제31권6호
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• pp.47-58
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• 2022

The purpose of this research is to understand Ko Yu-seop's perception of 'contemporary emerging architecture' in the West by investigating into his two early 1930s' articles: 'On Emerging Arts, Particularly the Cutting-edge Architecture' (Jan. 1931) and 'Russian Architecture' (Dec. 1932). As a result of the investigation, it is argued that he attempted to systematically describe his contemporary architecture, fromthe concept of 'modern' to representative architectural theories, and his suggested reference list is considered meaningful since it illustrates one aspect of how modern architectural knowledge was transferred to Korea at that time. As his limitation, however, it should be pointed out that a significant part of his writing was a verbatim translation of the Japanese critic Takao Itagaki's New Art Acquisition (1930). Nevertheless, the two articles give us a valuable understanding related to his socialist tendency, his preferred commune-type city-cum-architecture that reflects the ideology, etc. Hereafter, this understanding needs to be further discussed in both study areas of art history and architectural history in Korea.

• 한국의사학회지
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• 제34권2호
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• pp.97-108
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• 2021

In this study, we examine Maeng Hwa-seop's academic activities, focusing on articles published in Uirim, JKM (Journal of Korean Medicine), and other branch journals which were affiliated with the Society of Korean Medicine. The present study charts and summarizes the papers published in the above journals. By organizing Maeng Hwa-seop's papers and making tables, we find that his research can be divided into four categories: symptoms and diseases, prescriptions, academic presentations, and translations of medical literatures. Based on this study, we hope that further researches about the academic activities of Maeng Hwa-seop can be conducted in the future.

• 한국의사학회지
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• 제22권1호
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• pp.7-13
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• 2009

This article conducted an pilot study on Lee Gyu-Jun(李圭晙)'s life and thoughts. He championed, and is mainly based on, old annotations of ancient Confucian bibles古文 that were made in the Han漢 and Tang唐 era in Chinese history and consequently took additionally into account Zuxi朱熹's annotations on Confucian bibles. This cause big trouble to him in conservative Gyeong Shang Province(嶺南). He participated in the Confucian Religion Movement孔敎運動 and proposed constitutional monarchy as a new polity fit for changing Korean history. He closely interacted with many resistants to the Japanese rule of Korea and had a mixed perspective on Western culture, science and technology, and social system, positive or negative, contingent on cases. He made great footprints in the history of both modern Korean medicine and philosophy. Thus there is an urgent need for the overall study on Lee Gyu-Jun in every aspect.

• 한국전통조경학회지
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• 제41권4호
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• pp.30-39
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• 2023

본 연구는 인천 자유공원의 '역사도시공원'으로서의 가치를 공원 및 주변지역의 역사적 변천 과정을 통해 규명하는 것을 목적으로 한다. 이를 위해 본 연구에서는 연구 방법으로 고지도 및 항공사진에 기반한 시계열 분석을 통해 자유공원의 시대별 변천에 대해 알아보고, 이를 근현대사의 시대적·문화적 변화를 바탕으로 해석하고자 하였다. 연구 결과, 자유공원은 (1) 근·현대사의 주요 사건을 보여주는 증거일 뿐 아니라, (2) 국내 최초의 도시계획에 기반한 도시공원으로서의 역사적인 가치도 지니며, 또한 (3) 근·현대 급변한 시민 생활상을 보여주는 매우 중요한 유산 가치를 지닌다. 그러나 본 연구의 유산 가치 규명에도 불구하고, 자유공원의 유산 가치에 대한 보다 명확한 규명 및 복원·활용을 위해서는 향후 자유공원에 대한 깊이있는 자료의 탐색 및 발굴연구 등 추가 연구들이 요구된다.

• 디자인학연구
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• 제18권2호
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• pp.47-58
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• 2005

본 논문은 한국 근대 디자인, 나아가 한국 근대 미술을 발굴하기 위한 프로젝트의 일환으로, 일본의 제국미술학교(1948년 무사시노 미술학교로 개칭, 1962년 무사시노미술 대학으로 승격) 및 제국미술학교에 유학했던 조선인 유학생들(1929-1945)에 대하여, 무사시노 미술대학과 공동으로 행한 연구조사와 발굴을 바탕으로, 이루어 진 논문이다. 근대 미술과 디자인의 수용과정에서 가장 많은 조선인이 유학하였던 근대 적 미술교육기간이 바로 제국미술학교이 다. 제국미술학교 도안 공예과에 유학했던 조선인 학생들의 활동과 도안 공예과 교수들과의 관계를 고찰함으로서 궁극적으로 일본 제국미술학교 교육을 통한 다자인의 학습과 수용이 조선 유학생들에게 어떠한 영 향을 주었고, 전후의 한국 디자인 교육과 어 떠 한 연관성을 가지는 지 알아보았다. 연구결과 147명의 조선인 유학생 명단과 13명의 공예도안과 유학생명단을 새로 작성하였으며, 본 논문이 자료가 취약한 우리 근대 디자인 사를 복원할 중요한 단서가 될 것이다.

• 한국실내디자인학회논문집
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• 제8호
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• pp.16-22
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• 1996

In terms of modern design history, De Stijl movement had continued as one of influential groups by 1931, and it attempted to pursue universial reality that combined painting and architecture, seeking a new style based on Neo-Plasticism and succeeded the nineteen century's Art and Craft movement and Art Nouveau. Especially, the De Stijl movement provided 1920's rationalism with new space pattern and its ideas greatly affected the Bauhaus movement such as Walter Gropius or Mies van der Rohe. De Stijl's utopian idea that claimed on the conformity of art and life contributed modernism movement combined with scientific and rational view, and even now experts its lasting power with the concept of time and space free from simple cube in modern architecture and interior design. The tue meaning of the De Stijl movements is that is sis the basis of general ideas, and the change of modern architecture is based on this modern styled foundation. It may be the unchangeable fact like Russell Hitchocok says, "The architectural style and pattern which everyone admitts its importance has the value of living."