• 한국생활과학회지
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• 제13권4호
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• pp.617-623
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• 2004

This research studies how a rain coat (兩衣) had developed in ancient China by searching through historic records. It can be said that people in ancient China wore two kinds of rain coats: straw coat and oiled-cloth coat (油衣). Straw coat was originally used in the Spring and Autumn and Warring States period. Then, people used natural grasses to make it. As the overall production had increased, various kinds of rain coats began to appear in Tang (唐) Dynasty, and the straw coat itself became elaborate. In Song (宋) and Yuan (元) Dynasty, the straw coat was used for the army, and when it came to be Ming (明) and Qing (淸) age, wearing it was considered a symbol of hermit. The straw coat shows the early form in the history of clothing, which was mostly put on by the poor. The material for straw coat was the grass which grows up in wet land area. People in the city and in the country had worn the straw coat for a long time. As foreign cultures were introduced, however, it disappeared first in cities and later in the country. The oiled-cloth coat was another of the kind. Its major material was water-proofed silk in the Qin(泰) and Han(漢) Dynasty. Also, it was a favorite of an emperor or aristocrats. Common people put on straw coat until the time the western rain coat was introduced and accepted in Qing Dynasty.

• 대한한의학원전학회지
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• 제20권2호
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• pp.53-59
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• 2007

In Oriental medicine, different suggestions regarding how cerebrovascular accident(CVA) may develop have been offered by several physicians. In Jin(金)Yuan(元) dynasty, Liu Wan Su(劉完素) asserted that CVA was not developed by external PungSa(風邪) but internal HwaYul, which was noted in the "SoMunHyunKiWonByungSik". To verify experimentally Liu's HwaYul theory in rats, normothermic control group (37$^{circ}C$) and hypothermic test group (32$^{circ}C$) were subjected to transient middle cerebral artery occlusion(MCAO) of 1hour. In 7days after MCAO, the rats were sacrified and the volume of infarct and the size of edema were measured. The present findings expand our understanding of the pathophysiology as to the CVA which is related to the HwaYul theory.

• 한국복식학회:학술대회논문집
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• 한국복식학회 2003년도 International Costume Conference
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• pp.34-34
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• 2003

This report is a study of designs embroidered in rank badges of military and civil officials' uniform in old China. Rank badges, or Bo(補) in Chinese, which are attached to officials' uniform, are embroidered designs on the breast and the back for people to easily discern between military and civil officials as well as between higher ranking and lower ranking officials. Bo(補) was used for various social stratum including king, queen, king's brothers, prince, and princess. This study, however, is focused on design of Bo(補) attached to the uniform of military and civil officials. This study first started with the origin of Bo(補) design, woven symbols in patches on the breast and the back of Gibsa(集史)'s uniform during the Yuan(元) dynasty. Lastly, this study reviewed and analyzed design of Bo(補) for military and civil officials during the Ming(明) and Qing(淸) dynasties.

• 복식
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• 제55권2호
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• pp.70-81
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• 2005

This paper researches the system of official uniforms and characteristics of the system based on Ming-Shi(明史), Da-Ming-Hui-Dian(大明會典) and Hong-Wu-Li-Zhi(洪武禮制) in the emperor Hong-wu(洪武帝) of Ming dynasty(明). The system could be divided in to three terms, i.e., the early (initial), the middle and the end (last) terms. In the first(1368) & the third year of the emperor's reign (1370) the system of official uniforms was simple f9r his people not to be luxurious and for revived the system of official uniforms of the Han dynasty(漢) and annulled the system of the Yuan dynasty(元), be-cause the country was not stable yet. During the middle term of Hong-wu, the 14th (1381) to 16th (1383) year of his reign, people attained luxurious lives and developed a strong sense of rank as the country became more stable. As a result, the system became more complicated when the emperor used the costumes to represent political and social ranking. In the end of the emperor's age, the 23rd (1390) to 26th (1393), it reveals his strong intention to establish a system of costumes that separated the ruler from the ruled. He wanted to strengthen the power of Emperor for his little grandson, Jian-wen(建文帝), who would succeed to the throne and would have absolute power. These changes became fundamental to the Ming dynasty's costume system and the Ming dynasty kept them for long time.

• 대한한의학원전학회지
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• 제24권6호
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• pp.145-167
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• 2011

"Soayakjeungjikgyeol(小兒藥證直訣)" written by Jeon Uel(錢乙, 1032-1113) in the Song dynasty, is the most old and well know specialty publication of pediatrics in Easter Traditional Medicine. "Soayakjeungjikgyeol(小兒藥證直訣)" made a big influence not only on the development of pediatrics in later traditional medicine through the explanations of physiological and pathological knowledge and experiences, but also on application of many effective prescriptions which have been used in many clinics until now days. One of the most important meaning which "Soayakjeungjikgyeol(小兒藥證直訣)" has, is that it emphasized on the diagnosis and treatment using the theory of five organs(五臟辨證), and applied it to clinical medicine effectively. In othe words, through application of the theory of five organs in "Hwangjenargyeong(黃帝內經)" to practical field, Jeon Uel(錢乙) played role of a ring connecting with studies of herbal medicine in the school of Yeoksu(易水), and the development of the theory of five organs of the four prominent doctors(金元四大家) in the Jin(金) and Yuan(元) dynasty. In this article, also it is investigated that how the theory of interaction among five phases(五行), can be applied to treatment of pediatrics through analysis of related texts in "Soayakjeungjikgyeol(小兒藥證直訣)". This studies would be useful to understanding the history and properties of the theory of five organs.

• 동국한의학연구소논문집
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• 제9권
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• pp.165-178
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• 2000

"금궤요략"은 한의학(韓醫學) 최고(最古)의 잡병전문서(雜病專門書)로서 그 중요성이 널리 인정되고 있지만, 우리나라에서는 그에 대한 주해(註解)나 연구가 미흡한 실정이다. 따라서 저자(著者)는 앞으로의 연구(硏究)와 교육(敎育)의 기본자료(基本資料)로 삼기 위하여 본서(本書)의 중요(重要) 주석서(注釋書)에 대하여 정리하였다. "금궤요략"에 대한 최초의 주석(注釋)은 원명간(元明間) 조량인(趙良仁)의 "금궤요략연의"이며, 그 이후 청대(淸代)에는 "금궤옥함경이주", "금궤요략론주", "금궤요략직해", "금궤요략방논본의", "금궤요략심전", "정정금궤요약주" 등(等)이 유명하다. 일본(日本)에서는 "금궤요략주해"을 효시로 "금궤요약방론친주", "장사정경증회", "금궤요략집성", "금궤요략집의", "금궤옥함요약술의" 등의 주본(注本)이 있다.

• Journal of Astronomy and Space Sciences
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• 제32권1호
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• pp.63-71
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• 2015

During the reign of King Sejong (世宗, 1418-1450) in the Joseon Dynasty, there were lots of astronomical instruments, including miniaturized ones. Those instruments utilized the technical know-how acquired through building contemporary astronomical instruments previously developed in the Song(宋), Jin(金), and Yuan(元) dynasties of China. In those days, many astronomical instruments had circles, rings, and spheres carved with a scale of 365.25, 100, and 24 parts, respectively, on their circumference. These were called the celestial-circumference degree, hundred-interval (Baekgak), and 24 direction, respectively. These scales are marked by the angular distance, not by the angle. Therefore, these circles, rings, and spheres had to be optimized in size to accomodate proper scales. Assuming that the scale system is composed of integer multiples of unit length, we studied the sizes of circles by referring to old articles and investigating existing artifacts. We discovered that the star chart of Cheonsang yeolcha bunyajido was drawn with a royal standard ruler (周尺) based on the unit length of 207 mm. Interestingly, its circumference was marked by the unit scale of 3 puns per 1 du (or degree) like Honsang (a celestial globe). We also found that Hyeonju ilgu (a equatorial sundial) has a Baekgak disk on a scale of 1 pun per 1 gak (that is an interval of time similar to a quarter). This study contributes to the analysis of specifications of numerous circular elements from old Korean astronomical instruments.

• 동양고전연구
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• 제37호
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• pp.189-216
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• 2009

두보(杜甫)의 <음중팔선가(飮中八仙歌)>와 이를 화제(畵題)로 삼아 회화화(繪?化)한 시의도(詩意圖) 3편과, 원텍스트를 패러디한 <음중팔선도(飮中八仙圖)>를 다시 원텍스트로 삼아 패러디한 세편의 서발(序跋)을 살펴보면서 시라는 양식의 원텍스트가 그림이라는 양식으로, 다시 산문이라는 양식으로 그 모습을 바꾸면서 패러디되는 모습을 보았다. 개원(開元) 천보(天寶) 연간에 취중기행(醉中奇行)로 유명했던 여덟 명의 기인(奇人)을 노래한 두보(杜甫)의 <음중팔선가(飮中八仙歌)>는 많은 화가들에 의해 사랑받는 화제(畵題)가 되어 송(宋) 원(元) 명(明) 청(淸), 조선(朝鮮), 일본(日本) 등지에서 <음중팔선도(飮中八仙圖)>로 다시 태어났다. 이처럼 화가가시에 대한 해석을 회화적으로 재창조한 것을 시의도(詩意圖)라고 하는데 시의도(詩意圖)는 이미 존재하는 시를 전제로 하고 있으므로 이 둘 사이에는 원텍스트와 패러디 텍스트라는 관계가 성립한다. 두보의 마음에 공명한 화가들의 그림 3점, 명대(明代) 우구(尤求)의 <음중팔선도(飮中八仙圖)>, 조선(朝鮮) 김홍도(金弘道)의 <두보시의신선도(杜甫詩意神仙圖)>, 일본모모야마(桃山)시대의 가이호유쇼(海北友松)의 <음중팔선도(음중팔선도(飮中八仙圖)>를 살펴보며 원텍스트를 반복하면서도 각 화가의 개성에 따른 차이를 고찰하였다. 언어로 표현된 <음중팔선가(飮中八仙歌)>를 원텍스트로 삼아 패러디한 시의도(詩意圖) <음중팔선도(飮中八仙圖)>는 문인들이 그림에 부친 서문(序文) 및 제발문(題跋文)을 통해 다시 언어화된 텍스트로 패러디되었다. 화가의 마음에 공명한 조선의 세 문인 이덕무(李德懋), 박제가(朴齊家), 이봉환(李鳳煥)의 서발(序跋)을 통해 <음중팔선가(飮中八仙歌)>가 어떻게 변주되는지 살펴보았다. 이를 통해 원텍스트와 연속적인 관계에 의한 반복과 각 작가의 독자적인 해석에 의한 차이를 알 수 있었는데, 이덕무(李德懋)는 집정자에 대한 경계로, 이봉환은 회재불우(懷才不遇)한 현인(賢人)으로, 박제가는 현세의 규율을 초월한 천연(天然)스러운 선계(仙界)를 꿈꾸게 하는 대자유인으로 음중팔선(飮中八仙)을 이해하였음을 알 수 있었다.

• 한국의사학회지
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• 제31권1호
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• pp.89-103
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• 2018

Uirimchalyo (醫林撮要), one of the most important books in the history of Korean Medicine (KM), has not been researched within the framework provided by Yi'an (醫案), an East Asian tradition of describing clinical encounters with the therapies employed. In modern times, this practice of Yi'an might be similar to the outline of a singular "case study". The authors designed the study to analyze the basic information of Yi'an within the Uirimchalyo and to contribute to the foundations of employing Yi'an in Korean Medicine. A standard was established, and the 123 Yi'ans were extracted, most of which were taken from the chapter, Historic Doctors (歷代醫學姓氏). Using this information and in comparison with other medical books such as Euibangyoochui (醫方類聚), the authors learned that the Yi'ans from the Jinyuansidajia (金元四大家), including those of four eminent clinicians in Jin (金) and Yuan (元) Dynasty, are excluded from Uirimchalyo. The authors identified that Yi'ans from other medical books, are cited in the Uirimchalyo but with different format, not with the traditionally understood form of Yi'an. This study of the Uirimchalyo Yi'an resulted in three important understandings of Yi'an. First, the mere number of Uirimchalyo Yi'an is meaningful in that it raised the genre of Yi'an to the a level not previously recognized. Second, in the history of Korean Medicine, Yi'an is first systematized in the Uirimchalyo at the chapter of Historic Doctors. Third, Uirimchalyo raised the concept of usefulness of Yi'an, to the practice of Korean Medicine.

• 대한한의학원전학회지
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• 제29권2호
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• pp.31-54
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• 2016

Objectives : The goal of this paper is to research what affected diagrams of liver originated from Mingtangzangfutu while they were changed. Methods : Diagrams of liver in Traditional Chinese and Japanese medical books had been gathered as many as possible. After they were divided into ones which were originated from Mingtangzangfutu and the others, diagrams originated from Mingtangzangfutu, were again classified into 4 filiations according to Huang Longxiang(黃龍祥)'s standard. Apart from his classification, they were analysed by 4 form factors, e.g. shape, number, veins and petiole of leafs. Results : Reliability of this methods had been confirmed by the correspondence with Huang's 14 standard books, before 29 diagrams of liver were derived from 33 books including 13 books that Huang had already suggested. The lobes of liver in most of diagrams resembled 7 lanceolate or long oval leafs, or a maple leaf with 6 indentations, 4 left lobes and right 3 ones. In most of diagrams, veins of leafs were described variously, and petioles of leafs were drawn more shortly or longer. Analysing 29 diagrams by 4 form factors proved that Huang's classification had crossing features among 4 filiations. This phenomenon implied the painters or doctors drawing diagrams might not convince if the shape of liver was correct or not. Although veins and petiole of leafs in diagrams of liver could be compared with tissues in liver in modern human anatomy, diagrams were not been affected by dissection from Yuan(元) to middle Qing(淸) dynasty. Conclusions : Lingshu(靈樞), Nanjing(難經) and Wang Bing would had constantly acted on 29 diagrams of liver, since diagram of liver originated from Mingtangzangfutu, appeared first in Zhenjiujuying(鍼灸聚英). But they did not come from dissection during same periods.