• 대한한의학원전학회지
• /
• 제24권1호
• /
• pp.47-55
• /
• 2011

Jeong(精) and Sin(神) have very close relation in "Hwangjenaegyeong(黃帝內經)", and jeong(精) is base of sin(神). Jeong is the origin of life force, Sin can be manifested through the Yin-yang inter conversion of Jeong, on the other hand, Jeong can be created through the same conversion of Sin. The Yin-yang inter conversion of Jeong or Sin, means the inclination of Taegeuk(太極) to Unification after division, in this process, life force and creative power are made.

• 고전문학과교육
• /
• 제35호
• /
• pp.153-193
• /
• 2017

이 연구는 음양오행과 관련된 문화적 상상력이라는 참조 체계를 활용하여 <구운몽>의 창작과 향유 방식을 연구하였다. 음양오행의 상상력은 오랜세월 생활문화뿐만 아니라 예술문화의 생성과 향유에도 영향을 끼쳤다. 김만중이 <구운몽>을 쓸 때에도 이러한 상상력을 기반으로 인물과 관계, 인연을 이루는 사건들을 구성했을 수 있다. 특히 이 연구는 김만중이 아직 팔선녀들의 이름과 개성을 구체화하기 전의 구상 단계에서 갑녀, 을녀, 병녀, 정녀 등으로 순서를 정하고 해당 천간(天干)이 지닌 음양오행적 속성을 고려하여 형상화 작업을 시도하지 않았을까 가정하였다. 다양한 천간의 특성을 핵으로 삼아 개성적 인물을 만들어낼 때, 중첩되는 인물 창조를 피하고 이들이 만드는 다채로운 관계의 양상과 사연을 구성하기 용이한 까닭이다. 위 표는 천간에 대응되는 <구운몽>의 인물을 배치한 것이다. <구운몽>은 각 천간적 특성을 인물 개성의 핵심으로 삼아 등장하는 시기와 배경, 인물의 성격과 분위기, 인물이 겪는 갈등의 원인과 주요 사건 등을 구성하였다. 초봄의 버드나무를 연상시키는 갑목의 진채봉은 솔직하고 적극적인 한편, 분칠한 담을 배경으로 하여 만개한 앵두꽃 같은 을목의 계섬월은 을목답게 섬세하고 부드럽다. 해로 비유되기도 하는 병화의 정경패는 화려한 정사도 집의 무남독녀로서 모든 것을 환히 비추는 병화의 능력을 발휘하여 양소유가 연주하는 곡의 의미와 의도를 꿰뚫어보기도 한다. 또 정경패는 예(禮)를 중시하고 화를 참지 못하는 병화의 성격으로 양소유에게 속아 체면을 잃은 것에 대한 앙갚음을 반드시 하고야 만다. 병화가 한낮의 작렬하는 태양이라면 정화는 밤에 빛나는 달이나 촛불에 가깝다. 정화의 가춘운은 단아하고 신비로운 정화의 매력으로 양소유의 마음을 사로잡으며, 수시로 변화하는 불꽃처럼 여선이 되었다 귀신이 되었다 하는 등 연기에도 능하다. 영웅호걸을 마음대로 고르기 위해 자신을 창가에 팔거나 양소유를 따르기 위해 연왕의 천리마를 타고 도주하는 적경홍은 자주적이며 결단력 있는 경금의 특성을 잘 보여준다. 칼과 같이 날카로운 신금에 대응하는 인물인심요연은 서늘한 기운과 함께 양소유 앞에 등장하여 창검 빛으로 화촉을 대신하며 그와 인연을 맺었다. 계수의 백능파는 물과 관련된 애욕으로 인한 고난을 겪으며 반사곡이란 차갑고 깊은 계곡에 유폐된 신세였다. 마지막으로 난양공주 이소화는 물처럼 아래로 흘러 하방(下方)의 존재를 감싸는 겸손함과 포용력으로 2처 6첩이 서로 자매로 일컫는 평등한 관계를 만들어내는 데 주도적인 역할을 하였다. 한편, 무토는 성진에, 기토는 양소유에 해당한다. 기토인 양소유는 무른 흙으로 팔선녀와 스며들고 동화되어 각색의 인연을 만들기에 적합한 기질을 갖추고 있으며, 그림의 '여백'처럼 자신은 비어 있으나 대상의 정을 비춰내는 기능을 담당한다. 무토인 성진은 너르고 단단한 무토의 기질답게 팔선녀와 양소유의 꿈[九雲夢]을 너른 흉중에 품고서 단단한 자신중심을 지키며 불도에 정념하고 자기를 따르는 도반(道伴)을 안정적으로 이끌 수 있었다. 개개 인물뿐만 아니라 서사세계를 구성하는 데 있어서도 <구운몽>은 음양오행적 상상력을 발휘한다. 음양오행에 따라 오악(五嶽)을 배치한 작품의 서두에서부터 작동시키는 음양오행적 상상력은 천간적 특성을 갖는 인물들의 개성을 감지하게 하는 생성적 틀로 작용하며, 나아가 인물의 개성이 잘 발현된 대화 장면에서 생동감 있게 움직인다. 인물의 형상뿐만 아니라 인물간의 관계에 대해서도 오행의 상생상극의 기운은 역동적으로 상호작용한다. 또 음과 양이 꼬리를 무는 미시적 사건의 연쇄, 양과 음의 세계를 오가는 거시적인 서사의 움직임, 그리고 음과 양이 서로를 품고 있는 구조 등을 갖춘 서사세계에 노닐며 수용자들은 마음속의 태극도가 움직이는 것 같은 느낌을 갖게 된다. 이런 점에서 <구운몽>은 추상적 음양오행론을 서사적으로 구현한 커다란 상징이라고 할 수 있다. 물론 작가인 김만중이 음양오행의 원리(道)를 의도적으로 상징화하려 하지는 않았을 것이다. 그러나 그 역시 오랜 세월에 걸쳐 형성되어 이미 다른 학문과 종교 영역에 습합된 음양오행적 상상력의 자장(磁場) 안에 있는 존재였으며 의식적이든 무의식적이든 영향을 받을 수밖에 없었다. <구운몽>의 당대 향유자들도 마찬가지이다. 굳이 이 소설을 분석적으로 읽지 않아도 그들은 자연스럽게 음양오행적 상상력을 적용할 수 있었으며 익숙한 세계관과 인간관이 강화되는 쾌감을 얻었을 것이다.

• 대한한방소아과학회지
• /
• 제32권4호
• /
• pp.13-23
• /
• 2018

Objectives The Eum-Yang (Yin-Yang in English) temperament was shown to have clinical and structural validity with Sasang Personality Questionnaire (SPQ), however the studies of the association with behavior problems and personality structure in adolescents were not satisfactory. The purpose of this study was to examine the relationships between Eum-Yang temperament and behavior problems in Korean middle school students. Methods 122 first grader of middle school students (68 boys and 54 girls) completed SPQ, Junior version of Temperament and Character Inventory (JTCI), and Youth Self Report (YSR). The correlations between SPQ, JTCI, and YSR subscales were investigated. And, also the differences between SPQ, JTCI, and YSR subscales among Yang (high 30% of SPQ total score) and Eum (low 30% of SPQ total score) temperament groups classified with SPQ total score were examined. Results The SPQ total score were correlated with Novelty-Seeking (r=.321) and Reward-Dependence (r=.392) in boys, and with Novelty-Seeking (r=.427) and Harm-Avoidance (r=-.444) in girls. The SPQ total score were not significantly correlated with Body Mass Index, Ponderal Index and YSR total, however significantly correlated with YSR Internalizing problems and Withdrawal/depressed subscale (r=-.242 and r=-.419) in boys and Withdrawal/depressed subscale (r=-.449) in girls. There were significant differences between Eum and Yang groups in Novelty-Seeking, Harm-Avoidance and Withdrawal/depressed as for boys and girls. Conclusions The biopsychological structure of SPQ was confirmed with middle school students. The behavioral (SPQ-B) and emotional (SPQ-E) perspectives of Eum-Yang were found to be protective and risk factors, and also correlated with Externalizing and Internalizing behavior problems, respectively. The biopsychological characteristics of Eum-Yang temperament and its relation with psychopathological symptoms in late-childhood should be carefully analyzed.

• 턱관절균형의학회지
• /
• 제11권1호
• /
• pp.37-40
• /
• 2021

본 증례에서는 목과 어깨의 자세 틀어짐이 육안으로 관찰되는 환자에게 턱관절음양균형요법으로 긍정적인 자세변화의 효과를 얻어 보고하는 바이다.

• 동의신경정신과학회지
• /
• 제12궈1호
• /
• pp.81-95
• /
• 2001

Though, these days there are increasing many patient of insomnia, there was not considered literatual study on insomnia. So, the result of consideration about cause and process of insomnia from thirty kinds of literatures, are as follows. 1. Early literature like Huangjaenankyung(黃帝內經), Sanghanron(傷寒論) reffered to insomnia as accompanying symptom. on the other hand, Myung(明), Chung(淸)'s literatures reffered to that as chief symptom or distinguished chief symptom from accompanying symptom. 2. There were tendency of deductive expanding of various masters and tendency of induction of simple theory that was based on Huangjaenankyung(黃帝內經). 3. Huangjaenankyung(黃帝內經) showed basic process of the sleep disorder that 'exhausting of Yin and excess of Yang (陰盡陽盛)', protecting energy does not invade Yin portion(陽氣不入於陰). And Huangjaenankyung(黃帝內經) showed cause of insomnia that deficiency of vital energy and blood, imbalanced of spleen and stomach, a fever as a invasion in the outside, lung system's disease. This became a basic cause and process of the sleep disorder in ancient period. 4. Sanghanron(傷寒論) occurred to insomnia as accompanying symptom in progress, remedy of a fever invaded outside, Kumkyeyoriak showed as origination in weakness, fatique, various diseases. Out of that, there is a significance in description of insomnia from some disease like histery or neurosis. 5. Jaebyungwonhuron(諸病源候論), Chunkumbang(千金方), Kukbangseo(局方書.) occured to a fire of heart(心慤) and a deficiency of heart and gall bladder(心膽虛) in defails. Insomnia is caused by agony of seven emotion, delivering of a child, are similar to insomnia is caused by psychologic disorders. Injaesanghanyusu(仁劑傷寒類書) occured to exhausting of Yin and excess of Yang (陰盡陽盛), imbalanced of stomach(胃不和) invasion of coldness(傷寒) are brought a conclusion of assumption of sap(津液耗損) brought about unreturn of yin energy. 6. Manbyunghuechum(萬病回春) in Myung period (明代) made much of portion of phlegm's influence about spiritual function. Kyungakjunsu(景岳全書) valued much of treatment divided according to excess and deficiency. Junginmaekchi(證因脈治) occurred to concept of pyorihesil(表裏虛實), Dongyibokam(東醫寶鑑) synthesised various theories. 7. Hyuljungron(血證論), Byunjungkimun(辨證奇聞), Suksilbirok(石室秘錄) made much of surprisemeni(驚恐) Consideration(思慮), liver's dryness(肝燥) is caused by liver's weakness(肝虛), imbalance of haert -kidney(心腎不交), seven emotion(七情). Especially, ftyujungchijae(類證治載) said that heart, liver, gall-bladder, kidney, surprisment, consideration baought to a conclusion of inbalance of Yang and Yin (陽不交陰). There is a tendency in literature mostly that literature showed separation of insomnia as a chief symptom. 8. These days there are increasing many patient of insomnia. So, it is needed to study about insomnia as a psychologic disease. Saying in conclusion, it is needed that we have to recognize in modern style based on ancient style of cause and process of insomnia. It is regarded to study about insomnia definitely and experimently.

• Mycobiology
• /
• 제47권4호
• /
• pp.401-407
• /
• 2019

Two new species of the lichen genus Placolecis are discovered in China, namely P. kunmingensis An. C. Yin & Li S. Wang and P. sublaevis An. C. Yin & Li S. Wang. The new combination P. loekoesiana (S.Y. Kondr., Farkas, J.J. Woo & Hur) An. C. Yin is proposed. Placolecis kunmingensis is characterized by having simple, spherical or ellipsoid, hyaline spores, and pear-shaped pycnidia; while P. sublaevis can be distinguished by its thallus forming larger aggregations with slightly flattened lobes at the thallus margin, and urn-shaped pycnidia. Descriptions, a phylogenetic tree and a key are provided for all the known Placolecis species in China.

• 셀메드
• /
• 제2권2호
• /
• pp.16.1-16.5
• /
• 2012

Fever in cancer patients is often due to the following causes: evil qi and toxity stagnancy, disorders of qi and blood, deficiencies of zang and fu organs, and the disorder of yin and yang. The treatments given to cancer patients with a fever are according to five: (a) Excessive inner heat and toxicants: remove heat and the toxicant, induce purgation. We use Cheng-Qi-Tang plus Qing-Wen-Bai-Du-Yin. (b) Tangle of damp and heat, and qi stagnancy: remove damp and heat, smooth the qi channel. We use Gan-Lu-Xiao-Du-Dan or San-Ren-Tang. (c) Obvious blood and heat stagnancy: remove heat and blood stasis. We use Xue-Fu- Zhu-Yu-Tang. (d) Deficiency of spleen qi, inner heat caused by a yin deficiency: nourish spleen qi and yin to remove the inner heat. We use Bu-Zhong-Yi-Qi-Tang or Xiao-Jian-Zhong-Tang. (e) Prominent yin deficiency and hectic fever: replenish yin and remove inner heat. We use Qing-Hao-Bie-Jia-Tang or Chai- Qian-Mei-Lian-San. The pathogenesis of fever in cancer patients is complicated. We can see both deficiency and excess in one differentiation. Therefore, we must make sure of it, then we can get the most effective treatment.

• 제3의학
• /
• 제1권2호
• /
• pp.15-30
• /
• 1996

In the study about the logical basis and interpreting methods of animal experiments using rats in traditional medicine, several conclusions are obtained and summarized as following. 1. The logical basis of the animal experiments in traditional medicine is the essential homogeneity between human and rat defined as various transformation of one Qi(一氣) packed the cosmos. 2. Morphologically, the rat has abundant Yin(陰) and less Yang(陽) in most of anatomical characteristics. 3. Physiologically, the rat has unstable heart and mild temper with good fertility, which shows the features of Yin animal. 4. Pathologically, the rat shows the pathology of injury of viscera by stresses(氣激傷臟) and pathological transformations of internal water(痰飮水濕) mainly. 5. Constitutionally, the rat is alike to water type man(水形人) or Soeumin(小陰人) out of Yin Ren(陰人). 6. So, the rat is the proper experimental animal for diseases of sputum and water, emotional stimulations, endocrine system, heart, kidney, Yin syndrome(陰證) etc..

• 동의생리학회지
• /
• 제14권2호통권20호
• /
• pp.11-21
• /
• 1999

In this paper the nine orifices were analyzed horizontally and vertically and the relationship between the upper seven orifices and lower two orifices was looked into specifically. The following results were obtained : l. Horizontal is the shenji (神機) which comes in and out, and it symbolizes animality based on heaven. so it is dynamic. Vertical is the qiji (氣機) which goes up and down. and it symbolizes vegetability based on earth. so it is static. 2. The shape of the eyes and lips is horizontal, so the shape of the liver and spleen which are related to the eyes and lips respectively is also horizontal. Thus the eyes and lips can move and the action of these are mainly concerned with the coming in and out of energy. 3. The shape of the nose and ears is vertical. so the shape of the lungs and kidneys which are related to the nose and ears respectively is also vertical. Thus the nose and ears remain still and the action of these are mainly concerned with going up and down of energy. 4. One means yang(陽) and two means yin(陰). so the nose and mouth which have one are yang. the eyes and ears which have two are yin. 5. The urethra consists of yangming(陽明) and taiyin(太陰) which control the front so it draws out urine which is yang(陽). The anus controls the back. so it draws out feces which is yin(陰). 6. The upper seven orifices are related to the five viscera which control immaterial spirit. The lower two orifices are related to the six bowels which control material movement.

• 복식
• /
• 제50권
• /
• pp.119-128
• /
• 2000

this study was designed to discuss the pattern of Confucian funeral ceremony and its costumes in Chosun dynasty thereby exploring the ideas and symbolic meanings expressed on them. 1. Male's official mourning dresses were composed of Choieui symbolizing sadness Choisang(최상), Dukun Sangkwan Sujil Yojil Kyodai and mourning stick Female's official mourning dresses consisted of Daersoojangkon and Kaedoo which were of simple kinds as compared to those of males. Duration of wearing mourning dreses was the longest to the death of father husband and eldest son The forms of mouring dresses were one and the same irrespective of the noble and the mean which expressed the sameness of the sorrow full of losting blood relative. Symbol expressed on funeral ceremony costumes were something like "eldestson-oriented" "male-centered" "distinction of the sexes" and "principle of yin and yang" to reinforce vitality to the costumes. 2. In the other funeral ceremony costumes in a royal fami8ly were those Euijangsu in red and blue colors Yeosakon in purple and white colors. Bandsman in Danryung and Guards in Kukonbok Changeui and Hoeui with five colors while the generally of people woere white dress in the ceremony Hoeui with five colors symbolized the principle of Yin and Yang costumes of military uniforms the dignity of the royal family: white dresses grife symbolizing the dignity of a royal family and Confucian sorrow as well 3. Unlike the mouring dresses there were great differences relative to socio-ecpmpomic status in funeral goods for dercoration Soyeo and daeyeo Among the goods the instrument to drive out evil spirites symbolized shamanism the distinction of Soyeo and Daeyeo separation of body and soul; the sculpture of the Lord of Hades and messenger philosophy of buddhistic netherworld: the engraving of blue and yellow dragons in bier and Juksanma the principles of Yin and Yang : elaborate burial accesaries realistic viewpoint of the hereafter.