• Title/Summary/Keyword: Yi Sang Jung

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Lee, Jin sang' Neo-Confucianism in the viewpoint of Perception in Toegye School (지각설(知覺說)을 중심으로 본 한주(寒洲) 이진상(李震相)의 성리학(性理學) - 심즉리설(心卽理說) 성립의 역사적 배경을 중심으로 -)

  • Kim, Nak-jin
    • (The)Study of the Eastern Classic
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    • no.36
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    • pp.229-264
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    • 2009

  • This paper aims for a study on the theory that mind is Li(principle). The method of research is laid emphasis on searching for the historical development of the perception Theory in late Cho-Sun. First of all, I investigated a meaning of the perception theories of Ho-Rak school, that were criticized in the Cho-Sun academic world. The next, I investigated the theory of Li-ju-Ki-ja that was raised by Yi Sang Jung. He thought that Li is supervisor and Ki is assistance. And he put a construction on the Perception Theories of Toegye school. Yi Jin sang's theory of perception is the result of criticism against Ho-Rak school, and a fresh and in-depth construction of Yi Sang Jung's perception theory. His viewpoint was contradiction to the theory of Sim si Ki(the theory that Mind is made of Ki). And he rediscovered the human conscience that was born endowed from Heaven.

A Study on the Modernity of Korean Architecture appeared in Yi Sang's Early Poems (이상(李箱)의 초기시에 나타난 한국근대 건축의 '근대성'탐구)

  • Jung, In-Ha
    • Journal of architectural history
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    • v.8 no.1 s.18
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    • pp.63-80
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    • 1999

  • Poet, Yi-sang, born in 1910, originally studied architecture in Kyeong Sung High Technical School. He also experienced an architectural practice in Chosun Chongdokbu (the Government office of Japanese empire in Korea) during 4 years. After resigned the post of architectural engineer in 1933, he became a man of letters. Until his death in 1937, he published the writings hard to understand, which remind us of the works of western avant-garde. Because of the peculiarity and difficulty of his poem and novels, he becomes the object of studies by many critics and historians of literature. And he is estimated as the representative of Korean modernism. This study tries to related Yi-sang's early poems to architectural discourse for the search of 'modernity' of Korean modern architecture. His early poems, which is published in from 1931 to 1933, are worthy of notice because they contained a acute shock derived from radically changed spacial structure, the absolute emptiness of the individual happened in the 1930's Seoul. They also show a different attitude from the writings of Park Dongjin and Park Kilryong, the architects contemporary with Yi-Sang. Compared with their writings, Yi sang's early poems had an insight into the totality of modern culture like western avant-gardes. Therefore Yi-sang's early poems can give us a good base to understand the characteristics of 'modernity' of Korean architecture.

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History of Fan Ji and Yi Ji (번적과 익적의 역사)

  • Hong, Sung-Sa;Hong, Young-Hee;Chang, Hye-Won
    • Journal for History of Mathematics
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    • v.18 no.3
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    • pp.39-54
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    • 2005

  • In Chinese Mathematics, Jia Xian(要憲) introduced Zeng cheng kai fang fa(增乘開方法) to get approximations of solutions of Polynomial equations which is a generalization of square roots and cube roots in Jiu zhang suan shu. The synthetic divisions in Zeng cheng kai fang fa give ise to two concepts of Fan il(飜積) and Yi il(益積) which were extensively used in Chosun Dynasty Mathematics. We first study their history in China and Chosun Dynasty and then investigate the historical fact that Chosun mathematicians Nam Byung Gil(南秉吉) and Lee Sang Hyuk(李尙爀) obtained the sufficient conditions for Fan il and Yi il for quadratic equations and proved them in the middle of 19th century.

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