• 한국융합학회논문지
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• 제8권4호
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• pp.279-285
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• 2017

본 연구는 여성암환우의 가발착용이 두피질환에 미치는 영향을 알아보고 향 후 암 환우들을 위한 가발 제작 시 필요한 기초자료를 제공하고자 실증 조사를 실시하였다. 그 결과 여성암 환우의 탈모용 가발 착용이 두피 가려움증에 미치는 영향은 가발착용 시 여러 가지 불편요소가 클수록 가려움을 유발하는 것으로 나타났으며 가발착용의 밀착성과 땀 분비, 심리적 위축성은 두피 가려움을 직접적으로 유발하지 않는 것으로 나타났다. 또, 여성암환우의 탈모용 가발 착용이 두피 트러블 유발에 미치는 영향에서도 가발의 탈착 시 불편 여부와 심리적 위축감이 높을 경우 두피 트러블을 유발시키는데 유의적인 영향을 미치는 반면 가발 탈착 시 밀착성과 땀 분비는 직접적인 연관이 없는 것으로 나타나 기각되었다. 이 같은 결과는 여성암 환우의 탈모용 가발 작용이 두피가려움과 트러블을 유발시킴에 있어 단순한 밀착여부와 땀 분비만으로 두피질환을 유발하지 않음을 시사한 것으로 볼 수 있다. 따라서 본 연구의 결과를 토대로 심적으로 고통 받는 여성 암 환우들을 위한 편리하고 우수한 가발 제작이 필요할 것으로 생각된다.

• 패션비즈니스
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• 제9권6호
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• pp.56-70
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• 2005

This study investigates historically difference by age of wig banishments that symbolize social-economic status from West Egypt era baroque age as qualitative study that use secondary bibliographic data, there is purpose. Conclusion of this study is as following. Because wig putting on that symbolize among several usages of wig putting on, socio-economic status until 17th century baroque age from ancient Egypt is been in fashion through privilege class lower classes as well as upper class wig putting on attain. Ancient wig putting on became measure that divide class because differ material of wig or one dimension, shape (style) and length became linear measure that it can aim wealth's emblem that putting on of long wave wig and whole wig that differ lust has many wig though was in fashion though whole wig and were in fashion arriving to Renaissance. That it becomes France clean fingernails' necessaries as Louis the 14th that ready crux of absolute authority establishment of France Court put wig from depilation to count 17 was clear socio-economic status etc. symbol measure inclination. Go without question status or position, wealth and churchman puts wig so that can know special sex of weapon of where the soldiers are belonged as well as put wig and wig putting on was parted according to job and lower classes participated in fashion of wig putting on. Wig putting on that become measure that symbolize job or status in this baroque age, position, wealth etc. gave absolute influence in wig fashion in 18th century.

• Journal of the Korean Data and Information Science Society
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• 제19권4호
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• pp.1233-1246
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• 2008

This study examines characteristics of people who are experiencing severe hair loss problems. We focus on how these characteristics are related to their psychological problems, hair loss treatments, wig-wearing practices, and life styles. We gathered survey data from people who visited wig shops for their hair loss problems. The study shows that men and women have different characteristics in every aspect we consider.

• 한국콘텐츠학회논문지
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• 제10권4호
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• pp.198-205
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• 2010

본 연구는 암발생 이후, 가발착용을 하게된 100명의 여성 암환자를 대상으로 실시하였다. 조사는 두 번에 실시되었으며, 첫번째 조사는 항암 부작용으로 인하여 탈모가 시작된 여성암환자가 가발을 착용하기 전에 실시되었고, 두번째 조사는 동일인을 대상으로 가발착용 후 1달이 지난 시점에 실시되었다. 연구목적은 여성암환자에게 있어서 가발사용 전후의 건강에 대한 인식변화, 가발에 대한 인식변화, 가발관련 정책적인 지원방안에 대한 의견을 조사 분석하고, 가발착용이 건강적인 측면과 사회적 측면으로 가져오는 영향과 인식변화에 대해서 분석하였다. 수집된 자료는 빈도분석을 하여 일반적인 사항에 대해 분석하였고 짝비교 분석을 통해 가발착용 전후의 다양한 변화와 가발착용 등에 대한 인식변화와 삶의 질 변화 등을 파악하였다. 이러한 내용을 통해 전반적으로 탈모여성암환자의 가발착용이 삶의 질에 미치는 영향을 전반적으로 파악하고자 하였다. 결론적으로 본 연구를 통해 탈모여성암환자를 위한 정부차원의 급여지원과 병원차원의 교육지원하는 것이 필요하다는 것을 파악하였다.

• 한국의류산업학회지
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• 제5권1호
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• pp.25-33
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• 2003

Rococo, which is represented as immoderate pleasure and luxurious aristocratism, had required to be liberal and unconventional in art and life, and the hairstyles were also much more fantastic, huge, and splendid than ever. Women's hairstyles in the early 18th century were the relatively simple style of Pompadour style that didn't inflate hairs and combed them backward. Then, as changes in haristyles began to appear in around 1760, the styles became gradually higher and huger, and very queer styles also appeared. In the 1780s, they ornamented these hairdos by using various things. This can be considered as women's behaviors that showed off their status and wealth instead of their husbands. Although men's hairstyles were not as huge and decorative as women's, wigs were worn frequently. Wigs became smaller and simpler than those in 17C, and while wearing them, they made wigs whitened by spraying hair-powders enough not to recognize their ages. Several names such as Pig tail, Ramilleis, Bag wig, Brigadiere, and so on existed, according to the way to tie the wigs. Somewhat exaggerated men's hairstyles were shown by Macaronis in 1780s. However, this can be regarded to reflect the situation of the age.

• 복식
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• 제39권
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• pp.21-37
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• 1998

This study researchs forms of Egyptian religious dress for studying formation-process of religious dress and its ornament. The study goes abreast literature and the very spot's materials also divides god's dress, priest's. Ancient an egytian worshiped mainly animals, step by step animal's humanization. So gods were expressed animal's face and human's body. Egypt god's costume is 1st, to take off upper hament and wear loin cloth on trousers 2nd only to wear short sheath skirt. 3rd to wear shout sheath skirt and to skirt and to wear loin cloth on there 4th to cover whole body and to open hand like mummy. Egype goddess' costume is largely to wear long sheath skirt up to the ankle and we can see selkit goddess's figure that wearing kalasiris after new dynesty. Priest had been a bald head and worn loin cloth and surrounded leopard's skin on there, but after the period of empire, worn a wig and worn less stoically. Also god had hung the lion's tail at symbol of the dignity and priest had put on sandals for a ceremony.

• 복식
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• 제65권6호
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• pp.79-98
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• 2015

This article studied women's headdresses that appeared in the paintings of Joseon Dynasty. This examined the shapes of women's headdresses painted in genre paintings, record paintings and nectar ritual paintings from Joseon Dynasty and compared them to literatures and relics in order to analyze their types and characteristics. Headdress can be categorized into three types: (1) square cloth worn on the top of the head; (2) a kind of small cap; (3) Cloth that completely covers the head. The first type of headdress resembles the shape of Garima. In the early period of Joseon Dynasty, it was worn not only by Gisaeng, but also by both upper and lower class women. The second type of headdress includes a cap made by connecting several cloths, round cap, and cone-shaped cap. These two types are worn on top of the head. However, sometimes these were worn between the head and the chignon to fix the chignon. Also, these were used as hair accessories for decorative purposes. In particular, old women wore these headdresses and braided their white hair around them to fix the chignon. This way, the headdress not only kept the head warm, but also hid the old women's scanty hair. Headdress was usually made of black fabric and it was a simple hair accessory that replaced the wig. The third type of headdress was widely worn among lower class women. The cloth completely covered the head so that the hair would not fall when working. It also provided protection from cold and hot weather. According to paintings, there were many ways of wearing the cloth around the head.

• 복식문화연구
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• 제29권6호
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• pp.779-794
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• 2021

In this study, the sales status of female ball-jointed dolls and their parts were investi- gated and analyzed. Baseline data from 194 products and 54 brands on domestic and international Internet sites was gathered for the manufacture of ball-jointed dolls and the development of prototype costumes for them. The results are as follows. First, the sizes used for ball-jointed dolls are SD, USD, MSD, 13SD, and 70SD together with height. This study analyzed 39 sizes (15~70cm) by classifying them into numbered groups: 1 (15~22cm), 2 (23~33cm), 3 (35~51cm), 4 (53~62cm), and 5 (63~70cm). The price varied depending on the size; for example, 50cm dolls were approximately 45,000 won, while limited editions were sold at high prices, regardless of their size. They were classified into designs according to their body proportions and facial features as follows: 7- or 8-head-figure, 5-head figure, and 3-head figure, and were presented proportionally as images of women, adolescents, and infants. Second, the head was incised so that the top could be removed horizontally or the facial region vertically, allowing attachment of the eyeballs (which were either glass, resin, or acrylic) to the inside. More than 30 different colors were sold. Various wig styles were provided, including cut, short hair, and perm. These were made from human hair, heat-resistant fiber, and artificial hair. For the hands, there was a design expressing human hand gestures. For the feet, heels were in the form of wearing either high-heels or flat soles.