• 한국방재안전학회논문집
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• 제11권2호
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• pp.69-74
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• 2018

환경적인 영향에 대해 민감하게 발생하는 안개는 특정 지역/시간대를 예측하기 어려워 시민의 안전에 대한 위험성을 가진다. 따라서 기존의 소극적이고 수동적인 대응방안이 아닌 건조공기와 음이온 응결핵을 통해 안개입자를 직접적으로 제거할 수 있는 안개제거장치를 이용한 백연성 안개 저감 기술을 제안하고자 한다. 이에 본 연구에서는 저류지 환경에서 자주 발생하는 백연성 안개에 대하여 안개제거장치를 이용한 저감 효과를 확인하고 기온 환경에 따른 영향성을 분석하고자 실험적 검증을 수행하였다. 동일한 환경 조건에서 100 m 거리에 위치한 표지판을 설치하여 가시거리를 비교하였다. 그 결과 30초 이내에 100 m 이상의 가시거리를 확보 가능하였으며 이것으로 안개저감효과가 효과적임을 확인할 수 있었다. 또한 기온 환경에 따라 온도가 낮을수록 백연성 안개가 크게 발생하였으나 기온 환경별 백연성 안개의 저감효과에 대한 영향성은 미미한 것을 확인하였다. 본 실험을 통해 안개제거장치를 이용하여 저류지환경에서 발생된 백연성 안개에 대한 저감 효과를 검증할 수 있었다.

• Journal of Information Technology Applications and Management
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• 제28권3호
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• pp.77-87
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• 2021

The color gray in the cinema expresses the private or public memory and oblivion in the reminiscence scenes. The aesthetic function and meaning of gray that interacts with other elements in cinematic time and space are expanded in various ways. This study was analyzed the cases in which gray was used as the main visual style by limiting the scope to Korean films. Based on the traditional cultural symbolic meaning of gray, I analyzed how it was applied and transformed in films, and interpreted the cultural-social meaning by the interaction between gray and other elements. In film history starting from monochrome, gray has been used as a visual device suitable for realizing cinematic or imaginary reality. Gray is adopted when dreams or recollections are visualized as imaginary reality, and it is used when dreamy imaginations of daydreaming are demonstrated. Gray, which reproduces the dreamlike reality of imagination, is the concrete and realistic way of expression. First, in Korean films, gray is a flashback visual device that recalls the past, and is an intermediary visual form that materializes the imaginary. In films such as Ode to My Father (2014), DongJu (2015), A Resistance(2019) and The Battle : Roar to Victory (2019), the gray of the past is a visual device for cultural memory that builds the homogeneity and identity of the group. In the era of hyper-visibility, gray in black and white images is intended to be clearly remembered by unfamiliarity rather than blurry oblivion by familiarity. Second, in genre films with disaster materials such as Train To Busan (2016) and Ashfall (2019), the grays of rain, fog, clouds, shadows and smoke highlight other elements, and the gray color causes anxiety and fear. In war films such as TaeGukGi: Brotherhood Of War (2003) and The Front Line (2011), gray shows a more intense brutality than the primary color. In sports films such as 4th Place (2015), Take Off (2009) and Forever The Moment (2007), gray expresses uncertainty and immaturity. Third, gray visualizes the historical memory of A Petal (1996), the oblivion in Oh! My Gran (2020) and Poetry (2010), and the reality of daydreaming Gagman (1988) and Dream (1990). At the boundary between imagination and reality, gray is a visual form of dreams, memories and forgetfulness.