• Journal of the Korean housing association
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• v.12 no.3
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• pp.51-60
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• 2001

This study has tried to explain the background of the inflow of western-style architecture, the influx of foreign architectural technicians, the import of building materials, the inflow of Japanese-style houses, and the course of the inflow of western-style architecture in the Busan area since 1910 so as to make the basic data of the forming course of modern architecture and the study of the modern history of architecture in Korea. The results are as follows. 1) Japanese-style houses and western-style architecture in Korea were brought in by foreigners, not by Koreans, Also, in Busan all sorts of building materials were imported by Japanese. Japanese-style house and western-style architecture were built by Japanese. 2) Japan has planned the network of roads through the expectation of increasing Japanese in the concession. And constructed houses on the rule of construction since 1877. 3) Western-style architecture in Busan was mostly constructed by Japanese carpenters, and they imitated western-style architecture.

• Journal of the Korean housing association
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• v.5 no.2
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• pp.15-28
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• 1994

This study is to analyze the transfiguration of the plan of the Japanese-Western eclectic houses in the process of the change in the living style and modernization. Twenty four Japanese-Western eclectic houses. which were located in Teagu Province and constructed during the period from the end of 19th century to the year 1945. were surveyed and analized about the original plans and the process of their spatial tranfituration. The results of this study are as follews 1) In the original plans. the bathroom, toilet and entrance hall in the residential space and HUSMA(wooden sliding doors) for separation of the rooms had been installed. 2) After the Liberation. the rooms of the residential space had been transfigured from TADAMI. JASHIKI. kitchen and toilet etc. to ONDOL. ANBANG. kitchen and toilet etc of the Korean traditional style. From 1980's they composed of living room, dining room and entrance hall of the Western-style. 3) From the liberation to 1960's. each room of residential space had been transtigured greatly form the Japanese style into the Korean style. Thus as the entrance hall. bathroom and TADAMI has been disappeared. DNDOL and MARU reappeared. Since 1980's bathroom diningroom and entrance hall ef the Western-style have recomposed in their residential space. But ANBANG is still used as a major living space in the surveyed houses.

• Journal of the Korean housing association
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• v.14 no.1
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• pp.107-115
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• 2003

This paper is to clarify a cognitive structure and behaviors of the green environment creation in the Western-Style residential areas. The followings are the results of analysis; 1) Regarding the outside space of houses, yard and garden are differently recognized. While various behaviors are carried out in the yard, the garden is recognized as a space to construct green environment. 2) Most residents of Western-Style houses construct the outside space as a green space, and grow plants and flowers to enjoy their beauties. However they have introvert view of green environment. 3) The roles of outside space use are classified into four groups, the cognitive structures on the green environment creation are different from group to group.

• Journal of architectural history
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• v.1 no.2 s.2
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• pp.85-100
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• 1992

This Study is to analize the transfiguration of the domestic architecture in the process of modernization. Thirty two houses which were located in Taegu province and constructed during the period from 1886 to 1945, were surveyed and analized about the characteristic and their transfiguration. The modern domestic architecture of Taegu province had been constructed greatly by the missonaries and Japanes. The history of development of modern houses in Teagu province can be devided into three period in accordance with the economic policy, housing style and the method of construction. The first period (1886-1910) was the beginning of the modern house. Most of the mission houses of that period were made with brick structure of korean-western style or colonial style. In the second period (1911-1926), colonial, Japanese-western, Japanese housing style were co-exited in Teagu province. During the third period (1927-1945) new method of construction using reinforced concrete and mortar was introduced, therefore the houses become row house (a two or three-family house) and much simpler.

• Korean Institute of Interior Design Journal
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• no.16
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• pp.116-125
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• 1998

This study attempts to analyze the characteristics and changing trends of the interior design of modern Korean houses since 1960s and to understand the impacts of Western architecture and design. the photos of 101 houses were selected from the magazines published since 1960s. The data collected were analyzed via frequency percentage and average. The result reveals that the interior design of the living rooms in modern Korean houses has undergone lots of changes in finishing materials window treatments types of cabinets and use of lighting fixtures. It is concluded that 1960-1960s is a period of introducing Western design as a superior while 1980's is a period of exploring various ways toward harmony between Korean style and Western styles and 1990's is a period of settlement of koreanized modernism style.

• Journal of the Korean Home Economics Association
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• v.28 no.3
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• pp.67-85
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• 1990

The purpose of this study was (1) to investigate changes in house and kitchen forms and behaviors in the kitchen area of Korean family houses from the Yi-dynasty to the present, and (2) to develop a housing conceptual framework on the basis of the ecosystem approach through analysis of changes in Korean family houses. The documentary research method wad used fro this study. The major findings were that the traditional Korean houses were composed of separate buildings and had various floor levels with the maru(a wooden floor) as the center of the open plan. The introduction of foreign style house forms from the era of enlightenment, in the year 1876 to the Korean war in 1950 changed traditional Korean houses into Korean-western style houses. More recent increased population and urbanization accelerated to change from the traditional Korean house form to an apartment style. At the present time, however, many kinds of house forms, from a highly modernized style with convenient facilities to a primitive style, which cannot even meet the basis needs of daily life, coexist together. The Kitchens in traditional Korean houses had no plumbing, drainage, or work centers. They had simple adobe furnaces which were used for cooking and for heating the ondol, a kind of panel heated floor by which the heat and smoke run under the floor to the chimney. This made the kitchen floor level lower than the floors of other spaces. The residents entered the kitchen through the madang(atrium). The influence of the western style kitchen, the development of technology, and improvements of nation-wide economic status have made today's kitchen space covenient and hygienic. The floor level of the kitchen was raised to the same level of other spaces. Formerly the major function of the kitchen was raised to the same level of other spaces. Formerly the major function of the kitchen space was cooking and heating floors. This had changed, and the kitchen is now, the place for family and social interaction. A housing conceptual framework was developed on the basis of these findings.

• Proceedings of the Korean Institute of Interior Design Conference
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• 2002.04a
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• pp.159-162
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• 2002

In the middle of 1940s, Hassan Fathy, a great Islamic contemporary architect, built cheap multifamily houses, schools, mosques and public market in the village of Gourna, near Luxor, Egypt for the poor Egyptian. At that time the western style houses made of concrete materials were so expensive for the Egyptian people in the rural area, that Hassan Fathy, a young architect, challenged to build the houses for them. He considered seriously the expenses that the lower-class Egyptians in the rural area could pay for building houses. He built up gorges arch-style building and done-style building by using traditional materials, which consisted of reeds, roues and mud brick for adobe. He made the design of houses cool in summer and warm in winter. The houses in the Gourna village were, afterwards, highly evaluated, in the sense that they represented the Islamic uniqueness of architecture and its beauty. As a result, the Gourna village made him receive many of awards including the Aga Khan Award. This study tries to focus on the reviewing of modern Islamic architecture by analyzing Hassan Fathy's architectural art, on the investigation of traditional materials used for building the Gourna village, and finally on the contribution for the research of Islamic architecture

• Journal of the Korean Institute of Rural Architecture
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• v.17 no.3
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• pp.1-9
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• 2015

The purpose of this paper is to analysis on periodical changes of rural houses of Korean-Chinese people residing in Yanbian area, China focused on periodical changes of floor plans according to Chinese government's policies and regulations influencing on rural houses. Changes of floor plans are classified into four periods; immigrating settled period, 1960-1970s, 1980-1990s, and after 2000. Total number of 67 cases were analyzed that data was collected 48 cases of literature studies and 19 cases of field study in Yanbian, China. The results are as followings. In immigrating settled period, floor plans of the rural houses have tended to be continued the pattern of the Korean traditional rural houses. Nevertheless China was changed socialism system, rarely floor plans were influenced by the system during this period. From 1960s to 1970s, the livestock and rural mechanization are influenced by the "People's Commune" policy. The "Barn" and "Mill" were converted into "warehouse". The residential part consists of one Jeongji (space mixed dinning and kitchen) and one to three of Ondolbang (room). From 1980s to 1990s influenced by the policies of "Cultural Revolution", "Birth Control" and "Chinese Economic Reform", the Korean traditional customs like "elders first" and "distinction between the male and female have been gradually vanished. Meanwhile, spaces of the rural houses have consisted of Jeongji, big Utppang (room), and warehouse. Each space is opened and mutual. Since 2000, influenced by the policy of a "new Socialist Countryside Construction", the bathroom and kitchen are added in interior spaces, the life style in rural houses has been changed as for both the sedentary style and western style.

• Journal of the Korean Geographical Society
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• v.19
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• pp.41-51
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• 1979

Since 1971 when the nation wide 'New Community' movement was launched to improve rural standards of living, dol and thatched-roof houses have been reshaped or removed, thereby making it hard to find time-honored people's living structures in the countryside. Since 1977, the improvement work of rural houses has started throughout the country, so many new rural residences have been constructing along the highway, main roads, railways and around the sightseeing area, New rural houses do not show, for the most part, the traditional architectural style and the nation's unique conventional ways of living. The writer tried to find solutions to the problems derived from improvement work of rural residence, in a comparative method of traditional rural houses and newly constructed rural ones. The greater part of new rural houses' types, painting colors, and fence types had been recommended by provincial administrative trative officials. Officials recommended them to the farmer with their standards, which did not consider farmer's convenience of traditional way of life, but a fine sight from the highways or railways. Korea's three basic roof types are the HAPKAK roof (gabled and hipped), the UCHINKAK roof(hipped), and the BAKKOONG roof(gabled). However, the gabled roof houses, having their entrance on the gabled side, are found more ofter in new rural village. As mentioned above, architectural style is not harmonious with the topography and climate i Korea, because it is not Korean traditional type, but one of the western styles. And new rural house plans are inconvenient in the conservation rural family system, because of the same category with urban houses plans. Other problems derived from ton-traditional architecture style are roof painting in 4-5 colors in a new village, types of wall and fence, and attached building in the site.

• Korean Institute of Interior Design Journal
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• v.21 no.5
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• pp.254-263
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• 2012

This study found out the change of spacial form of detached house in Korea on a 10-year basis from 1980s though analysis on the architecture of each period. For the subject houses of this study, the detached houses introduced repeatedly as excellent cases in technical journals for architecture were collected among those completed by architects who designed numerous houses and a survey was conducted on 18 detached houses of 18 architects among the in urban style houses in Seoul and suburban style houses in the suburbs of Seoul. Through this study, it could be found that, as the morphological application of traditional architecture was settled with spatial concept, the external spatial form of the detached houses in Korea after 1980s was changed to westernized form but the internal spacial form had been continuously changing suitable to our emotion by reflecting the living habit and taste with the traditional attitude to perceive and accept the nature. As for the change in the forms of interior space, vertical space with more than two floors became common. Front porch and stair hall, which were located at the center of a house and became an important spacial element that overlapped family's moving line, changed to open and bright space that used transparent glass and increased the space to contact the open air, reflecting our living habit and taste that preferred the feeling of internal openness. A Private space, main room, was more segmented and luxurious, and a public space, living room, secured the independency by getting close to symbolic yard. As for the change in the form of exterior space, the form of façade window has been changing in its location and size and brought free images due to the advancement of technology and material. The shape of roofs was borrowed from western style and a lot of geometrical forms that break away from the concept of angle rater and eaves are appearing.