• Journal of Korean Medical classics
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• v.23 no.1
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• pp.91-100
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• 2010

In this study, I investigated physiology and pathology of the kidney and then researched deficiency of the kidney-nourishing the Eum music therapy to apply for clinical use, because symptoms such as chronic fatigue, morbus asthenia, anxiety, dizziness, tinnitus, and amnesia are prevalent in our modern societies. These symptoms are due to deficiency of the kidney. The kidney stores vital essence and has a function to keep activities as motive power. If the kidney is abnormal in storing the essence and holding Gi, various symptoms like dizziness, tinnitus, amnesia are caused by deficiency of the kidney. In deficiency of the kidney-nourishing the Eum music therapy, Water-Gi music which can store the essence is mainly used. In case of patients with deficiency of the kidney, dizziness, tinnitus, and amnesia, we can make use of NO.3, BWV 1068, Air of J.S.Bach and Jinyangjo of Geomungo. If there are flaring-up and fidgetiness due to deficiency of vital essence, Earth-Gi music that can help the vigor of spleen and stomach should be used prior to Water-Gi music. In the concrete, Hahyeondodeuri of Yeongsanhoesang played on Geomungo can be used. The tinnitus is caused by wind-heat and fire in the gallbladder. It is good to nourish the Eum through Water-Gi music after dispelling pathogens through Jajinmori among Gayageum sanjo.

• Journal of Korean Medical classics
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• v.22 no.2
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• pp.285-292
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• 2009

The purpose of this study is to introduce heat-clearing music therapy[淸熱音樂療法] as one of the 17 kinds of oriental medicine music therapy. The heat-clearing music therapy[淸熱音樂療法] can be applied to certain types of syndromes. The representative syndromes are flaring-up of the heart Fire[心火], rising of the liver Yang[肝陽], and fidgetiness due to deficiency of Eum(陰, Yin). Metal-Gi[金氣] music and Water-Gi[水氣] music are mainly used in heat-clearing music therapy, The patients with the case of flaring-up of the heart Fire[心火] may listen to Metal-Gi[金氣] music. For the patient with rising of the liver Yang[肝陽], relieving constraint music therapy can be used. In other cases with patients with fidgetiness due to deficiency of Eum, replenishing vital essence music therapy can be used. This study describes the theory of heat-clearing music therapy[淸熱音樂療法] that has a good possibility as a new method of oriental medical treatment.

• The Journal of Pediatrics of Korean Medicine
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• v.23 no.1
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• pp.115-126
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• 2009

Objectives The purpose of this study is to introduce oriental medicine music therapy related to the treatment of ADHD. Methods This study observed ADHD from the oriental medical point of view and tried to treat this disease with the oriental medicine music therapy. Results ADHD is caused by excess of Yang energy, flaming-up of fire, blood deficiency of the heart and the spleen, deficiency of the kidney essence, and instability of emotions. The ADHD patients with the case of excess of Yang energy and flaming-up of fire, patients were played Fire-Gi rhythm as a treatment, and they listened to Metal-Gi music. Whereas, the ADHD patient with blood deficiency of the heart and the spleen, invigoration of vital energy music therapy can be used. Another case of ADHD patients with deficiency of the kidney, Water-Gi rhythm and replenishing vital essence music therapy can be used. According to the patients' seven modes of emotions, the proper music should be chosen. Conclusions Oriental medicine music therapy can be a new type of treatment for ADHD patients.

• Journal of Korean Medical classics
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• v.21 no.4
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• pp.225-232
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• 2008

The purpose of this study is to introduce the music therapy as one of the 17 kinds of oriental medicine music therapy and investigate the record in the literature. The spleen is an organ that has the function of digestion, absorption, and supply of nutrition. Damp, anxiety, and improper diet can cause deficiency syndrome of the spleen. The symptoms of deficiency of the spleen are poor appetite, abdominal distension, borborygmus, water-grain dysentery, dyspepsia, and lack of strength in limbs. CV12, CV6, S36, B20, B21, and Sp4 are can be used as acupuncture points that are a great help to the patients who suffer from deficiency of the spleen. This study describes the theory of invigorating the spleen music therapy that has a good possibility as a new method of oriental medical treatment and present the acupuncture points that can be used with invigorating the spleen music therapy. The tone of the spleen is Gung(宮) and the sound of the spleen is related to a song. The music therapy of invigorating the spleen includes beating Earth-Gi(地氣) rhythm with Cheonnyeonmanse, stimulating Spleen Meridian and Stomach Meridian with Gayaguem sanjo jungjungmori, and acupuncture with "Le Cygne" of Camille Saint-Saens.

• Journal of Sasang Constitutional Medicine
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• v.18 no.1
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• pp.30-40
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• 2006

1. Objectives The present study purposed to examine the contents and the principles of music therapy according to Oriental medicine theories in order to prove that music therapy is not a new research area but its principle is found in the long tradition of Oriental medicine. 2. Methods We investigate the possibility of music therapy based on Oriental medicine theories and examine the meanings of music therapy from the viewpoint of Oriental medicine. 3. Conclusions and discussions (1) The principles of music therapy are the principle of homogeneity, catharsis and balance. (2) When one’s mind changes, there are naturally occurred sounds, which are called Oseong (五聲: the oriental five voices exhalation, laughing, singing, wailing and groaning), and the notes defined by arranging the Oseong according to the principle of Ohaeng (五行: the oriental five phases wood, fire, earth, metal, water) are Oheum (五音: the oriental five musical notes Gakeum, Chieum, Gungeum, Sangeum and Wooeum.). If Eum (musical notes) is classified into Ohaeng, it can be divided into Gakeum, Chieum, Gungeum, Sangeum and Wooeum. (3) Change of Sinji (神志: consciousness) induces change of Gigi (氣機: function of Gi), which can change the character of voices. Oseong controls the functions of Ojang (五臟: the oriental five viscera) by ruling one’s Jeongji (情志: emotion). It can reduce the damage of the viscera caused by excessive vent of emotion resulted from unconscious expression of Oseong - Hoseong (呼聲: exhalation), Soseong (笑聲: laughing), Gaseong (歌聲: singing), Gokseong (哭聲: wailing) and Sinseong (呻聲: groaning). (4) Yijeongseungjeong (以情勝情: Control emotion with emotion) therapies, which suppresses an emotion by stimulating another, include Noseungsabeop (怒勝思法: Control anxiety with anger), Heeseungbibeop (喜勝悲法: Control sorrow with joyfulness), (思勝恐法: Control fear with anxiety), Biseungnobeop (悲勝愁法: Control anger with sorrow) and Gongseungheebeop (恐勝喜法: Control joyfulness with fear). (5) Seongeum (聲音: voices and musical notes) can be applied to a stimulation method that not only harmonizes the rhythm of living organs but also controls the occurrence of diseases caused by mutual Pyeonseongpyeonsoi (偏盛偏衰: relative preponderance and weakness) through direct induction of the strength and weakness of Gi function of the oriental five viscera in a human body according to the individual character. Sounds preferred by the patient, the material of an instrument selected by the patient, the character of rhythm and music expressed by the patient and the sound or voice uttered frequently by the patient can be considered in diagnosis and treatments for the patient’s body and mind.

• Proceedings of the KAIS Fall Conference
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• 2012.05a
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• pp.440-443
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• 2012

도시지역의 도로, 교량 및 주차장과 같은 포장지역은 작은 면적이지만 강우 시 다른 토지이용에 비해 강우 유출량이 높고, 상수원인 하천의 종 및 횡방향으로 존재하기 때문에 직접적인 오염 원인으로 작용하고 있다. 이에 대한 대책으로 최적관리기법(Best Management Practices, BMP) 또는 저영향개발(Low Impact Development, LID)과 같은 관리 방안을 적용하여 강우에 의해 발생되는 강우유출수와 비점오염물질을 동시에 저감하는 방안이 연구되고 있으나, 모델링을 통한 비점오염물질 배출량의 정량화와 저감시설의 성능평가에 대한 연구는 부족한 실정이다. 본 연구에서는 주차장 지역에서 발생하는 비점오염물질의 배출량 모의 가능성을 평가하기 위해 국내 외에서 강우유출수의 모의와 저감시설의 성능평가에 많이 사용되고 있는 MUSIC(Model for Urban Stormwater Improvement Conceptualization) 모형과 SWMM(Storm Water Management Model) 모형을 이용하여 강우유출수 수문 수질 모의를 실시하여 각 모형의 적용성을 평가한 결과, 두 모형 모두 총 유출체적 오차가 ${\pm}6%$ 이내로 수문모의에 대한 적용성이 우수하게 나타났지만, 수질의 경우 SWMM 모형이 MUSIC 모형에 비하여 오염물질의 배출량을 실측치와 가깝게 모의함으로서, 결과적으로 대상지역에 대해 SWMM 모형이 MUSIC 모형에 비해 주차장의 초기우수현상을 더 잘 재현하는 것으로 나타났다.

• CELLMED
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• v.6 no.3
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• pp.17.1-17.3
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• 2016

Pansori is a unique genre of Korean art music. Sugungga is a form of Pansori that is so famous as to be included in the representative five texts of Pansori, and is also a fable about a Dragon King who lived in a palace on the water. The Dragon King had a disease and the major plot of the story is the finding of a cure for his illness. At the beginning of Sugungga, Yaksungga appears on the scene in the form of an ascetic who has knowledge of various herbal medicines. By reciting and singing this medical knowledge, Yaksungga functions as an effective mnemonic technique to aid memorization of the herbs and their properties. Yaksungga exists only in Korea, and functions in Sugungga not only as a dramatic factor in the play, but also as a tool that allows people to easily learn professional medical knowledge during those times, not by books, but by funny rhymes, which gave people the opportunities to apply such knowledge in useful ways.

• Proceedings of the KAIS Fall Conference
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• 2012.05a
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• pp.444-447
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• 2012

주차장에서 발생하는 비점오염을 저감하기 위한 대책이 필요할 것으로 전망됨에 따라 최적관리기법(Best Management Practices, BMP) 또는 저영향개발(Low Impact Development, LID)과 같은 관리방안을 적용하여 강우에 의해 발생되는 강우유출수와 비점오염물질을 동시에 저감하는 연구가 수행되고 있다. 기존 연구사례들에서는 대상유역에서 발생된 강우유출수에 대한 모니터링을 수행을 통해 얻은 자료를 이용하여 비점오염물질 배출량을 산정하였지만, 이러한 방법은 다양한 강우사상에 따른 유출량을 직접 산정할 수 없으며, 미계측 유역에 활용하는데 있어서는 제약이 따르는 한계를 가지고 있다. 본 연구에서는 강우유출수 개선모형으로 국내 외에서 강우유출수의 모의와 저감시설의 성능평가에 많이 사용되고 있는 MUSIC(Model for Urban Stormwater Improvement Conceptualization) 모형과 SWMM(Storm Water Management Model) 모형을 이용하여 주차장 BMP 설치에 따른 저감효과를 산정하기 위해 주차장에 적합한 대상 BMP(식생수로, 통로화분, 투수성 포장)을 선정하고, 이를 강우유출수 개선모형의 BMP 모듈을 통해 모의하여 저감효과를 산정하는 방법론을 제시하고자 한다. BMP별 저감효과는 통로화분, 투수성 포장, 식생수로 순으로 나타났으며, 모형의 초기우수현상 재현성이 BMP설치에 따른 저감효과에 큰 영향을 미치는 것으로 파악되었다.

• Journal of the Korean Institute of Traditional Landscape Architecture
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• v.36 no.3
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• pp.26-36
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• 2018

This study aims to examine the characteristics of landscape through the analysis of location and the landscape of Gugok while also conducting the empirical study through the literature review, field study, and digital analysis of the Okgung Gugok. Oksan Gugok is a set of songs set in Ogsan Creek(玉山川)or Jagyese Creek(紫溪川, 紫玉山), which flows in front of the Oksan Memorial Hall(李彦迪), which is dedicated to the Lee Eong-jeok (李彦迪). We first ascertained the location and configuration of Oksan Gogok. Second, we confirmed the accurate location of Oksan Gogok by utilizing the digital topographic map of Oksan Gogok which was submitted by Google Earth Pro and Geographic Information Center as well as the length of the longitude of the gravel measured by the Trimble Juno SB GPS. Through the study of the literature and the field investigation, The results of the study are as follows. First, Yi Eonjeok was not a direct composer of Oksan Gugok, nor did he produce "Oksan Gugokha(Music)". Lee Ia-sung(李野淳), the ninth Youngest Son of Tweo-Kye, Hwang Lee, visited the "Oksan Gugokha" in the spring of 1823(Sunjo 23), which was the 270th years after the reign of Yi Eonjeok. At this time, receiving the proposal of Ian Sung, Lee Jung-eom(李鼎儼), Lee Jung-gi(李鼎基), and Lee Jung-byeong(李鼎秉), the descendants of Ian Sung set up a song and created Oksan Gugok Music. And the Essay of Oksan Travel Companions writted by Lee Jung-gi turns out being a crucial data to describe the situation when setting up the Ok-San Gugok. Second, In the majority of cases, Gogok Forest is a forest managed by a Confucian Scholar, not run by ordinary people. The creation of "Oksan Bugok Music" can be regarded as an expression of pride that the descendants of Yi Eonjeok and Lee Hwang, and next generation of several Confucian scholars had inherited traditional Neo-Confucian. Third, Lee Jung-eom's "Oksan Donghaengki" contains a detailed description of the "Oksan Gugokha" process and the process of creating a song. Fourth, We examined the location of one to nine Oksan songs again. In particular, eight songs and nine songs were located at irregular intervals, and eight songs were identified as $36^{\circ}01^{\prime}08.60^{{\prime}{\prime}}N$, $129^{\circ}09^{\prime}31.20^{{\prime}{\prime}}E$. Referring to the ancient kingdom of Taojam, the nine-stringed Sainam was unbiased as a lower rock where the two valleys of the East West congregate. The location was estimated at $36^{\circ}01^{\prime}19.79^{{\prime}{\prime}}N$, $129^{\circ}09^{\prime}30.26^{{\prime}{\prime}}E$. Fifth, The landscape elements and landscapes presented in Lee Jung-eom's "Oksan Gugokha" were divided into form, semantic and climatic elements. As a result, Lee Jung-eom's Cho Young-gwan was able to see the ideal of mountain water and the feeling of being idle in nature as well as the sense of freedom. Sixth, After examining the appearance of the elements and the frequency of the appearance of the landscape, 'water' and 'mountain' were the absolute factors that emphasized the original curved environment at the mouth of Lee Jung-eom. Therefore, there was gugokga can gauge the fresh ideas(神仙思想)and retreat ever(隱居思想). This inherent harmony between the landscape as well as through the mulah any ideas that one with nature and meditation, Confucian tube.