• 복식
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• 제27권
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• pp.53-74
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• 1996

The Doryon-Line is the lowest line of the Chechori and Dangeu and the length of the Chechori and the Dangeu have wide influence on the Doryon-Line. Also the change of the Doryon-Line is re-lated to the proportion the length the depth that is the curved proportion and the two curved proportion 0.04 and 0.13 are related to the roof style of the traditional architecture in Chosun Dynasty. The Chosun people have made a change the Doryon-Line monotonous in the 14C-15C but the Doryon-Line have been full of variety every fifty years in the 15C-18C. Especially Chosun people have been at war in the mountains and fields in the Doryon-Line are 0.06 and 0.07 in this period I think that the curved proportion 0.06 and 0.07 are symbolized the natural beauty in the mountains and trees of the Korea.

• The Journal of Asian Finance, Economics and Business
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• 제3권2호
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• pp.41-49
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• 2016

Since World War II nations have formed alliances for reasons of security and trade. Countries have seen international integration as an appropriate approach to resolving domestic and international political issues, improving their welfare by both transforming their infrastructures and increasing their foreign trade. While the majority of these relationships are straightforward d Turkey's relationship with the European Union is more complex due to differences in religion and, at times, political ideology from other Union members. As a candidate country Turkey has made advances towards the full membership of the European Union with the customs union being the most significant. The impact of customs union membership is discussed and the effects of the customs union on Turkey's trade and economy are examined from a perspective of different economic theories.

• 복식문화연구
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• 제7권4호
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• pp.69-79
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• 1999

The study has the aim to now the significance of hippie dress and hairstyle and to understand the influence upon them in 1990\`. The results of this study are as follow. First, the results of the significance of hippie dress and hairstyle in 1960\` which and analized by the basis of pierce\`s semiotic theory showed social resistence, piece and anti-war, psychodelic, ethnic and nostalgia, and individualism. Second, studying the character of the end of 1990\` when hippie dress and hairstyle reappeared through related the papers, magazine, and articles, we could get the phenomenon of pastiche, postmodernism which had excepted the spiritual significance of hippie in 1960\`.

• 항공우주정책ㆍ법학회지
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• 제20권1호
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• pp.109-142
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• 2005

본 연구의 목적은 제2차 세계대전 이후의 국제정치질서와 국제항공질서를 비교하여, 한미항공협정에 미친 영향력을 찾아보고, 향후의 국제항공협정의 전망을 해 보는것이다. 현실주의 국제정치와 국제항공정책의 패권적 힘에 의한 국제항공질서의 편성에서 2차 대전 이후의 한미 항공협정이 강대국의 영향력에서 불균형하게 형성된 것에서 시작하여, 1970년대 후반의 신 현실주의의 영향력에서 형성된 국제항공 자유화정책에 따라 1979년도의 한미항공협정의 개정을 통해서 상당한 개방의 방향으로 개정되었다. 그리고 1990년대의 국제정치의 구성주의적 협력의 정치의 영향으로 미국과 네델란드 간의 항공자유화협정을 시작으로 상호협력을 위한 인식의 공유와 전문지식의 공유를 통해서 이제 사용자를 위한 국제항공협정으로 개정 발전되어 왔다. 향후로는 보다 시민이나 이용자를 위한 항공협정으로 발전하게 될 것으로 전망하고 있다.

• Strategy21
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• 통권42호
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• pp.83-113
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• 2017

After defeat in World War II, Japan's Peace Constitution committed the country to forego the acquisition of offensive military capabilities. However, in the midst of the post-cold war period, Japan began to change its security posture in line with the so-called 'normal state theory', which called for a more robust defense posture and expanded security activities. The second Abe administration promoted these security policies by issuing a National Security Strategy as well as a new National Defense Program Outline(NDPO) in 2013 and by establishing new security institutions such as the National Security Council. The Abe administration also adopted the new concept of a 'Unified Mobile Defense Force' in the 2013 which replaced the 'Dynamic Defense Force' as a new criteria for the Self-Defense Force's acquisition of military capabilities. In this new concept of military capabilities, the Ground Self-Defense Force is planning to replace existing divisions with mobile divisions and to form 'Amphibious Rapid Deployment Bridge' for the first time in 2018, which has long been taboo in Japan. Japan has experience a Marine Corps in the past. Likewise, an offensive changes in the military strategy can change the spectrum of strategy and 'Amphibious Rapid Deployment Bridge' plays a big role in this. Furthermore, Japan is increasing the Coast Guard's budget and capabilities in preparation for contingencies around the Senkaku islands (called the Diaoyu in Chinese). The South Korea navy should utilize Japan's changing security posture to deter immediate threat such as North Korea's military provocations and potential enemy threat such as China, Japan, Russia.

• 건축역사연구
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• 제15권2호
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• pp.39-54
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• 2006

Focusing on the emergence of the basic course in American schools of architecture, in particular Gyorgy Kepes' courses at MIT, this paper studies the transformation of architectural pedagogy during the years after World War II. Kepes centered his architectural pedagogy on the picture plane, which was to function as the primary media for applying the principles of Gestalt psychology, that is the identification of the whole and its parts and the reciprocity between the internal human organism and the outside world. Kepes hence introduced a set of unconventional visual practices that were not readily assimilated to architectural conventions. Paralleling the establishment of the basic course, MIT also formulated a functionalist and spatial pedagogy with its two initial design studios, courses 4.721 and 4.722. These studios shared the notion that architectural design evolved from the inside toward the outside, an idea that took hold not just in the pragmatic environment of MIT's studios but also in conservative academic programs as well as in popular magazines, picture books, and exhibitions for the consumer public. The architectural surface became inseparable from the objects of art, furniture, and design, all of which were to be the generators of space. Hence, during the 1950s, the architectural surface provided a specific locus of intersection between the visual fundamentals of the basic course and the working principles of architectural design. Kepes, however, had by this time become disillusioned with architecture's potential as the medium of unity. Though he maintained the Gestalt logic of identity, he expanded it toward the goal of grander synthesis of society and consciousness freeing himself from the constraints of disciplinary instruction. In the case of Kepes, the mediating role of the picture plane was foregone in a regressive turn toward a primal, innocent, and direct experience.

• 한국사회복지학
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• 제63권4호
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• pp.225-251
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• 2011

이 연구는 우리나라 사회복지조직의 조직성장유형을 알아보고 각 조직성장유형의 조직운영방식을 살펴보았다. 본 연구를 위해서 사회복지서비스 제공 역사가 40년 이상된 사회복지법인의 설립자와 동일 법인에서 20년 이상 근무한 관리자가 연구에 참여하였다. 연구자는 연구에 참여한 20명과의 심층인터뷰, 문헌을 통한 정보수집, 결과에 대한 참여자의 확인과 동료연구자와의 협력적 분석을 진행하였다. 자료분석은 근거이론 방법을 활용하여 총 169개의 개념, 49개의 하위범주 그리고 21개의 상위범주가 유목화되었다. 연구결과 우리나라 사회복지조직의 조직성장유형은 '가족애(家族愛) 실천형', '지역사회변화 유도형', '선도(善導)적 선도(先導)형' 등 3가지 유형이 존재하는 것으로 나타났다. 이러한 연구 결과는 우리나라 사회복지조직이 가지고 있는 태생적 특성에 대한 심층적 이해, 사회복지조직성장유형의 이론 구축 그리고 사회복지조직운영에 대한 실천적 함의를 제시하고 있다.

• 대한한의학원전학회지
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• 제21권1호
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• pp.13-26
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• 2008

Pediatrics in Geumwon(金元) age had fanned peculiar children's etiology, Byeonggihak(病機學) and Byeonjeungnon(辦證論) curative system grounded on medical theory in Geumwonsadaega(金元四大家). Yuwanso(劉完素), who was front-running man in that age, used so many times 'Yanggyeoksan(凉隔散)' or 'Bangpungtongseongsan(防風通聖散)' which have Hanryang(寒凉) disposition for curing children's disease in view of pathology in Yeoldahanso(熱多寒少), which is his special academic thought, after then Judangye(朱丹溪) succeed Yuwanso(劉完素)'s this view of pathology, Yang-eumjahyeol(養陰滋血) developed the one and made it a standing rule to cure children. Also Idongwon(李東垣) grasped that the main cause of disease is starvation because of war. As a result of it, he insisted on theory, internal cause's outbreak of person's illness, Naesangbiwi(內傷脾胃), Baekbyeong-yusaeng(百病由牛). In this view of this principle, he assorted and used following medicine 'Seungma(升麻), Siho(柴胡), Hwanggi' as 'Seungbalyanggi(升發陽氣)' method to cure children, and concentrated on children's spleen and stomach cure with this way. Jangjongjeong(張從政) applied 'Purgation therapy[攻下法]', Hantoha(汗吐下) centered on the theory of exogenous factors[外因說] , which explains that children's disease is Sagichimseup(邪氣侵襲), too. Like this, in Geumwon(金元) age, they had studied very seriously about main cause of children' s disease in two part, an internal cause and an external cause. Also, in pathological part they had approached academically 'Hwayeolchibyeong(火熱致病)' and 'Gigiseunggangsiljo(氣機乘降失調)' from diverse angles.

• 한국콘텐츠학회논문지
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• 제19권3호
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• pp.155-162
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• 2019

영화 라쇼몽에서 보여지는 캐릭터들의 목소리는 위기의 상황을 모면하기 위한 자의식이 빚어낸 기억의 부재이다. 등장인물들의 일치하지 않는 진술과 그 진술 속에 나타난 3가지의 전혀 다른 공간 나생문의 공간(폐허), 폴리포니로서의 재현 공간(숲속), 에고이즘적 진실의 공간(관아)은 당시 일본 국민들이 품고 있었던 전쟁의 패배로 인한 서로를 믿지 못하고 의심하는 사회적 병폐를 내포하고 있다. 이는 러시아의 문예 비평가 M.바흐친의 폴리포니 이론과 일맥상통한다. 폴리포니 이론의 주요 핵심은 서로가 일치하지 않는 목소리들이 조화되지 않는 상태로 불일치를 이루지만, 그 각각의 목소리들은 자신의 세계를 스스로 구축하며 창작자의 영역에서 벗어나 소설 속에 참여 한다는 것이다. 본 연구는 바흐친의 폴리포니 이론이 폴리포니 필름으로서 영화적 구성을 기능하게 하고 영화 <라쇼몽>에 나타난 폴리포니 필름의 공간특성에 대해 논의하고자 한다.

• 영어영문학
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• 제57권1호
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• pp.107-127
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• 2011

Don DeLillo has shown considerable interest in terror, frequently depicting extreme dread of something terrible to happen, in his literary texts. Since more than three thousand innocent people in New York were killed by the 9-11 terrorist attack in 2001, the anticipation about what kind of fiction he would write as a New Yorker was high. DeLillo's novel Falling Man (2007) in fragmentary detail represents the scene of the terrorism from the perspective of Keith Neudecker, a lawyer who escapes the collapsing world trader center. Neudecker's post-traumatic stress disorder in the first chapter is followed by the free-associative portrayal of various impacts of the 9-11 terror on Neudecker's wife Lienne in the second chapter. The random mixture of the first person narratives from such diverse view-point characters as Neudecker's son Justin, relatives and friends, with dialogues and recollections yields a very close picture of the consequences of terrorism. Reading DeLillo's Falling Man in juxtaposition with a Japanese Canadian novel Obasan by Joy Kogawa, reminiscences of the maltreatment of Japanese Canadians during and after the second world war, surfaces the authorial intention of the two novels. They as trauma literature emerge to aim at curing the readers and proposing post-traumatic ethics. Laurie Vickroy's theory of trauma narrative and cure, E. Ann Kaplan's theory of trauma witness narrative and responsibility, and Emmanuel Levinas's theory of trauma memory and ethics offer theoretical grounds for the convincing analysis of the two texts.