• 한국정보통신학회논문지
• /
• 제6권6호
• /
• pp.937-942
• /
• 2002

지난 몇 년 동안 인터넷 기반의 디지털 컨텐츠의 신장으로 인하여 디지털 이미지의 기술과 사용이 대폭 늘어나면서 디지털 이미지의 보호에 대한 필요성이 대두되었다 이러한 디지털 이미지에 대한 저작권 보호를 위해서는 이미지의 내용 인증과 소유권 인증, 불법 복제 등을 확인할 수 있는 인증 기술이 요구된다. 눈에 띄지 않는 암호인 디지털 워터마크를 이미지에 삽입하는 기술인 디지털 워터마킹은 이미지의 투명성과 견고성을 제공해야 하며, 이를 위하여 정교한 인지 정보가 워터마킹 처리에 사용되어야 한다. 또 논문에서는 인간 중심의 시각 시스템의 관점에서 주파수 기반의 워터마크인 웨이브릿 변환을 통한 저작권 보호와 인증과 위조 방지에 대한 알고리즘을 구현하고자 한다.

• 한국정보통신학회:학술대회논문집
• /
• 한국해양정보통신학회 2003년도 추계종합학술대회
• /
• pp.691-694
• /
• 2003

본 논문에서는 3차원 얼굴 영상데이터의 저작권보호를 위한 워터마킹 방법을 제안하였다. 먼저 3차원 얼굴 영상을 웨이브렛변환을 수행하여 주파수영역으로 변환하고, 변환된 주파수영역에 워터마크를 삽입하였다. 이때 워터마크를 삽입할 때 3차원 얼굴 영상의 특징을 고려하여 삽입할 대역을 결정하며 또한 인간시각시스템의 특성을 고려하여 비가시적으로 워터마크를 삽입하였다. 제안된 방법은 비가시적인 방법이며 또한 워터마크를 검출할 때 원 영상이 사용되지 않는 blind워터마킹 방법이다. 제안된 방법의 성능을 평가하기 위해 3차원 얼굴 영상에 적용한 결과 JPEG, 영상개선, cropping, 필터링 등의 기본적인 영상처리에 강인함을 보였다.

• 한국통신학회논문지
• /
• 제31권2C호
• /
• pp.139-147
• /
• 2006

본 논문에서는 인터넷을 통한 동영상 오버레이 멀티캐스트 시스템을 제안한다. 제안한 시스템은 실시간 동영상 전송에 적합한 오버레이 멀티캐스트 트리 구성 알고리즘과 H.263+ 부호화율 제어 알고리즘을 고려한다. 오버레이 멀티캐스트 트리는 멀티캐스트 구성원들 간의 평균 시간 지연을 최소화하도록 구성하고, H.263+ 부호화율 제어 알고리즘은 시각적 성능을 향상시키기 위해 공간적, 시각적 품질을 동시에 제어한다. 두 가지 알고리즘은 유기적으로 결합하여 실제 인터넷상에서 효과적인 동영상 오버레이 멀티캐스트 시스템을 구성한다.

• 한국콘텐츠학회논문지
• /
• 제5권2호
• /
• pp.221-228
• /
• 2005

본 논문은 인간의 공간 지각 특성을 이용하여 에지를 강조하는 개선된 오차 확산 해프토닝 시스템을 제안한다. 제안방법은 원 화소의 명암값과 $3{\times}3$ 블록의 평균 명암값과의 차이 값에 공간적 위치 값에 따른 가중치를 결합하여 공간 변화량(SV: spatial variation)을 구한다. SV와 국부 평균을 이용하여 계산한 에지 강조 정보량(IEE: information of edge enchancement)을 양자화기 입력에 더하여 해프톤 영상의 에지를 강조한다. 제안방법의 성능은 에지 상관도 평가 함수로 평가했으며 제안방법을 영상에 적용한 결과 이진 영상의 에지가 강조되어 시각적으로 선명한 결과를 보이며 미세한 에지도 잘 보존되었다.

• 정보관리학회지
• /
• 제17권4호
• /
• pp.157-170
• /
• 2000

색상에 의한 내용기반 이미지 검색 기법에 있어서 조명과 관찰자의 환경과 같은 주변 조건을 반영한 시지각 색상 모형은 사진 이미지속에 나타나는 반사광과 그림자와 같은 영역의 색상 정보를 알 수 없는 것이라고 간주하고 그 정보를 포기한다는 단점이 있다. 이 연구에서는 그와 같은 알 수 없는 색상을 빛의 방향에 의해 추정하여 검색 시스템의 효율을 향상시키는데 기여하려 하였으며, 검색 실험 결과 이러한 추정 작업과 검색 효율성 향상 사이에는 유의미한 관계가 존재하고 있는 것으로 결론지을 수 있었다.

• 한국실내디자인학회논문집
• /
• 제15권2호
• /
• pp.3-12
• /
• 2006

The renaissance architects had considered perspective system as accurate tool for the visual representation, but Palladio did not agree with this belief and demonstrated that it is a system based on optical illusionism. On the base of this faith, he created another optical illusion system can be called 'scenographic space'. But the remainder of his works reveals many perspective installations mobilized as well as it. In this context, this study aimed to analyze the meaning and usage of these two space composition systems in the Palladio's architecture. For the purpose of it, a preliminary study examine the background of his idea and make a comparative analysis between the two systems, and then finally analyze the concrete works in compliance with the building types. And then, this study comes to the following conclusion. The scenographic space create the cognition of discontinuity which was produced by the perceptual mask perpendicular to the subject's eye. In opposition to it, the perspective techniques join the space between the subject and his outer world. In result, the viewer lost or attach his attention on the connection between the real and the virtual, the secular and the divine, and the inside and the outside. Palladio applied these two illusion systems to all types of his architecture. By means of it, he could achieve the desire of his patrons and reconstruct the classical architecture of the late renaissance age.

• 한국실내디자인학회논문집
• /
• 제23권1호
• /
• pp.43-51
• /
• 2014

Over the 30 years of practice, most of David Chipperfield's design projects shows that there are several unique design methods and characteristics applied in the design processes. 'Form Matters' exhibition held in London Design Museum in 2009 was crucial opportunity to summarize his architectural philosophy. The main target of this study is to analyze the Chipperfield's consistent design methods and their meaning based on his architectural philosophy. In chapter 2, his architectural background, early projects and the essence of 'Form Matters' exhibition were studied. In chapter 3, the projects built after 2000 were summarized and main design method that is 'Fragmentation & assemblage' were extracted from them. After selecting 6 case projects, each cases were analyzed in detail based on 3 analytical elements: A) Reason to segment the given volume into smaller volumes, B) Relationship between Fragmentation and Program, C) Relationship between Fragmentation-Assemblage and Interior/Exterior Space. In chapter 5, case analysis were summarized and deep meaning of design method were researched. This study founded that Chipperfield has used Fragmentation-Assemblage method to get 'flexible respond to site conditions', 'appropriate composition of program and space', 'various visual-perceptual experience through intermediary space and materiality'. As a conclusion, his unique design method has a role to logically and aesthetically spatialize all the given contextual situations into a specific architectural 'form'.

• 대한인간공학회지
• /
• 제32권5호
• /
• pp.449-457
• /
• 2013

Objective: The aim of this study is to investigate the effect of Hangul font on reading speed when texts are displayed on the computer screen. Background: Reading performance is influenced by fonts. However, there are few studies of Hangul font from a cognitive perspective. Fonts could affect reading performance directly and indirectly, interacting with other visual-perceptual factors such as size, word spacing, and line spacing. Method: In experiment 1, two variables were manipulated; a frame condition(square frame non-square frame) and a stroke condition(serif sans-serif). According to each condition, one of the four fonts was applied to the texts. The height of the four fonts was controlled. The participants were asked to read aloud the presented texts. In experiment 2, the non-square frame fonts were adjusted to have approximately the same size, width, letter spacing, and word spacing as the square frame fonts. The experimental design and task used in experiment 2 were identical with experiment 1. Results: In general, reading speed was faster in the square frame fonts than in the non-square frame fonts. The reading speed was not significantly different across stroke conditions. Conclusion: The frame of Hangul font significantly influenced reading speed. These results suggest that the type of Hangul font is a factor to affect reading performance. Application: The frame of fonts should be considered in designing of new fonts. The square frame fonts should be the preferred choice to enhance legibility.

• 음성과학
• /
• 제13권3호
• /
• pp.133-149
• /
• 2006

This study attempted to compare acoustic parameters, physiological observation and perceptual evaluation values obtained from the treatment and control groups in order to find out which of the self voice feedback therapies was better and which methods to train them were more effective. The experimental group carried out various self voice feedback therapies while the control group did only vocal hygiene. The acoustic measurement and voice manipulation for providing the patients visual, auditory feedback were done by a speech analysis software, Praat. The authors designed vocal hygiene, abdominal respiration and Praat self voice feedback therapies and applied them to 15 patients while applying only one vocal hygiene to 15 of the control group. For the purpose of examining the degree of their voice improvement after the treatment, pre- mid- and final evaluations were made for the two groups at the beginning, the 6th week and immediately after the 8th treatment session. Results of this study were as follows: The treatment group showed much improvement after receiving the voice treatment. In particular, acoustical and physiological indices from the optical endoscopy, pitch variation(Jitter), amplitude variation (Shimmer), maximum phonation time(MPT), and psychoacoustic evaluation showed statistically significant improvements over the control groups.

• The Journal of the Acoustical Society of Korea
• /
• 제19권3E호
• /
• pp.33-39
• /
• 2000

This study investigated whether the adjacency principle. demonstrated in a perceived visual space, can be applied to auditory space. In order to demonstrate an auditory adjacency principle, multiple sound sources were varied in direction and distance in an acoustically absorbant space. Specifically, a NEAR sound source was located 10° to the left of the listener's midline at a distance of 2 meters; a FAR sound source was located 10° to the right at a distance of 5 meters. These sources served as perceptual reference points with respect to the localization of three test sounds, all at a distance of 3 meters. Two of three test sounds were directionally closer to the NEAR and FAR reference sounds, respectively. The other was between the reference sources directionally. The listener was asked to judge the perceived distances and the loudness of the three test sounds and the two reference sounds. The results indicated that the apparent distances of the test sounds were most determined by the disparity of distance between each test sound and the reference sound most directionally adjacent to it. Therefore, the findings offer evidence that the adjacency principle can be applied to the auditory space.