• 제목/요약/키워드: Visual context

검색결과 359건 처리시간 0.028초

키네틱 타이포그래피의 정보전달 기능에 관한 연구 (A Study on Kinetic Typography's Communicational Function)

  • 홍영래
    • 조형예술학연구
    • /
    • 제8권
    • /
    • pp.267-296
    • /
    • 2005
  • Typography, as the median for communication, has expanded its roles according the attributes of the media where it Is used, and the change of media follwing the change of times is presenting new directions to the field of typography. The attempts of 20C experimental typography prioritize visual formativeness, free typography and language started to appear on printed matters and different kinds of prints put pep in magazines. Thus, experiments in the aspects of effective delivery of inpormation that letters have and aesthetic side of shapes of letter are continuing. Today with the appearance of multimedia, development of visual colture and rapid development of digital technology, the range of experimental typography has expanded even wider and therefore, different kinds of expressions became possible. As seen above, unlike the existing static printed media that carries linguistic information only, letters in the multimedia environment is shown in the movie titles, TV or web not only as a basic visual media such as type and image, but as a dynamic and complex factor that contains additional information of motion and sound factor. This study will attempt to find the historic context of focus of moment from the kinetic art and define the moving letters as kinetic typography. Therefore, this paper will have an understanding on kinetic typography's background, concept and characteristics following the change of communication environment in the multimedia era and tried to study the basic theories of kinetic typography and the information delivery and imagery function of letters. Also, this paper attempted to carry out a study on whether kinetic typography is delivering information smoothly from the aspect of communication through the image role as delivering information by studying major works of artists who have influenced kinetic typography. Based on this study, I would like to suggest new direction for effective delivery of information and value of use.

  • PDF

신경망 기반 음성, 영상 및 문맥 통합 음성인식 (Speech Recognition by Integrating Audio, Visual and Contextual Features Based on Neural Networks)

  • 김명원;한문성;이순신;류정우
    • 전자공학회논문지CI
    • /
    • 제41권3호
    • /
    • pp.67-77
    • /
    • 2004
  • 최근 잡음환경에서 신뢰도 높은 음성인식을 위해 음성정보와 영상정보를 융합하는 방법이 활발히 연구되고 있다. 본 논문에서는 이절적인 정보의 융합에 적합한 신경망 모델을 기반으로 음성, 영상 및 문맥 정보 등 다양한 정보를 융합하여 잡음 환경에서 고려단어를 인식하는 음성인식 기법에 대하여 기술한다. 음성과 영상 특징을 이용한 이중 모드 신경망 BMNN(BiModal Neural Network)을 제안한다. BMM은 4개 층으로 이루어진 다층퍼셉트론의 구조를 가지며 각 층은 입력 특징의 추상화 기능을 수행한다. BMNN에서는 제 3층이 잡음에 의한 음성 정보의 손실을 보상하기 위하여 음성과 영상 특징을 통합하는 기능을 수행한다. 또한, 잡음환경에서 음성 인식률을 향상시키기 위해 사용자가 말한 단어들의 순차 패턴을 나타내는 문맥정보를 이용한 후처리 방법을 제안한다. 잡음환경에서 BMNN은 단순히 음성만을 사용한 것 보다 높은 성능을 보임으로써 그 타당성을 확인할 수 있을 뿐 아니라, 특히 문맥을 이용한 후처리를 하였을 경우 잡음 환경에서 90%이상의 인식률을 달성하였다 본 연구는 잡음환경에서 강인한 음성인식을 위해 다양한 추가 정보를 사용함으로써 성능을 향상시킬 수 있음을 제시한다.

패션에 나타난 카무플라주 패턴의 시각적 표현특성 (A Study on the Visual Characteristics of Camouflage Patterns in Fashion Design)

  • 최정화
    • 한국의류산업학회지
    • /
    • 제15권5호
    • /
    • pp.682-693
    • /
    • 2013
  • Camouflage is evaluated by scientific principle in the fields of biology, military science, and art. It has a strong influence on contemporary fashion and means exposure with concealment. This study analyzed the visual characteristics of camouflage patterns in fashion design through documentaries and fashion photos. The fashion design results areas follow. The simple blending of a disruptive motif indicated an inaccurate repetition of a disruptive motif, the discontinuous or continuous connection of disruptive motif, the irregular repetition of a disruptive animal silhouette, the collage of a different disruptive motif, the craft of a disruptive motif and the intensive color match of a disruptive motif. It represented the maximization of complication, fantastic and fanciness. The overlap of a disruptive motif showed the overlap of disruptive print patterns with transparency and an overlap of different fabrics with a disruptive pattern. It represented spatial relationships of three dimensions as well as the maximization of visual illusion and the reinforcement of attractiveness. The blurring of a disruptive motif showed the pointage of disruptive motif, the pointage of image, value gradation, the whole blurring of a disruptive pattern cluster and stained appearance. It represented the obscurity of motif form, the uncertainty of object and double meaning. The trompe l'oeil of a partial background object showed the realistic and the painterly imitation of color and texture for partial objects through a close-up. It represented amazement and pleasure by illusion, scarcity and the decoration of surface and synecdochical remind. In conclusion, camouflage in fashion was weakened and modified from a classical military context by a unique expression of various motifs.

2D 그래픽스를 활용한 패션 일러스트레이션의 시각적 표현 양상 (A Visual Expression in Fashion Illustration using 2D Graphics)

  • 최정화
    • 복식문화연구
    • /
    • 제13권4호
    • /
    • pp.550-563
    • /
    • 2005
  • These days, photoshop and illustrator program can make a fashion illustration express easily and speedily, And they can also express a feeling and sensitivity of fashion illustrator by a tool and effect more than a manual work's media. The purpose of this study was to analyze a visual expression and characteristics in fashion illustration using 2D graphics. The method of this study was to analyze the fashion illustration books using 2D graphics. The visual expressions in fashion illustration using 2D graphics were as follows: Fashion illustration was based on a sketch or photography, and used a composition, drawing, mapping, painting, and manual work's re-touching. Characteristics of visual expression were as follows: First, a image composition was showed discontinuity and heterogeneity of image, new context and composition, and allowance of reality. Second, image transform was showed image overlap, body transformation by image recomposition, and deformed transformation by vector drawing. Third, hyper-real was showed precise touching, mechanical and neutral image, omission of background and focus of an object's characteristic and information. Fourth, following a realistic expression was showed simplified color, shading, dominant view point of fashion illustrator by omission, and daily lift style. Fifth, following a pictorial expression was showed non-fixed and irregular line, natural painting, and drawing and painting by conventional pictorial media. In conclusion, a photoshop and illustrator in 2D graphics will serve as a new media far fashion illustration with a manual work. And they will not only intensify a capacity as a commercial role of fashion illustration but also present a positive motive for students learning a fashion illustration.

  • PDF

인지 시각시스템 및 이산코사인변환을 이용한 디지털 이미지 워터마킹 (Digital Cage Watermarking using Human Visual System and Discrete Cosine Transform)

  • 변성철;김종남;안병하
    • 한국정보과학회논문지:정보통신
    • /
    • 제30권1호
    • /
    • pp.17-23
    • /
    • 2003
  • 본 연구는 사람의 시각시스템(Human Visual System, HVS) 특성 및 이산코사인변환 (Discrete Cosine Transform, DCT)을 이용하여 디지털 이미지에 워터마킹(watermarking)하는 방법을 제시한다. 이미지 압축분야에서 연구되어온 사람의 시각 시스템 모델 중 Tong등의 텍스쳐 마스킹(texture mashing). 휘도 마스킹(luminance masking) 모델과 JPEG(Joint Photographic Experts Group)의 양자화 매트릭스(quantization matrix)를 이용한 주파수 마스킹(frequency masking) 기법을 결합하여 워터마크를 삽입한다. 제안한 인지 시각시스템을 이용한 워터마킹 알고리즘은 워터마크를 삽입할 블록이미지의 특성에 따라서 워터마크의 삽입강도를 적응적으로 조절한다. 두가지 형태의 워터마크(의사난수 또는 로고이미지)를 DCT 영역에서 각각 삽입한다. 이를 위하여 이미지를 $8\times8$블록단위로 분할하고 이산코사인 변환을 수행한 후, 변환계수의 저주파 영역에 워터마킹한다. 다양한 실험을 통하여 제안한 방법이 기존의 워터마킹 방법과 비교하여 놀은 화질을 유지하면서 압축과 잡음 등에 견고함을 보인다.

Adaptive V1-MT model for motion perception

  • Li, Shuai;Fan, Xiaoguang;Xu, Yuelei;Huang, Jinke
    • KSII Transactions on Internet and Information Systems (TIIS)
    • /
    • 제13권1호
    • /
    • pp.371-384
    • /
    • 2019
  • Motion perception has been tremendously improved in neuroscience and computer vision. The baseline motion perception model is mediated by the dorsal visual pathway involving the cortex areas the primary visual cortex (V1) and the middle temporal (V5 or MT) visual area. However, few works have been done on the extension of neural models to improve the efficacy and robustness of motion perception of real sequences. To overcome shortcomings in situations, such as varying illumination and large displacement, an adaptive V1-MT motion perception (Ad-V1MTMP) algorithm enriched to deal with real sequences is proposed and analyzed. First, the total variation semi-norm model based on Gabor functions (TV-Gabor) for structure-texture decomposition is performed to manage the illumination and color changes. And then, we study the impact of image local context, which is processed in extra-striate visual areas II (V2), on spatial motion integration by MT neurons, and propose a V1-V2 method to extract the image contrast information at a given location. Furthermore, we take feedback inputs from V2 into account during the polling stage. To use the algorithm on natural scenes, finally, multi-scale approach has been used to handle the frequency range, and adaptive pyramidal decomposition and decomposed spatio-temporal filters have been used to diminish computational cost. Theoretical analysis and experimental results suggest the new Ad-V1MTMP algorithm which mimics human primary motion pathway has universal, effective and robust performance.

과학적 창의성과 시각예술적 창의성: 창의적 성취 사례의 영역보편성 및 영역특정성 (Scientific Creativity and Visual Artistic Creativity: The Domain-universality and Domain-specificity on Creative Accomplishment)

  • 강정하;최인수
    • 영재교육연구
    • /
    • 제18권2호
    • /
    • pp.201-237
    • /
    • 2008
  • 본 연구는 과학 및 시각예술 영역의 창의적 성취사례를 통해 두 영역의 영역보편성과 영역특정성에 대해 살펴보는 데 그 목적을 두었다. 연구를 위해 각각의 영역에서 세계적인 성취를 이룬 한국의 창의적 인물들(과학자: 10인, 시각예술가: 9인)에 대한 인터뷰를 실시하였고, 이로부터 수집한 질적 자료를 토대로 창의적 성취에서 영역보편적으로 드러나는 특성과 영역특정적으로 드러나는 특성을 요약, 기술하였다. 자료분석에는 본 연구의 근간이 되는 총괄적이고 체계적인 개념틀 '지식진화시스템(Knowledge-Evolving Systems: KES)'을 사용하였다. 분석 결과를 보면, 실재시스템에서 두 영역의 성취는 공통적으로 요동, 탐색, 산물을 통해 드러났다. 반면, 과학은 전문지식, 어려운 과제, 세계 최초의 객관적인 지식이 주요한 요인으로, 예술에서는 일상적인 지식, 다양한 주제, 새로운 변화에 대한 인간의 감성 전달이 주된 요인으로 드러났다. 개인시스템에서 두 영역은 모두 분명한 목표를 향한 집중과 독자적인 노력을 보편적으로 요구하였다. 반면 과학은 창조의지, 확산적 및 분석적 사고, 직관 및 통찰, 그리고 도전이 대표적인 요인으로, 시각예술은 즐거움, 민감성, 통합적 사고, 완벽성, 그리고 자유로움이 주요한 요인으로 산출되었다. 마지막으로 사회시스템에서 두 영역의 성취는 전문가의 승인에 의해 결정되었다. 그리고 과학자들의 성취에는 인간네트워크, 기관의 지원, 생존경쟁과 운이 큰 영향을 미쳤고, 시대적 요구와 민족성이 발전의 토대가 되었다. 반면, 시각예술가들은 주변의 반대와 부적인 예술문화 풍토로 인해 고독한 삶을 살아왔다.

미술교육에 있어서 시각적 미디어를 통한 조형교육에 관한 연구 (Visual Media Education in Visual Arts Education)

  • 박지숙
    • 조형예술학연구
    • /
    • 제7권
    • /
    • pp.64-104
    • /
    • 2005
  • Visual media transmits image and information reproduced in large quantities, such as a photography, film, television, video, advertisement, or computer image. Correspondence to the students' reception and recognition of culture in the future. arrangements for the field of studies of visual culture. 'Visual Culture' implies cultural phenomena of visual images via visual media, which includes not only the categories of traditional arts like a painting, sculpture, print, or design, but the performance arts including a fashion show or parade of carnival, and the mass and electronic media like a photography, film, television, video, advertisement, cartoon, animation, or computer image. In the world of visual media, Image' functions as an essential medium of communication. Therefore, people call the culture of today fra of Image Culture', which has been converted from an alphabet convergence era to an image convergence one. Image, via visual media, has become a dominant means for communication in large part of human life, so we can designate an Image' as a typical aspect of visual culture today. Image, as an essential medium of communication, plays an important role in contemporary society. The one way is the conversion of analogue image like an actual picture, photograph, or film into digital one through the digitalization of digital camera or scanner as 'an analogue/digital commutator'. The other is a way of process with a computer drawing, or modeling of objects. It is appropriate to the production of pictorial and surreal images. Digital images, produced by the other, can be divided into the form of Pixel' and form of Vector'. Vector is a line linking the point of departure to the point of end, which organizes informations. Computer stores each line's standard location and correlative locations to one another Digital image shows for more 'Perfectness' than any other visual media. Digital image has been evolving in the diverse aspects, such as a production of geometrical or organic image compositing, interactive art, multimedia art, or web art, which has been applied a computer as an extended trot of painting. Someone often interprets digitalized copy with endless reproduction of original even as an extension of a print. Visual af is no longer a simple activity of representation by a painter or sculptor, but now is intimately associated with a matter of application of media. There is some problem in images via visual media. First, the image via media doesn't reflect a reality as it is, but reflects an artificial manipulated world, that is, a virtual reality. Second, the introduction of digital effect and the development of image processing technology have enhanced a spectacle of destructive and violent scenes. Third, a child intends to recognize the interactive images of computer game and virtual reality as a reality, or truth. Education needs not only to point out an ill effect of mass media and prevent the younger generation from being damaged by it, but also to offer a knowledge and know-how to cope actively with social, cultural circumstances. Visual media education is one of these essential methods for the contemporary and future human being in the overflowing of image informations. The fosterage of 'Visual Literacy' can be considered as a very purpose of visual media education. This is a way to lead an individual to the discerning, active consumer and producer of visual media in life as far as possible. The elements of 'Visual Literacy' can be divided into a faculty of recognition related to the visual media, a faculty of critical reception, a faculty of appropriate application, a faculty of active work and a faculty of creative modeling, which are promoted at the same time by the education of 'visual literacy'. In conclusion, the education of 'Visual Literacy' guides students to comprehend and discriminate the visual image media carefully, or receive them critically, apply them properly, or produce them creatively and voluntarily. Moreover, it leads to an artistic activity by means of new media. This education can be approached and enhanced by the connection and integration with real life. Visual arts and education of them play an important role in the digital era depended on visual communications via image information. Visual me야a of day functions as an essential element both in daily life and in arts. Students can soundly understand visual phenomena of today by means of visual media, and apply it as an expression tool of life culture as well. A new recognition and valuation visual image and media education is required to cultivate the capability of active, upright dealing with the changes of history of civilization. 1) Visual media education helps to cultivate a sensibility for images, which reacts to and deals with the circumstances. 2) It helps students to comprehend the contemporary arts and culture via new media. 3) It supplies a chance of students' experiencing a visual modeling by means of new media. 4) There are educational opportunities of images with temporality and spaciality, and therefore a discerning person becomes to increase. 5) The modeling activity via new media leads students to be continuously interested in the school and production of plastic arts. 6) It raises the ability of visual communications dealing with image information society. 7) An education of digital image is significant in respect of cultivation of man of talent for the future society of image information as well. To correspond to the changing and developing social, cultural circumstances, and the form and recognition of students' reception of them, visual arts education must arrange the field of studying on a new visual culture. Besides, a program needs to be developed, which is in more systematic and active level in relation to visual media education. Educational contents should be extended to the media for visual images, that is, photography, film, television, video, computer graphic, animation, music video, computer game and multimedia. Every media must be separately approached, because they maintain the modes and peculiarities of their own according to the conveyance form of message. The concrete and systematic method of teaching and the quality of education must be researched and developed, centering around the development of a course of study. Teacher's foundational capability of teaching should be cultivated for the visual media education. In this case, it must be paid attention to the fact that a technological level of media is considered as a secondary. Because school education doesn't intend to train expert and skillful producers, but intends to lay stress on the essential aesthetic one with visual media under the social and cultural context, in respect of a consumer including a man of culture.

  • PDF

우선순위 기반의 상황충돌 해석 조명제어시스템 구현 (An Implementation of Lighting Control System using Interpretation of Context Conflict based on Priority)

  • 서원일;권숙연;임재현
    • 인터넷정보학회논문지
    • /
    • 제17권1호
    • /
    • pp.23-33
    • /
    • 2016
  • 현재의 스마트 조명은 센서를 통해 사용자의 행위와 위치를 판별한 후 현재 상황에 적합한 조명 환경이 서비스되도록 구성되어 있다. 이러한 센서 기반의 상황인식 기술은 현재까지 단일 사용자만을 고려할 뿐 여러 사용자들의 다양한 상황 발생과 충돌을 해석하기 위한 연구는 미흡하다. 기존 연구에서는 상황충돌을 해결하기 위한 방법론으로 퍼지이론 및 ReBa 등의 알고리즘을 사용해 왔다. 이는 사용자들이 위치한 공간을 여러 영역으로 구분한 후 각 구역별로 서비스를 제공함으로써 발생 가능한 상황충돌의 기회를 회피할 뿐 개인 선호도 기반의 상황충돌 해석이 가능한 맞춤형 서비스 유형으로 볼 수 없다. 본 논문에서는 여러 사용자에게 다양한 상황이 동시 발생되어 서비스 충돌에 직면할 때, 상황의 유형에 따라 부여된 우선순위를 기준으로 서비스를 결정하는 우선순위 기반 다중 상황충돌 해석이 가능한 LED 조명제어시스템을 제안한다. 본 연구에서는 주거환경을 'Living Room', 'Bed Room', 'Study Room', 'Kitchen', 'Bath Room'의 5개 구역으로 구분하고 여러 명의 사용자를 대상으로 각 구역 내에서 발생 가능한 상황들을 'exercising', 'doing makeup', 'reading', 'dining', 'entering' 등 총 20가지로 정의한다. 시스템은 온톨로지 기반 모델을 이용하여 사용자의 다양한 상황을 정의하고 규칙기반의 룰 및 추론엔진을 통해 사용자 중심의 조명환경을 서비스한다. 또한 동일 공간 및 동일 시점에 사용자들 간의 다양한 상황충돌 이슈를 해결하기 위해 사용자 집중력이 요구되는 상황을 최우선으로 정하고, 동일한 우선순위를 가진 상황일 경우 시각적 편안함을 차선으로 순위를 부여하여 충돌 발생 시 서비스 선택의 기준으로 활용한다.

입경의 의미체험에 따른 풍경개념의 구조에 관한 연구 (A Study on the Logical Structure of the 'Landscape' with a Meaning Context)

  • 진희성;노재현
    • 한국조경학회지
    • /
    • 제19권1호
    • /
    • pp.31-43
    • /
    • 1991
  • In considering the relationship between natural beauty and the human frame of mind, or the interconnections between the Landscape and the point of view, we are concerned primaily with the external factors. Historically, certain physical features tended to cause shifts in human attitudes toward landscapes; We concentrate on this phenomenon of changeful scenery rather than on what psychological factors caused certain landscapes to be regarded as remarkable or unique. In a similar fashion we must ask ourselves what the basic elements in landscape are and attempt to ascertain their visual and spatial characteristics before we attempt to desingn environments that are fundamentally, physical in character. Futhermore, the experience of meanings, a part of literatual association process, appeared through the intension of nature study looking for the best landscape phenomena out of simple naturelooking. Of course, as the variable degree of landscapes changes, the dualistic relationship between humans and objects shows the different experience of meanings as the time changes even in landscapes which possess variable factors in same season. The study is conducted by defining the nature of recognizing and appreciating the logical structure of the concept "Landscape" after analysis of meaning context appeared in 'Kyung' which is consists of time, space and elements in landscape.

  • PDF