• 제목/요약/키워드: Universal language

검색결과 179건 처리시간 0.023초

문법으로서의 논리 ― 비트겐슈타인의 논리관 ― (Logic as grammar: Wittgenstein’s view of logic)

  • 이영철
    • 논리연구
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    • 제11권2호
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    • pp.57-91
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    • 2008
  • 철학적 문제들의 발생은 언어의 논리에 대한 오해에 기인한다는 신념에 따라, 비트겐슈타인의 철학적 탐구는 언제나 언어의 논리 문제를 중심으로 전개되었다. 그의 철학적 작업은 실로 논리적 탐구였다고 할 수 있다. 그러나 그가 생각한 언어의 논리란 무엇인가? 그것은 처음부터 언어의 문법으로서 이해되었지만, 이 이해에는 그의 전후기에 중요한 변화가 있었다. 초기에 그는 언어의 논리를 이상적 표기법에서 실현되는 진리 함수적 구문론과 같은 것으로 이해했으나, 후기에 그는 언어의 논리를 언어놀이의 다양한 언어 사용 규칙들로서 보는 데로 나아갔다. 그것은 논리를 모든 가능성이 미리 규정되어 있는 매우 엄격하고 이상적인 하나의 보편적 문법 체계로서 보는 데서부터, 논리를 미리 생각되지 않은 가능성에 열려 있고 언어놀이들에 특유한 다양한 언어 사용 규칙들로 이루어진 문법 체계들로서 보게 되는 변화이다. 이 글은 그의 전후기 논리관의 상이한 핵심과 그 변화 이유를 다루고 있다. 특히 논리의 자율성과 필연성에 대한 그의 전후기의 관점 변화가 다루어진다.

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디지털 저작권관리와 Rights Language (Digital Rights Management and Rights Language)

  • 박정희;성평식;이기동
    • 한국산업정보학회논문지
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    • 제8권2호
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    • pp.7-13
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    • 2003
  • 인터넷의 발달은 전통적인 0시장에 의한 상거래를, 기술에 의한 안전하면서 세계 시장을 쉽게 접근할 수 있는 전자상거래 구조를 제공하고 있다. 현재 전자상거래의 대상은 실물에 대한 상거래와 디지털 컨텐츠에 대한 상거래로 크게 분류할 수 있으며, 실물에 대한 상거래는 전통적 상거래 방식이 컴퓨터로 바꿔 상황이라고 볼 때, 디지털 컨텐츠에 대한 상거래 즉, D-Commerce에 대한 상거래의 개념이 도래하고 있다. 디지털 컨텐츠의 상거래에 필요한 요소 기술에 대한 연구, 그리고 특히 새로운 유통 비즈니스 모델에 대한 연구가 필요하다. 디지털 저작권권리(Digital Rights Management: DRM)는 디지털 컨텐츠의 보호와 적절한 유통체계를 설립하여 안전하게 상거래를 할 수 있게 하기 위한 새로운 기술이다. XrML은 권리(rights)를 명시하는 언어로써 디지털 컨텐츠와 그에 따른 서비스들을 사용할 수 있는 권리와 조건들을 명시해준다. XrML은 현재 디지털 저작권권리(Digital Rights Management: DRM)에 가장 많이 쓰이고 있는 Rights Language이다. XrML은 ContentGuard가 개발한 DRM 서술 언어로 전 세계 산업계 표준으로 추진하기 위하여 파트너 회사 확대, 기능 확장, 무료 / 공개 형식으로 보급을 추진중이다.

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Efficient Sign Language Recognition and Classification Using African Buffalo Optimization Using Support Vector Machine System

  • Karthikeyan M. P.;Vu Cao Lam;Dac-Nhuong Le
    • International Journal of Computer Science & Network Security
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    • 제24권6호
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    • pp.8-16
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    • 2024
  • Communication with the deaf has always been crucial. Deaf and hard-of-hearing persons can now express their thoughts and opinions to teachers through sign language, which has become a universal language and a very effective tool. This helps to improve their education. This facilitates and simplifies the referral procedure between them and the teachers. There are various bodily movements used in sign language, including those of arms, legs, and face. Pure expressiveness, proximity, and shared interests are examples of nonverbal physical communication that is distinct from gestures that convey a particular message. The meanings of gestures vary depending on your social or cultural background and are quite unique. Sign language prediction recognition is a highly popular and Research is ongoing in this area, and the SVM has shown value. Research in a number of fields where SVMs struggle has encouraged the development of numerous applications, such as SVM for enormous data sets, SVM for multi-classification, and SVM for unbalanced data sets.Without a precise diagnosis of the signs, right control measures cannot be applied when they are needed. One of the methods that is frequently utilized for the identification and categorization of sign languages is image processing. African Buffalo Optimization using Support Vector Machine (ABO+SVM) classification technology is used in this work to help identify and categorize peoples' sign languages. Segmentation by K-means clustering is used to first identify the sign region, after which color and texture features are extracted. The accuracy, sensitivity, Precision, specificity, and F1-score of the proposed system African Buffalo Optimization using Support Vector Machine (ABOSVM) are validated against the existing classifiers SVM, CNN, and PSO+ANN.

신생아 청력장애의 선별검사와 의의 (Newborn heating screening)

  • 김리석
    • Clinical and Experimental Pediatrics
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    • 제50권1호
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    • pp.7-13
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    • 2007
  • Hearing loss in newborns is the most frequently occurring birth defect. If hearing impaired children are not identified and managed early, it is difficult for many of them to acquire the fundamental language, social and cognitive skills that provide the foundation for later schooling and success in society. All newborns, both high and low risk, should be screened for hearing loss in the birth hospital prior discharge (Universal Newborn Heaing Screening, UNHS). Objective physiologic measures must be used to detect newborns and very young infants with hearing loss. Recent technological developments have produced screening methods and both evoked otoacoustic emission (EOAE) and auditory brainstem response (ABR) have been successfully implemented for UNHS. Audiologic evaluation should be carried out before 3 months of age and infants with confirmed hearing loss should receive intervention before 6 months of age. All infants who pass newborn hearing screening but who have risk indicators for other auditory disorders and/or speech and language delay receive ongoing audiologic surveillance and monitoring for communication development. Infants with sensorineural hearing loss are managed with hearing aids and receive auditory and speech-language rehabilitation therapies. Cochlear implants can be an outstanding option for certain children aged 12 months and older with severe to profound hearing loss who show limited benefit from conventional amplifications.

The Extent of EFL Adult Learners Access to UG

  • Kang, Ae-Jin
    • 한국영어학회지:영어학
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    • 제2권3호
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    • pp.305-327
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    • 2002
  • This paper is in line with the attempts to examine two assumptions implied about the role of Universal Grammar (UC) in nonnative language acquisition: Are the EFL learners at disadvantage in acquiring UC-driven knowledge? Are there critical period effects in EFL learning? Based on the research with the seven studies of ESL and EFL adult learners performance on the Subjacency violation sentences, the paper investigates the extent to which the EFL adult learners can attain UG-driven knowledge represented by the Subjacency Principle. It also makes comparison of the EFL learners level of access to UG with that of their counterparts, the ESL learners. The research findings suggests that the EFL environment doesn't prevent the learners from acquiring target grammar in UG domain. That is, the current paper strongly suggests that the EFL adult-learners be able to acquire UG-driven knowledge to a considerable extent, at least as high as the ESL adult learners can attain. For the interpretation of the research results of the seven studies, Constructionist Hypothesis (CH) supported by a Minimalist Program (MP) assumption is employed. CH seems more plausible to account not only for incomplete acquisition observed among the beginning and intermediate level learners but also for the native-like competence acquired by advanced level L2 learners.

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Interpretations of Korean Reflexive Binding by Late L2 learners of Korean with English and Chinese L1

  • Kim, Ji-Hye
    • 한국언어정보학회지:언어와정보
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    • 제14권1호
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    • pp.67-91
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    • 2010
  • Present study examines L1 transfer effect and UG involvement in the acquisition of binding properties of Korean as second language (L2). The study especially investigates i) whether knowledge from different L1s (English and Chinese) affect the interpretation of binding in Korean as L2 and ii) whether L2 learners of Korean differentiate two Korean anaphors like Korean monolinguals do, based on their knowledge of universal form-function correlation of anaphors. 53 post-puberty L2 learners of Korean with English or Chinese L1, together with 30 Korean monolinguals, were tested over Truth Value Judgment Task with stories, composed of Korean sentences representing various types of binding with two Korean reflexives - caki and caki-casin. The results showed some effect of L1 transfer, though not always. Overall, late L2 learners of Korean seem to know the difference between the two anaphors in their properties related to form-function correlation, though their performance level was lower compared to Korean monolinguals. Detailed pattern of the results and the role of UG in the interpretations of Korean reflexives are also discussed.

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"Narrating Rights: Literary Texts and Human, Nonhuman, and Inhuman Demands"

  • Kim, Youngmin
    • 영어영문학
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    • 제64권3호
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    • pp.483-530
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    • 2018
  • Unpacking and dispersing rights of various kinds formerly enjoyed by a selected few has been the constant motivation behind the democratization and modernization of human society. Human rights and later civil rights have continuously been constituted and reconstituted in response to the demands of the laboring class, slaves, women, subalterns, animals, and things, expanding beyond the boundaries of class, race, nation, sexuality, gender, species and organism. Calling attention to the ways in which literary and cultural texts have narrated rights so as to inscribe these human, nonhuman, and inhuman demands. Narrating rights offer opportunities to interrogate the lasting contributions of English language and literature to questioning, reforming, and practicing rights. The interrogation is particularly pertinent in this age in which revised and dispersed rights are creating new conflicts, requiring them to be narrated differently and imaginatively so as to allow all the parties in conflict to participate in working out the conflicts. With the 2017 theme of "Literature and Human Rights," JELL editorial collective hope to explore the relationship between literature and human rights in its multiple simultaneous, and plural manifestations in an open platform. "Narrating Rights" is a double-edged task that, on one hand, reflects the singular life conditions or contexts of a human, inhuman or nonhuman being and, on the other hand, aspires to the perpetual process of rights' universal application. Eleven out of all the keynote speakers at the 2017 ELLAK Convention were invited to this roundtable on Literature and Human Rights. The following transcription includes the dialogues of the eleven discussants.

A Study on the Conceptual Metaphor of English mind and Korean maum

  • Jhee, In-Young
    • 인문언어
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    • 제8집
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    • pp.409-427
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    • 2006
  • This paper deals with the various conceptual metaphors of 'mind' in Korean and English within the Cognitive Semantics. The purpose of this paper is to investigate the metaphorical expressions of the concept 'mind' represented andunderstood in various ways in Korean and English, to find out the linguistically-universal conceptual metaphors underlying the uses of the metaphoric expressions. In addition, this paper discusses the differences in linguistic realization of the concept 'mind' between Korean and English from the socio-cultural background. In the traditional view, metaphor was thought only as the linguistic matters and a deviance from literal or normal use. However, within the Cognitive Linguistic view such as Lakoff and Johnson(1980), metaphor has been considered as a means of understanding and conceptualizing world. According to them, metaphor is found in everyday life because it is not only as a matter of language but also as a nature of human conceptual system controlling cognition, thought and behavior. Conceptual metaphor is suggested as a device to understood abstract and less familiar things through concrete and more familiar things. Conceptual metaphors may be realized linguistically as well as non-linguistically, in the form of movies, arts or behavior. To define the concept 'mind' shared among the Koreans, conceptual metaphors used to represent 'maum(mind)'in Korean are examined. Then they are compared with the ones used to represent 'mind' in English. This is based on the idea that conceptual metaphors represented in linguistic expressions naturally reflect the speakers' concept and conceptualization is a universal irrespective of language. This paper exemplifies the Korean sentences as well as English sentences to utilize some conceptual metaphor such as Johnson(1987)'s THE MIND IS THE BODY and shows many other conceptual metaphors used in Korean and English to represent the same concept 'mind'. What are some metaphors shared by two languages and what is specific to one of them will be shown, too. This paper also suggests that the different conceptualization or lexicalization is partly due to the effect of the oriental cultural background that is more interested in the mental world than the physical world.

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애니메이션의 다양한 시간의 종류와 영상 언어적인 표현에 대한 연구 (A Study on the Types of Time for Expression as Film Language in Animation)

  • 김지홍
    • 디자인학연구
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    • 제15권4호
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    • pp.253-262
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    • 2002
  • 애니메이션(animation)은 원천적으로 시간(time)의 개입이 없이는 움직임(motion)의 생성이 불가능하다. 그러므로 시간의 개념은 애니메이션의 형식적 존재를 가능하게 하는 실질적인 요소들 중 하나이다. 애니메이션의 주관적인 내면세계의 표현은 객관적인 외면세계의 표현에 비해 다소 난해하므로 애니메이션에서의 다양한 시간적 변형을 통해 표현 영역을 확대시킬 필요를 느낀다. 영상언어적인 다양한 표현을 위하여 시간의 개념을 일상적인 시간과 애니메이션적인 시간으로 나누어 볼 수 있다. 먼저 일상적인 시간은 단순하고 애니메이션적인 시간은 복잡하며 다양하다. 또한 일상적인 시간이 선형적이고 환원 불가능하고 아날로그적인 형태를 소유한다면 애니메이션적인 시간은 다방향적이고 환원 가능하며 디지털적인 성격을 취한다. 일상적인 시간은 자연을 통한 경험에서 터득되지만 애니메이션적인 새로운 개념의 시간은 애니메이션의 영상 매체를 통해서 생성이 되고 경험이 된다. 일상적인 시간과 애니메이션적인 시간의 차이와 종류 그리고 편집에서 표현되는 시간의 종류를 분석하고 애니메이션에서 적용 방안과 사례들을 들어 본다. 결론적으로 애니메이션적인 시간은 변형이 가능한 특성을 지녔기 때문에 다양하고 풍부한 영상 언어(film language)로써의 역할을 가능하게 한다. 즉, 시간의 개념이 하나의 표현 도구로써 유용하게 사용될 수 있기 때문이다. 본 연구는 애니메이션의 시간에 관한 영상 언어적인 역할 연구로써 애니메이션을 영상 미학적인 차원으로 발전시킬 수 있는 토대가 될 것이다.

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말과 소리 저 너머 -『대성당의 살인』의 언어고찰 (Beyond Words and Sounds: A Study on the Language of T. S. Eliot's Murder in the Cathedral)

  • 김한
    • 영어영문학
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    • 제55권4호
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    • pp.539-565
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    • 2009
  • T. S. Eliot attempted the combining of the liturgy of Anglican Church and a drama in Murder in the Cathedral (1935) and created a modern verse drama which comes most close to the regular tragedy like Greek tragedy today. Eliot chose the drama to deliver his religious insight because of its ritualistic origin and its potentiality to deliver a dramatic world which can contain a complete order. The central theme of this play is the martyrdom. The dramatic action of killing the archbishop Thomas Beckett in this play, however, is not treated as important event enough to be a dramatic climax. He is portrayed as a witness to the reality of God's will rather than a man who wills to give up his own life for any religious belief or cause. In Eliot, a martyr is nothing but "a witness" in its ancient sense. This paper purposes to review the language of this play. The various and new meters and rhythms of the language of this play function enough to bring its playwright to encounter 'the real audience' in 'a living theatre'. The interactions between different verbal models also play a big role to make this play a living theatre. Eliot found the poetry which crosses the various classes and levels of the tastes of audience is the most useful poetry. And the poetry of this play proves as the very thing which intensifies the theme of the play and gives the most powerful force to the play. Especially Eliot's poetry succeeds smost in the various and free meters of chorus, which makes Eliot the first playwright since Aeschylus, who could bring the chorus to undertake the function of extending the dramatic action of the play into the universal meaning. In the theatre the real audience identifies themselves with chorus. And the chorus leads the audience to respond to peace which passeth understanding beyond words and sounds of this play, which is the desired response in Eliot's conception of drama.