• 한국의상디자인학회지
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• 제13권2호
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• pp.175-183
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• 2011

Based on an investigation of Miao ethnic group costumes, this research focuses on redesigning and reinterpreting of the Miao costume. The results are summarized as follows. According to the constitution of the clothes, the decorative parts and the way people wear them, women's clothing can be divided into five categories: Sangseohyeong, Geomjungnamhyeong A, Geomjungnamhyeong B, Cheongeomjeonhyeong, Haenamhyeong. Miao consists of straight lines with creases for both skirts and trousers. With the excess part of the belt or apron, X-shape and H-shape are formed. There are three basic decorative patterns: geometric patterns, animal patterns and plant patterns. In addition, there are three color values: warm, cool and dark. Silver Jewelry plays such an important role in the Miao Costume that the process of the production is also very special for the Chinese national dress. According to the features of the five types of Miao, then redesign and re-interpreted of them.

• 복식
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• 제39권
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• pp.21-37
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• 1998

This study researchs forms of Egyptian religious dress for studying formation-process of religious dress and its ornament. The study goes abreast literature and the very spot's materials also divides god's dress, priest's. Ancient an egytian worshiped mainly animals, step by step animal's humanization. So gods were expressed animal's face and human's body. Egypt god's costume is 1st, to take off upper hament and wear loin cloth on trousers 2nd only to wear short sheath skirt. 3rd to wear shout sheath skirt and to skirt and to wear loin cloth on there 4th to cover whole body and to open hand like mummy. Egype goddess' costume is largely to wear long sheath skirt up to the ankle and we can see selkit goddess's figure that wearing kalasiris after new dynesty. Priest had been a bald head and worn loin cloth and surrounded leopard's skin on there, but after the period of empire, worn a wig and worn less stoically. Also god had hung the lion's tail at symbol of the dignity and priest had put on sandals for a ceremony.

• 복식
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• 제40권
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• pp.67-80
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• 1998

Being located in the east of the Mediterranean Sea, Cyprus used to play a bridge role of cultural exchanges between the East and the West during period of being occupied. As a consequence the fact that the style of costume might be changed at certain levels during the time is broadly accepted. Basic structure of Cypriot men's clothes during the late of the 19th century to the middle of 20th century is composed of\circled1 baggy trousers(vraka) \circled2 shirt(chemise) \circled3 jacket(ziboune/zibouna) \circled4 waistcoat(yilekko) \circled5 headdress(fez, kourouklin) \circled6 accessories. General composition of women's wear is \circled1 pantaloons(vrandzin) \circled2 shift(poukamiso) \circled3 outer garment(sayia, foustani, Amalia, costume) \circled4 waist kerchief(mandili tis koxas)\circled5 boots(podines)/pumps(goves) \circled6 scarves and accessories. As reviewed above, although men's clothes are still worn on a day to day basis, women's wear continues to exist only for festivals or as a tourist attraction. It was understood that this was an accepted consequence of 20th century modernization and reformation.

• 패션비즈니스
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• 제7권1호
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• pp.160-178
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• 2003

Recently, the field of university PR(public relations) and UI(university identity) come to be emphasized as a remarkable one because the applicants to the universities are consistently reduced in Korea. The purpose of this thesis is to present a souvenir for university PR which is designed in a clothing commodity, easily accessible to visitors, helping students and university officials to keep a pride to our university. We have designed four kinds of clothing, ie T-shirts, polo-shirts, trousers, and hats, after scrutinizing those of other universities. By making change the length of sleeves and slacks, the four kinds were transformed into eight kinds of clothing commodities. The basic trend of this design is on the trompe l'oeil, with the colors being white, grey and black ones, which are of 100% cotton.

• 한국의류학회지
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• 제13권2호
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• pp.146-154
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• 1989

The purpose of this study was to develop a computer program for pattern making of man's Korean traditional trousers (Hanbok Baji). The IBM-PC/AT Computer was used in this study. The procedures of the study were as follows. 1. Basic pattern of Hanbok Baji was selected. 2. Co-ordinate points were instituted for indicate of relative location of all necessary points in drafting. 3. A program for drafting was developed. 4. The pattern of Baji for man's Hanbok was automatically design by inputting individual body measurement (trouser length and hip girth). 5. Grading of standard size was accomplished by using same method.

• 한국의상디자인학회지
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• 제6권2호
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• pp.63-75
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• 2004

The traditional Ukrain costume has been gradually developed and influenced by the climate and political, economical environments. The national costumes has represented the beliefs and understanding of people about the beauty and harmony of the world. Eastern Europe and Northern Asia are considered as the origins of the Korean traditional costume, and the artifacts ranged from over the Black Sea to ‘Skitai’ and Northern Asia to ‘Noinoola’ support this hypothesis. This study is investigate the formative characteristics of Ukrain national costume especially of the nineteenth century and the early twentieth century. In Ukrain, Men wear ‘Rubaha’ (shirts style's upper garment-in Ukrain Sarochka) and trousers, women wear ‘Rubaha’ with vest and a skirt and a head gear were worn. Ukrain is consisted with three group - 1) Dnipro region-included the Kiev region in the center of Ukrain, 2) Polissia region in the northwest of Ukra in and 3) Hutsul-Zakarpattia region in the west of Ukrain. These three groups have there own different formative characteristics of Ukrain traditional costume.

• 한국생활과학회지
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• 제10권1호
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• pp.93-100
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• 2001

The purpose of this study is to investigate the fitness and its problems related in clothing fitness and to get basic data to develop fit ready-to-wear garment, total 352 subjects were surveyed during the period of November, 1998. The major results of this study were as follows ; 1. Both men and women felt fitter in upper clothes than lower clothes. As compared with women, men became more aware of proper fit except coat. 2. Men had lest fitting problems in blouse and shirts while women in coat. Also, the clothes stated which had most fitting problems were trousers by men and women. 3. A variety of fitting problems in ready-to wear garments were identified including sleeve length, skirt length, and pants length. 4. The most frequent alterations were shortening or lengthen of skirt and pants.

• 한국의류학회지
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• 제2권1호
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• pp.117-124
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• 1978

The costume, considered as a manner of clothing, represents the distinctive character of a country, of an epoch, of a personage; and always it mirrors the vicissitudes of human civilization. It is interesting to study the costume of ancient Western Asia, its civilization and culture were transmitted to Egypt and Greece. The results obtained are as follows: 1. Loin clothes, tunics, wraps were in Western Asia. 2. Sleeves and Trousers has been the great contribution to costume. 3. The Art of dyeing, weaving, and embroidering were well known. 4. Tassels and Fringes were used in Western Asia. 5. Egypt and Greece were affected by Western Asia.

• 복식
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• 제50권6호
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• pp.155-162
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• 2000

Classifying the diverse and complex clothing category of nationality subcultures in China is not a simple task. However, summing up, it can be largely classified that clothing of the northern area is long trousers and short skirt. Among the clothing of Nationality in China, especially, Pao(robe: 袍) has its diversity and colorfulness. whose elements forming its each characteristic feature has enough value to be investigated fully in the historical point of view. The conclusions of this study reveals that Pao in nationality subculture in China can possibly be divided into the four types as Qipao(旗袍) in Dongpei area, Mongopao(蒙古袍) in Inner Mongolia, Qiapan in Xinjiang area, and Zangpao in Tibet area. The modes of Qipao and Mongopao are mainly similar in that they have diagonally on the right, stand collar in composition, but Qipao shows its diversity in collar and slashes, and Mongopao also shows diversity in its colare and waistband. Since western culture flowed into China along with its open door and reform policy, the splendid color and distinctive pattern, decoration, diversified method of compositions and clothing categories of Nationality cultures are disappearing in its their originality and nationality.

• 대한인간공학회지
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• 제11권1호
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• pp.49-65
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• 1992

The study has been carried out in four ways to find out the fit of the present size speces of the garments for middle aged woman. For this purpose, surveys, classifying the trunk form of middle aged woman by factor analysis and clustering, calculating coverage rate of one garment item(suit) has been used. The results are as follows: (1) In case of the survey for middle aged women, the problems concerning the length of sleeves or trousers and hip girth are found. The former too long and the latter too tight. (2) The size classification and the standard deviation for each sizes are very diffenent between 9 ready-made-garment makers. (3) In classifying the trunk forms of the middle aged women, the diversity of the trunk forms are examined. (4) In calculating coverage rates of the 5 maker's size spece, those similar to KS sizing system are the highest. The coverage rate of the smallest size is the higest, while that of the biggest is 0%.