• 영어영문학
• /
• 제55권2호
• /
• pp.337-357
• /
• 2009

Ned Kelly, the bushranger, is a legendary figure of special significance to the Australians of today. The Aussies' affection for this "horse thief" derives from the fact that the latter has become a national ideal of the "battler" who does not give up in the face of hardships. Peter Carey's is considered to be one of the "national narratives" that not only heroize but also give voice to the Irish rebels who fought for "fair go" in the colonial Australia. However, this paper asserts that there are more to the novel than merely paying a tribute to the national icon, especially when the novel is examined in the context of the "republic controversy." In 1999, the preceding year of the novel's publication, Australia had a national referendum on the issue of whether or not to secede from the Commonwealth. Due to the procedural manipulation of the royalist ruling party, republicanism was voted down. At the time when the majority of Australians were irate with the result of the referendum, Carey's retelling of the supposedly anti-British rebel failed to promote the lost cause. This paper investigates how the narrativization of the legendary figure, whose anti-British and anti-authoritarian attitude can be easily translated into the cause of republicanism, came to appeal to the general reading public. In so doing, this paper compares Carey's novel with the historical Kelly's two epistles: Jerilderie and Cameron Letter. This comparison brings to light what is left out in the process of Carey's narrativization of the rebel's life: the subversive militant voice of an Irish nationalist. The conclusion of this paper is that the possibility for Kelly's life to surface again in the 21st century as a sort of counter-memory is contained by Carey through its inclusion in a highly personalized domestic narrative.

• 문화기술의 융합
• /
• 제10권5호
• /
• pp.99-105
• /
• 2024

한국전쟁은 63개국이 참전한 국제전이며, 모든 대륙에서 참여한 유일한 개별국가전쟁이다. 이러한 한국전쟁의 특징은 국내적 차원의 보훈뿐만 아니라 다양한 국가와의 국제보훈 가능성을 제시한다. 본 연구는 지금까지 이루어진 한국전쟁 참전국과의 보훈 현황을 살펴보며, 한국전쟁 정전 70년을 맞아 앞으로의 보훈 공공외교의 발전방향과 과제를 제언하는 데 목적을 둔다. 본 연구는 물자지원국과 전후복구지원국, 지원의사 표명국으로 범위 확대와 기존 유엔참전국 보훈 강화의 관점에서 보훈공공외교의 발전방향을 제언하였다. 국내에는 다양한 보훈시설이 있으며, 이를 활용한 적극적인 다크 투어리즘 전개는 한국전쟁에 대한 국내외적 관심 제고에 기여할 것으로 기대된다. 한국전쟁은 국제사회와 한국을 연결해주는 매우 중요한 사건이다. 보훈공공외교를 통해 과거를 기억하고 지속가능한 국제보훈을 위한 준비가 필요한 시점이다.

• 한국조경학회지
• /
• 제37권3호
• /
• pp.91-104
• /
• 2009

"탐라십경도"와 "탐라순력도"에 표현된 경관내용과 그 의미를 파악하여 현재 제주의 대표적 전통경관으로 인식되고 있는 영주십이경과의 관령성 및 변천과정을 밝힘으로써 제주 승경의 정체성과 전통을 조명하고자 한 본 연구의 결과는 다음과 같다. 제주 집경(集景)의 시원이 되는 탐라십경 중 백록담과 영실은 제주 신화 형성의 장(場)이자 상징체이며 해안에 포진된 조천진, 서귀진, 명월진은 강역 사수의 요충이로서 역사문화성을 함축한다. 그리고 성산 일출봉과 산방산, 취병담, 천제연폭포는 자금도 대표적인 제주 경승이자 영주십이경으로 자리잡고 있다. 한편, 탐라순력도에서 보이는 제주마를 비롯 감귤 진상과 관련된 5장의 봉진 그림 속에 담겨진 '방어'와 '조정 진상'은 정치적 색채가 강한 제주 풍물경관이다. 특히 '고원방고'나 '귤림풍악'에서 볼 수 있는 바와 같이 '감귤림을 배경으로 한 풍류'나 '산장구마'나 '교래대협' 등에서 볼 수 있는 '방목된 제주마와 수렵생활' 등은 제주 고유의 풍물상으로 꾸준히 전승되었다. 탐라십경과 직접적으로 관련 있는 영주십이경은 이형상목사의 순력회랑에서 벗어난 백록담과 영곡을 배제한다면 '성산일출'의 성산, '백록만설'의 백록담, '영실기암'의 영곡, '산방굴사'의 산방, '용연야범'의 취병담 그리고 '서진노성'의 서귀소 등 총 6개 경승이다. 그밖에 탐라순력도의 '우도점마'와 '산장구마' 등을 통해 영주십이경의 제 10경인 '고수목마'의 경관이미지가 고스란히 표현되고 있다. 또한, 탐라십경의 10개 경승은 순력회랑에서 배제된 백록담과 영곡을 배제하고는 모두 탐라순력도에 직간접적으로 집중 조명되고 있다. 탐라십경과 탐라순력도에서 공히 강조되고 있는 공간 및 장소 그리고 경물은 제주의 위정자 등 선인들에 의해 꾸준히 전승되는 가운데 첨삭과정(添削過程)을 거쳐 오늘의 영주십이경으로 정착된 것으로 보인다. 따라서 영주십이경은 제주의 아름다운 경관에 대한 탐구와 향토애에 대한 시적 표현을 빌려 오랜 절차탁마(切磋琢磨)의 과정 속에서 이루어진 유산경관이자 전통경관이 아닐 수 없다.

• 디자인학연구
• /
• 제2권1호
• /
• pp.43-62
• /
• 1989

The luxury is the expression of human being's ornament instinct. In this study, in order to grasp the moulding system of the Korean's personal ornaments, the process of luxury prohibition was reviewed to search for to which direction the ornaments developed in the frame of the prohibited style connected closely to the character of the personal ornaments. The proiod was fixed from the old society to the late Chosun dynasty era. The beginning of the luxury in Korea seems to be the start of the luxury burial at the time of funeral in the age of Koguryo., In the era of Koguryo, 10th year of King Dongmyung (B. C. 28), in the era of Baekje, 27th year of King Koi(260), the prohibition of dress regulation and the style of dress were conducted. The prohibition of personal ornaments in Silla was started from King Bup:Heung, and in the 9th year of King Heung-Duk, the prohibition was conducted in order to correct the luxury of the nobles and set up the social discipline. In the 11 th of King Il-Sung-Ni-Sa-Kum, the use of gold, silver and jade was prohibited in the civilian circles. The prohibition of Silla was succeeded to Koryo era, and in the 7th year of King Kwangjong(956), the system of Baekgwan Gongbok(uniform for government officials) was set up, and the system of Sasek Gongbok(four color official uniform) was set up in the 11 th year of the same King, and the prohibition of the personal ornaments such as crown and band is considred to have been conducted. The prohibition of gold and silver was conducted in the first year of King Sungjong(982), and in the 4th year of King Chungryul(l260), the order of wearing the dress and hat in accordance with the Yusan dynasty and the Mongolian customs were widely circulated in the royal court and vivilian circles. The strong influence of Mongolia made the taste of the traditional personal ornaments laste. The personal ornaments were used for the nobles until the age of the Unified Sillar but even the common people could use them in case they were rich, and such a circumstances made the use of foreign goods inflated. The prohibition of Koryo era was aimed at the prohibition of the foreign goods of luxury, and the classification of the social status.In the age of Chosun Dynasty, the production of gold and silver was feeble indeed but the oute reason of the prohibition was to eradicate the luxurious tendency, elevate the custom of eradicate the luxurious tendency, elevate the custom of thrift, and moreover, the gold, silver and jade were no the products of Korea and the prohibition was conducted but the true reason was afor the tribute tt China and the classification of status. The prohibition of Chosun dynasty was conducted first in the June of the 3rd year of King Taejo The major contents of prohibition was no use of gold, silver and jade, coral, agate, amber, etc. of th, wives of the Dang-Sang-Kwan (Court Nobleman) or their sons and daughters, and the same pheno menon was common even at the time of marriage. The people engaged in the secret trade there of wert beheaded. The personal ornaments in the prohibition were the pendent trinket, Binyo (crossbar) ceremonial ornamental hat, ring, earring, ornamental knife, hat string, hat ornament, belt, etc. Thl luxurious marriage expenses out of the luxury was severe, and lose of the marriageable age because 0 non-preparing the marriage goods was the national evil. The prohibition oC luxury was hard to bt kept to the nobles or rich people, the same as old days and present days. The prohibition of th{ luxury and personal ornaments of Korea had nothing to do with the commons, and it was limited tc the nobles and rich people. The prohibition was aimed to cultivating the custom of frugality by eradicating the luxurious atmosphere, but it was chiefly due to the tribute to the China and tht discrimination of the. status. We can say that the recent personal ornament was the flower of handi craft industry bloomed in the prohibition and regulation.

• 자원환경지질
• /
• 제56권6호
• /
• pp.661-674
• /
• 2023

충남 태안 해역에서는 2014년 국내 수중발굴 역사상 처음으로 조선시대 선박이 발견되어 마도4호선으로 명명되었다. 마도4호선은 발굴된 유물을 통해 1417~1425년(태종~세종) 사이 나주에서 공물을 싣고 한양으로 가다 침몰한 조운선임이 밝혀졌다. 마도4호선의 선체에서는 공물로 적재된 총 27점의 미사용 숫돌이 발견되었다. 27점 숫돌은 모두 폭이 좁고 긴 막대기 형태이며. 길이, 폭, 두께 및 무게의 평균값은 각각 161.5mm, 36.1mm, 22.7mm 및 253.2g 이다. X-선 회절 분석 결과, 구성광물은 석영, 알칼리장석, 사장석으로 고해상도 디지털 실체현미경 분석 결과와 유사하다. 마도-2672와 2673의 평균 공극률은 각각 2.69%와 1.78%, 평균 표면 경도는 각각 807.2HLD와 834.5HLD로 공극률이 일정 이상 증가하면 표면 경도 감소에 영향을 미치는 것으로 해석된다. 이들은 모두 장석질 사암(Arkose)이며 SiO₂의 함량은 평균 74.51%로 숫돌로서 적합함이 확인되었다. 27점의 숫돌은 SiO₂의 함량을 기준으로 구분할 때, 중간 숫돌에 해당한다. 이들 숫돌은 크기와 무게가 작고 휴대하기 편리한 특징을 갖고 있어 비고정식 숫돌의 한 종류로 추정되며, 조선시대 무기 연마와 공예품 제작 등 특수분야에 주로 사용된 것으로 판단된다.

• 한국의류학회지
• /
• 제8권2호
• /
• pp.41-46
• /
• 1984

Ancient Korean and China litteratures show us that it has been long since people from humbler classes to king most commonly used bast fabrics as materials of their cloth. According to the record of these ancient litteratures, highly developed fine bast fabrics and those woven in figures were used as tribute between ancient Korea and China. In this study we will make a brief research of the history of bast fabric culture from ancient times to the Korea Dynasty in which the bast fabric culture flourished and reached the summit of prosperity. After having compared the bast fabric culture of ancient Korea with that of ancient China in which the bast fabric culture developed very much and bast fabrics were used more commonly as materials of cloth than any other fabrics, we could come to conclusions as follows. 1. Names were given to bast fabrics according to the kinds of bast fibers, the degree of fineness and the containing of figures: Ma-po, Jeo, Jeo-po, Bag-jeo-po, Moon-jeo-po, Po and Se-po. The number of 'Seung' which indicated the degree of fineness was attached to the top of each name to show how fine they are. 2. While the bast fabric of 30 Seung is known to be the most fine one of the ancient China, in ancient Korea fine bast fabric of higher than 30 Seung was woven. This fact proves that the technique of weaving bast fabrics of the ancient Korea was more highly developed than that of ancient China. 3. In ancient China the highest Seung number of the ordinary clothes which were put on after putting off livery of grief was regulated to be 15. But in ancient Korea, Sil-la, it was regulated to be 28. Judging from this fact, we may say that the consumption level of the ancient Korean people in cloth was higher than that of the ancient China people. 4. The reason why in ancient Korea the technique of weaving bast fabrics was so highly developed is suppoed to be that the ancient Korean people preferred elegant, refine and simple taste in cloth. 5. The excellent bast fabric culture of the ancient Korea flowed into ancient Japan. It proves that Korea played an important part in the history of textile development of the world.

• 복식
• /
• 제55권4호
• /
• pp.38-48
• /
• 2005

This study is consider·ed about the relation or costume among Parhae, ancient Japan and Tang and the culture of this time commonly was influenced by Tang;s culture. The recorded items, which were exchanged from Parhae to Tang and ancient Japan, are the pelt of marten, seal, bear and tiger skin or Ammowhaha(암모화) Gu(구) and so on. Other items from Tang and ancient Japan to Parhae are various clothes and material like silk and so on. This Parhae's clothes made with leather obtained through hunting were the main product of Parhae and had been greatly famous in Tang and ancient Japan. At that time, Tang and ancient Japan had been only dependent on the agricultural life but had not been accustomed to the hunting life, and thereupon, the people in Tang and Nara Era had difficulties to get leather clothes. Accordingly, the leather products stood for the rich, and the people who purchased the leather products from Parhae were recognized as the rich. On the other hand, The prince and the royal family in Parhae were dispatched to Tang as Sooktwui(숙위). They paid a tribute to Tang and In return for it, Tang gave to Sookwui as well as to Parhae's envoys various items and clothes such as Po(포), belt(대), gold and silver Eodae(어대) and textile like a type of silk. These clothes were considered as the formal uniform like Kwanbok(관복) of Parhae. Specially, the time when Sookwui was sent to Tang rot-responded with the time when Tang gave formal uniform to Parhae's envoys. Therefore, we can confirm that the sending of Sookwui influenced to form uniform system of Parhae. In this exchange relation, there were several duplicated items showed, for example Po(포)-belt(대), Eui set(의일습), Eoeui(어의), Jobok(조복), Go(고). These items in Parhae were appeared in process of exchanging from Tang to Japan and from Tang to Parhae. At that time, the exchanges between Tang and Parhae were frequently active much more than those between Tang and Japan, and the acceptance of the culture from Tang was easier in Parhae than Japan in consideration of the geographical location. Therefore, those clothes could be understood as the items already used in Parhae and affected from Tang. These items in Parhae were appeared in process of exchanging from Tang to Japan and from Japan to Parhae. As a result, it is expected that the costumes, which Parhae took from Japan, are the same as those of Tang.

• 대한원격탐사학회:학술대회논문집
• /
• 대한원격탐사학회 2006년도 Proceedings of ISRS 2006 PORSEC Volume II
• /
• pp.827-830
• /
• 2006

The tsunami from the megathrust earthquake magnitude 9.3 on 26 December 2004 is the largest tsunami the world has known in over forty years. This tsunami destructively attacked 13 countries around Indian Ocean with at least 230,000 fatalities, displaced people 2,089,883 and 1.5 million people who lost their livelihoods. The ratio of women and children killed to men is 3 to 1. The total damage costs US$ 10.73 billion and rebuilding costs US$ 10.375 billion. The tsunami's death toll could have been drastically reduced, if the warning was disseminated quickly and effectively to the coastal dwellers along the Indian Ocean rim. With a warning system in Indian Ocean similar to that operating in the Pacific Ocean since 1965, it would have been possible to warn, evacuate and save countless lives. The best tribute we can pay to all who perished or suffered in this disaster is to heed its powerful lessons. UNESCO/IOC have put their tremendous effort on better disaster preparedness, functional early warning systems and realistic arrangements to cope with tsunami disaster. They organized ICG/IOTWS (Indian Ocean Tsunami Warning System) and the third of this meeting is held in Bali, Indonesia during $31^{st}$ July to $4^{th}$ August 2006. A US$ 53 million interim warning system using tidal gauges and undersea sensors is nearing completion in the Indian Ocean with the assistance from IOC. The tsunami warning depends strictly on an early detection of a tsunami (wave) perturbation in the ocean itself. It does not and cannot depend on seismological information alone. In the case of 26 December 2004 tsunami when the NOAA/PMEL DART (Deep-ocean Assessment and Reporting of Tsunami) system has not been deployed, the initialized input of sea surface perturbation for the MOST (Method Of Splitting Tsunami) model was from the tsunamigenic-earthquake source model. It is the first time that the satellite altimeters can detect the signal of tsunami wave in the Bay of Bengal and was used to validate the output from the MOST model in the deep ocean. In the case of Thailand, the inundation part of the MOST model was run from Sumatra 2004 for inundation mapping purposes. The medium and high resolution satellite data were used to assess the degree of the damage from Indian Ocean tsunami of 2004 with NDVI classification at 6 provinces on the Andaman seacoast of Thailand. With the tide-gauge station data, run-up surveys, bathymetry and coastal topography data and land-use classification from satellite imageries, we can use these information for coastal zone management on evacuation plan and construction code.

• 대한한의학원전학회지
• /
• 제23권3호
• /
• pp.1-11
• /
• 2010

King of Jujeong(周定王) named Jusuk(朱橚) was thought to be an exemplary character as a scholar and a politician, who was not an Oriental medical doctor but a compiler publishing a set of three medical books and a set of volumes on famine relief to save people in the areas of natural disasters or spring poverty. He was born on July 1, 1361 as the fifth son of Juwonjang(朱元璋), the first Emperor (1368-1398) of the Myeong-dynasty (1368-1644) of China. It was not clearly known about his mother other than assuming, but hard to ascertain, that she was from Goryeo, the ancient country in the Korean Peninsula, and became a loyal concubine of Juwonjang(朱元璋). He was the brother of Yeongrakje(永樂帝), the third Emperor(1402-1424) of the Myeong-dynasty. As a focal figure in the political forces at that time in the Myeong-dynasty, he had a life full of vicissitudes such as being removed from office, being exiled to a remote place, being scattered far and wide between family members, being implicated in the rebellion and so on. It seemed that he brushed up on his study, taking a class on an emir until the year of 1380 at the age of twenty. And he published "Bosaeng-yeorok(保生餘錄)" and "Bojebang(普濟方)" for eight years from 1381 to 1389 (at age 21-29), "Sujinbang(袖珍方)" in 1391 (at 31), and "Guhwangboncho(救荒本草)" in 1406 (at 46), republishing "Sujinbang(袖珍方)" in 1415 (at 65). Endowed with a brilliant talent from early days, Yeong-rakje(永樂帝) wrote the poem(the poem paying a high tribute to a King) well and composed one hundred pieces of poetry on the story of the Won Dynasty (1271-1368) of China. He leaded a quiet life in his later years and died a natural death at Gaebong(開封, a city in China) at 65 in 1425. He had 15 sons including king of Juheon(朱憲王) Yudon(有敦) and 11 daughters. His books contributed absolutely to the growth of Oriental medical field, and also to the increase in population, having influence on bringing about compilation of the books on Oriental medicine and famine relief of the Joseon Dynasty (the old Korean kingdom from AD 1392 to 1910).

• Journal of Astronomy and Space Sciences
• /
• 제26권2호
• /
• pp.237-266
• /
• 2009

1631년에 명(明)에 사신으로 다녀오던 정두원은 산둥(산동(山東)) 반도의 덩저우(등주(登州))에서 예수회 선교사인 조앙 로드리게스를 만났다. 로드리게스는 정두원에게 많은 다수의 서양 문물을 전해주었다. 정두원의 "서양국기별장계(西洋國奇別狀啓)"는 이 사건을 이해하는데 중요한 사료이다. 이 문헌은 고전 한문으로 되어 있으므로, 이 논문에서는 현대 한국어로 역주를 하였고, 그 과정에서 이전 연구자들이 오해한 여러 가지 사실들을 바로 잡았다. 이 문헌에 따르면, 정두원이 받아온 것은, 중국어로 저술된 서양 서적 네 권, 명(明) 조정에 홍이포(紅夷砲)를 바친 경위에 대한 보고서, 망원경, 수발총, 폴리오트식 기계 시계, 마테오 리치가 그린 세계지도, 천문도, 해시계 등이었다. 우리는 이 물품들이 한국 과학기술사 속에서 어떤 의미를 갖는지 논의한다. 특히 정두원의 서양 문물 전래는 한국 천문학사에서도 중요한데, 왜냐하면 그가 가져온 망원경이 한국사상 최초의 망원경이었기 때문이다. 당시 조선의 임금과 관리들은 망원경, 홍이포, 신식 조총과 같은 새로운 기술들이 군사적으로 유용함을 잘 알고 있었으나, 그럼에도 불구하고 결과적으로 이를 재빨리 수용하여 국방력을 강화하지 못했다. 우리는 당시 동아시아 과학기술사의 일반적인 역사에 비추어 보아 그 까닭을 재고해보려한다.