• Journal of the Korean Wood Science and Technology
• /
• 제33권3호통권131호
• /
• pp.1-10
• /
• 2005

우리나라 고건축 연구에 성공적으로 적용된 연륜연대측정법을 전통 목가구에 응용하고자 국립민속박물관 소장 장(欌) 1점과 반닫이 1점에 대한 사례연구를 실시하였다. 표준연대기와 크로스데이팅 결과 각각 1839년, 1904년의 절대연대가 마지막 나이테에 부여되었다. 수피가 있는 장은 1839년에 벌채된 나무로 제작된 것을 알 수 있었다. 반닫이는 수피부분이 없어 가공시 없어진 변재부의 나이테 수를 고려하였을 때, $1930{\pm}10$년에 벌채된 것으로 추정할 수 있었다. 반닫이의 경우는 연륜연대에 의해 목재의 산지가 설악산 지역임이 밝혀져 '강원도반닫이'임이 확인되었다. 본 연구는 연륜연대측정법을 이용하여, 양식에 근거를 둔 기존의 미술사적 접근과는 다른 자연과학적인 방법을 적용하여 전통 목가구의 편년을 확립할 수 있음을 제시하여 주었다.

• 한국실내디자인학회논문집
• /
• 제18권6호
• /
• pp.150-157
• /
• 2009

In the 1970's the Interior Design Associations was established and the activity of youth designers who werecalled the "first generation of Korean interior designers" were created. This study is aimed to analyze characteristics and trends of commercial interior design in the 1970's. The design methods include the documentary research and the actual proof research conducted. The frames of analysis were made by the background theories about Korean interior design, and the annual case studies were analyzed and estimated according to the design types. The design types were analyzed by the geometrical simplicity research, the romantic emotional expression, the Korean identity expression, the machine technical asthetic expression and the eclectic style with western classics. In the early 1970's, the abstract, brief, and simple expression were presented most frequently by the geometrical form and the repetition of the pattern. From the mid-1970's the romantic and emotional atmosphere of the youth culture that was popular at that time were expressed as vernacular design by the rough finishing of the natural materials such as plaster, brick, and wood floorings etc. The space such as a Korean food restaurant relates to the Korean traditional culture aims to be different through the expression by the Korean traditional patterns, furniture, and materials. In the late 1970's the metals and glass were used for the expression of the machine aesthetic form but was not popular because of the rare application. The type that revived the past western traditional form was presented by using the arch, dome, and the curved and luxurious moldings.

• 한국식생활문화학회지
• /
• 제23권2호
• /
• pp.204-213
• /
• 2008

In this age of information ruled by new technologies and knowledge, the world is interconnected as a single community, and within this trend of globalization, new cultural codes are emerging through temporal fusion between the past and the present and spatial fusion between different regions and countries. In this situation, it seems meaningful to review Korean fusion foods and restaurants serving such foods, as well as to consider their future directions. Thus, the objective of the present study was to survey and analyze Korean fusion restaurants representing Korean culture not only in Korea, but also in foreign cities, and to identify the expression characteristics of such restaurants. Based on restaurants recommended in relevant magazines and on Internet sites, 18 spaces were selected, visited, and surveyed, in which tradition and modernism were well-mixed. Data on the shapes, materials, colors, and patterns of spatial elements and food-related elements, including photographs, were collected and analyzed. The results are as follows. Of the 18 restaurants, 13 (72%) showed temporal fusion in both spatial and food-related elements, 4 showed temporal fusion in spatial elements and cultural fusion in food-related elements, and 1 showed cultural fusion in both spatial and food-related elements. In general, the spaces were mainly designed with modern elements and partially with traditional elements (ceilings, windows, furniture, articles), and the fusion of food-related elements was made in diverse forms that included temporal fusion restructuring traditional menus contemporarily, and cultural fusion harmonizing traditional food with Western cookery.

• 디자인학연구
• /
• 제14권2호
• /
• pp.197-207
• /
• 2001

디자인된 사물은 형태, 색채, 소재를 통해 그 의미나 이미지를 전달한다. 이 세 가지 요소 중에서 소재는 촉각적·시각적 특성을 함께 지님으로써 디자인 작업에 있어서 좀 더 독특한 영향을 준다. 한국에서는 전통적으로 생활용품의 고안에 있어서 색채나 장식보다 소재 자체의 특성이 더 중요하게 사용되어왔으며 이에 대한 현대적 활용이 탐구되어야할 필요가 있다. 본 연구의 목적은 한국 전통 생활환경에서 사용된 소재를 수집하고, 그 표면에 나타난 질감적 특성에 의해 이를 체계적으로 분류하려는 것이다. 이 연구를 위해 민속촌 둥의 현장조사와 더불어 문헌고찰을 통해 한국 전통소재가 표현된 사진들을 수집하였다. 수집 대상은 전통건축 및 실내, 가구, 의복 및 직물소재, 예술 및 공예품, 생활용품 등 생활의 각 분야가 모두 포함되도록 하였다. 수집된 소재의 총 사례 수는 543개였으며 이는 금속재, 토재, 석재, 지재, 목재, 초재, 섬유재 둥 7가지로 나눌 수 있었다. 각 소재들의 사례 수는 금속재가 59개, 토재 115개, 석재 62개, 지재 73개, 목재 80개, 초재 47개, 섬유재 97개, 기타 10개였다. 각 소재들은 표면의 질감적 특성에 의해 성형방법과 표면장식으로 나누어 정리 되었다. 본 연구를 통해 한국에서 전통적으로 사용되어온 각 소재들은 그 성형방법과 표면장식이 다양하고 독특함을 알 수 있었다. 또한 각 소재별로 개발된 가공방법들에 의한 다양한 질감은 오늘날의 디자이너들에게도 풍부한 정보와 아이디어를 제공할 수 있을 것으로 전망한다.

• 디자인학연구
• /
• 제11권1호
• /
• pp.259-268
• /
• 1998

본 연구의 목적은 앞으로 지속될 전통도구의 미적 체험에 관한 새로운 인식을 체계화하는데 있다. 아름다움의 이상을 실현하기 위한 노력은 시대와 사회를 막론하고 끊임없이 다양한 형태로 표출되었다. 서로 다른 문화권에서 각기 다른 언어가 사용되듯이 도구 또한 고유한 형태언어를 갖는다. 시각적 의사소통을 전제하는 도구의 형태언어 또한 고유한 어휘와 문법을 갖는다. 우리는 종종 언어의 코드가 일치하지 않는 상황에서 타 문화권의 사고방식과 행동특성을 충분히 이해하는데 어려움을 느끼는 것 처럼 이해의 상황이 준비되지 않고는 진실한 미적 체험에 도달할 수 없다. 도구형태의 미적 가치를 올바로 인식하기 위해서는 도구의 탄생과 진화를 추진해 온 상황과의 역학관계를 인식하여야 한다. 어느 문화권이나 시대를 막론하고 그들이 설정한 에토스에 가장 진실하게 접근하고 그것을 가장 진실하게 표출해 온 도구들은 오랫동안 우리에게 사랑을 받고 보존되어 왔다. 그것은 아름다움을 추구하는 여성의 의복이나 장신구와 같은 미적 대상 뿐 아니라 언어와 같이 그들의 공동체의식을 가장 잘 표현하고 전달할 수 있는 것이라면 시대와 정신이 바뀌어도 변함없는 가치를 발휘할 것이다.

• International Journal of Human Ecology
• /
• 제6권2호
• /
• pp.85-94
• /
• 2005

The purpose of this study is to analyze the preference of spatial elements for common space planning in senior congregate housing. For the study, 500 potential consumer's residing in Seoul was surveyed using the questionnaire in the social survey methodology. As for the common spaces, gardens, treatment, and exercise rooms were preferred. A combination of both separate and group arrangement of the buildings was preferred, indicating that people wanted separation of the common space and the individual living units. Second, people preferred sharing parts of the common space with their neighbors and as is the traditional custom, preferred to take off their shoes at the entrance to individual units. Third, for the furniture and facilities, they wanted the manager room in the lobby, the small meeting rooms in the public dining room, a fitness center in the activity room, the rack or alcove to store items in front of an individuals unit in the hallway, a chair to sit down in the elevator, and the chair to rest on the stairway landing. Fourth, in terms of priority for planning the senior citizens' community housing, safety, familiarity like a regular home, reduced isolation and loneliness, sense of belonging, economic factors, aesthetic appreciation, daily life supplement, variety, and self-identity were answered in that order.

• Journal of the Korean Wood Science and Technology
• /
• 제18권2호
• /
• pp.79-85
• /
• 1990

Traditional complex joints have used to a wide variety of wooden furniture construction. Dowel joint is the most popular joint s. However design of this joint to meet specified service condition has been hampered by a lack of proven design formulas which can be use to predict their strength. The object of this study is to investigate the withdrawal strength and effect of dowel diameters in wood and wood based materials. The obtained results were as follows; 1. The relationship between withdrawal strength and dowel diameter is found to be linear. 2. Withdrawal strength of medium density fiberboard and Sepetir in end-to-side joints is superior to Antiaris, particleboard and plywood. 3. In end-to-end joints, withdrawal strength of medium density fiberboard is the most superior joint. but Sepetir. Antiaris and plywood have similarly strength and particleboard is inferiority. 4. Withdrawal strength in end-to-end joints of Antiaris and plywood is higher than in end-ta-side joints. But in end-to-end joints of Sepetir. medium density fiberboard and particleboard is similarity in end-to-side joints.

• 한국실내디자인학회논문집
• /
• 제18권5호
• /
• pp.156-163
• /
• 2009

Retail space itself could be one of the marketing strategies, through creating space, and communicating brand identity. Especially for innovative products, such as mobile technology products, store is not just to sell products but to provide experiences so that users can fudge usefulness of products and reduce uncertainties to adopt the products. The purpose of this study is to investigate how environmental features and physical artifacts contribute to promote experiences of innovative products in stores and how physical environment help to establish brand identity. For this study, site visits, observation, and literature review were conducted. For case studies, three retail spaces (Apple, Iriver, Sony) and one service space(TTL) were selected. Compared to the service space, three retail spaces have more transparent and open store front design characteristics. For the experiences of shoppers, products displayed in a radial shape, round shape, column shape, and around peripherals of the stores. A service oriented space, TTL zone is differentiated from three retail spaces in terms of layout, store front design, and experience areas. Compared to the traditional stores selling innovative products, the case stores showed more warm atmosphere using various shape, wood materials, lighting fixtures and furniture.

• 한국주거학회논문집
• /
• 제25권3호
• /
• pp.165-179
• /
• 2014

The purpose of this study was to draw application elements of housing interior design according to user-oriented sensibility types. The sensibility evaluation experiments were conducted to target the general user 118 people using the sensibility evaluation tool for housing interior space. The results of the analysis were as: To produce the 'cozy' space, the colors and materials giving soft and natural feeling should be used. For the 'practical' space, type of ceiling and window that give the visually open feeling, the user-oriented furniture arrangement that allows using the space efficiently. For the 'cheerful' space, the simple and natural effects should be produced by using closed space that stable. For the 'traditional' space, the natural fishing material having rough texture should be used. For the 'unique' space, the space contained the dynamic feeling by the diagonal or vertical line and the graphic expression in the wall. For the 'congenial' emotional space, basic is the symmetric, stable and simple space. On the other hand, for the material, small size, natural texture or typical and soft materials should be used. For the 'sensuous' space, the dynamic and vertical sense of space should be expressed by the type of ceiling. The most important elements for the space of 'gorgeous' sensibility, is the color.

• 한국실내디자인학회논문집
• /
• 제6호
• /
• pp.53-62
• /
• 1995

This research aims at proving the fact that the forms, spaces and many other design concepts of Modernism are much related with the changes of materials, struc-tures, and the way of construction as well as the idealis-tic and aesthestic things through the history of steel, one of the most important materials of the style. The meaning steel has in the modern architecture can be studied in the structure and industrial production system. 1) Steel frame broadened the range of understanding the space and created the new form through the skeleton/skin structure by reinterpreting the existing space fac-tors while it was being adopted to the architecture. Walls could be freed from the traditional function of bear-ing wall and roofs gave the transparancy to the interior by being linked with the glass. Posts lost the function which confines the space in the frame of the grid system and gave the flexibility to the interior due to the economical materials. These changes made the movable partition, screen with various materials and the system furniture which divides the space more important. 2) In the aspect of the industrialized architecture, it be-came the moment that the most of the archtectural com-posing parts were in mass production as they were standarized, high qualified, and generalized by the indus-trial characteristics of steel, and the specialization of structure and cladding, but the neither of the efforts to make the building itself by mass production or to standarize it was fulfilled. The high-tech architecture which borrows its archtectural manifestation from the high technology, however, is consistently paying efforts on such industrialization.