• 한국실내디자인학회논문집
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• 제22권6호
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• pp.140-150
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• 2013

The weaving of Mosi(fine ramie) in the Hansan region was inscribed on the representative list of the UNESCO intangible cultural heritage in 2011. Unlike other fabric, as the Mosi is very sensitive towards humidity it needs different conditions for its workspace. The Hansan region is near the sea with many mountains around where it is easy for the Mosi to grow and is an appropriate place to weave Mosi. Recently the manpower for weaving of Mosi in the Hansan area is decreasing with the decrease of workspace drastically. After the investigation of workspace for the weaving of Mosi in the Hansan area, most of the places were done in individual houses and it could be classified in 1. Mosi storeroom, 2. Shed(Gwang che), 3. Dugout hut, 4. Under the toenmaru The depth of the dugout hut and under the toenmaru is around 80~60cm which is similar with the depth of the prehistoric dugout hut houses. The towns for weaving of Hansan Mosi are formed mostly in the Seochungun district, but the Hoamri Hansan-myeon and Gayangri Masan-myeon has the most traditional workspaces and they are still forming and maintaining the traditional town composition. However the numbers are too small and maintaining the traditional town is getting more difficult, so a plan for the maintenance should be made to continue to keep it as UNESCO intangible cultural heritage.

• 한국실내디자인학회논문집
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• 제17권4호
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• pp.3-10
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• 2008

In the Western and Oriental architecture, corridor and stairs have not been important from the whole architectural composition. The purpose of this study is to analyze their elements from theoretical viewpoint of modern architecture. The subject of analysis are Yangjindang and Daesanru of the Mid-Chosun Dynasty in Sangju. The conclusions are the followings : First, the moving line in the Western and Oriental architecture has the linear axis, and in general moving axis is straighten in Hanok architecture. But unlike common traditional architecture, the two buildings are right-angled in the moving axies. Second, Toenmaru in Yangjindang is the element of visual experience in the whole architectural space as promenade architecture called by Le Corbusier. On the other hand, Toenmaru in Daesanru plays a role the space of thinking in extending a visual field to the nature than its pure function. Third, the stairs of Yangjindang is diagonal shape with a role of entrance, but that of Daesanru was concealed in the wall as interior step. Yangjindang has two different stairs. One is broad and shallow stairs with ceremonial or public expression, and the other is narrow and steep stairs with unstable or private expression. This paper intends to show the latent architectural possibility of our traditional architecture.

• 한국디지털건축인테리어학회논문집
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• 제13권1호
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• pp.23-31
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• 2013

This paper presents computer graphics applying the traditional Korean house(Hanok) style interior to unit-care space of Welfare Facility and proposes the possibility as interior design and construction materials. In this paper, the proposed computer graphic-based model is a single-story building that provides convenient traffic between rooms. Computer graphic-based model is presented by Auto CAD, 3D program (Sketch-UP v.8), rendering program (Podium v.2) based on the traditional Korean house and related work of unit-care welfare facility. Computer graphic-based model that combined unit-care and the traditional Korean house has the following characteristics. In each room of living space, wallpaper and flooring Korean paper(Hnaji) is considered and windows, door, furniture of traditional pattern were placed. The living room(Daechung) that is representative of the traditional Korean house and the corridor (toenmaru) are the elements to save the image of the traditional Korean house as much as possible. Especially, the corridor (toenmaru) is placed to conveniently use in nursing-care facility and home-care support facility. A public space is placed around the inside court (An-madang), while the living space (unit-care) has a sense of independence by separation. Bathroom and kitchen have a modern design for functionality than aesthetic elements.

• 한국주거학회논문집
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• 제23권1호
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• pp.79-88
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• 2012

The purpose of this study is to determine the personalizing characteristics of detached housing that reflect the housing needs according to the residents' participation in the back-to-countryside community village. For this study, 15 households of Jagun-maul at Namwon in Jeonbuk provided responses to the semi-structured questionnaire on housing consciousness, housing needs, and views on lifestyle. In addition, 15 plans were analyzed about the shape of the plan, the composition of LDK, the type of access, and the type of special space. The results were as follows. 1) The number of households under the elementary education stage was larger than the number of households above the middle education stage. Most of the households revealed the housing consciousness of 'house as resting place'. Households under the elementary education stage showed a housing consciousness for family-oriented life and households above the middle education stage showed a housing consciousness to interact with neighbors. 2) Households under the elementary education stage preferred LK style while households above the middle education stage preferred LDK style. Most of the floor plans had a front entrance and sliding door for the access from living room to garden. 3) Special spaces such as a loft, 'Ondolbang' (room with underfloor heating), study, maru, 'Toenmaru' (narrow wooden porch), family room, workroom, and toilet with outside door were arranged on each floor plan.

• 건축역사연구
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• 제20권2호
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• pp.7-22
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• 2011

This study primarily aims to illuminate the characteristics of $Meoreum$ in Korean traditional fitting system according to the respective types and its periodical changes. Using the research findings as a chronological indicator by which to estimate the construction date of the building is the secondary purpose. In this study 42 of $Byeoldang$ and pavilion architecture remaining in $Yeongnam$ district were examined through the field surveys and methods of documentary research. The research results are as follows. First, $Meoreum$, which is located below the windows or doors, provides protection against the outer wind and has the function to prevent some warm air of the room from flowing outside. Second, $Meoreum$ was recorded as $Yoeum$(了音), $Woneum$(遠音), and $Maleum$(末音) in $Yeong-geon-ui-gwe$(營建儀軌) of Joseon period. While $Yoeum$(了音) was used in $Yeong-geon-ui-gwe$(營建儀軌) of 1776 and 1856, $Woneum$(遠音) had been also used continuously since the year of 1800. The word, $Maleum$(末音) can be seen in $Lim-won-gyeong-je-ji$(林園經濟志), published in 1827. $Woneum$(遠音) and $Maleum$(末音) seem to be the $Yi-du$(吏讀) types of expression of $Meoreum$ which is being extensively used now. Third, the kinds of $Meoreum$ can be classified as $TohMeoreum$, $TongMeoreum$, $TongpanMeoreum$, and $JjaneunMeoreum$. $TongMeoreum$ and $TohMeoreum$ were mostly used at the front part of $Ondol-rooms$, the backside of main floor called $Daechung$(大廳), and at the space between $Daechung$ and rooms in the Pavilions and $Byeoldangs$(Annexes) that had been built in the early Joseon dynasty. $TohMeoreum$ was usually used at the bottom parts of windows between $Daechung$ and $Ondol-rooms$. $TongpanMeoreum$ was mainly used in the mid-Joseon period and relatively high height was the distinctive feature of $Meoreum$ at that time. $Jjaneun$ $Meoreum$, used mainly in the late Joseon dynasty, has become lower and lower gradually in height since 19th century, so people could enter the room through the windows(fittings). Such changes in $Meoreums$ types has brought about the flow of human traffic directly from $Toenmaru$, narrow wooden porch running along the outside of a room to $Ondol-rooms$.

• 한국전통조경학회지
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• 제32권2호
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• pp.42-54
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• 2014

본 연구는 장성 필암서원의 입지 형국 풍수지리 등 장소성에 담긴 의미경관적 요소와 서원배치에 따른 시지각적 공간구성에 담긴 미학성 독해를 위해 시도되었다. 고지도에 표기된 '필암서원', '필봉서원', '김하서서원' 등에서 보이듯 '필암'은 곧 '필봉'이며 이는 '김하서'라는 인식이 드러나고 있다. 서원의 배산 필암산(문필산)과 필암(붓바위)은 필암서원 장소정체성 구축의 핵심이며 하서 김인후의 상징으로, 연고성을 바탕으로 한 깊은 인걸지령(人傑地靈)의 관계로 엮여있음이 읽혀진다. 필암서원은 안산(案山) 없이 파노라믹한 '증산들'을 안대(案對)로 한 계거(溪居)의 입지특성을 보인다. 하서의 태생지인 맥동마을과 필암 그리고 '단봉함서형(丹鳳含書形)' 형국을 반영한 서원의 터잡기와 조형적 반영 그리고 건물 '이름붙이기'에서 드러난 필암서원의 액호(額號)와 각 건물의 당호(堂號) 또한 성리학적 가르침을 바탕으로, 자연과 인간이 하나 되는 천인합일(天人合一)의 인식 결과에 따른 기호경관적 특질은 여타 서원 보다 뚜렷하다. 확연루(누문)-청절당(강당)-진덕재 숭의재(재실)-우동사(사당)의 "전당후재형" 배치로 구축된 교접마당을 통한 중심성의 극대화는 필암서원 고유의 공간 프레임적 특성이다. 여기에 더하여 '유식공간과 제향공간내 경장각과 계생비 배치로 얻어진 내심 이동'을 통한 중심성의 강화' 그리고 '영역성의 강화를 위한 시설과 장치' 등에서 필암서원의 공간구성상의 경관짜임이 읽혀진다. 또한 '창호 구성을 통한 조망 중심성의 강화', ' "틀에넣기"와 중첩을 통한 시각적 투명성 확보' 그리고 '재실 툇마루 높이를 통한 위계성의 구현' 등의 시각구성상의 경관짜임을 통해 성리학적 사고를 바탕으로 한 질서와 미학성이 필암서원 조형에 논리적으로 구현되었음을 독해하였다. 이와 같이 경관 재구성을 통해 정리되고 새롭게 읽혀진 필암서원의 의미체계와 공간 및 시각구성상의 미학성은 결코 우연이 아닌 필연적 결과로, 장성 필암서원의 내적 충일을 높일 수 있는 요인이며 또 다른 자원기반이다. 본 연구를 통해 얻은 경관독해의 결과가 필암서원에 대한 이해 증진과 드러나지 않은 문화경관에 대한 감수성을 높이는데 기여할 것을 기대한다.