• 한국우주과학회:학술대회논문집(한국우주과학회보)
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• 한국우주과학회 2011년도 한국우주과학회보 제20권1호
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• pp.19.4-20
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• 2011

In this paper, we analyze time data (i.e., new moon time, sunrise and sunset times, twenty-four seasonal subdivision times, and so forth) in the Japanese astronomical almanacs between 1885 and 1943. During this period, two types of astronomical almanacs were published in Japan; Honreki (本曆; Formal Almanac) and its simplified version, Ryakuhonreki (略本曆). We use mainly the latter almanac for analyzing the time data. It is also known that Japan introduced the Gregorian calendar in 1873, adopted the standard meridian of $135^{\circ}E$ in 1888, and used Tokyo Observatory (東京天文臺; $139^{\circ}$ 44' 30" E and $35^{\circ}$ 39' 15" N) as the reference position of time data since 1891. We verify those facts and investigate the accuracy of time data in Japanese almanacs by comparing the data with the results of modern calculations. In this study, we present our findings.

• 한국생산제조학회지
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• 제9권2호
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• pp.45-51
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• 2000

This study proposes that analysis and evaluation method of time series ultrasonic signal using the chaotic feature extrac-tion for degradation extent. Features extracted from time series data using the chaotic time series signal analyze quantitatively material degradation extent. For this purpose analysis objective in this study if fractal dimension lyapunov exponent and strange attractor on hyperspace. The lyapunov exponent is a measure of the rate at which nearby trajectories in phase space diverge. Chaotic trajectories have at least one positive lyapunov exponent. The fractal dimension appears as a metric space such as the phase space trajectory of a dynamical syste, In experiment fractal(correlation) dimensions and lyapunov experiments showed values of mean 3.837-4.211 and 0.054-0.078 in case of degradation material The proposed chaotic feature extraction in this study can enhances ultrasonic pattern recognition results from degrada-tion signals.

• 응용통계연구
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• 제17권3호
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• pp.403-418
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• 2004

시간에 따라 얻어진 공간 자료를 공간시계열 자료라 하며 이러한 자료를 분석하기 위해 사용되는 모형이 공간시계열 모형이다. 최근 곤충학과 생태학에서 공간시계열 모형을 이용한 연구가 활발히 진행되고 있다. 본 논문에서는 온실에 있는 곤충의 마리수를 ARMA 모형과 자기회귀 오차모형을 이용한 공간시계열 모형으로 분석하였다. 자료에 포함된 이상점은 분산도(Variogram) 추정에 많은 영향을 주기 때문에 Mugglestone (2000)의 이상점 수정법을 이용하여 수정하였다. 공간시계열 모형들과 시계열 요인을 배제한 공간모형을 MSE와 MAPE를 이용하여 비교하였다.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.79-87
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• 2013

The purpose of this study clarifies an expression characteristic of the phenomenal space. The architecture is an interface between human and nature. Nature presents herself as phenomena. Thus, the phenomenal space should be approached as the essence of architecture that is to accommodate nature. Phenomenon is related to everyday life and shares flow naturally within it. The phenomenon and everyday life form a relationship through the mediating elements that are time, place, and image. If these mediating elements are developed as spatialized elements, time becomes the converse, place becomes the overlap, and shape becomes the revealing. Also, spatial components that are substituted with these elements are void/solid, form, and materials. The relational characteristics of phenomenal space can be identified through these, and such characteristics are one-ness, continuity, and coincidence of opposites. Phenomenal space is expressed with spatial tones and accepted as spatial atmospheres. For the analysis, 15 works of swiss architects were selected to which spatial elements were applied. And It were composed that analysis by arranging these components as the relational network found that expression characteristics. Trough the analysis, It was found that expression characteristics of phenomenal space of the architecture of Swiss architects were prototypicality, primitiveness, and originality. As a results, It is considered that the role of the space that contains the value of everyday life, the value of the phenomenon is necessary.

• 패션비즈니스
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• 제19권2호
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• pp.136-148
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• 2015

The purpose of this thesis is to study multi-view fashion design with an analysis of multi-view art's formation and philosophical perspective. The production of unique artwork is dependent on how we see, think and represent what is around us. Multi-view art has great potential as a concept related to the continuity of time and space, it is not limited to space and time but it extends to infinitely, according to the artist's will and imagination. The study of time and space has been used as principles for deriving the formative of multi-view art, and the principles applied for analyzing multi-view fashion design. And the formation of multi-view art is reflected in fashion design. Simultaneity, deconstructivity, continuity and virtuality in terms of multi-view art are support the formation of multi-view fashion design, such as fabrication, expandability, concealment and transparency. As such, it is important to study multi-view fashion design as a creative design method with immense potential for further development.

• 대한인간공학회지
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• 제33권3호
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• pp.175-189
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• 2014

Objective: The goal of this research is to develop new user behavior model using user motion analysis with microscopic perspective for attracting user's participation in interactive space. Background: The interactive space is 'human's place', which is made up of complex elements of digital virtual space and traditional analog and physical environment based on human-computer interaction system. Human behavior has changed in it at the same time. If the user couldn't make participation in interaction, the purpose of the system is not met, which reduces its effect. Therefore, we need to focus on interactive space that is potential future direction from a new point of view. Method: For this research, we would discuss and study fields of interactive space; (1) finding definition of interactive space and studying background of theory about it. (2) providing base of user behavior model with study of user's context that is to be user information and motion. (3) examining user motion, classify basic motion type and making user participation behavior model in phases. Results: Through this process, user's basic twenty motions which are systematized are taken as a standard for analysis of interaction process and participation in interactive space. Then, 'NK-$I^5$ (I Five)' model is developed for user participation types in interactive space. There are five phases of user participation behavior: Imperception, Interest, Involvement, Immersion, and Influence. In this analysis, three indicators which are time, motion types, and user relationship are found to be related to participation. Conclusion: The capabilities and limitation of this research is discussed to attract user participation. This paper focuses especially on contribution of design to lead user's participation in interactive system and expectation to help adapt to user centered design of various interactive space with new aspect of user behavior research. Application: The results of the 'NK-$I^5$ (I Five)' model might help to realize successful interactive space based on user centered design.

• 한국실내디자인학회:학술대회논문집
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• 한국실내디자인학회 2001년도 춘계학술발표대회 논문집
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• pp.69-72
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• 2001

We are defined a space as the activities of creating value in harmonic relations between human and environment. After Industrial Revolution, relations between human and space is changing because of speed and visualization's power in contemporary society. We we known information where is far by means of visualization. There is only difference of speed. Movement in space means the line of vision and circulation. But it is tried to think relations between human and space again in result to experience indirectly. This study aims at the analysis of expression of the modem Architecture space in Giedion' Space, Time, Architecture and aesthetic systems applied to it. On the basis of that , this study analyzed the difference of Bergson' consideration from Modern Architecture about movement.

• 한국정보처리학회논문지
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• 제2권1호
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• pp.119-129
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• 1995

본 논문에서는 분산 실시간 프로그램의 스케줄가능성 분석 방법을 제안한다. 스케 줄가능성 분석을 위한 여러 가지 방법이 개발되었지만, 이 방법들은 가능한 모든 상 태공간을 추적하거나 고정 우선순위 스케줄 방법을 사용했기 때문에 지수적인 시간 과 공간의 복잡성을 야기한다. 따라서 상태 공간을 줄여서 더 이른 시간단위에서 스케 줄가능성을 조사하는 방법이 필요하다. 본 논문에서 제시한 스케줄가능성 분석 방법은 번역시간에 결정될 수 있는 프로세스들의 최대 수행시간, 주기, 마감시간, 동기화 시 간을 고려하여 동기화 동작 이후에 남는 계산시간과 마감시간의 차이를 계산하여 실시 간 프로세스가 마감시간을 지키는가를 판단하는 새로운 알고리즘을 제안하고, 실험을 통하여 그 성능을 평가한다. 실험에 의하여 Fredette의 방법과 비교하면 약 50퍼센트 정도 더 이른 단위시간에 스케줄이 불가능함을 판단할 수 있다.

• 한국정보통신학회논문지
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• 제3권1호
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• pp.209-221
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• 1999

실시간 스케줄가능성 분석을 위한 여러 가지 방법들이 제안되었지만, 이들은 프로세스의 모든 상태공간을 추적하거나 고정 우선 순위 스케줄링 방법을 사용하기 때문에 시간 및 공간에 대한 복잡성의 증가를 야기한다. 따라서 상태공간의 수를 줄임으로써 보다 빠른 시간에 스케줄가능성을 판단하는 방법이 필요하다. 본 논문에서는 프로세스 대수의 전이규칙을 이용하여 번역시간에 결정될 수 있는 프로세스의 최소 수행시간, 주기, 마감시간, 동기화 시간을 고려하여 실시간 프로세스가 마감시간을 지키는가를 판단하는 개선된 알고리즘을 제안 및 구현한다. 구현 결과를 통하여 모든 상태 공간을 검색하지 않고도 스케줄가능성을 판단하는 효과적인 성능을 보였다.

• 한국디지털건축인테리어학회논문집
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• 제7권1호
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• pp.15-20
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• 2007

This study is aimed to analyze the method of movement expression in the Space-Time of Modern Visual Art. According to the results of analysis. the following is obtained. (1) The still object is perceived by the sense or optical illusion, and its whole image is made through the information processing prodedure. The concept of Space-Time is integrated into the constructivist works by the composition of image through transforming the position of the fundamental geometry and projecting it. (2) The traditional notion that the work of art is still concept of is changed. The movement of observer is caused by inducing the direction and concept of time through the object in three dimensional space.