• 한국조경학회지
• /
• 제26권4호
• /
• pp.95-104
• /
• 1999

The Landscape Drawing is the main medium for constructing better environment which provides human beings with a place for dwelling well, even though it has some limitations. To provide places for people's daily lives, by what measure do we design\ulcorner, by what measure do we give dimension\ulcorner, and how can we appropriately measure the place with drawing\ulcorner On any given site, of course, much has already happened, i.e, there is history. Any adequate interpretation of such a site should poetically take into account the present effects of its absent past. The findings to reveal the meaning and methodology of landscape drawings in the environmental design with a case study are as follows: (1) The value of landscape drawings is the poetic, artistic interpretation which we sense and bodily experience through the simultaneous exposure of the site's temporal, spatial, and tactile conditions. (2) The landscape drawing should represent the invisible (imaginary) world as well as the visible (physical) world. (3) There can be classified as two methods in representing the rich experience of a place: expression and notation. Expression is the abstract representation and do not have a direct relationship to construction due to its ambiguous and connotative structure. But notation is constructional due to it's purely objective symbol system which is obviously denotative structure. (4) Collage is a medium of specific act that can represent the complex layered phenomena and the rich experience of given site. (5) The landscape drawings represent not only topographical space which can be measured objectively, but also topic which can be cognized culturally.

• 한국실내디자인학회논문집
• /
• 제17권2호
• /
• pp.39-46
• /
• 2008

This paper is a research about the expression and characteristics of sense space by a phenomenological approach through body from an anthropocentric point of view. The phenomenological expression elements of sense space have been abstracted by putting the characteristics of body perception into shape through the phenomenological approach. This research aims to provide the expression and characteristics of sense space that can be applied by phenomenological elements of emotional expression, and analyze their application level by phenomenological body perception in space through corresponding examples. As a result of this research, the expressions of sense space approach - such as migration of moving lines, reiteration and segmentation of region, spatial flexibility, transferal of sense, stimulation of combined senses, symbolic abstraction of memory, perception of environment and space, time by light, phenomenal water space, time expression by surrounding environments etc. - and the characteristics of sense space according to each expression have been obtained through the phenomenological expression elements in sense space such as expansive perception by consecutive scenes, spatial and sensory experience, embodiment of place, phenomenal change by time. It aims to grope for a new approach and possibility to the embodiment and expression of sense space through the expression of sense space approach based on the phenomenological body perception.

• 한국조경학회지
• /
• 제29권3호
• /
• pp.61-69
• /
• 2001

This paper presents a case of community participatory neighborhood park design. The site, Yangji park, is located in Sandang-dong, Dongjak-gu, Seoul and the area is about 1,870m. Neighborhood park is defined as an outdoor space which is close to people´s home and is considered to be their own, because of the residents´ collective responsibility, family association, and frequent shared use. It is a place for pleasant rest area for community, sharing a sense of nature and retaining a sense of tradition and culture which is disappearing in a city. It is related to the daily life of the people near the site and becomes a place to let the community increase dialogue and understanding between people. On the other hand, participatory design is a design in which people participate in the design process. Thus people can understand the project well, present their opinions better, and reconcile conflicts between the different interests of people. This design applied a community participatory design method to design a neighborhood park. The major strategies for participatory design were ´workshop´, ´card game´, ´walking site´, ´interview´, and ´questionnaire´. Eight workshops were performed for the participation design. The major spaces and facilities elected by participants were the ´main entrance plaza´, ´entrance symbol space´, ´children´s ´playground´, ´multipurpose sport ground´, ´grass land´, ´foot-pressure area´, ´spaces symbolizing a rock mountain and an old well´, ´space for youth´, ´a pavilion´, etc. From this selection, design concept alternatives were generated by participants. The aster plan was developed from these design alternatives with the help of landscape architects. It was revised by ist visits and community discussions. People were also involved in the construction process and left their own works, such as hand prints, on the site. After construction, residents continued to maintain the park by themselves. As a result, It was found that participatory design was very effective for people´s satisfaction and sustainable park management. By involving people more in the process they developed a sense of community, a sense of ownership, and attachment to the place. In conclusion, it is suggested that we need to develop an effective people´s participation method to Korean society.

• 한국실내디자인학회논문집
• /
• 제3호
• /
• pp.78-84
• /
• 1994

The theory of Place is based on the relations of human being, environment and architecture in the view of the existentialism and phenomenology. A place has two respects, the one is Natural place as landscape and the other is Man-made place as city, public building , private house. These properties of place are appeared through axis , directions, boundaries, centers , enclosures that are basic elements in architecture . Therefore these elements embody sense of place as orientation , identification , identity. imageability, stabilitas loci, heirarchy. And these sensually compositional elements of poace concretize district, landmark, node, path, edge that ceate a setting into work and place in architecture & interior design.

• 한국실내디자인학회논문집
• /
• 제29호
• /
• pp.27-34
• /
• 2001

The concept of homogeneous space which was made in during the modern architecture was criticize for making our circumstances uniformly. The difference of place disappeared. The concept of place, however, has been watching in Contemporary Architecture. A basis for the concept of place is 'movement in space'through the sense of the body. Thus, architectural methods for experiencing place are composing the sequence through the continuous time. It is important that the composition of sequences in place makes the spatial experiences with harmonies of architecture and environments in exterior space for people who enter the building. Tadao Ando makes place in terms of experiencing body. Compositions of sequence in his works are expressed very well at the approaching stages in the process of exterior space. This stud is to survey the compositions of approaching sequence in Tadao Ando's Works.

• 한국디지털건축인테리어학회논문집
• /
• 제9권3호
• /
• pp.47-57
• /
• 2009

The purpose of this study is to propose the design elements useful to give place identity to street space. The theory for place identity is studied and the components-Physical element, Sense, Program, Activity, Context-for identity of place is created. In the case study of SamcheongdongGil, the qualitative research method of Free Picturing Technique and Cognitive Mapping is executed and the samples gathered from the research are analyzed. In the process of analysis, the contents of qualitative evaluation by users is put in order as components for identity of place. Moreover, the design elements for street space are extracted from the case study and theories of urban design. The design elements are summarized as the followings: street pattern with high permeability, various streetscapes, greenscapes, semi public(private) spaces, the third places, public arts, transparent facades, and outdoor activities. Finally, the fruits and boundary of this study are described and the importance of place identity is.

• 한국농촌건축학회논문집
• /
• 제18권2호
• /
• pp.1-9
• /
• 2016

Vernacular perspectives had been ignored in the movement of modern architecture. This study's purpose was to review vernacular perspectives and to identify vernacular characteristics of earth architecture. Six representative contemporary earth architects were selected, and then their works were analyzed. Themes of vernacular architecture based of Frampton's critical regionalism were emerged. Findings were as following: 1) constructed by considering the local climate and the region's natural characteristics, 2) constructed with local materials seeking integration of structure and finishing work, 3) having tectonic form included regional characteristics, 4) creating space of various senses and expression of texture through earth modeling, 5) presenting homogeneity of sense of place between site and architecture, and 6) pursuing ecological and sustainable architecture. These characteristics of contemporary earth architecture reflect the vernacular architecture inherited continually in architectural history. Therefore, contemporary earth architecture has been in line with contemporary architecture aiming for sustainability.

• 한국콘텐츠학회논문지
• /
• 제10권8호
• /
• pp.292-300
• /
• 2010

본 연구의 목적은 백화점의 마케팅믹스 요인인 제품, 가격, 유통, 그리고 촉진이 고객의 체험에 미치는 영향과 고객체험이 점포태도와 구매의도에 미치는 영향을 검증하는 것이다. 분석결과 마케팅믹스 요인을 구성하는 차원 중에 제품, 유통 그리고 촉진이 고객의 감각체험, 감성체험 및 인지체험의 형성에 긍정적인 영향을 미치는 것으로 나타났다. 또한 백화점에서 고객의 긍정적인 감각체험, 감성체험 및 인지체험은 호의적인 점포태도의 형성과 고객의 구매의도에 긍정적인 영향을 미치는 것으로 분석되어 고객체험요인이 매개역할을 하는 것으로 입증되었다. 이러한 연구결과는 향후 백화점 기업들이 전통적인 마케팅믹스요인 위주의 전략에서 탈피하여 고객체험요인을 활용한 체험마케팅이 중요한 전략요인이 될 수 있다는 시사점을 제시해주는 것이다.

• 한국주거학회논문집
• /
• 제27권1호
• /
• pp.31-40
• /
• 2016

In 1995 the land development was executed in Songchon-dong, Daejeon-si, and the region lost the strong geographical and historical character as an old clan village of the Song family who has great influence over the country in the Josun Dynasty. Though many cultural assets related to the Song family are preserved during the land development, the region fails to keep the authentic sense of place because the preservation was fulfilled only based on the boundary of each specific buildings. The Dongchundang park is an example to reveal the issue. Besides the fact that it is the Designated Treasure, the Dongchundang has an important meaning for having been the center of the clan and its local community in Songchon-dong. While the Dongchundang park built during the land development contains the Dongchundang with closely related buildings, the Dongchungoteak and Youngurk Song's House for the purpose of preserving the historical assets, the park was planned in an irrelevant way to the place. This study investigates the discrepancy between the past and the present condition of the park and proposes a guideline to alleviate the discrepancy as to retrieve the park's genuine sense of place.

• 한국실내디자인학회논문집
• /
• 제26권5호
• /
• pp.16-24
• /
• 2017

This study examines Safdie's design philosophy: place, purpose, and process and design strategies found in museum buildings. Safdie, influenced by personal background as immigrant, education of McGil University in Canada, apprenticeship from Louis Kahn, is one of the most recognized architects who designed renowned public and cultural buildings after Habitat 67 in Montreal, Canada. In order to reveal design strategies his eight museum buildings has been selected and analyzed in terms of interpretation of context, program presented in floor plan and section design, and the process of integrity found in structure and material. The results of this paper can be summarized as follows: 1) Reflection of existing context and regeneration of the locality has been in a creative way to reinforce the sense of place. 2) The layout of major and gallery space is determined according to the Safdie's interpretation of the site context and this can be categorized into three types. 3) Integration of the innovative structural frame and material has been experimented by using tartan grid and toroid form in the major and gallery spaces. This study is intended to reevaluate the significance of Safdie's design approach to building uniqueness of the site, program and tectonic.