• 제목/요약/키워드: The place museum

검색결과 164건 처리시간 0.023초

화유옹주묘 출토 녹유리장경각병-보존과 분석 (Scientific Conservation and Analysis of Octagonal Green Glass Bottle Excavated from Tomb Hwayu princess)

  • 강형태;양필승;허우영;조남철
    • 고문화
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    • 제70호
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    • pp.5-15
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    • 2007
  • 경기도 부천시 중구 일대 묘 이장 작업을 하던 중 화유옹주묘에서 녹유리장경각병을 발견하였다. 이 유리병은 진한 녹색을 띠는 팔각의 유리병으로서 굽바닥에 "건륭년제" 라고 음각되어 있어 제작 연대는 AD1736년-1795년 범위이다. 이 유리병의 보존처리를 위하여 X-선촬영, 접착제 및 복원제 테스트를 거쳐 접합 및 복원을 실시하였다. 유리병의 보존처리를 위해 반투명성, 충분한 접착 강도 및 가역성을 갖춘 접착제(Loctite 401)를 선정하였으며 복원제는 기존에 남아있는 것을 그대로 사용하여 복원하였다. 또한 유리 미세 단편을 사용하여 성분조성 및 납동위원소비를 분석하였다. 유리병의 주요 산화물을 살펴보면 $SiO_2$ 68.0 %, $K_2O$ 18.5 %, PbO,5.65%로서 녹유리장경각병은 $K_2O$-PbO-$SiO_2$ 계통의 유리이며 녹색은 $Fe_2O_3$ 3% 및 CUO 2%에 의한것이었다. 유리병을 제작할 때 규사의 원료는 석영(Quartz)을, 칼리($K_2O$)는 천연 초석(Natural saltpeter; $KNO_3$)을 사용한 것으로 판단된다. 납 원료는 중국 남부 지역에서 산출되는 납광석을 입수하여 유리제작시에 첨가한 것으로 추정된다. 이와 같은 과학 분석 결과는 향후 고대 유리 문화의 배경과 유통 연구를 위한 기초 자료로 활용될 것이다

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교육프로그램 참가자 만족도 조사로 본 국립과천과학관의 비형식 과학교육프로그램 운영 방향 연구 (The Study for the Improvement of the Informal Science Education Program of the Gwachon National Science Museum Based on the Participant Satisfaction)

  • 김이슬;이선희;손정주;김중복;권효순
    • 과학교육연구지
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    • 제34권2호
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    • pp.279-290
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    • 2010
  • 이 연구의 목적은 국립과천과학관 교육프로그램 참가자에 대한 만족도 조사를 통해 비형식 과학교육기관의 교육프로그램 운영 방향에 대한 시사점을 알아보는 것이다. 본 연구에서는 국립과학관으로서 $4,322m^2$의 교육 공간을 따로 확보하고 있어 교육의 기능이 용이하며 최근 1년간 1만명 이상의 자체 교육프로그램 수강생을 유치한 경기도 과천시 소재의 국립과천 과학관을 연구 장소로 선정하여 2010년 5월 교육프로그램에 참가자 중 87명의 학생과 78명의 학부모를 대상으로 과학관 교육프로그램에 대한 만족도 및 인식을 조사하였다. 연구 결과, 비형식 과학교육기관이 과학적 소양 및 탐구 능력, 과학적 태도 향상 측면에서 학교교육에 대한 보완을 해 주기를 바라는 인식이 나타났다. 개선해야 할 점으로는 학생 활동에 대한 피드백, 학년별 세분화, 강사의 수업방식과 홍보에 대한 요구가 있었으며, 이에 대한 개선책으로 지속적으로 참여하는 학생을 위한 중장기 프로그램을 마련, 접수 대상 제한, 수업 지도안 개발, 홍보 방식의 개선 등이 필요할 것으로 보인다.

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장소 마케팅을 위한 지역 상징적 테마와 이미지 표현 기법에 관한 연구 - 일본 테마전시관 사례를 중심으로 - (A Study on the Symbolic Regional Themes and its Expression Methods for Place Marketing - Focused on the Theme Museums of Japan -)

  • 박혜경;김정재
    • 디자인학연구
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    • 제16권4호
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    • pp.267-276
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    • 2003
  • 본 연구는 장소 마케팅 전략인 지역 특성화를 위해서 적절한 지역 상징적 테마의 발굴과 이의 효과적 이미지 표현이라는 두 가지 관점에서 접근되어야 한다는 전제하에 최근 20년간 일본 지역 테마전시관에 나타난 지역 상징적 테마와 이의 표현 기법을 조사 분석하는 실증적 연구로 진행되었으며 이는 향후 국내의 지역 상징적 테마 특성과 표현 방법과의 비교연구를 위한 기초 자료로서의 목적을 가진다. 사례 조사 분석의 결과, 자연지형과 생태, 인공시설, 유적과 유물 등 물리적 유형과 지역산업, 지역문화, 지역인물, 역사사건 등의 사회 문화적 유형으로 분류되었다. 또한 전시관에 부여된 지역 상징적 테마를 적절히 표현하는 방법으로 재현, 은유, 환유, 상징 등의 표현기법 사례들이 나타났다. 특히 90년대 후반부로 올수록 다양한 지역을 상징하는 테마적용이 증가하고 더욱 강한 이미지로 표현되고 있었다.

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산티아고 칼라트라바 건축의 텍토닉 특성과 빛의 역할에 관한 연구 (The Tectonic Characteristics in the Works of Santiago Calatrava and the Role of Light)

  • 김창성
    • KIEAE Journal
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    • 제15권2호
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    • pp.79-86
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    • 2015
  • Purpose: The concept of the tectonic has researched to find out the identify of modern architecture. The meaning of traditional tectonic knowledge to emphasize structural joints and attention to detail in creativity has developed in various ways in contemporary architecture. The purpose of this study is to analyze the tectonic characteristics and architectural expressions of the light appeared in the works of Santiago Calatrava. Major features in his works could be found is to maximize structural beauties through deducing the architectural images from the nature and expressing the material properties and the kinetic structures, and thus, to ultimately create the functional space and form by connecting the light to the tectonic structure. Method: Accordingly, I tried to analyze the three works of Santiago Calatrava (the Milwaukee Art Museum, the Bodegas Ysios Winery and the City and Arts and Sciences) as following categories - the structural aesthetics, the expression of material properties, the relationship between he kinetic structures and the light. Result: According to the results of the study, Santiago Calatrava tried to create his own architectural aesthetic by combining structural tectonic with nature, material, regional place and culture. He also sought to express the tense and dynamic tectonic rather than the stable one in his works.

북방계복식(北方系服飾)에의 관심(關心)과 복식사교육(服飾史敎育) - 체미(滯美) 1년(年)의 보고(報告)를 겸(兼)하여 - (History of Costume" in Education)

  • 이경자
    • 복식
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    • 제5권
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    • pp.237-246
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    • 1981
  • This is a report of author's stay in the U.S. as an exchange scholar. During her stay from Dec. 1979 to Dec. 1980, she participated in costume studies at Pratt Institute, New York City and looked into materials of North Asian historical costumes. The author notes that the curriculum of costume studies in the U.S. place weight upon costume history, e.g., the master's program in costume studies of New York University requires 18 points in history courses out of 54 points required for the degree. The author also notes the leading role of the Costume Institute, the Metropolitan Museum of Arts in performing research works for the studies. As to the study of North Asian costumes, the author's work in the U.S. has been somewhat disappointing. She points out difficulties for a Korean researcher to access to basic materials which are scarce outside of China and Russia. She asserts, however, the comprehension of the history of North Asian costumes as a whole is essential to understand the characteristics of ancient Korean costumes. The author insists the costume history courses in Korean colleges are not appropriate as a apart of costume studies. Noting the costume education in the U.S. clearly aims at the training of costume professions, the author proposes the objective of costume education in Korea be redefined, and the teaching of "History of Korean Costumes" be reconstituted as to be suitable for it.

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한국의 현대 중.소규모 미술관의 공간구성 특성에 관한 연구 (A Study on the Composition characteristics of Space of Contemporary Medium/Small Scale Museum in Korea)

  • 오세두;정운화
    • 한국실내디자인학회논문집
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    • 제19호
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    • pp.128-135
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    • 1999
  • In 1990s, the necessity of the Korean contemporary medium/small scale gallery as a place of experience rather than that of simple viewing has increased to meet from the requirements of the pluralistic and popularized society. The gallery makes efforts to form a collective street to cope with the influential of the power large scale cultural space as well as finding a novel direction in order to derive the regional sympathy in connection with the culture space of the neighborgood. In this paper, we study the 1990s Korean medium/small scale gallery in two aspects: First, the architectural techniques and elements which are introduces the audience to both interior and exterior spaces constructed by the 1990s gallery architecture, are investigated. The conventional architecture shows the blocking of the neighborhood and the trend of severance when viewing from both the architectural and the civil points. Secondly, we present the design characteristics from the several points of view such as conceptual, spacial, visual angles. The various trends of works in exhibition of the fine arts can provide a means for producing a great deal of variation in recent gallery architecture when viewing from a stage standpoint of exhibition space.

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The Development of Information Science in Ibero-America

  • Araujo, Carlos Alberto Avila
    • Journal of Information Science Theory and Practice
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    • 제7권4호
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    • pp.6-19
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    • 2019
  • The purpose of this article is to problematize the existence of a possible Ibero-American informational thinking. It was initially observed that a relative absence of Ibero-America in the international presentations and mappings of information science exists. Below, the reality of the 22 countries that compose Ibero-America is discussed, a region that can be understood from a sociocultural and geopolitical perspective. Then, a mapping of the information science research in these countries is made. The main research topics found are: epistemological studies, relationships with library science, information literacy, representation and organization, bibliometric studies, information management, user studies, technological dimensions, and relationships with archival science and museum studies. Finally, a general epistemological configuration of information science is presented at a global level, highlighting the great trends of study of information that marked the decades of the 1960s and 1970s (physical model), 1980s and 1990s (cognitive model), and the 21st century (sociocultural model), and which manifested themselves in the different subareas that make up the field. The most recent research in information science, in addition to addressing information transfer (physical dimension) and its relationship with data and knowledge (cognitive dimension), has also incorporated aspects related to the social effects of information, its role in the constitution of identities and culture, and the importance of its material conformations. Such expansion reflects attempts to address the complexity of informational phenomena. Therefore, it is concluded that it is important to place the specific contributions of Ibero-America in this context.

Historic Preservation towards a Critical Regionalism of Gil-ryong Park's Buildings: The Hwashin Department Store and the No-soo Park house

  • Seo, Myengsoo
    • Architectural research
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    • 제19권1호
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    • pp.21-26
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    • 2017
  • This research examines the historic preservation of Korean modern architecture by applying Kenneth Frampton(1930-)'s concept of critical regionalism. It explores the representative Korean modern architect Gil-ryong Park (1898-1943) and two of his buildings: the Hwashin Department Store (1935) and the No-soo Park house (1937-1938). The former was in the hot spot on the preservation. There were plans to preserve this building but that it ended up being demolished in 1987. The latter building, however, has been preserved and is currently being used as a museum. These two Korean modern buildings are explored through the frame of Kenneth Frampton's critical regionalism, in particular focusing on three important concepts: "dialectical expression," "place-form," and "sustainability." In this sense, this research will provide pioneering research in understanding the preservation of Korean modern architecture through a representative Western modern theory. In the early $20^{th}$ century, Korean modern architecture, which was built during the Japanese colonial period (1910-1945), could be interpreted as critical regionalism because it represented a dialog between the West and the East, in particular between Western modernism, Japanese modernity, and Korean tradition in the East Asian context. Understanding Korean modernism in this context of a cross-cultural perspective enables scholars to define both the origins and uniqueness of Korean modern architecture.

초.마혜에 관한 연구 (A Study on Shose Using Straw and Hemp)

  • 김지희
    • 대한가정학회지
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    • 제28권3호
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    • pp.1-12
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    • 1990
  • Though many thousands years of long history of Korea, many changes have taken place in politics, economy, culture, religion, arts and science, but the writer, in this thesis, has traced historical development of footwear that common people use as one of necessities of human life. Since the footwear is included in clothing, the history of footwear may be also traced along with the history of clothing. In the beginning, the shoes were only made to serve the purpose of protection of feet. As time passed by, the purpose gradually developed the skill in making shoes. Taking a historical of straw and hemp into consideration, I have studied on shoes using straw and hemp in this thesis. The history of straw and hemp can be retroacted to the beginning stage of the human culture. These straw and hemp have been developed over and over again for long time and it has its own distintion inquality so that these refined products used by noble men and these careless ones were used by the common people. In Japan, these straw and hemp were effected by the influence of typical continental climate, made characteristic shape. Since 1930s rubber shoes were introduced to Korea and traditional Korean shoes came to disappear in Korean market. Because of this, we now can see the traditional Korean shoes only in the windows of Museum.

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Researching Science Learning Outside the Classroom

  • Dillon, Justin
    • 한국과학교육학회지
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    • 제27권6호
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    • pp.519-528
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    • 2007
  • Although science continues to be a key subject in the education of the majority of young people throughout the world, it is becoming increasingly clear that school science is failing to win the hearts and minds of many of today's younger generation. Researchers have begun to look at ways in which the learning that takes place in museums, science centres and other informal settings can add value to science learning in schools. Four case studies are used to illustrate the potential afforded by informal contexts to research aspects of science learning. The case studies involve: the European Union PENCIL (Permanent European Resource Centre for Informal Learning) project (a network of 14 museums and science centres working with schools to enhance learning in maths and science); a large natural history museum in England; the Tate Modernart gallery in London, and the Outdoor Classroom Action Research Project which involved researchers working in school grounds, field centres and farms. The range of research questions that were asked are examined as are the methodological approaches taken and the methods used to collect and analyse data. Lessons learned from the studies about research in the informal contexts are discussed critically.