• 한국경제지리학회지
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• 제10권4호
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• pp.355-376
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• 2007

본 연구는 한국경제지리학 성립 50년($1956{\sim}2005$년) 동안 경제지리학 연구 틀의 조류를 시기별 방법론상의 변화 등을 고찰하는 것을 목적으로 한다. 한국경제지리학에 영향을 미친 요인은 한국의 지리학을 위시하여 구미 일본의 경제지리학, 경제 경영학의 기초이론, 지역문제, 문화의 다섯 가지이며, 경제지리학의 시기구분은 1956년부터 1962년까지의 '경제지리학 요람기', $1963{\sim}1970$년대 후기까지의 '경제지리학 정립기', 1980년대 전기부터 1990년대 전기까지의 '경제지리학 도약기', 1990년대 후기 이후의 '경제지리학 전환기'로 구분할 수 있다. 그리고 한국경제지리학의 연구 틀은 '경제지리학 도약기'까지는 지역구조가, 그 이후 '경제지리학 전환기'에는 경제의 공간체계 네트워크론으로 바뀌어졌다. 경제의 공간체계 네트워크론은 세계경제의 공간체계, 국민경제의 공간체계, 지역경제의 공간체계, 기업경제의 공간 네트워크, 정보경제의 공간 네트워크로 구성된다.

• 디자인학연구
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• 제5권1호
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• pp.69-76
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• 1992

INDUSTRIAL DESIGN(1.D) has been recognized as an independent subject for 30 years 10 KOREA and 70 years in the worldwide. Though the beginning of the 1.D is extended to the commercialization of the art, history of 1.D is still 150 years, and very short compared to the those of other subject. The scientific identity of 1.D has to be established to prepare the role of 1.0 for the information society and industrial society of the 21 century. 1.D contains the essence such as integrated and $$\mu$titude character and two lineaments( Analytic science and Synthetic science-objective and subjective) 1.D has undergone confusion and fallacy in society and educational system. To develop achieve the goal of design education and to the competItIve design country in the world market, the scientific status of I.O has to be established as a integrated and independent subject. This study generally reviewed 1.0 to find the essence and scientific status of subject to determine the direction foward the next century in the view of intellectual structure and system.

• 기록학연구
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• 제64호
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• pp.27-62
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• 2020

이 글은 '주류' 아카이브 연구에서 아직은 크게 주목하지 않고 있는, 국내외 예술계를 중심으로 부상하는 새로운 아카이브 '열병'과 '충동'의 경향을 어떻게 주류 기록학계에서 바라보고 이를 주체적으로 수용할 것인지에 대한 시론적 글의 성격을 갖는다. 구체적으로, 이 글은 몇 가지 국내 아카이브 아트의 최근 경향성에 대한 관찰을 통해서 어떻게 아카이브 아트가 미학적 태도와 방식을 갖고 역사와 기억에 관여하고 있는지, 그리고 예술계 내부 '아카이브 충동' 현상이 '기록학계' 연구 경향에 어떤 시사점이나 영향력을 미칠 수 있는 지를 살펴보고자 한다. 먼저 구체적인 해외 사례, 즉 미국의 한 공공 기록관의 아카이브 체계 내에서 아카이브 충동을 재해석하고 적극적으로 수용하려는 의미 있는 움직임을 살피고자 한다. 이에 이어서, 아직 구체적 아카이브 방법의 조직화 수준에 이르지는 않았으나 국내 예술계에서 산발적으로 시도되는 아카이브를 매개하여 이뤄지는 창작 작업의 특징과 성격을 탐색하는 작업을 시도한다. 이른바 '아카이브 아티스트'들이 기존의 기록학계에서 관찰되지 않는 방식으로 어떻게 기록되지 않은 것을 기록하고, 배제된 역사를 어떻게 미학적 언어로 소환해 풀어내는지를 살핀다. 결론적으로, 본 연구는 '아카이브 아트'라는 이 새로운예술 경향으로부터, 전통의 역사적 기록을 보관박스에서 끄집어내 동시대적 정서 구조 안에서 살아있는 아카이브로 재해석할 수 있는 가능성을 타진한다.

• 정보관리연구
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• 제23권4호
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• pp.21-38
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• 1992

본(本) 연구(硏究)에서는 국내(國內) 데이터베이스 산업(産業)의 육성방안(育成方案)을 모색하기 위하여 데이터베이스의 정의(定義), 분류(分類) 및 그 산업구조(産業構造)를 제시하였으며, 세계(世界) 및 국내(國內)의 데이터베이스 발달과정(發達過程)과 산업현황(産業現況)을 살펴본 후 국내(國內) 데이터베이스 산업(産業)의 문제점(問題點)을 지적하고, 그 육성방안(育成方案)을 제안하였다.

• 화약ㆍ발파
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• 제27권1호
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• pp.53-61
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• 2009

대한민국의 화약생산 기원은 고려시대에 중국으로부터 흑색화약이 처음으로 전수되었으며, 1890년 경남마산에서 흑색화약이 채광발파에 처음 사용되었고, 최근에는 지하철굴착 도로굴착 건물폭파해체 등 거의 대부분의 건설시장에 에멀젼폭약을 사용하는 진동제어발파공법 기술이 자리를 잡게 되었다. 2006년 12월에는 세계에서 처음으로 진동제어발파공법을 위주로 한 발파설계 시공지침을 국가와 전문학회의 주도로 완성하였다.

• 해양환경안전학회지
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• 제10권1호
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• pp.41-50
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• 2004

중국의 조선기술은 유구하고 찬란한 발전역사를 가지고 있으며 세계 고대 조선기술사에서 아주 중요한 자리를 차지하고 있다. 지금까지 조선기술사의 연구경향은 서양 조선기술사에 편중되어 있었기 때문에 중국 조선기술사에 관한 연구는 이러한 결함을 보완 할 것이다, 인류사회의 발전과 더불어 조선기술도 급속히 발전되었다. 송대(960-1279년)에 이르러 중국의 조선업은 크게 발전되었으며, 그 특징으로는 선박의 대형화, 조선기지와 선박수량의 현저한 증가, 조선기술의 제고와 설비의 발전으로 나타난다. 송대의 조선기술은 원명(元明)시대의 조선기술 발전에 토대를 마련하였다. 따라서 교량역할을 한 송대의 조선기술을 연구함으로써 중국의 조선기술의 발전사를 알아볼 수 있을 것이다.

• Earthquakes and Structures
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• 제22권4호
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• pp.331-343
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• 2022

Masonry structures are the most common structural systems that have been used almost all over the world from the earliest ages of history to the present day. These structural systems are often unfavorably affected by natural disasters such as earthquakes. The main reason for this is that they are built without sufficient engineering knowledge. On January 24, 2020, a severe earthquake occurred near the Sivrice District of Elazığ in eastern Turkey. According to the Turkish Directorate of Disaster and Emergency Management (AFAD), the magnitude of the earthquake was 6.8 and the focal depth 8 km. This earthquake caused damage and destruction to the masonry structures used extensively in the region. The Hacı Yusuf Taş (new) mosque in the Malatya city center, located about 64 km from the epicenter of the earthquake, was among the buildings affected by the earthquake. The mosque has smooth-cut stone walls and domes made of brick units. The main dome of the structure was severely damaged during the earthquake. In this study, information about the earthquake is first provided, and the damage to the mosque is then interpreted via photographs. In addition, two separate finite element models were produced, where the current state of mosque and solution suggestions are presented, and response spectrum analyses were carried out. According to these analyses and field observations, a buttress system to the main walls of the structure should be constructed in the direction which has little lateral rigidity.

• 수산경영론집
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• 제26권2호
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• pp.27-52
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• 1995

I have outlined the history of Korean Fisheries Co - coperatives and its economic and noneconomic contribution to Korean Fisheries. But in order to overcome new economic world trend that is emerging now with the beginning of the WTO Korean Fisheries Co - operatives should change itself. It can be summarlized as follows. (1) The early Korean Fisheries Co - operatives was monopolized by Japanese under the Japanese colonial rule. (2) The modern Korean Fisheries Co - operatives was organized in 1962. 4. 1 by Korean government. (3) Korean Fisheries Co - operatives was weak in democratic management because of socioeconomic bad condition. (4) In spite of the dependence on the government financial aid Korean Fisheries Co - operatives has contributed to the fisheries development. (5) At the aid of the credit undertaking economic project was enlarged greatly, (6) With the close of the UR talks we cannot but open out fisheries market. So we are in condition that must enforce out fisheries compatability. especially, \circled1 Improvement of fisheries structure to enlarge management scale \circled2 Increase of productivity in fishing ground \circled3 The continuous endeavour to positive marine resourses making (7) Reorganization of fisheries, for example fisheries system or fisheries structure (8) Reexamination of the organization and operation of Korean Fisheries Co - operatives. And taking a proper step to improve their weak points. (9) The strengthening of the activity of investigation and study in centural Fisheries Co - operatives (10) It needs a special study to establish a few target or object in the management of Fisheries Co - operatives. When we could solve these ones mentioned above our fisheries will develop again.

• 인문언어
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• 제1권1호
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• pp.185-194
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• 2001

In this paper, I propose that the figurative structure of Tongjoo Yoon′s "One Night, Counting the Stars" reflects the poet′s anguish over the colonial reality of Korea in the later stages of the Japanese occupation, especially regarding the forced adoption of Japanese names in 1939. The poet Yoon himself registered at Yonhi College with an adopted Japanese name. In the second half of the poem, the speaker alludes to this historical fact when he confesses that "On a hill lit by myriads of stars / I spelled my name / And covered it over with dirt," and that he "laments (his) shameful name." In the simile of the last stanza, the speaker continues to allude to the "buried" name: "But past winter, come spring to my star, / As green grass sprouts on a grave mound, / So will it spread with pride / On the hill where my name is buried." The longing and the yearning, expressed so simply and in child-like manner in the first half of the poem, become in the second half an urgent need for something that should have been but cannot be, and yet will be in the future-for a world that should be, now lost but to be regained. The poem contains the poet′s earnest belief that the inherited Korean names that were then so shamefully taken away will one day be recovered. It is almost impossible to find any other work written in Korean (despite the most suppressive measures against the use of the Korean language) that also alludes to the adoption of Japanese names. In this respect, "One Night, Counting the Stars" has a unique value in the history of modem Korean literature.

• 한국가구학회지
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• 제19권6호
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• pp.439-446
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• 2008

High Tech Design manner is a design concept that had been constantly discussed in constitution process of the West art history and modem ideology and had been experimented in industry, having started from futurism and structuralism in the early 20th century through Kinetic Art & Technology Art and up to now. High Tech Design had a great influence also on Post Modernism and more important is that this manner of design will be existing continually in the future too. From the modem times when machine civilization started, the artist and designers expressed a utopia will showing the future world with help of High Tech Design and modem people are realizing technology images as a utopia, in the space and material presented by this high tech design. And this utopia imply the images of dynamic power, speed making a voyage in universe, dream of future, hope, mass production, earth's environment, wealth etc. High Tech furniture was lightly designed by using thin steel wire, structure stressing the metallic characteristic and tempered glass, and it was used for presenting a convenient interior space visually, and with that it can make a unified sense in High Tech interior space, and a contrary effect compared with minimal space. High Tech Design equipped with glass and metal materials looking inappropriate for our interior space due to their sharp and cold image has been regularly used as living furniture, not only decoration function, and then there must be reasons for that. This study intends to research how High Tech Design has been changed and developed in the design history & West art history from the early 20th century, and to present it's value of development as data orienting, namely a direction for the industry of the next-generation and furniture design.