• Asian Pacific Journal of Cancer Prevention
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• 제15권23호
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• pp.10057-10059
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• 2015

Positron emission tomography (PET) as the functional component of current hybrid imaging (like PET/CT or PET/MRI) seems to dominate the horizon of medical imaging in coming decades. $^{18}$Flourodeoxyglucose ($^{18}FDG$) is the most commonly used probe in oncology and also in cardiology and neurology around the globe. However, the major capital cost and exorbitant running expenditure of low to medium energy cyclotrons (about 20 MeV) and radiochemistry units are the seminal reasons of low number of cyclotrons but mushroom growth pattern of PET scanners. This fact and longer half-life of $^{18}F$ (110 minutes) have paved the path of a centralized model in which $^{18}FDG$ is produced by commercial PET radiopharmacies and the finished product (multi-dose vial with tungsten shielding) is dispensed to customers having only PET scanners. This indeed reduced the cost but has limitations of dependence upon timely arrival of daily shipments as delay caused by any reason results in cancellation or rescheduling of the PET procedures. In recent years, industry and academia have taken a step forward by producing low energy, table top cyclotrons with compact and automated radiochemistry units (Lab-on-Chip). This decentralized strategy enables the users to produce on-demand doses of PET probe themselves at reasonably low cost using an automated and user-friendly technology. This technological development would indeed provide a real impetus to the availability of complete set up of PET based molecular imaging at an affordable cost to the developing countries.

• 비교문화연구
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• 제21권
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• pp.7-29
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• 2010

Young Tolstoy, when he was an already well-known writer, accomplished his first overseas travel in 1857, which gave him imaginable opportunities to compare his country's social strata with others such as serfdom, monarchical Russia and industrial and capital Europe. The present story is, indeed, the work which is influenced by those experiences by young Tolstoy during his first journey into Europe. Written in the form of booklet-like-small-piece, rather than an artistic work, the text presents the writer's severe criticism on the world of nature and civilization. Close to the nature itself, narod are those common people for Tolstoy, and they represent love, while the nature creates a necessity to love, hope and bottomless happiness of life. On the contrary, the civilized or civilization itself is considered artificial, willy, reasonal, and erotic congruity among people. For the writer, the most unsafe and ugly, seamy side of the westernized society is a lack of necessity to unify people to people. Though in its early embryonic stage, young Tolstoy's worldview is reflected in this work, especially his sharp tongue on the western people and their society is also detected when the write imposes his message under the mask of a gypsy singer. In addition, the narrator who seems an obvious Tolstoy's mouthpiece delivers his own ideas and impression on the western world, history, art, and literature. For this very reason, the present work contains numerous signs from which the reader is able to interpret, understand, and figure out what young Tolstoy imposes for his work.

• 한국실내디자인학회논문집
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• 제23권3호
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• pp.39-47
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• 2014

This study was initiated by the fact that modern architecture caused the loss of placeness by seeing place with wrong interpretation and method and provided people with a phenonenon of separation between the depth of experience and honesty. As a solution for such problems, this study intended to suggest a direction through an analysis on the works of Geoffrey Bawa who was recognized as 'a genius of place' and the investigation on the place characteristics of his representative work 'Lunuganga'. Its process was as follows; First, this study explored the characteristics of the place, Sri Lanka, which was the background of his architectures, to see its impact on his life and architecture. Second, based on his representative works of each period and the contents that he mentioned in literature, the general characteristics appearing in his architectures were identified. Third, through an analysis on the work, Lunuganga, the place characteristics appearing in his architectures were investigated. Through such process, it could be recognized that Geoffrey Bawa's architectures reveal the place characteristics as nature, place characteristic as journey and stay, and place characteristic as sense. In this study, it could be verified that place was integrated and applied to Geoffrey Bawa's architectures through the above characteristics and the spaceness was manifested. Through this, this study intended to suggest an orientation for the above problems.

• 한국IT서비스학회지
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• 제20권5호
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• pp.137-146
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• 2021

Recently, public participation in government policy design has been further expanded and public services perceived by users are expanding. At this time, the role of the digital government and the direction of the service to be pursued are user-centered, and above all, it is necessary to focus on the keywords of pre-emptive, preventive, and customized. In order to propose service quality improvement in the public sector, service user-centered classification and monitoring are integrated and the usability of government documents is improved. It is necessary to identify the needs of whether to provide a path for public participation. In the post-corona era, people are accessing quarantine information from the digital government every day. The government should proactively respond to the acceleration of digital transformation and the non-face-to-face demands of the people who experience non-face-to-face daily life. In order to evolve into a smart organization along with the innovation promotion plan and to provide customized services, it is necessary to use existing guides for institutional and technical improvement, along with new technology and data-based analysis, to strive for change management. The government should seek counter-measures that have advanced one step ahead by incorporating new high-tech IT with user-centered necessary services. This study aims to derive improvement plans to provide user-centered digital government service design when designing public services and collecting public opinions. Based on the e-government development model research and the existing research on user-centered service design in the public sector, institutional and technical measures are provided for the improvement of digital government service design.

• 한국융합학회논문지
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• 제9권10호
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• pp.507-521
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• 2018

본 연구는 기혼 간호대학원생의 융합적 역할 내 경험하는 학업의 본질과 의미를 총체적이고 심층적으로 탐색하여 깊이 있게 이해하기 위함이다. 현상학적 연구방법으로 Giorgi(1985)의 기술적 현상학적 방법에 근거하여 자료분석 절차를 따랐다. 연구 참여자는 직장, 육아 및 학업을 병행하고 있는 간호학 박사생 4명이다. 자료수집은 2017년도 10월부터 11월까지이며 2회의 심층면접을 통해 이루어졌다. 분석결과는 대학원 진학 전후의 학업에 대한 생각, 느낌, 생활의 변화를 중심으로 12개의 개념과 5개의 범주로 구조화되었다. 5개의 범주는 '누구보다 나는(flying)것을 즐기는 나', '그들과 또 다른 나', '꿈을 향한 고독한 여정', '가족은 나의 힘', '꿈이 있는 나'로 구성되었다. 결론적으로, 기혼간호사들의 대학원 진학을 돕기 위해 가족의 배려와 직장 내 조직문화 개선이 필요하고 더불어 사회적으로 실질적인 지원체계가 구축되어야 한다.

• 미술이론과 현장
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• 제14호
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• pp.87-124
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• 2012

This paper focuses on the social implication of new media art, which has evolved with the advance of technology. To understand the notion of human-computer interactivity in media art, it examines the meaning of "cybernetics" theory invented by Norbert Wiener just after WWII, who provided "control and communication" as central components of his theory of messages. It goes on to investigate the application of cybernetics theory onto art since the 1960s, to which Roy Ascott made a significant contribution by developing telematic art, utilizing the network of telecommunication. This paper underlines the significance of the relationship between human and machine, art and technology in transforming the work of art as a site of communication and experience. The interactivity in new media art transforms the viewer into the user of the work, who is now provided free will to make decisions on his or her action with the work. The artist is no longer a godlike figure who determines the meaning of the work, yet becomes another user of his or her own work, with which to interact. This paper believes that the interaction between man and machine, art and technology can lead to various ways of interaction between humans, thereby restoring a sense of community while liberating humans from conventional limitations on their creativity. This paper considers the development of new media art more than a mere invention of new aesthetic styles employing advanced technology. Rather, new media art provides a critical shift in subverting the modernist autonomy that advocates the medium specificity. New media art envisions a new art, which would embrace impurity into art, allowing the coexistence of autonomy and heteronomy, embracing a technological other, thereby expanding human relations. By enabling the birth of the user in experiencing the work, interactive new media art produces an open arena, in which the user can create the work while communicating with the work and other users. The user now has freedom to visit the work, to take a journey on his or her own, and to make decisions on what to choose and what to do with the work. This paper contends that there is a significant parallel between new media artists' interest in creating new experiences of the art and Jacques Ranci$\grave{e}$re's concept of the aesthetic regime of art. In his argument for eliminating hierarchy in art and for embracing impurity, Ranci$\grave{e}$re provides a vision for art, which is related to life and ultimately reshapes life. Ranci$\grave{e}$re's critique of both formalist modernism and Jean-Francois Lyotard's postmodern view underlines the social implication of new media art practices, which seek to form "the common of a community."

• 호스피스학술지
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• 제2권1호
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• pp.87-111
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• 2002

The hospice activities in Korea have still stood in the premature stage, although the contemporary hospice program, which professionally accommodates terminally ill patients, appeared in the history 35 years ago. Especially, the availability of the facility hospice is not only poor in number, but also lack of a guideline for the conduct of the facility. Saemmul Hospice has keenly felt the necessity of more facility hospices and has interchanged experiences and informations with people interested in hospice. However, the number of facilities has fallen short of one's expectations, and many problems have been revealed in order to maintain the operation. This paper was written in order to improve these atmospheres and to help more terminally ill cancer patients properly. This paper clarifies in detail the principle of management, the method of practice in each departments of Saemmul Hospice, expected effects and supplemental items. We try to provide concrete and practical informations and to help extensively for all peoples who are to begin or currently working. 1.Facility: It secures, maintain, and manage the hospice environment for all around care of patients effectively. 2.Education and Volunteer: It trains and manages hospice volunteers devoted to hospice. 3.Financial: It manages donation by healthy soul with an effective method. 4.Administration and Organization: It executes the administration efficiently and constitutes the organization to operate. 5.Medical and Nursing: It offers the maximum professional supports to a hospital. 6.Medicine and alternative medicine: It improves the quality of life of patients by medical and pharmaceutical approach and by other possible methods available. 7.Nutrition: It helps patients to have diets in accord with the order of the creation. 8.Belief: It offers spiritual care which allows the profound relationship with God. 9. Funeral ceremonies: Funeral ceremonies may heal grieves of families faced with their deaths. 10. Bereaved families: It supports the families after the deaths of patients. 11.Reception and consultation: It seeks to help the patients who meet the purposes for which Saemmul Hospice is established. 12.Publication: It allows publicity activities for Saemmul Hospice. Facility hospice programs are able to overcome the disadvantages that the other type of the hospice possess, like as the economic burdens of the families, and the patients' losses of comforts of home after being transferred to a hospital. Facility hospice can provide home atmosphere with professional manpower and facilities like hospital to the patients. Therefore, it can also improve patients' qualities of life and make them comfortable death. We anticipate that the hospice program in Korea would be more active to let more people be indebted to maintain the nobel human dignity and to cross beautifully in the most painful process of dying in the journey of their lives.

• 한국엔터테인먼트산업학회논문지
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• 제15권8호
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• pp.315-325
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• 2021

연재(淵齋) 송병선(宋秉璿, 1836-1905)은 우암(尤庵) 송시열(宋時烈)의 9세손이다. 생전에 유림(儒林)의 신임을 얻었고 여러 차례 조정에서 불렀으나 공직을 거부하고 재야에서 정진하고 후학 교육에 평생을 바쳤다. 을사조약(乙巳條約)이 체결되자 연재는 고종에게 을사조약의 폐지를 간청하였고 그의 뜻이 이루어지지 못하자 선비의 양심으로 회덕(懷德)에 있는 고택에서 스스로 목숨을 끊었다. 연재는 사림(士林)의 지도자로서의 의무를 다하면서 국권 회복에 대한 메시지를 왕과 백성, 유림에게 남기고 왕에게 최후의 호소를 보낸 것이다. 이후 1962년 연재는 건국훈장을 받았다. 송병선의 여행은 일생에 걸쳐 이루어졌다. 22개의 길고 짧은 여행기가 남아있다. 소풍은 주로 육지로 이루어졌기 때문에 대부분이 말이나 노새를 탔고 때때로 수레나 가마를 사용했다 또한 그는 때때로 수로를 효과적으로 사용하는 방법을 알고 있었다. 일부 여행기에는 내륙 수로와 해로를 이용한 기록이 있으며 조상 유물을 찾아가는 여정의 기록도 있다. 이 과정에서 가문의 계승이라는 사명을 재확인하고 선조들의 찬란한 위업의 일부가 되겠다는 의지도 확인된다. 또한 견학에는 경전 낭독과 성리학 토론이 추가되었으며 그의 여행은 성리학의 세계관을 널리 알리고 확장하는 수단으로 활용되었다. 그리하여 연재는 선조들이 남긴 존왕양이(尊王攘夷)의 정신을 이어받아 마침내 위정척사(衛正斥邪)의 기치를 높이 올렸다. 그리고 그는 과감하게 나라를 위해 죽음의 길을 떠났다.

• 한국산학기술학회논문지
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• 제17권5호
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• pp.582-593
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• 2016

본 연구는 중년남성의 뇌졸중 후 편마비 경험의 의미 및 본질을 이해하여 간호실무에 기초자료를 제공하고자 현상학적 연구방법을 적용한 질적연구이다. 연구대상은 S시의 D병원에서 2014년 11월 24일부터 2014년 12월 6일까지 뇌졸중 후 편마비로 입원중인 중년남성 8명으로 심층면담을 하였다. 연구 결과 참여자의 경험은 '기나긴 여정의 가시밭길', '고장 난 브레이크', '마음의 갈림길', '짓눌리는 가장의 버거움', '어둠을 밝혀주는 이정표', '제2의 인생의 길' 의 6개의 범주와 이들 범주에 포함된 16개의 주제묶음으로 확인 할 수 있었다. 이는 중년기에 뇌졸중으로 인해 신체적 고통과 심리적 갈등, 역할장애 등 후유증과 합병증으로 삶의 질에 심각한 영향을 미치므로 본 연구결과를 바탕으로 중년기 뇌졸중 남성 환자들을 전반적으로 이해하고 간호 실무에 새로운 통찰력과 도움을 제공할 것으로 사료된다. 또한 뇌졸중 환자의 재발을 막고 회복을 도와 정신적, 신체적 건강문제뿐 아니라 가정이나 사회에서의 역할 재정립을 통해 건강한 삶을 유지하도록 중재할 필요가 있다.

• 기호학연구
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• 제54호
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• pp.119-145
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• 2018

본 논의는 서사로서 <바리공주>를 이해하기 위해 대상에 대한 층위를 나누고 이에 대한 접근 방법을 재검토하고자 한다. 서사의 층위 구분과 각 층위별 분석, 그리고 그것들에 대한 통합적 접근이 이루어진다면, 이는 <바리공주>를 이해하고 연구하는 새로운 방향과 방안을 제시하는 데 기여할 수 있을 것이다. <바리공주>의 이야기 차원, 즉 표층 구조는 주인공 인물의 탄생에서부터 시작된 삶의 과제를 공간 이동과 연대기적 순차 구조로 형상화하고 있다. 이 이야기는 태어나면서 정체성을 부정당한 한 여성이 어떤 과정을 통해 존재론적 변신을 이루고 정체성을 찾아가는지를 보여준다. 특히 정체성 찾기의 여정이 주로 가족 구성원과의 관계를 통해 발생하는 사건들을 통해 형성되어 있다. 이야기 차원에서 찾을 수 있는 이 같은 구조는 가족 구성원의 갈등과 화해, 삶과 죽음이라는 대립적 패러다임으로 심층 구조를 형성하고 있다. 이 이야기를 통해 드러나는 사유 구조는 삶의 문제가 가족 구성하기의 문제이며, 동시에 죽음의 문제 역시 마찬가지라는 점이다. 삶과 죽음이라는 대립되는 것들이 공존하는 이 세계를 어떻게 통합시켜 바라 볼 것인가에 대한 답으로 이 신화의 전승집단은 인간과 신을 관계 맺게 하고 있다. 이 이야기는 망자를 천도하는 굿에서 주요하게 소통된다. 무당이 발신자이고 제의 참여자가 수신자이지만, 실제 이 이야기는 특정한 상황에서 반복되는 전혀 새로운 정보가 없는 메시지이다. 굿에서 단골과 참여자들은 <바리공주> 서사를 단순히 메시지로 수용하는 것이 아니라 자가 커뮤니케이션을 통해 자신을 삶과 행위를 재구성하는 코드로 수용한다. <바리공주>의 인물과 사건을 자신의 삶과 상동적 관계로 받아들임으로써 주어진 일상의 삶을 삶과 죽음, 단절과 소통, 갈등과 화해의 통합적 시각으로 그리고 현재적 관점으로 수용하게 된다. 이는 세상과 현실을 바꿀 수 없지만 그것에 대한 '나'의 삶의 태도를 바꾸는 것으로, 결국 이것이 신화에서 바리공주가 신으로 변신하는 것처럼, 개인이 제의 커뮤니케이션을 통해 이룰 수 있는 변화 변신인 것이다. 이처럼 <바리공주>는 이야기의 층위, 이야기 생성의 층위, 이야기 소통의 층위에서 각각의 의미나 기능이 상호 관련을 맺고 있음을 알 수 있다. 또한 세 층위에서 신화서사가 드러내는 구조는 신화 전승집단의 의식 세계와 문화체계를 드러내는 데에도 효과적이다.