• 대한가정학회지
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• 제36권2호
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• pp.61-76
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• 1998

This is a result of the comparative study for the dress and ornaments of Cheonsuguk Mandara Sujang(天壽國曼茶羅繡帳, a folding screen of Japan in the 7th century) with that of the era of the Three Kingdoms of the ancient Korea. The style of dress, and a way of wearing dress and ornaments for female and male appeared in Cheonsuguk Mandara Sujang were same as that of the era of the Three Kingdoms of the ancient Korea. The formula of wearing dress in a two-pieces were also identical with that of Korean. Many Japanese scholars also do not deny that the dress and ornaments of Cheonsuguk Mandara Sujang were affected by that of Korean peninsula which had an important effect on cultural and ethnic customs fo Japan. Therefore, it is concluded that the dresses in Cheonsuguk Mandara Sujang are Korean clothes which was imparted to Japanese by Korean lived in the era of the Three Kingdoms.

• 복식
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• 제55권1호
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• pp.113-128
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• 2005

To find our own individuality, there must be an active study on jeogori which is an unexplored field. Therefore, the purpose of this study is to consider artistic beauty and predominance of jeogori and recognize it as a precious culture, and also encourage interest about traditions. The range of this study is ancient times to Chosun dynasty, and in this study which will be the first part, the range is till the era of the Three Kingdoms. The study about jeogori is based on mural paintings of Goguryeo burial mounds, clay dolls and remains during Shilla, Beakjae, and United-shilla era. The contents of this study is 1. research the origin of jeogori's detail structures and changes of the form, 2. analyze the form and structure of the jeogori in each era, and therefore 3. find the predominance of Goguryeo costume by considering functional and design aspects. Therefore the conclusion of this study about the era of the Three Kingdoms are First, jeogori of the three kingdom era were developed from ancient times caftan style which Korea, China and Japan wore all together. Second, the structure of the jeogori during the Three Kingdom are ryeongeum, gil, somae and seon. Third, there is a special line that starts from the neckline and ends at the hem line which should be called ryeongeum in my opinion. Forth, while researching Goguryeo murals there were both left and right sided open jeogori. therefore, I would like to set up a new theory that during the ancient times to Three Kingdom era, not did China's clothing effected the Korean costume but the costume in east asia shared their forms all together.

• 한국지구과학회지
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• 제29권5호
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• pp.408-418
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• 2008

In this study, solar eclipse records were investigated during the Three Kingdoms era of ancient Korea using astronomical calculations and numerical simulations. Under the condition that the solar eclipses were actually observed at the well known capitals of the Three Kingdoms, I investigated the probabilities that the optimal observation areas of the Early Silla, Goguryeo, and Baekje records would appear around Chinese continent. I found higher probabilities than those suggested by Park and La (1994), although the numerical values are still low, especially in the case of the Early Silla records. On the other hand, the probability that the optimal observation area of the Later Silla records will be present around South Korea is only 13.6%, although the area shows a good match with the known capital. I also analyzed the number distribution of the eclipse records for the Three Kingdoms (except for the latter Silla's) according to the observers' locations: at the optimal observation areas and at the known capitals. And then I compared with the number distribution of all eclipses observable from those locations. From the $\chi^2$-test, I found that the Goguryeo and Baekje records had better representation of their population distributions at the latter regions ($\chi^2$=27.93 and 205.5) than at the former ones ($\chi^2$=34.19 and 211.5). Therefore, it is difficult to conclude that the observers' locations during the Three Kingdoms period were either near China, as suggested by Park and La, or in the Korean peninsula, solely based on these results. It is thus recommended that more studies are required to confirm the real observers' locations during the Three Kingdoms era.

• 복식
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• 제5권
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• pp.65-81
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• 1981

I referred to documents to study the origin and the progressing process of textiles. Cotton seeds were first imported from China by Mun, Ik Jem at the end of the era of Koryeo, and cotton had several different names such as mok-myen, cho-myen, gil-pae, baek-chep-za, tap-po, ban-ki-wha, dong-yep-po and so on. Since the era of the Three Kingdoms, people had heard of cloth of superior quality but it was not certain whether it was imported from China or made in our country. It seems that cotton was not made during that period, white silk, hemp cloth, and ramie fabric were produced. At that time, linen was called cotton by mistake. After importing cotton seeds from China, all the people began to plant them and made their clothes from them. At the beginning of the Yi Dynasty, the weaving technique was dependent on China. However, the government persuaded farmers to plant them. At that time cotton was used as a means of purchasing instead of money. Silkworms raising started during the era of the Three Kingdoms and it was widely spread at the beginning of the Yi Dynasty. In order to encourage sericulture' spinning and weaving instruments were installed in the royal palace and the queen with sher court maids demonstrated how to spin and weave. The activity was named "chin-jam-ye." Linen was the representative of all textiles and it was also very popular. The technique of weaving had already been highly developed at the era of Silla. During the era of the Three Kingdoms people used "bang-chu-cha" as a weaving instrument. They discovered several new hand machines in the period of the Yi Dynasty: they were instrument of removing seeds, spinning wheel, hemp cloth loom and so on, and we find the remains of them these days.

• 천문학회보
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• 제31권2호
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• pp.24.1-24.1
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• 2006

• 제3의학
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• 제2권2호
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• pp.253-295
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• 1997

It is very critical to specify certain medical personnels in defining the history of certain era. Due to the limited source of information and lack of thorough research, there still aren't enough study grounded on concrete historical investigation. Authors attempted to investigate those medicinal personnels engaged in Three Kingdoms period in terms of the activity area, relation with religion and their role in medical system and medical exchange. The sum of recorded medical personnels in Three Kingdoms period numbers 50 of which 6 belonged to Kokooryo, 18 to Baekje, 7 to Shilla and 19 to Unified Shilla. There might existed far more medical personnels who tried to alleviate the suffering of the people and were not recorded in the documents. The more earlier in times, the more medicine gets the religious tinge. This is not the exception for the period of the Three Kingdoms and those medicine men, wizard doctors and priest doctors were playing important role in healing people and processing crude drugs. The system of royal physician and medical education facility were established and doctors and pharmacists, shamanic doctor, herb collectors, Kongbong's doctor(供奉醫師), Kongbong's diviners(供奉卜師) took leads in medicine in those times. Those folkloric healers also took part in. Korea imported chinese medicine and Japan employed chinese medicine via Korea or directly from China and developed into traditional japanese medicine. In this process those who emigrated from Baekje and Kogooryo and their offsprings took an active part. Since the limited source of information of Three Kingdoms, we only can infer the me야cal environment of those times by featuring the activities of medical personnels.

• 한국콘텐츠학회논문지
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• 제9권4호
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• pp.364-371
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• 2009

나관중의 소설 삼국지에 등장하는 인물들에 대한 인간관계 네트워크를 구축하고 분석한 결과, 실제 사회 인간관계 및 사회 네트워크의 특성과 마찬가지로 척도 없는 네트워크 및 계층적 네트워크의 특성을 보여주었다. 지금까지 대부분 네트워크에 관한 연구는 정적인 측면을 중심으로 이루어졌다. 왜냐하면, 네트워크는 고정되어 있는 것이 아니라 시간 및 공간에 따라 다양하게 변화함에도 불구하고 동적인 면을 분석하기 위한 데이터가 충분하지 않기 때문이다. 소설 삼국지는 비교적 짧은 역사 속에서 다양한 등장인물(1,119 노드)과 인물들의 이합집산에 의한 다양한 인간관계(3,604 링크) 연결망을 형성하고 있기 때문에 시간에 따른 동적 네트워크의 분석을 위한 좋은 모델이 될 것이다. 본 연구는 시대적으로 형성되는 네트워크 특성을 분석하고, 주요 등장인물들의 상관관계와 등장인물의 가중치를 분석하여 연결망의 동역학적 특성을 살펴보았다. 따라서 본 연구는 실제 인간관계 및 사회 네트워크나 생명체를 구성하고 있는 분자들의 네트워크에 관한 동역학적 특성을 분석할 수 있는 가능성을 제시하고 있다.

• 한국조경학회지
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• 제23권2호
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• pp.124-136
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• 1995

This study was conducted to find the distinguished pattern of Korean 'Dae'. Therefore, the purpose of this study is to define how the pattern of 'Dae' has been developed and what is the characteristics of the pattern of Korean 'Dae'. The summarized results are as follows; 1. The types of 'Dae'(rock in the nature, a 'Dae' built artificially, a structure) were identified in the era of the three kingdoms. And in the era of the three kingdoms, 'Dae' was regarded as: a mysterious place related with a king, the place where concrete activities of a specific person had occurred in there, and a mountain peak 2. in the era of Koryo , artificial aspect of 'Dae' were emphasized. In addition, the activities occurred in the 'Dae' took concrete shape by kings. 3. The characteristics of the pattern of 'Dae' during Chosen Dynasty are: 1) A type of huge flat rock(27.6%), a type of mounts고 peak and a type of cuff(24.1%), a type of fantastic rock(15.5%), a type of stratified rock(6.9%) were shown 2) The main activities on 'Dae' were play , observation, and rest 3) In the viewpoint of the locational characteristics, 'Dae' were found in the mountains, at the top of the mountain peaks, on high hill, on cliffs, at the riversides, and on the beaches, etc. 4. With consideration on change trend of the number of'Dae' according to literature(time) , the biggest geographical distributions of 'Dae' were shows in Hamkyungdo in noddle of 15th century (Saejongsillockjiriji), in Kangwondo in the middle of 16th century (Sinjeongdonggukyecjiseongram), in Chunrado in middle of 17th century(Donggukyeojiji), and in Kyungsangdo in middle of 18th 19th century(Yeojidoseo, Eubji) 5. Through the whole period of Chosen Dynasty, the geographical distribution of 'Dae' had much in Kyungsangdo and Pyungahndo.

• 복식
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• 제63권6호
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• pp.140-149
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• 2013

The study aims to suggest new skirt designs through a modernistic application of the silhouette of Hanbok skirts. It also aims to promote the aesthetic beauty and excellence of Hanbok to the world by using Hanbok skirts that best express the beauty of Korea as motifs, and to promote a pride in Korean culture through a reinterpretation of Hanbok skirts. The study was focused on examining Hanbok skirts from the Three Kingdoms era to the Joseon Dynasty, and the skirts in each era were compared to western silhouettes to suggest design centering on the characteristics of each silhouette. As for the theoretical background, shapes were classified according to waist-grip, the width and length of a skirt, wrinkles and ornamental lines, before being compared to skirt silhouettes of western costume. As a result, it was found that Hanbok skirt silhouettes in the Three Kingdoms era were similar to the A-Line silhouette of western costume, the Empire silhouette of unified Silla, the H-Line silhouette of the Goryeo Dynasty, the Bell-Line silhouette of the Joseon Dynasty and the Bustle Style applied to ceremonial costume in the early Joseon Dynasty. The researcher suggested five skirt designs by applying the above-mentioned five silhouettes, confirming the research premise that Hanbok skirt silhouettes are as diversified as those found in western costume. Designs were suggested for each silhouette, and are expected to lead to the development of designs befitting future trends and concepts through detailed research and development on Hanbok skirt silhouettes.

• 동양고전연구
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• 제59호
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• pp.9-32
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• 2015

이 글은 삼국~고려시대에 이르는 우리 민족어시가의 전개과정을 살펴본 것이다. 논의된 내용은 다음과 같다. 삼국~나말여초의 이른바 "사뇌가"의 전형적 모습은 고승의 깨달음의 내용을 표현하는 견고한 짜임의 3단구조였다. 사뇌가는 같은 시대의 다른 민족어시가에 비해 문학적 특성이 두드러진 시가 양식이었다. 이는 당대의 10구체 향가가 한시를 의식하면서 자신의 시적 수준을 고양해간 결과이다. 고려시대에 들어오면서 이런 문학사적 구도 내부에 변화가 일어난다. 그것은 사뇌가가 쇠락하고 4행시가 문학사의 전면으로 부상하는 것이었다. 고려시대 4행시의 발전은 삼국~나말여초와 달리 우리의 민족어시가가 시보다는 노래적 특성을 강화해 나간 결과였다. 그것은 이 시대 한시가 보편화되면서 우리말 시가가 그것과 시로서 경쟁하는 대신 노래로서 위상을 조정함으로써 서로 상호보완적인 관계로 나아간 결과였다. 고려시대 사뇌가가 쇠퇴하고 이를 이어 시조가 문학사에 등장한 것은 민족어시가가 대중들로부터 더욱 사랑받을 수 있는, 그리고 보다 일상적인 정서를 자유롭게 표현할 수 있는 시가 형식으로 발전해 나간 결과였다. 이는 4행시 형식의 민족어시가가 한시와의 위상 조정을 통해 노래로서의 특성을 강화함으로써 자신의 생명력을 높여간 것과 같은 맥락에 놓여 있다.