• Title/Summary/Keyword: Temple building

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A Study on Performance of Water Curtain Nozzles for Protection of Wooden Cultural Properties from Forest Fire (산불로부터 목조문화재 보호를 위한 수막노즐의 성능에 관한 연구)

  • Kim, Kyoung-Jin;Song, Dong-Woo;Lee, Su-Kyung
    • Fire Science and Engineering
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    • v.26 no.3
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    • pp.8-13
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    • 2012
  • This study suggests the water curtain nozzles as the way to protect important wooden cultural properties from an adjacent building fire or a forest fire. They are designed to block off the pyrolysis of timbers which occurs at $200{\sim}250^{\circ}C$ by forming a water curtain with the flow of water that spouts over a certain pressure from the bottom. The existing water curtain nozzles installed at the following sites were examined: NakSan-sa (Temple) in Gangwon-do (Province) and in Muwisa (Temple) in Jeollanam-do (South Province). As a way to improve and complement the system, this study designed nozzles with covers in order not to disrupt the landscape. Connected pipes are elevated and jet water when they are in use. Possible ways to install the connected elevating pipes to jet water effectively were investigated.

Microstructure investigation of iron artifacts excavated from Sungseonsa Temple in Chungju city (충주 숭선사지 출토 철제유물의 미세조직 분석)

  • Yu, Jae-Eun;Go, Hyeong-Sun;Yi, Jae-Seong
    • 보존과학연구
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    • s.24
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    • pp.187-213
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    • 2003
  • Sungseonsa Temple site in Chungju city in Chungcheongbuk-doProvince is written in "Goryeosa" as a building for Queen Sinmyeongsunseong, the mother of Gwangjong in AD 954 in Goryeo Dynasty. The museum in Chungcheong University takes charge of the excavation for 3 times from 2000 to 2002 and identified that its construction was carried out till Joseon Dynasty. Among the iron artifacts from the first excavation such as a weeding hoe, a hand knife, a lock, two nails and a plow which had conservation treatments, the sample was collected. Its micro-structure and method of manufacture were investigated. Excavation report for those artifacts has not published yet, therefore, the date of each artifacts is not clearly confirmed. The samples were collected from each part of the objects and then embedded in epoxy resin and etched with nitric acid. The examination of its microstructure is carried out under the microscope and the hardness values were measured by Vickers hardness tester. From the results, some artifacts show different manufacture method sin the each parts. The forming processes of the iron weeding hoe and the iron sickle are similar but the blade of iron weeding hoe was strengthened by carbonization whereas the blade of the iron sickle was done by quenching. The hand knife and the nails were produced through almost same methods and shows similar microstructures. The hand knife seems to be made by repeated beating and folding in low temperature resulting in fine crystallization, but the nail shows large crystallization due to processes in high temperature. Lock is made of white cast iron, that does not show any heat treatment.

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The Adaptation of Sangrokhadan Technique on the Color Painting of Wooden Buildings in the Goryeo Dynasty (고려시대 목조건축물의 상록하단(上綠下丹) 단청기법 수용)

  • Lee, Eun-Hee
    • Journal of architectural history
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    • v.25 no.5
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    • pp.15-25
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    • 2016
  • The color that painted on the ground of Dancheong becomes Gachil(basecoat)-Dancheong and underpainting of Moro-Dancheong or Geum-Dancheong. So, the color of underpainting is the most important element that determines impression of the building. Thus, the architecture after using "Sangrokhadan" has different characters from what it had been. In the existing perception toward the background color of Dancheong, it was considered the characters of Korean Dancheong so-called "Sangrokhadan" that paint vertical elements like columns red and upper part of the columns green. But this study examined the color of Dancheong according to the era and region before and after Goryeo Dynasty era, then it reveals that Sangrokhadan technique was applied from the 14th century in the late Goryeo Dynasty. One of the Goryeo architecture, Geungnakjeon Hall of Bongjeongsa Temple is thought to be a previous style that is not applied "Sangrokhadan" technique because old elements are painted red pigment.

A Study on the Architectural Planning and Compositional Elements of the 'Won-dang', Buddhist Temples at Capital Areas in 19th Century (근세기(近世期) 불교사찰(佛敎寺刹)의 건축계획(建築計劃)과 구성요소(構成要素) 연구(硏究) -수도권(首都圈) 원당사찰(願堂寺刹)을 중심으로-)

  • Kim, Bong-Yyol
    • Journal of architectural history
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    • v.4 no.2 s.8
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    • pp.9-24
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    • 1995
  • Near the Capital Seoul in 19th century, a special architectural form was created by the Buddhist monks who were related with Royal families. Their temples, so called 'won-dang', were constructed as supplicating places for their patrons' happiness and heavenly bliss. Among buildings of a Won-dang temple, 'Great Hall', which was accepted as a new building type, was the most important, the earliest constructed, and the biggest one. This boiling type contained the complex functions of small chaples, living rooms of monks, kitchen and dining, and pilotied pavillions. This Great Hall was located at the front of Won-dang temples, the main worship halls were at the behind. The type of Won-dang was needed for the high female who were its powerful patrons, and was oliginated from the small Buddhist temples in rural areas. And the type was able to be domiciled itself at the Capital areas because of the existing architectural fondness of the regional architects and the patrons in high class.

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A Study on the Acoustic Characteristics of Won Buddhism Small Sanctums by Psychoacoustics Experiment (청감실험을 통한 원불교 소법당의 음향특성에 관한 연구)

  • Han, Kyeong-Yeon;Seo, Jung-Seok;Kim, Jae-Soo
    • Proceeding of Spring/Autumn Annual Conference of KHA
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    • 2004.11a
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    • pp.355-360
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    • 2004
  • This study is a research that evaluates and analyzes on the subjective reaction of Won buddhism small sanctum through psychoacoustics experiment. For doing it, after choosing of 5 Won buddhism small sanctums of which its building volume at $400m^{3}{\sim}650m^{3}$, a psychoacoustics experiment has been conducted. Based on those A, B, C, E temple-halls which appeared as higher than 'average' in the result of subjective reaction evaluation of the Won buddhism small sanctum through psychoacoustics experiment, it could be classified as the conclusion of the factor analysis: the first factor is 'space sense of sound', the second factor is 'intimacy-feeling with sound' and the third factor is 'clearness of sound', respectively.

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The Shwedagon in Sumatra: Transnational Buddhist Networks in Contemporary Myanmar and Indonesia

  • Aung-Thwin, Maitrii
    • SUVANNABHUMI
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    • v.4 no.2
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    • pp.1-16
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    • 2012
  • In 2010, nearly thirteen hundred Buddhist monks from all over the world converged on to the small Indonesian resort town of Berastagi to celebrate the inauguration of the Taman AlamLumbini, a replica of Myanmar's most iconic Theravada Buddhist temple, the ShwedagonPaya. Nestled on Christian lands within a predominantly Muslim country, the building of the Taman AlamLumbini marked several years of negotiation amongst various religious communities, local government mediators, and patrons. This study makes a preliminary assessment of the ways in which cultural and historical discourses were used by participants to evoke a sense of transnational connectedness outside the realm of formal bilateral diplomacy. Through particular Buddhist ceremonies, rituals, and imagery, Myanmar sponsors and Indonesian patrons promoted a sense of broad pan-Asianism that linked monks, state officials, and local lay practitioners into a single community. A brief examination of the key speeches during the opening ceremony reveals that national interest and identity were still very much in play.

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Study on the Coexistent Development of the Touristic and Educational Cultures of Temples - Focused on Youngwol region - (사찰건물의 관광 및 교육문화를 위한 상생발전 연구 - 영월지역을 중심으로 -)

  • Jo, Won-seob;Oh, Seung-ha
    • The Journal of Korea Institute of Information, Electronics, and Communication Technology
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    • v.7 no.4
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    • pp.178-187
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    • 2014
  • The purpose of this study is to study the coexistent development of the touristic and education cultures of temples. For the study, an investigation on the actual conditions of temples in Youngwol and a set of interviews were conducted from 13th June to 7th November in 2014. The analysis was conducted through the field observations and the interviews with building owners based on the criteria and SPSSWIN 18.0 program was used for statistical processes. The results of analysis are as follows. First, the temples are found to be the extremely valuable local cultural assets with the cultural values and historical backgrounds. Second, the major temple buildings show that they have the unique and distinct characteristics that cannot be found from other general temples, so it is necessary for developing the unique local tourism resources from them. Third, since the study shows that there is a lack of tourism and educational culture resources, so a relevant plan thereof is urgently required. The implication of this study is that there is an urgent necessity for the succession and the modern reinterpretation regarding the cultures of traditional temples, based on which a shift of viewpoint to the digital tourism, which covers both the traditional temple cultures and the modern cultures, could arise.

A Study of the Wall Repair Record and Construction Technology of Geungnakbojeon Hall at Muwisa Temple in Gangjin (강진 무위사 극락보전의 벽체 수리 기록과 시기별 시공기술 고찰)

  • Hong, Eunki
    • Korean Journal of Heritage: History & Science
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    • v.53 no.2
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    • pp.140-155
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    • 2020
  • The purpose of this study is to examine historical wall repair details through analysis of repair data and administrative documents of the Paradise Conservation of Gangjin Muwisa Temple. In addition, the purpose of the project is to examine the differences and commonalities between the materials and construction technology used in the building's walls. The data for repair work conducted in 1935, 1956, and 1982~3 was analyzed and the results of the research were as follows. First, data for the wall construction conducted in 1935 during the dismantling repair showed that the interior structure of the wall was found to follow that of the original, but the first, second, and final layers used different materials. The composition material of the wall consisted of clay, lime and sand, the second layer used sand and plaster, and the last layer used plaster and seaweed paste. Second, the structure of the wall interior, which was found during the 1956 repairs, consisted of wood woven horizontally and vertically. It was confirmed that this had been installed diagonally using a rope. Third, the 1982~3 repair work confirmed that the wall's interior construction conformed to the original method. The lime-sand wall was formed by mixing slacked lime, sand, soil, fodder, and seaweed grass. Fourth, when the various repairs are considered as a whole, it is clear that the interior structure of the wall was made more than 1900 years ago, and the material used in the wall changed in 1935. Fifth, the materials used for each repair differed, but each project had a common view of cultural heritage repair principles in sections that stated the significance of each project.

Petrological Classification and Provenance Interpretation for the Stone Properties of Three-story Stone Pagoda in Beomhak-ri, Sancheong, Korea (산청 범학리 삼층석탑 석재의 암석학적 분류와 산지해석)

  • LEE Chan Hee;KANG San Ha;JO Young Hoon
    • Korean Journal of Heritage: History & Science
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    • v.57 no.3
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    • pp.70-88
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    • 2024
  • Syenite is the name of a rock that has been used since ancient Roman period, but it is not widely distributed worldwide, and cases of its use as a material for Korean stone cultural heritages are very rare. However, the Three-story Stone Pagoda in Beomhak-ri of Sancheong, is composed of syenite, and each stone property has very similar rock phases, mineral compositions, grain sizes, colors and magnetic susceptibilities, indicating that they are all stones of the same rock series. Outcrops of syenite are relative widely distributed in the Beomhak-ri area, and it was mined for use as building stones until recently. This rock is almost identical in overall colors, occurrences, and mineralogical and petrological characteristics to that of the stone pagoda, and the geochemical evolution trends of the rocks are also very similar. In addition, numerous quarrying traces were identified in the same rock around the Beomhaksaji Temple site. In this way, the original stone properties of the Beomhak-ri Stone Pagoda were determined to be syenite because precise petrological and geochemical analysis and provenance interpretation was possible, the syenite was distributed around the temple site, and ancient quarrying traces were scattered in the same rocks. Therefore, it can be interpreted that the Beomhak-ri Stone Pagoda was processed and constructed using self-sufficient stone materials from the temple site area.

Study for the restoration of Gyeongcheonsa Pagoda - top of pagoda - (경천사(敬天寺) 10층석탑(層石塔) 복원(復原)에 관한 고찰 I - 상륜부(相輪部)를 중심으로 -)

  • Yi, Eun-Hui;Kim, Sa-Dug;Shin, Eun-Jeong
    • Korean Journal of Heritage: History & Science
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    • v.35
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    • pp.100-118
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    • 2002
  • Originally, Gyeongcheonsa pagoda was located in Busosan, Jungyeon-ri, Gwangdeok-myeon, Gaepung-gun, Gyeonggi-do,but it has suffered from being taken out to Japan illegally in 1907 and being returned to Korea in 1918. After returned to Korea, Gyeoncheonsa Pagoda had been neglected and restored in 1960. It had been exhibited outside the Gyeingbokgung Palace after restoration, but many problems were raised. It was taken to pieces in 1995 and it is conservation and restoring today. However, the top of pagoda is necessary to be researched about its archetype because the shapes of stupa in 1902 and in 1960(the shape of pagoda after restoration) are all different from its archetype. According to picture datum in 1902, the top of pagoda was a Korean building type on a 10 layered roof stone. On the other hand, when it was restored in 1960, cement suspected as a anda was taken place between Korean building type and a 10 layered roof stone. Therefore, I am going to examine Restoration of Gyeongcheonsa pagoda in this thesis. When we examine historical records of Geongcheonsa and datum of parts, we can know that the pagoda was established in 1348(Goryeo Dynasty) but it is difficult to know the truth of its establishment and demolition of Gyeongcheonsa-temple. Three ways to restore the top of the pagoda of Gyeoncheonsa Pagoda can be c o n s i d e r e d . First, Korean building type made by metals is located on a 10 layered roof stone, which is same to picture datum in 1902. Second, the shape of and a type, which is similar to the shape when it was restored in 1960's. Also it is similar to Lamapagoda type. Third, to restore the top of pagoda of gabled roof type, which is similar to the top of pagoda of Wongaksagi P agoda. However it is necessaray to exmamine functions about circle grooves hollowed out in a 10 layered roof stone in restoration. Also we need to find out the archetype of dragon sculpture through the dragon claws left on an edge of a 10 layered roof stone.