• 한국멀티미디어학회논문지
• /
• 제16권10호
• /
• pp.1214-1229
• /
• 2013

Maintaining our tradition makes us have pride for our nation and plays important role for recognition and establishment of identity for our unique culture in the world. Contrast to the western scientific technique, the scientific technique of Silla Bell absorbed in the life of our nation is the fruit of wisdom science found through rich life and experience by harmony between our nation and nature. Today, ideological backgrounds for many cultural heritages weren't be found and there are many overflowing hypothesis. Silla Bell is the plastic art including cumulative utopia of the racial spirit. So there would be the information of the racial spirit including symbolization, artistry, creativity, and historicity. However, unlikely with the words, it is the profoundly concentrated shape, so the meaning can be diluted or distorted in later generation. The efforts to figure out the symbolization in Korean bells, especially Silla bell according to its exclusive shape, but no hypothesis was accepted as an established theory of academia by gaining extensive agreements. Thus this paper traces the symbolic meaning accumulated in the shape and prepares for the theoretical background accessing to the artistic spirit of forebears who created super-humanity formativeness. Also regarding the Silla bell which is regarded as the best Buddhist metal craft that people believe they can be free from the anguish at the time of listening to its sound, we studied the symbolization of the bell as the religious ritual custom as well as the possibility to utilize the bell as a motif of living art in the aspect of formative expression.

• 한국문화재보존과학회:학술대회논문집
• /
• 한국문화재보존과학회 2007년도 제25회 학술대회발표 논문집
• /
• pp.92-93
• /
• 2007

• 한국소음진동공학회:학술대회논문집
• /
• 한국소음진동공학회 2010년도 춘계학술대회 논문집
• /
• pp.622-623
• /
• 2010

• 한국문화재보존과학회:학술대회논문집
• /
• 한국문화재보존과학회 2006년도 제23회 학술대회 발표 논문집
• /
• pp.176-178
• /
• 2006

• 한국음향학회지
• /
• 제30권5호
• /
• pp.273-280
• /
• 2011

본 논문에서는 전국 각지의 범종 소리를 녹음하고 이를 크기에 따라 두 개의 그룹으로 분류한 후, 두 그룹에 대하여 주관청취 평가를 시행하여 사람들이 어떤 범종 소리를 선호하는지 조사하였다. 또한, 범종 음향 분석을 통해 부분음의 위치, 크기, 맥놀이 주기, 20 dB 감쇠 시간을 분석하였다. 이후, 분석된 음향학적 파라미터와 선호도의 상관관계를 파악함으로써 선호도가 높은 범종과 선호도가 낮은 범종을 구분짓는 음향학적 특징을 알아보았다.

• 건축역사연구
• /
• 제16권2호
• /
• pp.99-118
• /
• 2007

Kyedan(戒壇) is an altar to perform a rite of Buddhist Initiation which gives Precept to a Buddhist monk. Sometimes it is called the Place of Precept and Mandala by Sanskrit. In this study, the Sutra of the Tang(唐) Dosun(道宣) regarding First Kyedan of Jetavana-anathapindasyarama(祇園精舍), which was the first temple such as, Kyedandokyung(戒壇圖經), Kiwonsadokyung(祇洹寺圖經), Sabunyul(四分律) were analyzed to find out original form and layout. Ultimately, the study was intended to examine the spatial formation-principle by comparing with Kyedan Temple. The results of this study could be summarized as below. First. Except for Kyedan in Bakryensa, the height of lower stone plate of Buddhist Bell-Shaped Stupa of Korean Kyedan is higher than three storied Kyedan that described in Kyedandokyung. Second. Buddhist Bell-Shaped Stupa above Kyedan was presumed that embodied image of Bell Pedestal and symbolism of overturned-bowl were combined together, when Kyedandokyung and Kiwonsadokyung were referred. It could be examined by the existence of stone lantern. Third. In Korea, the rite of Buddhist initiation that gives Precept in Kyedan has been considered impossible. However, when the rite was conducted, there was a possibility to establish wood stair. It is because that the Buddhist Stupa of Silleuuksa(神勒寺) and Woljeongsa(月精寺), which reflected the image of Kyedan had stone stair. Fourth, The method to build Kyedan of Dosun divided into Large Region and Small Region was applied to the method to construct Stone terrace behind Jeongmyeolbogung(寂滅寶宮) like Tongdosa(通度寺) and complete Kyedan on the stone terrace. In other words, Jeongmyeolbogung became Kyedanwon(戒壇院) and Kyedan, itself became Small Region. The area of Stone terrace became Large Region and naturally, they constituted an Institution. Fifth, Korean Kyedan which is consist of Jeongmyeonlbogung and Kyedan is a Korean original composition principles of Kyedangaram(戒壇伽藍) that can satiate all the functions of Kyedan as a religious subject and the place of the rite of Buddhist initiation, as it had complex of Outdoor Kyedan, which was suggested by the sutra of Dosun and Institution of Kyedan.

• 대한한의학회지
• /
• 제28권1호통권69호
• /
• pp.126-136
• /
• 2007

Objectives : Bell's palsy in an acute peripheral facial nerve paralysis that usually affects only one side of the face. The seventh cranial nerve carries predominantly motor fibers, but also supplies some autonomic innervation, sensation to park of the ear, and taste to the anterior two thirds of the tongue. The aim of this study is to provide evidence of differences between facial skin temperature of the paralyzed side and normal side in Bell's palsy patients. Methods : the author studied 68 patients with Bell's palsy whose facial nerve function had been documented by the House-Brackmann grading system. We measured skin temperature of the forehead, zygoma, lower lip, temple and lower jaw area of the paralyzed side and those of the normal side. Results : there were significant facial skin temperature differences between the forehead area of paralyzed side and that of normal side of GrII(P<0.05) and III(P<0.05). The result also showed that the facial skin temperature difference according to the aflection period vanished when air temperature was calibrated (F=1.700, P=0.178). Conclusions : Thermography is a useful diagnostic tool in Bell's palsy if the air temperature is low enough to cool the facial skin temperature and the forehead area is evaluated as the sampling zone.

• 한국농촌건축학회논문집
• /
• 제25권2호
• /
• pp.17-24
• /
• 2023

Seokgojeon(石鼓殿) is a protective pavilion that protects stone drums made in 1902 during the Korean Empire in connection with Emperor Gojong's Mangyuksun (51'st birthday) and the commemoration of the 40th anniversary of his reign. During the Japanese colonial period, Seokgojeon was dismantled and transformed into the bell pavilion of Bakmunsa Temple, which was a memorial temple for Ito Hirobumi in 1935. In November 1945, just after liberation, Bakmunsa Temple was burned down, and the Seokgojeon Hall, which was transformed into Jonggak(鐘閣), was relocated to the Changgyeongwon(昌慶苑). Outdoor Stage in 1966, and was dismantled in 1984 due to the Changgyeonggung(昌慶宮) Palace restoration project, and only the members are currently stored. Therefore, this paper intends to use it as a basic research data to examine the style of monumental buildings during the Korean Empire through literature surveys, absence surveys, and case studies of similar buildings during the same period.

• 대한건축학회논문집:계획계
• /
• 제36권2호
• /
• pp.63-70
• /
• 2020

In the ancient Buddhist temple area, various metal artifacts are still excavated. Therefore, the aim of this study is to approach the characteristics of ancient architecture through ancient metal artifacts. First, metal decoration of ancient architecture appears for the purpose of structure, decoration, arson. Then, as the method of wood structure is developed, the application is separated into structural, functional and decorative purposes. In ancient times, metal decoration has reduced the role of structure, but its decorative role has expanded. Second, various metallic ornaments were used on the roof of ancient architecture. As the wooden technology developed, the metal decoration was gradually omitted while applying the curve to the roof. Third, the metal ornaments used on the roof of ancient architectures include the ridge central decoration, roof top decoration, a nine-ring decoration, gable board Ornamental Metal, corner flower decoration, eaves nail, wind bell. And subsequent research requires a terminology that can link the results of archeology and Buddhist art through excavation as a result of architecture.

• 박물관보존과학
• /
• 제2권
• /
• pp.57-68
• /
• 2000

청주 사뇌사지에서 출토된 청동기 12점에 대한 과학 분석을 실시하였다. 이들 각 시료의 금속조직에 나타난 결정 입자의 형태, 크기, 분포와 관련하여 검토한 결과 식기류, 제기류, 타명기류로 나타났는데 성분조성에 따른 분류 결과와도 일치하였다. 식기류는 주로 단조품으로서 성분조성비는 Cu:Sn:Pb≃8:2:0, 제기류는 주조품으로서 Cu:Sn:Pb≃7:1:2, 타명기류는 Cu:Sn:Pb≃85:10:5/9:1:0이었다. 즉, 원료의 배합비는 제품의 용도 및 제작방볍과 밀접한 관계가 있다는 것을 알 수 있었다. Cu와 상관계수가 높은 원소는 Co, Fe, As이었는데 이는 Cu 광물에 불순물로 함께 분포한다는 것을 의미하며 As 함량은 식기류, 제기류, 타명기류 순으로 증가한다는 것을 알 수 있었다. 또한 납 함유량이 높은 청동기 3점의 납동위원소비를 분석하고 원료의 산지를 추정한 결과 일본·중국산 납을 사용한 것으로 나타났다. 땜납의 성분조성은 Cu:Sn:Pb≃83:12:5이었으며 Pb의 결정이 작고 고르게 분포하고 있었다.