• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2000.04a
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• pp.412-416
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• 2000

본 연구는 TV 화질 설정치를 조절하여 제시된 실제 TV 화질에 대한 감성 평가를 실시하여, TV 화질에 대한 심리적 차원이 어떻게 구성되어 있는지를 알아보고, 또한 TV 최적 화질을 결정하는 감성요인을 규명하기 위해 수행되었다. 피험자들은 다섯가지 TV 화질 변인 (밝기, 명암, 선명도, 색상, 색농도) 각각을 각각 네 수준으로 조절하여 제시하는 네 종류의 자극 (인물, 실내, 정물, 풍경)을 본 후, 각 화질에 대한 감성을 평가하였다. 그 결과 TV 화질에 대한 감성 차원은 "깔끔함"과 "화려함" 두 주된 요인으로 구분되었다. 그리고 가장 만족스러운 TV 화질을 결정하는 감성 요인으로는 "자연스럽다", "침울하다-산뜻하다", "거칠다-매끄럽다" 순으로 나타났다. 네 자극중에서 TV 최적 화질을 결정하는 공통적인 요인은 "자연스럽다"였다.로 나타났다. 네 자극중에서 TV 최적 화질을 결정하는 공통적인 요인은 "자연스럽다"였다.다"였다.t;였다.

• Science of Emotion and Sensibility
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• v.12 no.1
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• pp.121-128
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• 2009

The article reports findings on: (1) development of emotion assessment scale in evaluating the Television(TV) picture quality; and (2) how psychological and physical factors relate to TV picture quality. A total of 152 adjectives that specifically describe emotional reactions were first selected from a Korean dictionary of adjectives, followed by ratings on their suitability for the evaluation of TV picture quality. The final selection of 19 adjective, based on the reported rating scores greater than 4.1, were used on 126 college students who were asked to perform similarity ratings on the adjectives. Based on factor analyses (i.e., principal component analysis with oblique rotation) on the similarity of scores, the following adjectives were selectively chosen for the development of the new emotion assessment scale: 'neat-messy', 'refreshing-gloomy', 'clean-dirty', 'comfortable-tense', 'smooth-rough', 'bright-dark', 'gorgeous-plain', 'diverse-monotonous', 'satisfying', 'natural', and 'sensuous'. These adjectives composed into two distinct constructs, 'cleanness or smart' factor and 'gorgeousness' factor, which demonstrated sensitivity to changes in brightness, contrast, color, and tint in the TV picture quality, except for changes in sharpness.

• Journal of Digital Convergence
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• v.16 no.4
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• pp.149-155
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• 2018

It has passed the era of Full High Definition Television (FHD) and ended the era of Ultra High Definition Television (UHD). We will talk about the problems caused by the difference in the number of pixels in the TVs and introduce a method to improve them. This method is a method of performing an interpolation method suitable for a given image with Weighted Essential Non-Oscillation (WENO). Thus, it is possible to reduce the distortion of the image and to ensure a better image quality. Therefore, if we use the WENO methodology, when we watch old video material on UHD TV, we can enjoy high definition of UHD TV without changing the number of pixels.

• Proceedings of the Korean Society for Emotion and Sensibility Conference
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• 2000.11a
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• pp.131-135
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• 2000

본 연구에서는 연령·조명·프로그램 종류에 따른 TV 최적 화질의 설정치를 규명하고, 최적 화질에 대한 감성구조를 규명하는 것이 목적이다. 아동, 성인 그리고 노인이 실험에 참여하였고, 세 가지 조명 조건에 따라 영화, 만화영화 (애니메이션), 드라마, 다큐멘터리의 화면이 제시되었다. 실험 참여자들은 화면을 보는 동안, 리모콘을 사용하여 가장 만족스러운 화면을 설정하였다. 또한 설정한 최적화질에 대해 감성을 평가하였다. 그 결과, 연령·조명·프로그램 종류에 따라 최적 화질에 대한 설정치가 다르게 나타났다. 화질에 대한 감성구조는 두 차원 (쾌-불쾌 및 감각특성, 미적특성)으로 나타났으며, 연령에 따라 감성구조가 다르게 나타났다.

• The Magazine of the IEIE
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• v.31 no.5
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• pp.35-41
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• 2004

지난 50여년간 사용해 왔던 아날로그TV가 디지털로 전환되면서, HDTV급 고화질과 CD급고음질의 TV 서비스를 안방에서 즐길 수 있게 되었다. 그러나, 사회가 매우 다양화됨에 따라 시청자의 활동성 및 생활 패턴도 과거와는 매우 달라졌으며, 휴대폰, PDA, 노트북 컴퓨터 등 휴대용 기기가 일반화됨에 따라 이동 중에도 선명한 화질의 TV를 즐기고자 하는 요구가 급속히 증대되고 있다.(중략)

• Journal of Broadcast Engineering
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• v.26 no.3
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• pp.308-320
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• 2021

Conventional image quality studies have been focused on 'naturalness' and has relied on memory color. Memory colors are mainly formed for familiar objects with prior experience, and the more faithfully these memories are reflected, the more naturalness of the reproduced image quality increases. In particular, the brightness and saturation of memory colors play an important role in increasing the preference of image quality as well as naturalness. Therefore, in the case of existing image quality studies, image quality characteristics were studied focusing on natural objects and people with memory. We extracted representative images of each genre (sports, documentaries, news, entertainment and music, and movies), adjusted the brightness, contrast, and saturation of each image, and conducted an experiment to evaluate perceived quality. Based on situational context, the results of this classification indicated that genres of television content can be divided into two categories: proximate and indirect experiences. Proximate experience best characterizes outdoor sports, dramas, and nature documentaries, where their image qualities have shown to have a strong correlation with brightness and contrast. On the other hand, indirect experience best characterizes news, music shows and SF/action movies. The image quality perception for indirect experiences was shown to be closely related to and optimized by contrast and saturation.

• Proceedings of the IEEK Conference
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• 2003.07e
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• pp.1779-1782
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• 2003

본 논문에서는 새로운 색역폭(color gamut) 매핑 방법을 이용하여 디지털 TV 디스플레이 장치의 화질을 개선하는 방법을 제안하였다. 기존에 실시간 적응이 어렵던 색역폭 매핑 방법을 실시간으로 처리하기 위한 하드웨어 구조를 제안하였으며 이를 통하여 수 나노 초 단위의 처리 속도가 필요한 디지털 TV 의 디스플레이 장치에 성공적으로 적용이 가능하였다. 또한 제안된 하드웨어 구조는 필요에 따라 색역폭 매핑 해상도의 조절이 가능하여 해상도 및 하드웨어 구현 비용을 적절히 조절할 수 있는 장점이 있다.

• Proceedings of the Korea Contents Association Conference
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• 2008.05a
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• pp.157-160
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• 2008

The objectives of this research are showing that how the resolution of TV Screen affect to emotion-pleasure, arousal and dominace of viewers. We analyze on difference of 3degree of emotion through the sequential proposal of HD and SC Resolution. And we research how the difference of resolution affects to changing of emotions and the possibility of persistency of resolution when web have a condition of regular resolution.

• Journal of Broadcast Engineering
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• v.26 no.5
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• pp.621-642
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• 2021

In this paper, the subjective video quality assessment of the content quality was to examine by the assessors about the three content quality of HD, Up-scaling UHD, 4K UHD Native that is currently broadcasted. The comparative assessment was conducted using three types of TV sets, 55, 65, 75 inches, at a distance of 2.5 meters which is the distance of watching TV in general households. Among the participants who took part in the video quality evaluating experiment and the questionnaire survey, the answering data of the final 169 persons were adopted after removing the data of 4 persons who answered inadequately in the evaluation of the video quality. The effects of gender, preference of program genre, size of TV sets were analyzed statistically using SPSS 25.0 analysis package. In addition to these, the objective video quality assessment through the measuring instrument was performed, and compared with the results of subjective video quality assessment.

• Journal of Broadcast Engineering
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• v.3 no.1
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• pp.69-84
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• 1998

In digital broadcasting, services such as digital satellite TV, cable TV and digital terrestrial TV, several video programs are compressed by MPEG-2, and then simultaneously transmitted over a conventional CBR (Constant Bit Rate) broadcasting channel. In this paper, we propose a joint quality control scheme to be able to accurately control the relative picture quality among the video programs, which is achieved by simdt;,nL'Ously controlling the video encoders to generate the VBR (Variable Bit Rate) compressed video streams. Our quality control scheme can prevent the video buffer overflow and underflow by total target bit allocation process, and also exactly control the relative picture quality in terms of PSNR (Peak Signal to Noise Ratio) between some programs requiring higher picture quality and others by rate-distortion modification. Furthermore we present a rate-distortion estimation method for MPEG-2 video, which is base of our joint quality control, and verify its performance by experiments. The most attractive features of this estimation method are as follows: 1) computational complexity is low because main operation for the estimation is to calculate the histogram of OCT coefficients into quantizer; 2) estimation results are very accurate enough to be applied to the practical MPEG-2 video coding applications. Simulation results show that the proposed joint quality control scheme accurately controls the relative picture quality among the video progran1s transmitted over a single channel as well as provides more consistent and higher picture quality than independent coding scheme that encodes each program independently.