• Journal of the Korean Society of Costume
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• v.61 no.2
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• pp.102-115
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• 2011

This study is about reproduction of Yoseon-Cheobli excavated from Byun-su tomb in earlier Joseon Dynasty. There are three Yoseon-Cheobli in Byun-su tomb. The producing process is made in concrete by suggesting the process of producing clothing. Based on the Annals of the Joseon Dynasty, the most frequently recorded one, was reproduced by dying fabric with safflower and indigo plants. Through the research about their specific size, sewing method and construction, it have been produced in the following. First, the revealing that collar to be half-square and to compose the line in the center of collar. The width of the collar is 11.6 12.1cm. Second, the 21~22 pairs of waist lines that are 13~14cm in width fixed at intervals of 0.3cm. The method of making waist lines is twisting either fabrics or silk threads. Third, fine gathering around the part of the waist of skirt, and the size of fold surface is 0.2cm. Sewing method needs running stitch and backstitch. As the result of producing the cloth, it became to possess more ornamental features after transformation suitable to the new environment while the same remained functional features for everyday life such as a dressing shape, length of the bodice and curvy completion line of a collar strip.

• Journal of the Korean Society of Costume
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• v.61 no.5
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• pp.123-138
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• 2011

This study examined how Chipogwan[緇布冠] with such a long history has been changed in China and Korea. With regard to the name, material, use and form of Chipogwan, the results of this study is summarized as follows. Chipogwan was mentioned continuously in ancient books of ceremonies and literature from the Tang dynasty [唐代], but from the Song dynasty [宋代] new name Chigwan [緇冠: a black hat] appeared besides Chipogwan. The two names were transmitted to Joseon dynasty [朝鮮] and used together until the mid Joseon dynasty, but from the 18th-19th centuries, Chipogwan was adopted according to ancient ceremonies and this name has been used continuously until today. The change of the name reflects the change of the material. Ancient Chipogwan was made of hemp [布] but when the term Chigwan appeared in the Song dynasty it was made of paper and Sa [紗: a 2-end simple gauze]. As other materials were added to hemp, po (布) was omitted from Chipogwan. As to the use of Chipogwan, it was a coronet used in purification ceremonies [齋冠] in ancient times. Then, it was used as Chogagwan [初加冠: a first hat putting on] in coming-of-age ceremonies [冠禮] from Zhou dynasty (周). During the Song and Joseon dynasty, Chipogwan was used in coming-of-age ceremonies as well as in daily life. As to the form, Chipogwan in ancient books of rites and the Song dynasty was a small coronet covering the topknot. In the Joseon dynasty, the form of Song dynasty was followed until the mid period, and then after the mid $18^{th}$ century, another form was proposed according ancient books of rites and an independent form of ceremonial coronet appeared that covered the entire head rather than covering only the topknot.

• The Journal of Korean Medical History
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• v.17 no.2
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• pp.45-62
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• 2004

In this paper, we will take a look at the perception of gynecological diseases in the JinYuanSiDaJia (金元四大家-the four great schools of Jin Yuan), including the academic schools LiuWanSu(劉完素), ZhangCongZheng(張從正), LiGao, and ZhuZhenheng(朱震亨) during JinYuan Dynasty(金元時代). We also examined the medical history of gynecology up until the MingQingDynasty(明淸時代) when the dialectical system on gynecological diseases was relatively complete.

• Journal of the Korean Home Economics Association
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• v.24 no.1
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• pp.9-15
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• 1986

It is studied that the typical garments of Korea Dynasty, especially focused on half-sleeved Saeng jo Po and conspicuous kinds of fabrics,. Characteristics of this Po are doubled collar, pleats, half-sleeved, a partial lining sewed in the back of an unlined coat, a breast-tie, and so on. It is that a girdle of Po had been used from the early Korea Dynasty, contrary to the general theory that a girdle of Po was the special characteristic of early Korea Dynasty in the garments history of Korea. It is that the species, it is that there are may characteristic way of patterns in the Korea Dynasty, such as turtle patterns, cloud patterns, swastika patterns. etc.

• International Journal of Human Ecology
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• v.7 no.1
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• pp.67-76
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• 2006

This study delves into the Gache Prohibition Order during the Chosun Dynasty and researches the changes of the Gagye style caused by Gache Prohibition Order comparing both the pre-prohibition order and post-prohibition order and analyzing its related remains, old documents, and other researches about the Gache Prohibition order. The Gache Prohibition order during the Chosun Dynasty had contributed to the changes of the Gagye styles such as Sseu-gye, Hwan-gye, and Eoneun hair styles. Dae-su and Eo-yu-mi Gache in Sseu-gye style had been rarely used while Hwa-gwan and Jok-du-ri were often used in the Sseu-gye style. In the Hwan-gye style, Hwan-gye of Geo-du-mi was replaced with wood. Form and bulk in Eoneun hair had been minimized and changed into new types of The Gache Prohibition order of the Chosun Dynasty had affected the Gagye style in the following ways: First, in the aspect of style, the Gagye style was used to decrease volume. Second, the Practical science of the Chosun Dynasty had affected clothing in terms of actuality, convenience, simplicity, and openness. Third, the Gache Prohibition Order affected the Gagye style as well as the re-understanding of the beauty of clothing.

• Journal of the Korean housing association
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• v.7 no.1
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• pp.25-35
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• 1996

This study investigated the history of Japanese delegation and their route to Han-Yang(Seoul) and reception and all sorts of facilities to elucidate the characteristics of the reception for Japaneses delegates and all sorts of facilities in the period of Chosun dynasty. The results of the study are as follows; 1) In the early period of the Chosun dynasty, diplomatic facilities for Japanese delegates were established in Pusanpo(Pusan), Jepo, Yumpo and also delegates were invited to Han-Yang through the designated route. 2) Japanese from all areas of Japan have been correspond to Chosun, and many Buddhist monks were reside to draw up the diplomatic document. Also, temples were built in Janpanese style. 3) In case of visit of the most reverend priest of Japan(Wang-guk-sa), Ta-rae-i and Su-pe-re were performed at Yun-dae-chung and Kaek-sa in Pusan. 4) Because of establishing diplomatic facilities (We-Gwan) and other supporting facilities (Kwan-A), Pusan has developed as only one diplomatic city in the period of Chosun dynasty.

• Journal of the Korean Society of Clothing and Textiles
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• v.11 no.1
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• pp.87-96
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• 1987

Dan-Ryong is the traditional clothing that was worn the entire of oriental nations, and it was spreaded from Sun-Bi tribe to China about A.D. 4C. The first, the name of Dan-Ryong was translated with 25-Sa and Ancient-History Book. Among the name of Dan-Ryong, the follows were different between the name and shape. Jang-Bok was the colored Dan-Ryong, So-Bok was the unfigured black Dan-Ryong and removed Hyung-Bae, Ea-Mun-Pho was the Dan-Ryong of embroidered figure poetry, and Ja-Sam was the real short and tight Dan-Ryong. The second, some problems were given by translated Dan-Ryong's name. The results of the problems were as follows; 1. Dan-Ryong was oriented from Won-Wi. 2. At Su-Dynasty, there was going to the persuit of Han-Dynasty Courtesy, but they liked useful custom. Therefore Dan-Ryong was worn in daily life among the population. 3. At Dang-Dynasty, Ho-Bok was devided with three meanings. The first was Go-Sub, the second was Dan-Ryong of Buk-Jo about A.D. 3$\~$5 C and the last meaning was the clothing of Uighur, Turkey, Persia and etc. about A.D. 7 C. 4. The name of neck-line shape was started at Song and the majority arised about A.D. 12 C. and Dan-Ryong was only arised at Myong-Dynasty. 5. Gok-Ryong, except Song-Sa and Sam-Je-He-Bo, was different from Dan-Ryong and it was shape of neck-line inside of Jik-Ryong.

• The Journal of Korean Medical History
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• v.26 no.2
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• pp.1-7
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• 2013

There are three kinds of books written by different authors in different regions in the 19th century. These books include "BonChoYuHam (本草類函)" (1833), "BonChoBuBangPyeonRam (本草附方便覽)" (1855) and "BonChoBang (本草方)" (1860?). However, these books are very similar in terms of content and format. They were written in the format of large medical books and they contained prescriptions made up with 1-2 kinds of herbals depending on diseases. These three books which could not affect each other appear to have these commons. The reason is that these books were newly edited based on Bubang (附方) in "BenChaoGangMu" depending on diseases and "BenChaoWanFangZhenXien" (1712) written by Cai, lie Xian (蔡烈先) was used as the reference. Woodblock printed book of "BenChaoGangMu" viewed by medical practitioners in Joseon Dynasty in the 19th century mostly had "BonChoManBangChimSun" which could be called '"BenChaoGangMu" Bubang index' as the appendix. All authors of three books tried to make 'reorganization of "BenChaoGangMu"' by using "BonChoManBangChimSun" as the important reference. Work of 'reorganization of "BenChaoGangMu"' focusing on symptoms being made in the 19th century was made a few times in the 20th century. "YangMuSinPyeon" and "SuSeBiGyeol" published in 1928 were outcomes of these works in the 20th century. 'Reorganization of "BenChaoGangMu"' being made in 19th-20th centuries showed great interest for "BenChaoGangMu" in the medical community in the late Joseon Dynasty. In addition, the practical scholarship of Joseon Dynasty gave "BenChaoGangMu" the value as the collection of prescriptions rather than the concept of book for herbal medicine. Prescriptions of reorganized "BenChaoGangMu" have been spread out to many books in the late Joseon Dynasty. Thus, the impact of "BenChaoGangMu" on society in the late Joseon Dynasty seems to be much larger than what has been known so far.

• Korean Journal of Human Ecology
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• v.14 no.5
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• pp.795-803
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• 2005

This paper discusses the late nineteenth-century Korean intellectuals' understanding of Japanese customs on the basis of Ki-Su Kim(金綺秀)'s records. Ki-Su Kim was conservative on his inspection and observation trip to Japan Even though he was loyal to Chinese philosophy, he expressed his great interest when he was reluctant to see the Western technology flowered in Japan because it is not mentioned in Confucianism(朱子學). However, he, like mordern scholars in the later period of the Chosun dynasty, took an objective view of the military matters, such as the military training of soldiers, weapons, and others. On the one hand, he appreciated the western garment in that it, fitting the human body perfectly, makes people comfortable. In the later period of the Chosun dynasty, the Koreans had a sense of their superiority to the Japanese and held them in contempt, which had been rooted in the Japanese invasion of Chosun in the year of Imjin(AD 1592). Even around AD 1870, the Koreans regarded the Japanese as a barbarian or a savage, even though the Japanese had attempted to modernize their country with the introduction of the Western civilization since the renovation of Meizi(明治).

• Journal for History of Mathematics
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• v.19 no.2
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• pp.25-46
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• 2006

We investigate the process of western mathematics into Chosun and its influences. Its initial and middle stages are examined by Choi Suk Jung(崔錫鼎, $1645\sim1715$)'s Gu Su Ryak(九數略), Hong Jung Ha(洪正夏, $1684\sim?$)'s Gu Il Jib(九一集) and Hwang Yun Suk(黃胤錫, $1719\sim1791$)'s I Su Shin Pyun(理藪新編), Hong Dae Yong(洪大容, $1731\sim1781$)'s Ju Hae Su Yong(籌解需用), respectively. Western mathematics was transmitted for the study of the Shi xian li(時憲曆) when it was introduced in Chosun. We also analyze Su Ri Jung On Bo Hae(數理精蘊補解, 1730?) whose author studied $Sh\grave{u}\;l\breve{i}\;j\bar{i}ng\;y\grave{u}n$ most thoroughly, in particular for astronomy, and finally Lee Sang Hyuk(李尙爀, $1810\sim?$), Nam Byung Gil(南秉吉, $1820\sim1869$) who studied together structurally western mathematics.