• International Journal of Advanced Culture Technology
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• 제11권2호
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• pp.36-43
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• 2023

This study aims to derive discourse's linguistic meaning, production method, and social practice implications by analyzing news reports on de-facility for people with disabilities. To this end, the discourse was analyzed by applying Fairclough's framework of critical discourse analysis. The subject of analysis is a news article on the de-facility of the disabled on the N portal site, and the analysis period is one year, from January 1 to December 31, 2022. First, as a result of the study, the surface meaning of the news discourse on the de-facility for disabled people was ideological through the seriousness of the problem for disabled people, the poor environment, and the policy of de-facility for disabled people separated from reality. Second, the social meaning of the de-facility news discourse for disabled people appeared from a realistic perspective, such as the structural cause of the problem for disabled people and the need for sensible government policies and measures to practice de-facility for disabled people. Finally, the socio-cultural practical implications of the de-facility news discourse for people with disabilities proposed the development of a systematic and realistic de-facility management manual for the disabled, practical government policy support, and changes in self-support perception for disabled people. The results of this study are expected to help find an alternative direction to reduce the gap between actual policies for de-facility for disabled people and practice in the field in the future.

• 한국공간구조학회:학술대회논문집
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• 한국공간구조학회 2008년도 춘계 학술발표회 논문집
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• pp.221-226
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• 2008

이 연구에서는 태양광을 이용한 공공시설물에 대한 간략한 분석과 함께 대표적인 공공 시설물로 버스 쉘터를 조사하였다. 이 시설물들의 구조 디자인적인 측면에서의 간략한 현황분석, 그리고 버스 쉘터를 중심으로 태양광 버스 쉘터가 구조적인 부분에서 시사하는 의미와 국 내외 사례들을 조사, 분석 하였다. 마지막으로 국내 태양광 버스 쉘터에 대한 문제점을 지적하고, 앞으로 개선해야 할 부분을 제시해 보았다.

• 건축역사연구
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• 제19권3호
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• pp.107-124
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• 2010

The coner high column method that is used in the multi-roof building Sungryemoon seems to have been used for the first time during the Choseon Dynasty, and it's characteristics and trend of usage are studied in this paper. In the results, it was confirmed that the coner high column method is economic and structurally safe, and selectively combines the structural factors used in the Chinese seats. It was found that this method was a newly adopted construction method to effectively express the authority of the country with the establishment of a new dynasty. Also the meaning of the method could be guessed since it was continuously used in important structures from the Choseon Dynasty to the Daehan Empire, in spite of the new multi-roof building technologies.

• 한국실내디자인학회논문집
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• 제15권1호
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• pp.71-78
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• 2006

This study aims to understand the meaning of 'wall' and spatial image transformation by the wall. To find the meaning of wall, some classical works and modern works - Le Corbusier's Domino system and Schroder House-are analyzed into functional aspect of wall, in result we know that wall has of evolved throughout history to become an Increasingly active component of our built environment. Whereas the wall permits variations in the human and natural environment, the wall could be changed a lot of different shapes. The results of this study are as follows; (1) Applying new attempt to the wall makes interactivity in spatial elements. (2) Through rotation of the wall, we find the periodicity of wall length with sine curve. (3) Wall made by points and linear elements can change the spatial image, because of there geometrical characteristics.

• Structural Engineering and Mechanics
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• 제51권6호
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• pp.923-937
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• 2014

The rational finite element method is different from the standard finite element method, which is constructed using basic solutions of the governing differential equations as interpolation functions in the elements. Therefore, it is superior to the isoparametric approach because of its obvious physical meaning and accuracy; it has successfully been applied to the isotropic elasticity problem. In this paper, the formulation of rational finite elements for plane orthotropic elasticity problems is deduced. This method is formulated directly in the physical domain with full consideration of the requirements of the patch test. Based on the number of element nodes and the interpolation functions, different approaches are applied with complete polynomial interpolation functions. Then, two special stiffness matrixes of elements with four and five nodes are deduced as a representative application. In addition, some typical numerical examples are considered to evaluate the performance of the elements. The numerical results demonstrate that the present method has a high level of accuracy and is an effective technique for solving plane orthotropic elasticity problems.

• 한국콘텐츠학회논문지
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• 제10권2호
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• pp.176-183
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• 2010

그림책은 글과 일러스트레이션으로 구성되어 상호유기적인 관계를 형성하며 이야기를 전개해 나가는 예술형식이다. 그림책에서 글과 일러스트레이션이 전달하는 의미뿐 만 아니라 상호작용을 통해 새롭게 만들어 내는 상징적 의미를 이해한다면 그림책을 보는 즐거움과 가치를 깨닫게 될 것이다. 그림책의 글과 일러스트레이션을 불가분의 관계에 놓인 하나의 단위로 보고 기호학적으로 분석하는 것은 그림책 이해에 중요한 관점을 제공한다. 세계적인 그림책 작가 앤서니 브라운(Anthony Browne)의 '고릴라'를 기호학자 그레마스(A.J. Greimas)의 의미작용 이론을 통해서 글과 일러스트레이션의 상호보완작용을 이해한다. 또한, 텍스트와 조형표현의 구조적 관계를 심층적으로 분석하고 통합적으로 전달되는 이야기를 새로운 관점으로 접근한다. 기존의 연구들에서 앤서니 브라운의 '고릴라'는 주인공 한나와 아빠의 관계를 단순한 외로움으로 전체 이야기 의미를 해석하였지만, 본 연구를 통해 그 관계에 있어 부성애뿐 만 아니라 이성애가 존재하며 그 갈등의 해소가 주된 관점으로 새롭게 해석될 수 있다.

• 조형예술학연구
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• 제8권
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• pp.95-127
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• 2005

It's a matter of ontology rather than that of cognition and methodology to discuss a work of art in Gadamer's philosophy. In addition, he emphasizes the cognitive aspect of a work of art instead of comparing forms and contents of them. For that reason, he excludes aesthetic consciousness derived from Kant first and then makes away with Schiller's theory of aesthetic education. For Gadamer, the concept of truth does not mean accord or correspondence. It would rather be an encounter. This encounter is not axed on a specific time, but a continuous and historical one. Basically. a work of art guarantees this kind of an encounter. This encounter is not based on mutual agreement through an objective standard but on recognition with mutual understanding. Therefore, prejudice or tradition should be acknowledged and respected instead of being excluded. We have only to minimize difference between them through conversation. Gadamer's ontology of a work of art is based on such a ground. The function of a work of art is not only simple satisfaction of aesthetic senses but an object of interpretation, that is, a text by presenting a ground of truth through an agreement of situation. This text reveals its meaning in the situation of author-text-reader. The appearance of this meaning is nothing but the birth of truth. Symbol-allegory and classicism show how to express this kind of truth in a work of art. It is true that Gadamer's philosophical hermeneutics cannot be easily applied to interpret a concrete work of art because it just lays emphasis on the process of 'understanding' instead of a detailed analysis on an individual work. For that reason, he was criticized by some people because of this subjectivity of understanding. However, it's meaning could be changed according to the viewpoint on a work of art. There appears various structural approaches on a work of art in contemporary theory of art. Gadamer just asks the basis of such approaches instead of criticizing a specific one Therefore, a practical approach on individual work should be made separately and hermeneutics enriches the meaning of open-ending of each work of art.

• 복식문화연구
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• 제25권3호
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• pp.375-390
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• 2017

The aims of this research were to characterize magic realism by analyzing existing magical reality literature reviews and research and to identify material that may inspire ideas for stage and film costume design by analyzing and drawing design characteristics and magic realism of costumes from Director Tarsem Singh's movie, 'Mirror, Mirror'. For the methodology, characteristics of magic realism in literature and, movies were analyzed, with a theoretical consideration of these materials on magical realism. Data on costume design and magical realism characteristics for use in the analysis were collected from the main characters of 'Mirror, Mirror' as well as from other characters. The result of this analysis was the emergence of five common characteristics of the magic realism Historicity, the most remarkable characteristic seen in Tarsem Singh films, was expressed through the symbolic meaning and decorative patterns shown by the traditional-style costumes, colors. Symbolization was expressed through the symbolic meaning, decorative elements, and traditional clothes, as shown by the colors and forms of the costumes. Fantasy was expressed through the colors, decorative elements, forms of traditional clothing, and forms with symbolic meaning. Reproducibility was expressed through the method of decorative element, symbolic meaning, traditional forms and de-structural clothes. Ambiguity, which can be associated with the combined characteristics of historicity and fantasy, was expressed in the clothes worn in the scenes that confounded time and space within the film.

• KIEAE Journal
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• 제15권2호
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• pp.79-86
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• 2015

Purpose: The concept of the tectonic has researched to find out the identify of modern architecture. The meaning of traditional tectonic knowledge to emphasize structural joints and attention to detail in creativity has developed in various ways in contemporary architecture. The purpose of this study is to analyze the tectonic characteristics and architectural expressions of the light appeared in the works of Santiago Calatrava. Major features in his works could be found is to maximize structural beauties through deducing the architectural images from the nature and expressing the material properties and the kinetic structures, and thus, to ultimately create the functional space and form by connecting the light to the tectonic structure. Method: Accordingly, I tried to analyze the three works of Santiago Calatrava (the Milwaukee Art Museum, the Bodegas Ysios Winery and the City and Arts and Sciences) as following categories - the structural aesthetics, the expression of material properties, the relationship between he kinetic structures and the light. Result: According to the results of the study, Santiago Calatrava tried to create his own architectural aesthetic by combining structural tectonic with nature, material, regional place and culture. He also sought to express the tense and dynamic tectonic rather than the stable one in his works.

• 대순사상논총
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• 제23권
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• pp.153-192
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• 2014

This article's purpose is to overcome the inadequacy of deliberative democracy for communication on the basis of Haewonsangsaeng. The inadequacy of deliberative democracy for communication is presented as the following two. First, as deliberative democracy treats civic virtue as instrumental thing, deliberative democracy is still in moral solipsism. Second, as deliberative democracy doesn't consider 'the inequality of power' among diverse political positions, the project of deliberative democracy for communication ends up in the exposure of the inequality of power among diverse political positions. Sangsaeng in Haewonsangsaeng concerned with inter-relationship over individualism treats civic virtue as original motility. In this context, Sangsaeng in Haewonsangsaeng is the alternative notion to overcome the first inadequacy of deliberative democracy for communication. Haewon in Haewonsangsaengas is the condition for Sangsaeng. and Haewon's method is to exclude or to eliminate the structural frame of Sanggeuk meaning mutual conflict and antagonism. This article presents two structural frame of Sanggeuk. First, First structural obstacle as internal obstacle is suggested through analyzing pluralism on the basis of existential philosophy. The result of the analysis is the 'antagonism' between the hegemonical value and the peripheral value. Second structural obstacle as external obstacle is the extinction of public sphere caused by the growth of market and the expansion of bureaucracy.