• 천문학논총
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• 제28권3호
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• pp.37-54
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• 2013

China and Korea have a long history of star charts, dating from the prehistoric period. Historically, Korean astronomy has been deeply influenced by China over the last two thousand years, particularly on constellation system. Therefore, Chinese and Korean traditional star charts have many similarities in terms of shape of constellation, number of star, and so forth. Korean star charts, however, have lots of unique characteristics distinguishing from Chinese ones, such as, size of star and position of constellation. Overall knowledge of the Chinese star chart is required to study the Korean star chart. In this paper, I focus on introducing selected star charts in China and Korea. Although this review is very limited, I hope that this paper is helpful in research in the field of historical astronomy.

• Journal of Astronomy and Space Sciences
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• 제32권1호
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• pp.51-62
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• 2015

I investigated a method for drawing the star chart in the planisphere Cheonsang-yeolcha-bunyajido. The outline of the star chart can be constructed by considering the astronomical information given in the planisphere alone and the drawing method described in Xin-Tangshu; further the chart can be completed by using additional information on the shape and linking method of asterisms out of an inherited star chart. The circles of perpetual visibility, the equator, and the circle of perpetual invisibility are concentric, and their common center locates the Tianshu-xing, which was defined to be a pole star in the Han dynasty. The radius of the circle of perpetual visibility was modified in accordance with the latitude of Seoul, whereas the other circles were drawn for the latitude of $35^{\circ}$, which had been the reference latitude in ancient Chinese astronomy. The ecliptic was drawn as an exact circle by parallel transference of the equator circle to fix the location of the equinoxes at the positions recorded in the epitaph of the planisphere. The positions of equinoxes originated from the Han dynasty. The 365 ticks around the boundary of the circle of perpetual invisibility were possibly drawn by segmenting the circumference with an arc length instead of a chord length with the ratio of the circumference of a circle to its diameter as accurate as 3.14 presumed. The 12 equatorial sectors were drawn on the boundary of the star-chart in accordance with the beginning and ending lodge angles given in the epitaph that originated from the Han dynasty. The determinative lines for the 28 lunar lodges were drawn to intersect their determinative stars, but seven determinative stars are deviated. According to the treatises of the Tang dynasty, these anomalies were inherited from charts of the period earlier than the Tang dynasty. Thus, the star chart in Cheonsang-yeolcha-bunyajido preserves the old tradition that had existed before the present Chinese tradition reformed in approximately 700 CE. In conclusion, the star chart in Cheonsang-yeolcha-bunyajido shows the sky of the former Han dynasty with the equator modified to the latitude of Seoul.

• International Journal of Contents
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• 제14권3호
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• pp.46-52
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• 2018

The objective of this study was to determine the status of star chart game applications in the Google play store in Korea. The share of game genres in paid and free star charts of game applications was searched. Also, the average reviewer's rating, average number of reviews, and average age rating based on the genre of paid and free star charts of game applications, and the average price of paid applications based on genre were analyzed. Hypothesis tests for the differences in average reviewer's rating, average number of reviews, average age rating according to the genre of game applications were performed. Also, hypothesis tests for the differences in average reviewer's rating, average number of reviews, average age rating between the paid and free game applications along with the hypothesis test for the differences in price according to the genre of paid game applications were performed. Lastly, hypothesis tests for the correlation between the start chart ranking and number of reviews in association with the correlation between the start chart ranking and reviewer's rating were performed. Statistically significant differences in average reviewer's rating, average number of reviews, average age rating according to the genre of game applications, and between the paid and free game applications were verified. However, the correlation between the start chart ranking and number of reviews in association with the correlation between the start chart ranking and reviewer's rating were not statistically significant.

• 천문학회지
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• 제29권spc1호
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• pp.433-437
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• 1996

We have analyzed the content of the Korean stone star chart. Ch'on-Sang-Yul-Cha-Bun-Ya-Ji-Do(here-after Ch'on-Sang-Do). In the star map we have found 1468 stars, 4 more than the Chinese star catalog Bo-Chun-Ga. The four extra stars form a constellation, Jong Dae Boo. The map projection law used in the star chart is found to be the polar equtorial and equidistance projection. The linear distance of an object on Ch'on-Sang-Do from the center is linearly proportional to the north polar angular distance. We have found from a statistical analysis that most stars with declination lower than 50 are at positions representing the epoch of around the first century. On the other hand, stars near the north pole with declination higher than 50 are at the epoch of about 1300, which is close to the time the chart was engraved. This implies that the original Ko-Gu-Rye Dynasty's star chart has been revised by astronomers of Cho-Sun Dynasty. We have also shown that stars on Ch'on-Sang-Do are engraved in such a way that their area is linearly proportional to the visual magnitude.

• 천문학회보
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• 제39권1호
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• pp.85.2-85.2
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• 2014

The origin of the Korean Screen Planisphere with both Traditional and New Star-Charts, made by Korean Astronomers in the Royal Astronomical Bureau of the Joseon Dynasty by adopting the knowledge of the European astronomy, is investigated by analyzing its inscriptions and star charts. The considerations on both the changes in notations or representations of names of asterisms and the naming taboos used in the Old-style planisphere imply that the star-chart is originated from either the Sukjong-Stele-Replica of Cheonsang-Yeolcha-Punyajido(天象列次分野之圖). The New style planisphere is just the reproduction of Huangdao-congxingtu (黃道總星圖), with the exception of the non-Chinese-traditional stars. The Huangdao-congxingtu was made in 1723 CE by Ignatius K$\ddot{o}$gler who was a Jesuit missionary and worked for the Bureau of Astronomy (欽天監) in the Qing Dyansty. I find that the star chart was imported in 1742 CE from the Qing by An Gukrin (安國麟) who was an astronomer in the Royal Astronomical Bureau of Joseon. The chart became model for the screen star-chart made in 1743 CE and now housed in Bopju temple. I found that the inscriptions are extracted from the sentences in both Xinzhi Lingtai Yixiangzhi (新製靈臺儀象志) and Qinding Yixiangkaocheng (欽定儀象考成). Korean historical records in either Daily Records of the Royal Secretariat of the Joseon Dynasty (承政院日記) or Annals of the Joseonn Dynasty (朝鮮王朝實錄) show that Xinzhi Lingtai-Yixiangzhi was imported from the Qing Dynasty in 1708 CE, and the Qinding Yixiangkaocheng was imported in 1766 CE. Thus, the Korean Screen Planisphere with both Old and New Star-charts was certainly made after 1766 CE.

• 천문학회보
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• 제37권1호
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• pp.52.1-52.1
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• 2012

It is often said that there is little geometrical mind in Korean history. However, a method to project the surface of a sphere onto 2-dimensional plain was applied to the representative Korean star chart or Cheonsang Yeolcha Bunyajido (天象列次分野之圖). The method, called the equi-distant polar projection, was explained in detail in ancient Chinese history book of the Tang dynasty, which was originated from older history. Another method of the Mercator projection was introduced by the famous engineer Su Song (蘇頌) of the Song dynasty. The description has quite geometrical thoughts, especially the concept of infinity or convergence appears, However, this type of sky projection method was not widely used in east Asia. When the European Jesuits came to China to evangelize the Chinese people, they found that the Chinese people paid much attention to advanced European astronomical knowledge. Thus, they introduced the European astronomical knowledges into China, and the star chart was one of them. The projection method of the new charts were quite different from the Chinese tradition. When the Koreans brought those new star chart from China, they must have known the geometrical description of the method. The method was described in detail in a volume of Chongzhen Lishi (崇禎曆書) or Xiyang Xinfa Lishu (西洋新法曆書). The explanation consists of three part. One is the quantitative way; another is a geometrical way using axiomatic systems; and the other is the practical method to draw star chart with the geometical projection. However, when we see the Honcheon Jeondo (渾天全圖) that is thought to be duplicated by Kim Jeongho (金正浩), the new geometrical method was not so widely known to the Koreans. I will discuss the reason why the geometrical minds have not been widely adopted in the Korean civilization.

• 한국광학회지
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• 제26권1호
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• pp.17-22
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• 2015

재귀 반사체(Retro Reflector)는 그 반사특성을 살려 베네치안 블라인드 슬랏, 디스플레이, 그리고 교통 안전 분야 등에서 활용 영역이 넓어져 가고 있다. 재귀 반사율 분포를 조절할 수 있는 코너 큐브 재귀 반사체를 정의하고, 입사각도에 따라 그 재귀반사광의 특성을 분석하여 교통 안전 분야에 적용하고자 하였다. 특성 분석 결과를 용이하게 파악할 수 있도록 시각화한 특성 도표를 고안하였으며, 이를 이용하여 다양한 교통 안전 분야의 재귀 반사 시트를 정량적으로 설계할 수 있음을 보였다.

• 천문학논총
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• 제34권1호
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• pp.1-16
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• 2019

"Hon-Chon-Jeon-Do" is a woodcut star map with the size of $79.4cm{\times}127.5cm$, and was widely disseminated as it was made into a set with Kim, Jung Ho's "Yeoji-Jeon-Do". This study confirmed that Yixiang kaocheng xubian ("의상고성속편") star catalogue was used as a source to produce the star map, and the stereographic projection was applied with the projection center being the mid-point (Q) between the celestial and ecliptic north poles. The 'mid-circle' around the Q is arisen between the equator and the ecliptic, and on this circle, the hour angle and the ecliptic longitude of a star can be marked using the same scale. This means that the hour of the day and the season of the year can be read on the same dial of the mid-circle, and the application of this character in the practical use was the key point of the star map production. By observing either transits or positions of the 28 xiu (宿), it is easy to find the corresponding season and time by simply reading the dial on the mid-circle. This is just the function of a portable almanac and thus by disseminating it widely, the convenience of the people would have been promoted. For this reason, it can be stated that "Hon-Chon-Jeon-Do" was a practical astronomical tool which was produced by the western astronomical projection method and was used to find time and season. Choi, Han Ki and Kim, Jung Ho are strong candidates for the makers of this star map. The time of production is estimated to be 1848 ~ 1857, and "Hon-Chon-Jeon-Do" could be regarded as a good contributor to popularization of astronomy in the late Joseon Dynasty.

• 산업진흥연구
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• 제7권3호
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• pp.103-113
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• 2022

본 연구에서는 고전점성학(Classic Astrology)의 네이티비티(Nativity) 출생차트에서 '네이티브의 질병을 다스리는 구조를 다르게 타고났다면 네이티브의 삶에서 질병도 서로 다르게 나타날 수 있을 것이다.'는 전제하에 연구를 했다. 출생차트에서 개인이 타고난 건강을 사인(Sign, 별자리)과 플래닛(Planets, 행성)의 강약, 애스펙트(행성과의 관계)를 통하여 분석 했다. 선천적 질병을 다스리는 경우, 네이티비티 출생차트에서 네이티브가 타고난 ASC 별자리와 픽스트 스타 그리고 플래닛과의 애스펙트 관계를 살펴 연구했다. 후천적 질병을 다스리는 경우, 네이티비티 출생차트에서 질병을 다스리는 6^th하우스의 별자리과 룰러, 플래닛의 강약을 살펴 판단했다. 운의 흐름을 통해서 들어 오는 질병의 경우, 네이티브는 인생을 살면서 다양한 사고와 질병에 노출될 수 있다. 그래서 피르다리아(Firdaria)를 통해서 들어오는 플래닛의 기운과 강약, 플래닛과의 애스펙트 관계, 픽스트 스타 등을 통하여 질병의 관계를 살펴보았다. 연구 결과 네이티비티 출생차트에서 선천적으로 타고난 건강은 네이티브의 ASC 사인(별자리)과 플래닛(행성)의 강약에 따라 네이티브(Native)의 건강상태가 다르게 주어진다. 그리고 후천적 질병은 건강을 다스리는 6^th의 상태에 따라 네이티브의 건강이 결정되며 운에서 들어오는 질병은 피르다리아에서 들어오는 플래닛과 애스펙트의 관계에 따라 질병과 사고가 발생한다는 사실이 증명되었다.

• 천문학논총
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• 제31권3호
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• pp.65-76
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• 2016

We study a manuscript that includes 28 oriental constellations in the flags of barracks in Gangjin. According to the Joseon Chronicles, the constellation flags in the manuscript are thought to have originated from Seon-Pil Kim (金善弼) who first made 28 constellation flags for the barracks in 1878 during the Joseon Dynasty. Seon-Pil Kim was a commander and he used the 28 constellation flags for communications in a military camp. The flags also contain 28 animals and letter-like symbols with constellation maps. We examine the constellation maps in flags in terms of shapes and number of stars, and compare them with those of constellations in the Korean and Chinese star charts such as CheonSangYeolChaBunYaJiDo (天象列次分野之圖), Joseon-Butienge (朝鮮步天歌), Suzhou (蘇州) Star Chart, and Tang-Butiange (唐步天歌). Finally, we found that the shape of constellations in the flags might be similar to those in the Chinese Tang-Butienge. We also found several errors such as the shape, connecting pattern, and number of constellations drawn in the flags. It seems that the constellation flags were unofficially used in military camps in the late Joseon dynasty. Meanwhile, the 28 constellations are divided into four groups and each group has its own color and direction. We suppose that the constellation flags might represent the positions of military camps and each group of flags has their own color based on their cardinal points.