• 한국의류산업학회지
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• 제8권6호
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• pp.721-726
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• 2006

In this article I visually assessed the relation between luminous source and color, and analyzed subjective recognition of color by light source and image of color, aiming at giving guidelines in selecting source of light suitable for each purpose, thereby contributing to enhanced quality of life. For this purpose, I subjectized, by applying a quantitative method, the objective measurement that employs sensory evaluation method for 14 categories of color, light and feelings in visual perception of textile colors (blue, green and yellow) by color of light source (color temperature of 2800K, 4200K and 6500K), Followings are the conclusions derived form this study. Colors of textile were differently perceived according to the color of light source. When examining common recognition of textiles in blue, green and yellow, 2800K was said to give dirty, soft and blurred image, as for 4200K clear, wide and fine feelings were said, and pure, vivid, refined and bright image were marked for 6500K. As for 2800K, it got the most low appraisals compared with others. In conclusion, image and feeling of the same colors can differ according to light source, which indicates the importance of appropriate selection of light source for purpose of use. As for yellow, the number of assessment result that shows significant difference was the smallest among the three colors. So, it can be concluded that when we consider the recognition of color in mixing different colors, mixing with yellow can result in difficulty in visually perceiving difference of colors. Therefore, it is regarded that more considerable attention is required when dealing with yellow color.

• 방송공학회논문지
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• 제21권4호
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• pp.538-551
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• 2016

방송 제작현장에서는 영상 이미지 표현의 광원으로 Tungsten Halogen 광원이 주 광원으로 사용 되어 왔다. Tungsten Halogen 광원은 그동안 개발된 다른 광원보다 태양광원과 유사한 색 재현성으로 각광받아 왔지만 에너지 효율성의 문제점을 가지고 있었다. 최근 대체 광원으로 고효율의 에너지와 긴 수명의 LED광원이 방송 광원으로 주목받기 시작했다. LED광원은 독특한 발광원리 때문에 카메라를 통한 영상 이미지의 색 재현성과 광원에서 투사되는 빛의 질에 있어서 Tungsten Halogen광원과 다른 특성을 가지고 있다. 이런 특성은 LED광원이 방송 광원으로서 도입이 늦어지는 이유이다. 이에 본 연구에서는 LED 광원의 색 재현성과 빛의 질 특성인 평탄도를 측정하여 기준광원인 Tungsten Halogen과 비교하여 방송 광원으로써의 적합성에 대한 실험 데이터를 제시할 것이다. 또한 LED광원이 방송 광원으로서의 확산되기 위해서 필요한 점이 무엇인지 향후 과제와 기준을 제시하고자 한다.

• 한국위성정보통신학회논문지
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• 제10권3호
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• pp.22-25
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• 2015

본 논문에서는 PA스피커 시설물 부착형 LED패치의 음원감성 연계형 컬러코드 제어 기술에 관한 연구를 진행하였다. PA스피커 음원에 따라 LED패치의 컬러코드를 제어할 수 있는 기술을 제시하였으며, 이를 위한 PA스피커 시설물 부착형 LED 패치를 개발하였다. PA스피커 시설물 부착형 LED패치의 컬러코드 제어 기술은 PA스피커로부터 음원 감지 유무를 확인하고, 음원이 감지된 경우 아날로그 신호(음원)을 디지털 신호로 변환하여 메인컨트롤러에 전달하여 LED패치의 컬러코드 색상 및 패턴을 제어할 수 있도록 구현하였다. 본 논문에서는 PA스피커 시설물 부착형 LED패치의 음원감성 연계형 컬러코드 제어 시스템을 구축하고, 이를 통하여 PA스피커의 음원에 따라 효과적으로 컬러코드를 제어할 수 있는 PA스피커 시설물 부착형 LED패치 컬러코드 제어 실험을 진행하였으며, LED패치의 컬러코드 제어 유무를 통한 제안기술의 유용성을 보였다. PA스피커 시설물 부착형 LED패치의 음원감성과 연계된 컬러코드 제어 기술은 향후 다양한 분야에 연구 방향을 제시하고, 응용사례로 널리 활용될 수 있을 것으로 예상된다.

• 복식문화연구
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• 제15권2호
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• pp.214-220
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• 2007

The purpose of this study is to derive the use of the luminous source corresponding to the intention and contribute to product display by visually evaluating the relations between luminous source and colors, analyzing and reviewing the subjective perceptions depending on the luminous source, and clarifying the colors of artificial luminous source that look close to natural lights by each color. Hence, the researcher objectified the subjective evaluation for which they used sensory evaluation method with four colors of luminous sources(natural colors, 2800K, 4200K, and 6500K) and five colors of textiles(purple, blue, green, yellow, and red) by quantifying the evaluation. As a result, we could obtain the conclusion as follows. As for the temperature of textile colors under artificial luminous sources that appeared most close to the colors of textiles under natural luminous sources, 6500K was most frequent, and the temperature of the luminous sources that appeared most different was 2800K. However, as there were also 4200K colors that looked most close to the textile colors under natural light source, it was observed that the temperature differs depending on the textile colors. In addition, less glossy textiles exhibited more visual changes by luminous source colors than comparatively more glossy textiles, and it was observed that the most influenced color was purple, as purple has shown the largest difference among colors.

• 대한의용생체공학회:의공학회지
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• 제11권1호
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• pp.65-70
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• 1990

The phenomenon of color sensory has been mainly studied on the relation with the stimulus source of light source color according to dispersed energy of light. However, it has not been definitely found that the phenomenon of color sensory be collcerned with evoked potentials stimulated by object color. This paper proposes the method that evoked potentials stimulated by object colors are analyzed and examined on the phenomemon of color sensory. The model of evoked potentials is assumed that it is consisted of an additive noise and a transient signal caused by stimulus. The method which is used to estimate the signal is time-varying filtering.

• Journal of the Optical Society of Korea
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• 제14권4호
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• pp.415-419
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• 2010

A phosphor-conversion white light source is demonstrated using an InGaN-based blue laser diode (LD) and a yellow-emitting phosphor excited by the blue LD. The photometric and colorimetric properties of this blue-LD-based white light source are characterized. When injection current of the LD is 100 mA, luminous flux and luminous efficiency of the white light are found to be over 5 lm and 10 lm/W, respectively. When injection current is >90 mA, luminance is estimated to be larger than 10 Mcd/$cm^2$. In addition, color characteristics of the white light such as chromaticity coordinates, a correlated color temperature, and a color rendering index are found to be quite stable as current and temperature of the LD varies. The demonstrated LD-based white light source is expected to be used in high-brightness illumination applications with good color stability.

• 한국멀티미디어학회논문지
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• 제10권10호
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• pp.1240-1250
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• 2007

본 논문은 2D 애니메이션 캐릭터의 자동 색 지정을 위하여 애니메이션 장면간의 캐릭터 색 변환 기술에 대해 제안한다. 사람이 지각하는 색은 조명이 달라지면 다른 색으로 지각된다. 이와 마찬가지로 애니메이션 장면에 등장하는 캐릭터도 의상, 피부 등의 색이 장면 분위기에 따라 각각 다르게 지정되고 있다. 본 논문은 이러한 2D 애니메이션 장면간의 캐릭터 색 지정을 수작업에 의존하지 않고 수학적으로 해결하기 위해 시도한 것으로써 조명에 따른 색 원리를 이용하여 장면간의 캐릭터 색 변환을 위한 행렬을 유도하였다. 이 색 변환행렬은 애니메이션 장면마다 각각 구해지는데, 기존의 2D 애니메이션에 등장하는 동일캐릭터의 기본색과 각 장면속의 색을 이용해서 구해진다. 이렇게 구한 색 변환행렬은 어떠한 캐릭터의 기본색만 주어진다면 다양한 장면 분위기와 잘 어울리는 색으로 변환이 가능해진다.

• 산업경영시스템학회지
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• 제46권3호
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• pp.59-68
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• 2023

Currently, yellow phosphor of Y3Al5O12:Ce3+ (YAG:Ce) fluorescent material is applied to a 450~480nm blue LED light source to implement a white LED device and it has a simple structure, can obtain sufficient luminance, and is economical. However, in this method, in terms of spectrum analysis, it is difficult to mass-produce white LEDs having the same color coordinates due to color separation cause by the wide wavelength gap between blue and yellow band. There is a disadvantage that it is difficult to control optical properties such as color stability and color rendering. In addition, this method does not emit purple light in the range of 380 to 420nm, so it is white without purple color that can not implement the spectrum of the entire visible light spectrum as like sunlight. Because of this, it is difficult to implement a color rendering index(CRI) of 90 or higher, and natural light characteristics such as sunlight can not be expected. For this, need for a method of implementing sunlight with one LED by using a method of combining phosphors with one light source, rather than a method of combining red, blue, and yellow LEDs. Using this method, the characteristics of an artificial sunlight LED device with a spectrum similar to that of sunlight were demonstrated by implementing LED devices of various color temperatures with high color rendering by injecting phosphors into a 405nm deep blue LED light source. In order to find the spectrum closest to sunlight, different combinations of phosphors were repeatedly fabricated and tested. In addition, reliability and mass productivity were verified through temperature and humidity tests and ink penetration tests.

• 한국인쇄학회지
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• 제16권3호
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• pp.121-131
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• 1998

The object color does not look same under the different light source. It depends on the surface spectral reflectance and the spectral distribution of light source. Therefore we should find the surface spectral reflectance of object color and the spectral distribution of light source for color reproduction. Using Wiener estimation, we can estimate the spectral reflectance from low dimensional images obtained with multi-band image acquisition system. The kind and the number of imaging filters have the effect on the estimation of the spectral reflectance. Therefore it is important that optimal filters are selected to minimize the error of the result. In this paper, we describe methods to select optimal filters with minimum error between measured and estimated surface spectral reflectance and to estimate surface spectral reflectance of Munsell color chart from six multi-band images by using Wiener estimation.

• 한국인쇄학회:학술대회논문집
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• 한국인쇄학회 1998년도 추계 논문 발표회 논문집
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• pp.1-6
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• 1998

The object color does not look same under the different light source. It depends on the surface spectral reflectance and the spectral distribution of light source. Therefore we should find the surface spectral reflectance of object color and the spectral distribution of light source for color reproduction. Using Winer estimation, we can reconstruct the spectral reflectance from low dimensional images obtained with a few filters. The kind and the number of filters have the effect on the estimation of the spectral reflectance. Therefore it is important that optimal filters are selected to minimize the error of the result. In this paper, we describe methods to select optimal filters with minimum error between measured and estimated surface spectral reflectance and to estimate surface spectral reflectance of Munsell color from six band images by using Wiener estimation.