• 제목/요약/키워드: Song Dynasty

검색결과 463건 처리시간 0.025초

몽산 어록 조선본의 간행과 유통에 대한 연구 - 『몽산화상법어약록(蒙山和尙法語略錄)』과 『몽산화상육도보설(蒙山和尙六道普說)』을 중심으로 - (A study on publication and distribution of Mengshan analects in Joseon Dynasty Focusing on two books of Mengshan, Mengshan Heshang Sermons Abstract and Mengshan Heshang Liudao Pushuo)

  • 김은진;송일기
    • 한국도서관정보학회지
    • /
    • 제50권1호
    • /
    • pp.61-84
    • /
    • 2019
  • 이 연구는 중국의 송 원대 임제종 양기파의 승려, 몽산 덕이의 대표 어록인 "몽산화상법어약록"과 "몽산화상육도보설" 조선본을 분석한 것이다. 그의 어록과 저술은 고려 말에 전해져 우리나라 불교계에 큰 영향을 미친 것으로 알려져 있다. 법어약록은 39종, 육도보설은 24종이 현존하고 있으며 본 연구는 63종을 연구대상으로 간행 시기별, 간행 지역별, 간행 참여자를 분석하였다. "법어약록"은 대부분 16~17세기에 간행되었다. 1467년 간경도감본이 최초의 판본이며 한문본이 1525년에 처음 나타나는 것으로 보아 1467년 간경도감에서 세조와 신미에 의해 처음 편찬된 책이다. 육도보설은 모두 15~16세기에 간행되었는데 언해본은 1종만 존재하며 모두 한문본으로 고려 말에서 조선 전기 몽산 어록의 유통 가능성을 보여준다. 두 책은 모두 전국적으로 유통되었으며 "법어약록"은 국가에서 간행되었다는 점에서 몽산의 어록이 매우 중요하게 다뤄졌던 것으로 보인다. 또한 두 어록 모두 지리산 지역에서 활발히 간행되었으며 임진왜란 이후 대규모 불사에 "법어약록"도 함께 간행되었다. 몽산 어록의 간행에 있어 참여자로 화주는 71명, 각수는 109명이 참여하였다. 화주는 다른 사찰에서의 불서 간행에 참여한 경우가 거의 없으나 각수는 대부분이 참여한 것이 확인된다. 몇몇은 활발한 간행활동을 보이는데 이들은 각 지역의 대표 각수로 활동했던 것으로 보인다. 63종의 "법어약록"과 "육도보설" 판본은 조선 전기 불서 간행의 모습을 대표적으로 보여준다고 할 수 있다. 몽산의 어록은 조선 전기 불교계의 개혁과 유불도의 공존을 모색하는 상황 속에서 적극적으로 수용 및 유통되었던 것이다.

작품·주제형 디지털 인물 아카이브의 콘텐츠와 구성에 관한 연구 - 조선 중기 여류 문인을 중심으로 - (A Study on the Content and Composition of Digital Character Archive in Works and Subjects: Female Writers in the mid of the Joseon Dynasty)

  • 김희숙;장우권
    • 한국문헌정보학회지
    • /
    • 제54권1호
    • /
    • pp.145-174
    • /
    • 2020
  • 이 연구는 조선 중기 여류 문인 중 신사임당과 허난설헌, 그리고 송덕봉의 작품을 대상으로 작품·주제형 디지털 인물 아카이브의 콘텐츠와 구성을 모색하는데 있다. 이를 위해 첫째, 문헌고찰에 의한 이론적 배경과 선행연구를 조사하여 분석한다. 둘째, 인물선정 이유를 기반으로 신사임당, 송덕봉, 허난설헌의 생애를 분석한다. 셋째, 신사임당, 송덕봉, 허난설헌 등이 남긴 작품과 이에 대한 여러 연구자들에 의해 나타난 글들을 통해 작품·주제를 분석한다. 넷째, 신사임당, 송덕봉, 허난설헌을 중심으로 작품·주제형 디지털 인물 아카이브의 콘텐츠와 그 구성을 제시한다.

조선시대 답호(塔胡) 연구 - 17세기 전기까지 - (A Study of Dap-ho(塔胡) in Joseon Dynasty - Until the Early $17^{th}$ Century -)

  • 송미경
    • 복식
    • /
    • 제59권10호
    • /
    • pp.51-67
    • /
    • 2009
  • The study is about 'Dap-ho', a kind of men's coat in the early, and mid period of Joseon Dynasty. The study examined the kinds, color, and fabric of Dap-ho from "The Annals of the Joseon Dynasty". It also examined the characteristic, and the change of shape through excavated costume, and the period is limited until early 17th century. In "The Annals of the Joseon Dynasty", there is record of Dap-ho from King Sejong period to Gwang-hae-gun period. After 160 years, it appears again in King Young-jo period, and remains until King Soon-jong period. It was mentioned 168 times, from over 100 cases. There are 26 colors of Dap-ho from "The Annals of the Joseon Dynasty", and among them, green appears the most. Thin fabric, like Joo [紬], Sa[紗], and Cho[綃] was used often, and there are records of double layered, and cotton padded Dap-ho. The period when Dap-ho appears as excavated costume is almost the same as, "The Annals of the Joseon Dynasty" and disappears after the decease of Dae-ho Kang(1541-1624), and Sun-un Yun(1580~1628). After in this period, Dan-ryung, and Jik-ryung changes into double layered clothes, and Jik-ryung functioned as the underclothes of Dan-ryung, instead of Dap-ho. The excavated costumes of Hwak Kim(1572~1633), and Eung-hae Lee(1547~1626) proofs this. But Dap-ho was called 'Jun-bok', 'Dugree', Que-ja', and 'Dap-ho' until the later period of Joseon Dynasty.

고려시대(高麗時代) 주류문화(酒類文化)와 금.은(金.銀) 주기(酒器) (Alcoholic Beverages and Gold and Silver Wares used for Alcoholic Beverages during Koryo Dynasty)

  • 고경희
    • 한국식생활문화학회지
    • /
    • 제26권1호
    • /
    • pp.1-10
    • /
    • 2011
  • Rice alcoholic beverages, cheongju and beopju, which are recorded in "Koryodokyung", "Koryosageolyo", and "Koryosa", were used in national and royal ceremonies, and yakju was used in the Palgwanhoi ritual. In the late $11^{th}$century, King Munjong imported hwaju and haenginjabeopju from the royal family of the Song Dynasty. Alcoholic beverages in the early $12^{th}$century included the medical use for kings, such as gyehyangeoju, which the Emperor of the Song Dynasty sent to King Yejong, baekjainju, which was sent to King Myeongjong for his health, and yangju, which is goat milk fermented alcohol from the nomads in the northern regions. In the early$13^{th}$ century there was also dongrak, which is a horse-milk fermented alcohol, grape wine sent from Yuan to King Chungryeol in the late $13^{th}$ century, and sangjonju, a type of special cheongju sent from Yuan in the early $14^{th}$ century. Baekju from Yuan was recorded in oral traditions, which suggests that soju, which is distilled cheongju, was consumed in the late $14^{th}$ century. Gold and silver wares for alcoholic beverages had important political, social, and economic meanings as national gifts to other countries and internally as the king's royal gift to his subjects. In the late $14^{th}$ century, soju was prohibited, and the use of gold and silver wares for alcoholic beverages was banned at the same time. This study examined the historical characteristics of the use of traditional rice alcoholic beverages, the emotional preference for foreign alcoholic beverages, and the gold and silver wares used for alcoholic beverages Koryo Dynasty.

중국왕조 인물화에 나타난 화장문화 비교 (A Study of ancient Make-up trends in Chinese Portrait paintings)

  • 박옥련;박경미
    • 한국생활과학회지
    • /
    • 제18권3호
    • /
    • pp.799-807
    • /
    • 2009
  • When analyzing make-up trends of figures shown in portraits of different eras in Chinese painting history, you can see that red color was used much. This can be because the red color is the most outstanding among all the colors and was most preferred by ancient people, as the color of the sun, the blood, and the sacredness. The women in the Tang Dynasty was especially using the red color much. Though Seongrihak (Neo-Confucianism) in Song Dynasty was the governing ideology, it had an influence even upon its aesthetics. Thus, during Song Dynasty, the beauty of logos appeared too. This phenomenon showed a conservative tendency even in make-up as well as in costume, thereby the concept of clear and elegant beauty was emphasized. The real figure in the Ming and Ching Dynasty, was so young and weak as a sample of a delicate woman that a woman who had feminine beauty was regarded as an ideal type. The feminine image had been gradually generalized from the literary works in the latter half of Ming Dynasty. However, the painters in the era still preferred the beauty of a healthy woman. That tendency probably had an influence even upon make-up culture that was shown in portrait. As an analysis result of make-up culture in Chinese portrait paintings, it reveals that ancient make-up trends much reflected the social and cultural phenomena of the periods.

고려와 주변국 직물에 표현된 식물무늬 비교 연구 (A Comparative Study of Plant Patterns Found in the Textiles of Goryeo and its Neighbor Countries)

  • 염하령;조효숙
    • 복식
    • /
    • 제59권9호
    • /
    • pp.71-86
    • /
    • 2009
  • This study examines plant patterns expressed on the fabrics during the Goryeo Dynasty and many countries in the Chinese continent and analyzes their symbolism and formativeness. This study deals with clothes which is one of the most fundamental aspects in a culture and plant patterns on them; it examines the overall formativeness of plant patterns in East Asia from the 10th century to the 14th century by studying plant patterns in the Goryeo Dynasty and the contemporaneous dynasties in the Chinese continent - Five Dynasties, Song Dynasty, Western Xia Dynasty, Liao Dynasty, Jin Dynasty and Yuan Dynasty. The plant patterns of each country were categorized by the type of plant. The composition and expression of plant patterns were examined and statistically analyzed. Small flowers were found in Goryeo fabrics twice more than other types that could be clearly identified, and peony was the most popular flower used in Chinese fabrics. In terms of composition of plant patterns, both Goryeo and Chinese fabrics had plant only patterns more frequently than the patterns mixed with animals or jewels. Regarding expression methods of plant patterns, the most common one in Goryeo fabrics was the petal-type, while the branch-type is the most common one in Chinese fabrics. The plant patterns of the Goryeo Dynasty show beauty of simplicity with minimalism and simplification while expressed with brilliant sold threads on dark background, such as purple or light green, so the overall feeling of fabrics was simple yet nobel.

"동의보감"과 "향약집성방"의 "증류본초" 활용 -"향약집성방" "향약본초", "동의보감" "탕액편"을 중심으로- (Applications of Classified Emergency Materia Medica (證類本草) on Treasured Mirror of Eastern Medicine (東醫寶鑑) and Compendium of Prescriptions from the Countryside (鄕藥集成方))

  • 오재근
    • 대한한의학원전학회지
    • /
    • 제24권5호
    • /
    • pp.107-118
    • /
    • 2011
  • Classified Emergency Materia Medica is a pharmacopoeia published by the government of the Song(宋) dynasty. After publishment, it had a decisive effect on East-Asian herbology of China, Korean & Japan. Sakae Miki(三木榮), Tameto Okanisi(岡西爲人) wrote papers on the subjects of type, publishing process, bibliographic terms of Classified Emergency Materia Medica published in the early and middle years of Joseon Dynasty. Moreover, Sakae Miki claimed that Classified Emergency Materia Medica from China had been a standard of herbology of Joseon Dynasty since its publishment, and herbology based on materia medica from countryside(鄕藥) also had occupied a part of herbology in Joseon Dynasty. Nevertheless the specific influences, from Classified Emergency Materia Medica to the medical books of Joseon Dynasty which established the herbology based on materia medica from countryside has never been handled so far. So I would like to investigate the influence of Classified Emergency Materia Medica to Joseon Dynasty, through a comparison with literature review. The main literatures for comparison are two representative medical books of Joseon Dynasty, Compendium of Prescriptions from the Countryside(1433) & Treasured Mirror of Eastern Medicine(1613), especially focusing on the pharmacognostic parts. The main comparing points on researching literatures will be the following: publication year of books; order of herbs; and quotations. This paper will show which edition of Classified Emergency Materia Medica was utilized to publish two medical books of Joseon Dynasty, and the process how Korean herbology based on materia medica from countryside was transformed after accepting Chinese herbology.

원대(元代)와 세종대(世宗代) 자동 물시계 시보시스템 비교 (COMPARISON OF THE TIME-SIGNAL SYSTEM OF AUTOMATIC WATER CLOCKS DURING THE YUAN DYNASTY AND THE KING SEJONG ERA OF THE JOSEON DYNASTY)

  • 윤용현;김상혁;민병희;임병근
    • 천문학논총
    • /
    • 제39권1호
    • /
    • pp.1-12
    • /
    • 2024
  • In this study, we investigated the time signal devices of Deungnu (circa 1270) and Gungnu (1354), the water clocks produced during the Yuan Dynasty (1271-1368). These clocks influenced Heumgyeonggaknu (1438) of the Joseon Dynasty (1392-1910), exemplifying the automatic water clocks of the Yuan Dynasty. Deungnu, Gungnu, and Heumgyeonggaknu can be considered as automatic mechanical clocks capable of performances. The Jega-Yeoksang-Jip (Collection of Calendrical and Astronomical Theories of Various Chinese Masters) contains records of Deungnu extracted from the History of the Yuan Dynasty. We interpreted these records and analyzed reproduction models and technical data previously produced in China. The time signal device of Deungnu featured a four-story structure, with the top floor displaying the four divine constellations, the third floor showcasing models of these divinities, the second floor holding 12-h jacks and a 100-Mark ring, and the first floor with four musicians and a 100-Mark Time-Signal Puppet providing a variety of visual attractions. We developed a 3D model of Deungnu, proposing two possible mechanical devices to ensure that the Time-Signal Puppet simultaneously pointed to the 100-Mark graduations in the east, west, south, and north windows: one model reduced the rotation ratio of the 100-Mark ring to 1/4, whereas the other model maintained the rotation ratio using four separate 100-Mark rings. The power system of Deungnu was influenced by Suunuisangdae (the water-driven astronomical clock tower) of the Northern Song Dynasty (960-1127); this method was also applied to Heumgyeonggaknu in the Joseon Dynasty. In conclusion, these automatic water clocks of East Asia from the 13th to 15th centuries symbolized creativity and excellence, representing scientific devices that were the epitome of clock-making technology in their times.

고려정궁 내부 배치의 복원연구 (A Study on the Restoration of the Layout of the Main Palace of Goryeo Dynasty)

  • 우성훈;이상해
    • 건축역사연구
    • /
    • 제15권3호
    • /
    • pp.59-79
    • /
    • 2006
  • The architectural characteristics and historical positioning which the historical architecture will be understood better through collecting results from researches which was done on various points of views and positions. Therefore, a study on the layout of the main palace of Goryeo Dynasty also becomes a prerequisite for understanding the architectural characteristics and historical positioning which it possesses. However, the reality is that as the results from the excavation and preceding researches were not integrated together, the understanding of the layout of main palace is remaining on a partial and conceptual level. Therefore, this paper attempted to review in overall the restoration of the layout of the main palace of Goryeo Dynasty using historical documents, precedent researches, excavation maps, topographical map and cadastral maps. Consequently, it was possible to confirm the name of some of the ruins and restore the location and layout of other buildings. The result of this research presented above, will become a basis for understanding the layout of the main palace of Goryeo Dynasty in more realistic and way. Furthermore, it could be used as a fundamental data for related researches.

  • PDF

"의학입문(醫學入門)"을 통해 본 조선 침구학의 특성 (The Originality of Acupuncture in Chosun Dynasty found in Introduction to Medicine)

  • 오준호;김남일;차웅석
    • 한국한의학연구원논문집
    • /
    • 제15권1호
    • /
    • pp.55-62
    • /
    • 2009
  • Objectives: Examine the difference of Chosun acupuncture from the acupuncture in Myung, Chung Dynasty Method: This paper examines the acupuncture mentioned in the classic of Introduction to Medicine For this, the special traits of Introduction to Medicine acupuncture was analyzed. Secondly, the research on the contents of Introduction to Medicine acupuncture quoted in the classic of Essential Rhymes of Acupuncture and Moxibustion, Treasured Mirror of Eastern Medicine, and Experimental Prescriptions of Acupuncture and Moxibustion was carried out. Result: Introduction to Medicine put much importance on "method of acupuncture following the five circuits and six qi" (子午流注針法) and Song of Acupuncture and Moxibustion through comparing "eight methods of acupuncture following the five circuits and six qi" (子午八法) and "scattered needling method". The doctors in Chosun Dynasty, howevery, did not adopt this theory with their own standards on acupuncture. On the contrary, they put more importance on the inquiry of historical evidence on river point and extraordinary points. Conclusion: The acupuncture studies of Chosun Dynasty had already formed its own standards on the medical theories, and its direction to which it was headed was different from that of the Myung, and Chung Dynasty in China.

  • PDF