• Title/Summary/Keyword: Song

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Definition end Function of Two Song Types of the Bush Warbler (Cettia diphone boreoalis)

  • Shi-Ryong Park;Eui-Dong Han;Ha-Cheol Sung
    • Animal cells and systems
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    • v.3 no.2
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    • pp.149-151
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    • 1999
  • It has been suggested that the bush warbler (Cettia diphone borealis) uses different song types in various situations. We analyzed song features and conducted playback experiments in order to reveal the function of songs of the bush warbler. Two song types were identified. The short song type has a shorter song duration than that of normal song types and consists of only one or two syllables. Due to its short syllable and low amplitude of the whistle portion, we were able to discriminate the short song type (S song type). from the normal song type (N song Type). In the playback experiments, bush warblers sang high rates of short song type for the first three minutes after playback. After 6 minutes of playback, males changed to singing normal songs. These results suggest that the short song of the bush warbler may function to threaten or drive off intruding males.

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Does the Bush Warbler (Cettia diphone) Defend Its Territory through a Particular Song Mode or a Mode Sequence? (텃새권 방어와 관련된 휘파람새의 Song Mode와 Mode Sequence의 이용)

  • 박대식;박시룡
    • The Korean Journal of Zoology
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    • v.39 no.3
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    • pp.282-291
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    • 1996
  • The song of the bush warbler, Cettia diphone, consists of an introdudory whisde portion and a complex ending syllable portion. In bush warbiers, a song with two or fewer notes in the whistle portion is classified as an a song mode, while a song with three or more notes in the whistle portion as a $\beta$ song mode. Although some variations occur in mode seledion by individuals and populations, the proportion of a mode songs to total songs is 55% (range 51.6-58.7%) on average. The a mode has a higher dominant frequency in the whistle portion than does the $\beta$ mode, but the number of syllables m the complex ending syllable portion is fewer. Bush warbler mode sequences are defined as $\alpha$$\alpha$, $\alpha$$\beta$, $\beta$$\alpha$ and $\beta$$\beta$ mode sequences. In order to test the hypothesis that song modes and mode sequences play a role in the defence of territory in Jeju and Wando populations in the south-coastal geographic song variation group, playback experiments were executed. Mode sequences differed between naturally produced songs and songs produced in response to playback for two populations. In particular, for birds in the Wando populations our results indicate that the use of song modes may be affeded by habitat, singing site and type of territory, and further propose that particular mode sequences may play a more important role than song mode in vocal interadions.

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Neighbor-Stranger Discrimination of Yellow-throated Buntings (Emberiza elegans) and Gray-headed Buntings (Emberiza fucata) to Playback of Song (노랑턱멧새 (Emberiza elegans)와 붉은뺨멧새의 (Emberiza fucata)에서 Song의 Playback을 통한 이웃-낯선 개체의 인식)

  • 황보연;박시룡
    • The Korean Journal of Zoology
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    • v.39 no.1
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    • pp.89-97
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    • 1996
  • Songs of the Yellow-throated Bunting (Emberiza elegans) and the Gray-headed Bunting (Emberiza fucata) in allopatric populations in Gangnae-meon, Cheongwon-gun, Chungbuk in Korea, were recorded during the breeding season and analyzed in sound spectroraphs. Males of E. elegans and E. fucata were tested to investigate whether territorial males can discriminate between neighbor and stranger based on playback of natural and artificial song repertoires. In addition, E. fucata was stimulated by playback of only the individually specific section as well as of only the posterior portion of the song. Males of E. elegans were able to discriminate individually between neighbor and stranger in response to natural song repertoires, but they did not respond to playback of the artificial song repertoires of neighbor and stranger. Males of E. fucata were able to discriminate individually between neighbor and stranger in response to natural, artificial song repertoires, and the anterior section of the song, while males did not respond to playback of the posterior section of the song.

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The Transmission and Changes Of UlsanSoeburi Song (울산쇠부리소리의 전승현황과 변이양상 연구)

  • Kim, Gu-Han
    • (The) Research of the performance art and culture
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    • no.39
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    • pp.133-165
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    • 2019
  • This paper tried an approach of oral literature as the research subject of Soeburi song in Ulsan. First, UlsanSoeburi song is meaningful as materials collected in Ulsan such as Hansil, Dodoekgol, Dudong and Byeongueong. In addition, it is related to regional identity as song native to Ulsan, which has prototype and archetype. And it shows that Ulsan is the city as well as hometown of Soeburi(meaning ' iron manufacture'). The characteristics of lyrics are different between Hansil Soeburi song and Dodeokgol Soeburi song. Jeiman Choi is considered as a good oral literature poet, because he is a performer who is faithful in official structural principal and in original lyrics(archetype) of Soeburi song. Therefore, SoeburiBulmei song of Jeiman Choi signifies aesthetic meaning, having lyrics which make to feel labor's purity and sacred and melody which overcomes labor's difficulty through united action. On the other hand, SoeburiBulmei song of Dalo Kim in Doseokgol shows that he is a extemporaneous performer even though he performs based on official structural principal. In this paper, transmission and changes of UlsanSoeburi song are divided into basic type, frequent shift type and overall type. 'Basic type' originates from Jeiman Choi's Soeburi song in Hansil. 'Frequent shift type' was created by combining SoeburiBulmei song of Dalo Kim in Doseokgol and SoeburiGeumjul song in Ulsan. 'Overall type' is current Soeburi song, which was created by adding Bulmei song for lulling a baby in Byeongueong near Dalcheon region and Seoknyanggan(smithy) Bulmei song. UlsanSoeburi song is being passed down continuously, strengthening the identity as a representative folk song in Ulsan through endless process of transmission and changes.

Behavioral Function of the Anomalous Song in the Bush Warbler, Cettia diphone

  • Park, Shi-Ryong;Cheong, Seok-Wan;Chung, Hoon
    • Animal cells and systems
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    • v.8 no.2
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    • pp.89-95
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    • 2004
  • The bush warblers (Cettia diphone) have been recognized to possess two types of songs: a normal song that plays roles in attracting mate and territorial defense, and an anomalous song. The present study suggests that the anomalous song functions as an alarm signal as well as other unknown signals. Field observations and playback experiments on the anomalous song of bush warbler were conducted in order to investigate the contextual information that occurred between sender and receiver. In the field observation, the males frequently emitted anomalous songs to potential predators. The males responded with an anomalous song to stuffed potential predators. The distance from where the anomalous song occurs to the stimulating source varied depending upon the kinds of stimulus. The males of bush warbler possibly show different responses to the anomalous song depending on the level of danger. When the anomalous song was played back to terrestrial males and females, no distinctive behavior was observed. The anomalous song may be sung to defend the territory against predators or to distract invaders from the nest and female because the male and female behaviors were related with the anomalous song and its phonetic characteristics.

Species Recognition on the Basis of Song by Yellow-throated Bunting (emberiza elegans) (노랑턱멧새(Emberiza elegans)의 Song에 의한 종 인식)

  • 성하철;박시룡
    • The Korean Journal of Zoology
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    • v.37 no.4
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    • pp.573-579
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    • 1994
  • 본 연구는 1992년 3월에서 1993년 5월까지 충북 청원군 강내면 다락리 야산에 서식하는 노랑턱멧새(Emberizo elegans) 집단을 대상으로 이루어졌다. 종 인식을 위한 의미있는 song 특징을 알아보기 위해 같은 과(요)에 속하는 붉은뺨멧새(Emberizo fucata)와 쑥새(Emberiza rustsca)의 'stereotyped song'을 분석하였다 또한 세력권을 형성한 5개체를 대상으로 song에 기초한 playback 실험을 통하여 종 인식 능력을 알아보았다. 스피커에 가장 가까이 날라온 거리와 이 거리에서 머문 시간을 측정한 결과 붉은뺨멧새의 song에는 반응이 없었으나 쑥새의 song에는 의미있는 반응을 보였다. 따라서 노랑턱멧새와 두 종에 대한 song 특징의 분석을 토대로 종간 인식의 가능성에 대하여 논의하였다.

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Playback Expedments on Bush Warbiers (Cettia diphone): Their Song Recognition of Intra- and Inter-Population (휘파람새의 Intra-and Inter-Population Songs 인식에 관한 Playback실험)

  • 박시룡;박대식;김수일;윤무부
    • The Korean Journal of Zoology
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    • v.38 no.4
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    • pp.443-448
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    • 1995
  • Playback experiments were performed to clarify the degree of song recognition using inter - and intra-populatlon songs of Bush Warbler at Cheongwon, Chungbuk area. Six territorial males were strongly responded to inter- as well as intrapopulation songs. Their responses to the inter- and Intra-population songs were not differed significantly in all measures of latency time, staying time, and closest distance. This result imply that Bush Warbiers in the region did not discriminate the difference between intra- and inter-population songs. It may be the reason that the regional males have little Interactions In song exchange with neighbors by keeping a long Individual distance. In order to investigate the signal value as species recognition releaser, playback of partial songs, prepared from tow distinct regional populations of the spedes were presented to males of the study area. The partial songs presented were made of two portions for each presentation, a whlsde portion only, and a complex syllable portion only. Territorial males responded stronger to the complex syllable portion than the whistle portion of the song. This result indicate that the complex syllable portion conveys more information on the species recognition. As 'releaser' hypothesis suggested formerly, a function of the complex syllable portion In Bush Warbler song is understood In which conveys most spedesIdentifying information. Thus, the result of this playback experiments supports the releaser hypothesis.

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A Song Transition among the Geographic Populations of Bush Warbler (Cettia diphone) (휘파람새(Cettia Diphone)개체군간 song 변이의 방향)

  • Park, Dae Sik;Sooil Kim;Shi-Ryong Park
    • The Korean Journal of Ecology
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    • v.19 no.2
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    • pp.141-149
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    • 1996
  • This study was to examine the occurrence of geographic song variation and its pattern of transitional direction among bush warbler populations distributed in Korea and Japan, Bush warbler songs (n=283) of 25 males from Cheongwon and Jeju, Korea, and from Chiba, Japan were analyzed. Chiba individuals had more song types and had the higher dominant frequency and longer duration of the introductory whistle portion than Cheongwon and Jeju individuals. In measure of eight song parameters, the parameters constantly showed a decreasing or increasing tendency. The constant tendency showed direction related with the geographic location from Chiba to Cheongwon. The difference in song parameters between Cheongwon and Chiba populations was the greatest in comparison to that of other sets of geographic populations. The degree of discrimination among the three populations was 92.00%. These results indicate that there is a geographic song variation between bush warblers of Japan and Korea, and that the song transition has been directed from Chiba (Japan) through Jeju to Cheongwon (Korea).

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Sciences in the Song and Yuan Dynasties I (송·원대의 과학에 대하여 I -송에서 금까지-)

  • Kim, Young Wook
    • Journal for History of Mathematics
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    • v.28 no.1
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    • pp.1-14
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    • 2015
  • This survey is the first part of the history of science of Song and Yuan dynasties and covers the period starting from Song to Jin. The major science in the Song period consists of calendrical astronomy, mathematics and medicine, and mathematics is also related to water supply technology. In this survey we follow Yabuuchi's work on the history of science of Song and Yuan period and Du Shiran's work on the history of science of China. We will try first to see how academic science flourished in the Northern Song, what caused the public science to prevail in the Southern Song, and then how the academic trend continued in Jin. We will continue to cover the Jin-Yuan period in the ensuing survey.

Algorithm to Search for the Original Song from a Cover Song Using Inflection Points of the Melody Line (멜로디 라인의 변곡점을 활용한 커버곡의 원곡 검색 알고리즘)

  • Lee, Bo Hyun;Kim, Myung
    • KIPS Transactions on Software and Data Engineering
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    • v.10 no.5
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    • pp.195-200
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    • 2021
  • Due to the development of video sharing platforms, the amount of video uploads is exploding. Such videos often include various types of music, among which cover songs are included. In order to protect the copyright of music, an algorithm to find the original song of the cover song is essential. However, it is not easy to find the original song because the cover song is a modification of the composition, speed and overall structure of the original song. So far, there is no known effective algorithm for searching the original song of the cover song. In this paper, we propose an algorithm for searching the original song of the cover song using the inflection points of the melody line. Inflection points represent the characteristic points of change in the melody sequence. The proposed algorithm compares the original song and the cover song using the sequence of inflection points for the representative phrase of the original song. Since the characteristics of the representative phrase are used, even if the cover song is a song made by modifying the overall composition of the song, the algorithm's search performance is excellent. Also, since the proposed algorithm uses only the features of the inflection point sequence, the memory usage is very low. The efficiency of the algorithm was verified through performance evaluation.