• 제목/요약/키워드: Sociocultural differences

검색결과 61건 처리시간 0.021초

세대와 성별에 따른 신체적 매력과 호감 지각의 집단 차이에 대한 검증 (Generation and Gender Differences in Physical Attractiveness and Likability Perception)

  • 백인해;정태연
    • 한국심리학회지 : 문화 및 사회문제
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    • 제27권1호
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    • pp.73-93
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    • 2021
  • 본 연구는 신체적 매력과 호감 지각이 한국인의 세대(청년과 중년) × 평가자 성별(남과 여) × 타겟 성별(남과 여)에 따라 어떻게 다르게 나타나는지 알아보고자 했다. 또한, 평가자들이 같은 타겟을 평가할 때 평가자가 동성이 만든 타겟을 이성이 만든 타겟보다 더 신체적 매력과 호감을 높게 평가하는지도 알아보았다. 이를 위해 120명의 대학생을 참여시켜 3D 프로그램을 사용하여 이상적인 외모와 신체를 가진 타겟을 만들었다. 그다음, 또 다른 240명(청년 남녀 각 60명, 중년 남녀 각 60명)이 타겟의 신체적 매력, 호감도를 평가하였다. 분석 결과, 신체적 매력과 호감도는 정적 상관이 있었지만, 집단 간 차이의 패턴은 달랐다. 즉, 신체적 매력은 타겟의 성별과 평가자 성별에서 성차가 나타났지만 세대 차이는 나타나지 않았다. 호감도의 경우 타겟의 성별에 따른 차이와 세대 차이가 나타났지만, 평가자의 성차는 나타나지 않았다. 마지막으로 평가자들의 성별에 따라 같은 타겟에 대한 호감 지각에 차이가 나타났다. 이러한 결과를 신체적 매력에 대한 진화론적 관점과 사회문화적 관점에서 논의하였다.

Risk Factors for Sudden Infant Death Syndrome and Sleeping Practices in Korea

  • Ahn, Young Mee;Yang, Kyung-moo;Ha, Hong Il;Cho, Jung Ae
    • Child Health Nursing Research
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    • 제26권1호
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    • pp.82-89
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    • 2020
  • Sudden infant death syndrome (SIDS) in Korea remains a poorly-understood subject for both professionals and the public. Recent reports have emphasized ethnic differences in SIDS rates, suggesting that making adjustments in child-rearing practices may contribute substantially to SIDS reduction. Two of the three major risk factors for SIDS-vulnerability of the infant and exogenous factors-need to be understood in particular depth due to their broad scope and sociocultural grounding. This paper presents substantial issues regarding preterm birth and male gender on infants' vulnerability to SIDS in Korea. Practices of caring for healthy infants are addressed in the context of sleeping practices, including sleeping position, bedding arrangements, sleeping on the floor, the back-to-sleep position, high indoor temperatures and ondol floor heating, and swaddling. Professional and social awareness about how to reduce SIDS should be raised by promoting a better understanding of risk factors in the context of ethnic and cultural variations in child-rearing practices.

IEEIA 수업이 우리나라 고등학생의 환경행동 및 관련변수에 미치는 효과 (The Effect of IEEIA Instruction on Responsible Environmental Behavior and Associated Variables in High School Student)

  • 최소영;남영숙
    • 한국환경교육학회지:환경교육
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    • 제17권1호
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    • pp.90-100
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    • 2004
  • This study has the goal to modify ‘Investigating and Evaluating Environmental Issues and Actions’(IEEIA) instruction in the sense of Korean ecological sociocultural characteristics and ‘ecology and environment' curriculum and to assess the effects of modified IEEIA instruction on responsible environmental behavior and associated variables in high school student. A modified pre- and post-test nonequivalent control group design was utilized with 4 intact classes from J-high school at Seo-cheon, Chungcheongnamdo. Pre- and post-test data were collected on the following variables: responsible environmental behavior, knowledge of and skill in using environmental actions strategies, in-depth knowledge about issues, and locus of control. Analysis of t-test was used to compare pretest with posttest means of treatment group and control group. In treatment group, statistically significant differences between pretest and posttest were found with all variables. The treatment was found to be more effective than the control in increasing the variables of responsible environmental behavior, knowledge of and skill in using environmental actions strategies, and locus of control.

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한국인 치열궁구조의 비례에 관한 연구 (A STUDY ON THE RATIO OF THE DENIAL ARCH STRUCTURE IN KOREANS)

  • 박재억;남동석
    • 대한치과교정학회지
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    • 제18권1호
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    • pp.165-173
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    • 1988
  • The purpose of this study was to investigate and evaluate what proportion is the characteristics in Korean dental arches with normal occlusion. Many others have already indicated Golden proportion in normal dental arches, but have not considered any racial and sociocultural differences. So the author postulated $(\sqrt{2})^n$ relations in Koreans. The materials were consisted of 134 dental casts with normal occlusion, which have never undergone orthodontic and prosthodontic procedures. Measurements were made on the arch dimensions using sliding caliper and data were computerized. The findings were as follows: 1. The width between the distal surfaces of the upper centrals, had $(\sqrt{2})^3$ relation with the width between the buccal surfaces of the upper 1 st premolars in Koreans. 2. The width between the distal surfaces of the lower laterals had $(\sqrt{2})$ relation with the width between the distal surfaces of the lower canines, and had $(\sqrt{2})^2$ relation with the distal surfaces of the upper centrals. 3. The width between the distal surfaces of the lower centrals had $(\sqrt{2})^2$ relation with the width between the distal surfaces of the lower laterals, and had $(\sqrt{2})^3$ relation with the width between the distal surfaces of the upper centrals.

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크리티컬 패션에 관한 고찰 (What is Critical Fashion?)

  • 정정희;임은혁
    • 한국의류산업학회지
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    • 제21권5호
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    • pp.540-551
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    • 2019
  • This study analyzes a new fashion phenomenon for critical fashion. Critical fashion is a message-centered fashion that delivers consciousness and sociocultural issues for contemporary society. The research method for this study combined literature reviews and case studies along with a research scope, that reviewed aspects of critical fashion through works, presentations, and images of collections, various media, and joint projects from the 2000s to the present day. This study indicates that critical fashion exhibits a conceptual pattern that metaphorically expresses the message of designers' perspectives on society and the fashion system. Critical fashion designers' socially critical messages began to emerge in avant-garde fashion influenced by avant-garde art movement that then developed into a conceptual fashion heavily influenced by conceptual art movement before it evolves into concepts of critical fashion. Critical fashion has been influenced by community-oriented critical art, which signifies that the characteristic of criticism of an art system is expressed through the language of fashion. In conclusion, critical fashion resists the idea of the integration of a cultural industry whose homogeneity is continuously collapsing the differences for the purpose of consumption and challenges to the established fashion system.

Examining Hegemony, Ideology, and Class in Mani Ratnam's Raavanan (2010)

  • Ilaiya Barathi Panneerselvam;Adrian Lee Yuen Beng
    • 수완나부미
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    • 제15권1호
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    • pp.181-203
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    • 2023
  • Cultures often adopt the good versus evil dichotomy within their narratives of religious texts, aural anecdotes, and cultural mythologies. The Ramayana narrates a divine story that transcends time of the battle between the forces of good and evil, between Prince Rama and Ravana. Numerously adapted through time, the Ramayana is today told through moving visuals and has been adapted by Mani Ratnam through Raavanan (2010). Raavanan is adapted to the premise of hero versus villain using the good versus evil premise as Dev Prakash (Rama) searches to rescue his wife Raagini (Sita), who is abducted by Veeraiya (Ravana). The film, however, departs from the Ramayana as Raavanan is told through the perspective of Veeraiya. In the film, Veeraiya is portrayed as a flawed anti-hero who battles against injustice instead of being the antagonist. He seeks revenge for his sister and stands up against the oppression of his tribe. In this battle, he questions ideological understandings of justice and morality that have been conventionally interpellated within society. This paper discusses how Mani Ratnam, through the film Raavanan, contests hegemony, ideology, and class differences within modern cinema and society alongside the more significant question surrounding India's sociocultural conditions.

플러스 사이즈 소비자들의 신체인지와 비만수용태도 및 의복행동에 대한 한국과 미국의 비교문화 연구 (A Cross-Cultural Study of Plus-Size Consumer's Perception of Body, Attitude of Accepting Obesity and Clothing Behaviors in Korea and the US)

  • 최미영
    • 복식
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    • 제66권3호
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    • pp.75-92
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    • 2016
  • The purpose of this study was to prove how sociocultural perspective of obesity, differences in consumers' perception of body and attitudes of accepting obesity affected individuals' clothing behaviors through cross-cultural studies. The data collected were composed of 612 Korean and US consumers in the 20's and 30's that had experiences in purchasing plus-size products. The results were as follows. First, BMI index was lower in Korean consumers than the US consumers, but Korean consumers received more stress from being overweight compared to the US consumers, and had a more negative attitude about their body. Second, although Korean consumers had lower BMI index and degrees of obesity than US consumers, they were severely stressed by obesity and were found to have a higher level of dissatisfaction with their bodies. Third, Korean consumers responded more sensitively to obesity and had a tendency to display a more negative attitude regarding obesity, and a more passive dependence on clothing. Forth, differences in the body shape were reflected even in wearing evaluation, and US consumers showed a more positive attitude toward evaluations of size suitability and fitness. Fifth, the plus-size market for Korean consumers was still not active, and most products purchased were generic brands obtained from online shopping malls through the Internet. However, in the case of the US, in which the ratio of obese people is high and the plus-size market is growing, consumers were purchasing plus-size brands through various distribution online and offline channels. Sixth, Korean consumers were less satisfied than US consumers with shops, sizes and fitness; however, they were more satisfied with design factors. Finally, it is expected that this study can offer practical implications for marketers and product developers running plus-size market for young obese consumers in their 20 and 30s.

W. E. B. 듀보이스와 '니그로'의 재구성 (W. E. B. Du Bois and the Reconstruction of the 'Negro')

  • 이경원
    • 영어영문학
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    • 제55권5호
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    • pp.907-936
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    • 2009
  • Quite arguably, W. E. B. Du Bois is the first figure in the history of black nationalism who engaged most persistently and systematically with the dominant ideology of racism and white supremacy. It is not too much to say that, by contending with the Eurocentric but taken-for-granted concept of the 'Negro' in the turn of the century, Du bois has laid the theoretical and ideological cornerstone of postcolonialism today. But his concept of race varied over time and was even contradictory in the same writings. The early Du Bois defined race as something historically made rather than biologically given and determined. Yet he didn't utterly deny the significance of physical traits and skin color in constructing racial identity. His notion of the 'Negro' was not unambiguous, either. While drawing on the 'soul' of 'black folk' to undermine the Eurocentric dichotomy of white/mind and black/body, Du Bois argued that there is some kind of 'spiritual' differences between whites and blacks, differences that are essentially inherent and hereditary in the 'Negro.' Such essentialist notion of race and the 'Negro' was on the wane in the later Du Bois, especially after his encounter with Marxism. He came to think of race merely as a discourse of racism that can be subverted and even appropriated for anti-racist practices. Following the Marxist assumption that 'the color line' is a class conflict on the international level, Du Bois contended that the 'Negro' is an outcome of slavery which is in turn a subsystem of Western capitalism. He also argued that, since the 'Negro' is not a biological essence but a sociocultural formation, the identity of the 'Negro' can and must be reconstructed according to historical change. For Du Bois, therefore, the resistance against colonialism and capitalism became a resistance against racism. This is why his Pan-African movement shifted its gear from the American program in the initial phase to a truly 'Afrocentric' and socialist one.

여대생의 체중감량 제품 복용 영향 요인 (Factors influencing Intake of Weight Loss Products of Female College Students)

  • 고상진;송주희;이주현;이하은;황현지
    • 한국산학기술학회논문지
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    • 제19권3호
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    • pp.456-467
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    • 2018
  • 현대 사회에서 외모가 자신을 표현하는 중요한 가치로 부상함에 따라 날씬함이 아름다움의 상징으로 여겨지고 있다. 이에 본 연구에서는 여대생들의 신체상, 외모관련 사회문화적 태도, 비만 스트레스와 다이어트 행동이 체중감량 제품 복용에 미치는 영향을 조사하고자 시도되었다. 자료수집은 2017년 6월과 7월에 온라인 설문조사 프로그램을 이용하여 220명의 여대생을 대상으로 신체상, 외모관련 사회문화적 태도, 비만 스트레스와 다이어트 행동에 대해 조사하였다. 자료분석은 SPSS WIN 프로그램을 이용하여 $x^2$-test, 피어슨 상관관계 분석, 로지스틱 회귀분석을 이용하였다. 연구결과, 체중감량 제품의 복용군과 비복용군 사이에는 신체상, 외모관련 사회문화적 태도, 비만스트레스와 다이어트 행동에 유의한 차이가 있었으며, 모든 변수는 서로 유의한 상관관계가 있었다. 체중감량 제품 복용에 영향을 미치는 요인은 외모관련 사회문화적 태도(OR=1.15, CI=1.03~1.29), 비만 스트레스(OR=1.13, CI=1.06~1.20), 다이어트 행동(OR=1.21, CI=1.10~1.33)과 체중감량 제품에 대한 부작용 지식(OR=3.86, CI=1.62~9.20)으로 나타났다. 따라서 여대생을 대상으로 건강한 체중에 대한 올바른 지식과 체중감량 제품 복용이 필요한 경우, 제품의 성분, 부작용에 대한 적절한 정보전달이 이루어져야 한다.

서양 예술작품에 나타난 넥타이의 역사적 고찰 (A Development of Necktie Design in Western Art)

  • 이의정;정세희
    • 한국의상디자인학회지
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    • 제8권1호
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    • pp.81-96
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    • 2006
  • This study aimed to investigate the sociocultural phenomena which affected to clothing change in 1650-1900 and to examine the features of men's necktie in the western art. For this study, information about historic neckwear is obtained from the visual evidence of painted or engraved portraits, contemporary written sources. The covered area of this study was Europe mainly England and France. For this process, research steps were as follows : 1. Investigating the sociocultural phenomena which affect to clothing change through 1650-1900 and analysis of men's clothing and appearance. 2. Finding the changing characteristics of neckties including it's different types, shapes, knots, colors and materials and analyzing similarities and differences of neckties by the times. 3. Examining necktie as one of important and representative icons of male gender identity. The results of the study was as follows: 1. In 1660-1900, men's fashion was simplified in color and detail due to the influence of practical Puritanism and matured civil culture. And British men's fashion spreaded throughout whole European countries and get popularity. 2. In 1650-1720, there were band, cravat and steinkirk. And expecially cravatier, a expert custodian of cravats, was appeared in that period. In 1720-1800, there were stock, solitaire and cravat. In 1800-1850, neckwear were popularized and got various sizes and types up to shape and size of chemise collars. Black stock, scarf cravat and shawl cravat were popular and terms of 'necktie' were used for an certain neckcloth shape. And abundant literature for necktie were published thanks to the development of printing technology in that period. In 1851-1900, the leady-made neckties were spreaded and there were changes in shape, length, knot of necktie up to V-zone formed with shirt's collars and vest types. Neckwear was gradually evolving through four distinct styles, bow tie, scarf or neckerchief, Ascot and four-in-hand. 3. After the mid-l7th Century, as civil culture matured and splendid and extravagant colorful men's wear disappeared, British men's fashion spreaded throughout whole European countries and got popularity. The necktie become an essential ornamental accessory of men's fashion and one of important and representative icons of male gender identity.

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