• 건축역사연구
• /
• 제2권1호
• /
• pp.25-41
• /
• 1993

This study was made to analyze the housing adjustment phenomenon in the first half of Chosun Dynasty by applying Microsociological approach. By reviewing the housing adjustment theory of Morris and Winter, research model for the period was developed in terms of socioeconomic characteristics, normative housing deficit (=cultural norm-housing condition+family norm), constraints, behavioral propensities, and housing adjustment mechanism with the following results : 1. In the first half of Chosun Dynasty the size of the house, the house site and decorating items were specified by law (cultural norm) according to the social status. Although the law was constraints for the housing phenomenon, it was not applied universally. Frequantly the law was violated by the upper class. By the middle of the Dynasty the family norm became more important for the housing phenomenon than the cultural norm. 2. Efforts were made to practice the Confucianism as a cultural norm in the first half of Chosun Dynasty At that time Husband-Living-in-Wife's-House was more popular than Wife-Living-in-Husband's-House. Because the customs were against the Confucianism, the latter was encouraged by law. But it did not change. Instead a compromised system became popular in the middle of the Dynasty. The house shrine was practiced to increase the symbolism of the family, which, in turn, exerted influences in deciding the housing site (cultural norm). These cultural norm was not accepted as the family norm untill the second half of the Dynasty. These trends forced the man and woman use separate areas of the house, and formulated a hierarchic positions within a house. 3. It was shown that the settlement of Confucianism as a family norm was closely related to the popularization of the Ondol system in the house, which functioned as one of the behavioral propensities to encourage diversity of space for many purposes. Though the Ondol system was accepted as a useful heating system earlier, this became more popular in the middle of the Dynasty because the housing pattern with Ondol fitted very well with a large family system with patriarchism. Ondol system for one or two rooms substituted Ondol for all rooms in the second half of the Dynasty. 4. From the beginning of the Dynasty housing adjustment of the family was determined by the social status and by law (cultural norm). Within this cultural norm each family decided its adjustment mechanism according to its economic ability (family norm). Family norm was more important factor than the cultural norm to determine the micro-space pattern in the house. But this period witnessed the formations of new conditions by the ruling class's efforts to implement new ethics for hierarchy and sexual discrimination. According to these conditions the Confucianism overruled the family norm in the later period.

• 미술이론과 현장
• /
• 제2호
• /
• pp.169-190
• /
• 2004

The purpose of this article is to delve into the problems of originality of the artwork by examining issues of reproduction within the contemporary art market. In contemporary arts, especially in terms of art production and consumption, we can't overlook society and its economic structure and its connection with of capitalism. As the purity of art creation has turned into an exchange value, art, especially an object as artwork, has fallen into the status of production in an economic marketing system. Walter Benjamin mainly referred to that point in his thesis Das Kunstwerk im Zeitalter seiner technischen Reproduzierbarkeit, which originated the sociology of plastic arts. This thesis, published in 1936, traced how the artistic functions of photograph and movie had been changed through the social development. His main concerns were movie and photograph but what I am concentrating from his point of view, is that even in the field of plastic arts, the manufacture of reproduction has been practiced as a primary method within the social and political contexts and development. Though I am referring to this in the main body of this article, reproduction in contemporary art strongly needs a new definition since it has been spread all over like a newest virus, not only by collector's personal taste or hut also by commercial circulations of these reproductions to the public. This relates to Benjamin's argument about the value of an exhibition at a museum(Ausstellungswert). Since the function of an artwork has been one of cultural industry, the manufacturing of reproduction raises unexpected problems, such as, the originality of the artwork, the value of an exhibition at a museum, its achievement as documentary and as a territory of art criticism. In this point of view, I want to inquire into the value and criteria of an exhibition in contemporary art through the review of the definitions and the intrinsic attributes of reproduction. Somehow in a broad sense, the reproduction is a product coming out of representation or copy (replica) of an original art work or an model. Therefore, the problems it presents differ from the Simulacre, which is an image without an original one. In terms of the Meanings of reproduction, we can distinguish it as reproductions, copies, and productions. These types of reproductions are not the original artworks reflected by the creative intention of the artists. For example, a publishing company reproduced some of lithographs of Salvador Dali in the 1960s. They are commercial copies in the form of representation or reproduction with no artistic and creative intention of the artist. However, In despite of this theoretical basis, reproductions of the famous artists are still displayed without any verification for of the public's quest for the artworks. Moreover, many commercial companies that are planning to exhibit art works of the world-famous artists only for their profits keep trying to speak ill of and judging by the law the honest art critics' articles which discuss the true values of exhibition. If freedom of expression is one of the ideals of democracy, even the judgment of the originality of the artworks should be freely expressed.

• 미술이론과 현장
• /
• 제3호
• /
• pp.51-66
• /
• 2005

With the advent of the time when the competitiveness of a nation or a city can be evaluated by the extent of cultural reception, the art exhibitions, like other genres of art, are actively held in various ways by different institutions. The spaces of exhibition offered not only by public museums and galleries but also by private galleries, alternative spaces and open-air exhibition spots are being increased. Likewise, the number of exhibitions organized on a large scale by Biennales and local governments is on the increase. In accordance with actual tendency, the Ministry of Culture and Tourism has planned to increase the number of museums and galleries up to 500 by the year of 2011. Under these circumstances, the actual situation shows that the central and local governments are adopting beneficial measures to support the private galleries such as permission of construction on green belt areas and tax deduction. That is, our society has come to realize that the necessity and importance of public as well as private galleries to play their roles as cultural and educational institution. Now, the number of galleries is growing. Exhibitions are held everywhere. Therefore, spectators have more chance to visit them than before. With these conditions and the growing number of amateurs, social interest in curator organizing exhibitions is getting popular. Because of the rise of curatorial popularity on the social level, the influence of curators which is exercised within the gallery seems to become gradually enlarged. In reality, it is true that the curatorial influence cannot be ignored more than ever for appear in various fields their new features made from their professional cometence. The function of gallery is more strengthened and its position is more heightened than those in 80s. For these reasons, the curators whose playground is the gallery, they may be regarded as invisible power to the artists. Futhermore, their influence as such seems to be more likely because our world of art does not still have any reliable system of art criticism. Nevertheless, considering the actual situation in which national and public galleries as cultural institution would rather exist on the local sentiments or political dynamics than on autonomy, there must be some restrictions for the galleries and the curators to obtain the power. In this context, the actual moment is looked upon as transitional period to make the curatorship settled down. Before discussing the power relevant to curatorship, we are going to examine first the role and function of curator and then the new curatorial role and function at the age of information. Finally, we will see in sequence the development and problems of curatorship, the power and dilemmas of curator.

• 미술이론과 현장
• /
• 제8호
• /
• pp.89-119
• /
• 2009

Kim, Jun-Geun(Gisan) was a late 19th century Chosen dynasty painter who created numerous genre paintings for West European clients in the newly opened treaty ports of Wonsan, Busan and Inchon. The treaty ports in the late 19th century Chosen represented of the crossroads the economy, values, and the institutions of the West European powers. In particular, the agriculture-based economy, Confucianism, and land-owner noble class started being eroded by a commerce-based economy, the values of Christianity, West European institution, and a new class of people who amassed wealth from commerce. As Kim, Jun-Geun's paintings were created for sale to West European clients, they exhibit characteristics that are distinct from the traditional genre paintings in terms of presentation style and the selection of the subject matters. The export genre painting originated in the 18th century around Guangdong, China. Broadly, there are two styles of genre paintings: the Guangzhou style and Ningbo style. Kim, Jun-Geun's paintings resemble the Ningbo style. The Ningbo style tends to highlight the main subjects, form an album of small paintings, and provide a simple treatment of the scenes without the background. Kim, Jun-Geun's paintings cover most aspects of life of common people of his time, ranging well beyond the subjects matters of the traditional genre paintings. His subject matters include the scenes of funeral, folk games, Buddhist and ancestor worship, prison and punishment, shaman custom, debauchees, government officials' formal trips, beggars and handicapped, etc. Many of the subjects are the neglected and the oppressed of the society. And he presents in detail the dress and its ornament that the subjects wear, and all the utensils and things around them. Besides, his subjects' faces are generally expressionless, and their postures are stiff; as such, the feeling of liveliness or movement is lacking. It may be the results of Kim, Jun-Geun's taking the other perspective, namely of his West European clients, rather than his own. The adoption of the other perspective may in turn be a product of the Social Darwinism and the new sense of values that accompanied the infusion of Christianity and West European institutions. Kim, Jun-Geun's portrayals of his subjects appear to reflect the attributes with which the West European Orientalists' of the period characterized the people of the Far East, namely, backwardness, barbarity, irrationality, violence, and mysticism.

• 한국가정과교육학회지
• /
• 제33권1호
• /
• pp.151-167
• /
• 2021

본 연구는 청년 1인가구를 위한 식생활교육 프로그램을 개발하였다. 청년 1인가구의 식생활 요구도 조사를 위해 국민건강영양조사 7기(2016~2018년) 자료를 활용하여 1인가구와 다인가구의 식생활 행태를 비교분석을 하였고, 청년 1인가구의 식생활 행태를 분석하기 위해 서울에 거주하는 청년 1인가구(만19~39세) 350명을 대상으로 온라인 설문조사를 실시하였다. 분석한 결과, 1인가구는 다인가구보다 아침 결식률과 외식빈도가 높았으며, 에너지 및 영양소 평균섭취량이 유의적으로 낮았다(p<0.05). 특히 청년 1인가구의 경우 가정에서의 조리 빈도가 낮을수록 아침 결식률이 높았고 외식과 배달음식 섭취빈도가 유의적으로 높았다(p<0.05). 이런 요구도 조사를 바탕으로 식생활교육 이론모델로 사회인지이론을 선정하였고, 청년 1인가구를 위한 식생활교육 프로그램을 DESIGN 6단계 절차를 적용하여 개발하였다. 1차시는 집밥의 건강향상 효과와 경제적 이익, 2차시 아침의 중요성과 생활 속 운동의 효과, 3차시 균형 잡힌 영양섭취의 중요성과 건강한 식단 작성의 원리, 4차시는 식품안전과 보관, 5차시는 소셜다이닝의 효과의 내용으로 구성하였다. 각 차시는 '건강한 집밥을 더 많이 만들어 먹기'라는 동기유발을 위한 이론강의와 행동수행력 향상을 위한 조리실습을 결합하여 구성되었다.

• 사회복지연구
• /
• 제42권1호
• /
• pp.399-432
• /
• 2011

이 연구의 목적은 연장입양가족의 적응과정을 이해하고, 그에 대한 실체이론을 구축하고자 하는 것이었다. 이러한 목적을 달성하기 위하여, 본 연구에서는 연장아동을 입양하여 양육하고 있는 입양모들을 대상으로 심층면접을 실시하고 질적 접근으로 자료를 분석하였다. 분석 결과, 연장입양가족의 적응과정에 대한 이론적 모형이 구성되었고, 여기에는 연장입양가족들이 적응해 가는 과정에서 거치게 되는 여러 국면들과 경험들, 그리고 연장입양가족의 적응을 방해하는 장애물과 적응을 위해 가족들이 동원하고 활용하는 자원과 전략들이 포함되었다. 적응과정상의 국면들은 낯선 만남, 충격, 고군분투, 조절, 안정 등 다섯 가지 국면으로 구성되었다. 연장입양가족의 적응과정을 방해하는 장애물들로는 문제행동, 잃어버린 시간, 준비 부족, 경험 부족, 악순환의 고리, 혼자 버팀, 부적절한 자원, 지지 받지 못함, 비난받음 등이 있었고, 연장입양가족들이 활용하는 자원과 전략으로는 양육 경험, 지적 능력, 의지, 신앙, 관점 전환과 같은 개인 자원과 능력, 배우자나 다른 자녀와 같은 가족 자원, 확대 가족, 친척, 친구, 이웃, 다른 입양가족과 같은 비공식 지지체계, 입양실무자나 원조전문가들과 같은 공식 자원 등이 포함되었다. 이러한 연구결과를 근거로, 입양분야에서 연장입양가족의 적응을 돕기 위한 정책과 실천 지침들을 제언하였다.

• 사회복지연구
• /
• 제41권2호
• /
• pp.67-99
• /
• 2010

우울과 자살 간에 유의한 관계가 있다는 기존의 연구에도 불구하고, 통계자료는 우울 유병률은 여성이 높으나 자살률은 남성이 높다는 것을 보여준다. 본 연구의 목적은 우울과 자살태도의 관계에 대한 탐색적 고찰을 통하여 이러한 성별차이에 대한 경험적 이해를 도모하고, 향후 우울 및 자살에 대한 성별 및 연령별 차이의 연구에 대한 방향성과 함의를 제공하는 것을 주목적으로 한다. 이러한 목적을 달성하기위하여 서울복지패널 1차년도 자료를 사용하여, 18세 이상 성인 7,396명을 대상으로 우울과 자살태도와의 관계, 우울과 자살태도 간의 관계에 있어서의 성별 및 연령 차이에 대해서 구조방정식 및 다중집단분석을 통해서 분석하였다. 기존 연구결과와 동일하게 전체적으로 우울과 자살태도의 관계는 유의하게 나타났다. 다중집단분석결과는 우울과 자살태도의 관계가 여성집단보다 남성집단에서 강하게 나타나는 것을 보여주었고, 이러한 성별차이는 65세 이상의 여성집단에서 우울과 자살태도의 관계가 다른 세 집단에 비해서 상대적으로 약하기 때문인 것으로 나타났다. 이러한 결과는 우울 유병율은 여성이 높은데 자살률은 남성이 높은 이유 중의 하나는 우울이 자살에 영향을 주는 정도가 남성집단에서 여성집단보다 강하기 때문이라는 것을 보여주고, 우울과 자살간의 관계의 성별차이의 주 원인은 65세 이상 여성의 특성이 상당부분 기여하고 있는 것을 보여준다. 결과를 바탕으로 이론적 실천적 함의를 논의하였다.

• 한국심리학회지 : 문화 및 사회문제
• /
• 제8권1호
• /
• pp.17-40
• /
• 2002

한국에서 5개 광역별로 운전자들이 지각하는 교통환경과 운전행동을 결정하는 사회인지 요인들의 공통점과 차이점을 알아내었다. 전국 14개 지역에서 운전자 1,387명을 대상으로 수행된 본 연구의 중요 결과를 5개 광역권으로 나누어서 분석한 결과를 요약하면 다음과 같다. 먼저 운전자의 교통행동을 결정하는 사회인지 요인들 가운데 습관 요인은 지역에 상관없이 일관되게 중요한 요인이었다. 그러나 지역에 따라서 큰 차이를 보이지 않고 비교적 중요하게 기여한 행동의도 요인을 제외하면 교통행동의 결정 요인들이 지역에 따라서 달리 나타났다. 물리적 교통환경의 지역별 특성을 운전자의 지각에 따라서 비교한 결과에서는 8가지 물리적 교통환경 요인들(도로지형/구조, 도로 및 안전시설, 보행자 행동특성, 주변운전자의 운전특성 등)에서 의미있는 차이를 보였다. 운전자요인을 보면 4가지 주요 운전행동들 중 안전띠 착용 및 음주운전 행동과 관련되는 구성개념들 대부분과 과속운전 행동 및 주의경계 소홀 행동 영역의 일부 요인들을 측정한 값에서 5개 광역간에 의미있는 차이가 있었다. 구체적으로 안전띠 착용 습관, 의도, 행동 그리고 음주운전 습관, 의도, 행동 등에서 광역별 차이를 보였으며, 과속운전의 경우 태도, 주의경계소홀 행동의 경우 습관과 의도에서 광역별 의미 있는 차이를 보였다. 결과들은 광역별로 교통환경의 지각과 운전행동의 결정 요인에 차이가 있음을 의미한다. 따라서 교통안전대책은 지역 또는 광역 특성에 따라 제시되어야함을 시사한다. 이 연구 결과를 토대로 지방자치제에 알맞은 각 지역별 교통 대책에 관한 시사점을 논의하였다

• Asia pacific journal of information systems
• /
• 제24권3호
• /
• pp.325-344
• /
• 2014

Technical support of Window XP ended in March, 8, 2014, and it makes OS(Operating System) users fall in a state of confusion. Sudden decision making of OS upgrade and replacement is not a simple problem. Firms need to change the long term capacity plan in enterprise IS management, but they are pressed for time and cost to complete it. Individuals can not help selecting the second best plan, because the following OSs of Window XP are below expectations in performances, new PC sales as the opportunities of OS upgrade decrease, and the potential risk of OS technical support ending had not announced to OS users at the point of purchase. Microsoft as the OS vendors had not presented precaution or remedy for this confusion. Rather, Microsoft announced that the technical support of the other following OSs of Wndow XP such as Window 7 would ended in two years. This conflict between OS vendor and OS users could not happen in one time, but could recur in recent future. Although studies on the ways of OS user protection policy would be needed to escape from this conflict, few prior studies had conducted this issue. This study had challenge to cautiously investigate in such OS user's reactions as the confirmation with OS user's expectation in the point of purchase, three types of justice perception on the treatment of OS vendor, psychological contract violation, satisfaction and the other betrayal behavioral intention in the case of Window XP technical support ending. By adopting the justice perception on this research, and by empirically validating the impact on OS user's reactions, I could suggest the direction of establishing OS user protection policy of OS vendor. Based on the expectation-confirmation theory, the theory of justice, literatures about psychological contract violation, and studies about consumer betrayal behaviors in the perspective of Herzberg(1968)'s dual factor theory, I developed the research model and hypothesis. Expectation-confirmation theory explain that consumers had expectation on the performance of product in the point of sale, and they could satisfied with their purchase behaviors, when the expectation could have confirmed in the point of consumption. The theory of justice in social exchange argues that treatee could be willing to accept the treatment by treater when the three types of justice as distributive, procedural, and interactional justice could be established in treatment. Literatures about psychological contract violation in human behaviors explains that contracter in a side could have the implied contract (also called 'psychological contract') which the contracter in the other side would sincerely execute the contract, and that they are willing to do vengeance behaviors when their contract had unfairly been broken. When the psychological contract of consumers had been broken, consumers feel distrust with the vendors and are willing to decrease such beneficial attitude and behavior as satisfaction, loyalty and repurchase intention. At the same time, consumers feel betrayal and are willing to increase such retributive attitude and behavior as negative word-of-mouth, complain to the vendors, complain to the third parties for consumer protection. We conducted a scenario survey in order to validate our research model at March, 2013, when is the point of news released firstly and when is the point of one year before the acture Window XP technical support ending. We collected the valid data from 238 voluntary participants who are the OS users but had not yet exposed the news of Window OSs technical support ending schedule. The subject had been allocated into two groups and one of two groups had been exposed this news. The data had been analyzed by the MANOVA and PLS. MANOVA results indicate that the OSs technical support ending could significantly decrease all three types of justice perception. PLS results indicated that it could significantly increase psychological contract violation and that this increased psychological contract violation could significantly reduce the trust and increase the perceived betrayal. Then, it could significantly reduce satisfaction, loyalty, and repurchase intention, and it also could significantly increase negative word-of-month intention, complain to the vendor intention, and complain to the third party intention. All hypothesis had been significantly approved. Consequently, OS users feel that the OSs technical support ending is not natural value added service ending, but the violation of the core OS purchase contract, that it could be the posteriori prohibition of OS user's OS usage right, and that it could induce the psychological contract violation of OS users. This study would contributions to introduce the psychological contract violation of the OS users from the OSs technical support ending in IS field, to introduce three types of justice as the antecedents of psychological contract violation, and to empirically validate the impact of psychological contract violation both on the beneficial and retributive behavioral intentions of OS users. For practice, the results of this study could contribute to make more comprehensive OS user protection policy and consumer relationship management practices of OS vendor.

• 대순사상논총
• /
• 제33집
• /
• pp.91-145
• /
• 2019

본 논문은 구천상제를 신앙의 대상으로 여기고 음양합덕·신인조화·해원상생·도통진경을 종지로 하여 상생의 등불, 수도의 터전, 인존시대를 여는 대순진리회 여주본부도장을 풍수학의 형기(形氣)적 이치를 통해 개벽공사 성지(聖地)임을 밝히고자 하였다. 그러기 위해서는 이를 입증할 수 있는 대순진리회 여주본부도장의 지리적 위치, 산수의 음양관계, 지맥(地脈)의 행도(行度) 과정 등 풍수지리 전반에 걸쳐 고찰이 필요하다 하겠다. 동시에 인간개조와 정신개벽으로 포덕천하(布德天下), 구제창생(救濟蒼生), 지상천국(地上天國) 건설을 목적으로 포덕(布德)·교화(敎化)·수도(修道)의 기본사업과 구호자선사업·사회복지사업·교육사업의 3대 중요사업을 추진해오고 있는 대순진리회 여주본부도장이 후천개벽의 인존시대를 열어갈 풍수적 적지임을 말해주는 용(龍), 혈(穴), 사(砂), 수(水)의 상호작용에 관한 연구도 매우 중요하다. 종단의 중심인 여주본부도장은 배산임수(背山臨水)의 풍수적 국세를 두루 갖추고 있다. 인류 해원상생(解冤相生)의 중심인 대순진리회 여주본부도장에 대한 풍수적 고찰을 통하여 풍수적 상징성과 보은상생(報恩相生)의 윤리 실천을 통해 미래를 밝혀 나갈 생왕지지(生旺之地)에 대해 탐색하고, 팔방(八方)의 상서로운 기운이 모인 이곳 본부도장의 영험한 명당국세의 수도처적(修道處的) 지세와 형국, 맑은 수기(水氣)와 어울린 지맥(地脈), 산수유정한 국세, 용혈사수(龍穴砂水)의 이치에 부합한 여주본부도장의 풍수적 입지를 밝히고자 했다. 따라서 본 논문의 주제인 대순진리회 여주본부도장의 풍수적 입지와 관련하여 현장을 중심으로 산과 물의 흐름을 풍수지리 이치에 근거하여 살피고 주변의 산세가 어떤 형태로 호응하고 있는지를 전반적으로 살펴보았다. 여주본부도장을 중심으로 사신사(四神砂)인 청룡, 백호, 주작, 현무 등의 포국(布局)과 입지의 연관성을 고찰하고자 형기론(形氣論)을 중심으로 전래 된 전통 지리서(地理書) 등을 토대로 여주본부도장의 풍수적 연구의 타당성을 뒷받침하고자 했다.