• Title/Summary/Keyword: Silla Stone pagoda

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A Study on the Creation and Development Process of Silla Stone Pagodas (신라석탑(新羅石塔)의 발생과 성립과정(成立過程)에 대한 고찰)

  • Shin, Yong-Chul
    • Journal of architectural history
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    • v.19 no.4
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    • pp.35-54
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    • 2010
  • This study aims to examine the development process of the early stone pagodas of Unified Silla. The history of stone pagodas traces back to both Baekje and Silla in the Three Kingdoms period, but the styles and structures of pagodas began differently. In other words, Baekje attempted to recreate the wooden pagoda style, while Silla attempted to recreate China' brick pagoda style. These different stone pagoda cultures, around the unification of Three Kingdoms, underwent new style changes, and after the mid-7th century, some changes in the five-storied stone pagodas in Tapri appeared, and the milestone perfection of Silla's stone pagodas was achieved through those of Gameusa Temple and Goseonsa Temple. After the mid-7th century, Silla's stone pagodas accommodated some of Baekje's wooden pagodas' elements, shifted from the wooden pagoda style and developed into its own stone pagoda style. This is shown in numerous stone pagodas. However, in Silla's stone pagodas, including the three-storied stone pagoda in Hwagboksa Temple in 692, the size of the pagoda became small and underwent sudden changes. In other words, a new direction of Silla stone pagodas was presented in terms of how massive stones could be reduced, but they differed only in the reduced stone amount; the basic developed style of the Gameunsa Temple stone pagoda and the Goseonsa Temple stone pagoda inherited the traditional style. Thus, the construction of these two pagodas is considered to be significant in the Silla's history of stone pagodas.

A Comparative Study on the Characteristics between Paekche and Silla Style Stone Pagodas (백제석탑(百濟石塔)과 신라석탑(新羅石塔)의 비교론적(比較論的) 고찰(考察))

  • Cheon, Deuk-Youm;Han, Seung-Hoon;Kim, Jin-sug
    • Journal of architectural history
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    • v.4 no.1
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    • pp.93-112
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    • 1995
  • The wooden pagoda was first appeared in about late 4th century in Korea. And between the late 6th century and the eary 7th centry, the multistoried wooden pagoda was replaced with the stone pagodas, in order to improve their stability and durability. In Three-kingdom and Unificated-Silla period, there are two types of stone stupas in Korea. The one is Paekche(百濟)style, and the other is Silla(新羅) style stone pagoda. These two styles are basically different in each part like podium, roof stone, body stone, structure and the others. Two types of stupas are distributed in two regions which devided into the East(Silla territory) and West(Paekche territory) in the Korean peninsular. The origin of the Korean stone pagoda can be traced to the Paekche dynasty and Silla dynasty. The former were the result of the careful study of their skillful wooden pagodas, where the latter were actualy originated from copying their sundried brick pagodas with stone. Two important pagodas of the primitive stage are the stone pagoda of Miruksa(彌勒寺) temple in Iksan and Bunhwangsa(芬皇寺) temple in Kyungju. These two pagodas are compared with each other in the style of their construction. Silla style have sharp straight lines and short distance between roof stone and eaves. They give us strong as well as intelletural feeling. Howerever, Paekche style has curved lines and dull angles of cutting area of stone, they give us soft feeling.

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Beginning and Characteristics of Stone pagoda in Jeonnam Region (전남지역 석탑의 출현과 특성)

  • Cheon, Deuk Youm
    • Journal of architectural history
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    • v.23 no.1
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    • pp.33-50
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    • 2014
  • Formative and structural characteristics of stone pagoda in Jeonnam area are known in largely two flows. One is that characteristic of stone pagoda in Jeonnam area of the Unified Silla is shown in eastern Jeonnam and some southern Jeonnam. But it is not shown in surroundings of Yeongsan river. Another is that besides stone pagoda in Silla style where social aspects of Goryeo are reflected, stone pagoda in Baekje style appeared. On the other hand, stone brick pagoda and non-typical stone pagoda appeared. These stone pagodas were developed mainly in north and west of Jeonnam, and could be classified in pure Baekje style and a cross style according to formative and structural characteristics. Stone brick pagoda is extant in Wolnamsa site and Woonjusa in Chungcheong and Jella areas which are old places of Baekje.

An Examination on the Origin of Stone Pagodas of the Silla Kingdom (신라석탑(新羅石塔)의 시원(始源) 고찰(考察))

  • Nam, Si Jin
    • Korean Journal of Heritage: History & Science
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    • v.42 no.2
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    • pp.154-169
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    • 2009
  • Korea is famous for a number of stone pagodas. In particular, it is noticeable that the stone pagodas came after wooden pagodas in all the Kingdoms of Goguryeo, Baekje, and Silla. Since the advent of wooden pagodas, it was during the latter half period of Three Kingdoms(especially, in the early Seventh century) that the first stone pagoda appeared at Mireuksa Temple site in imitation of the wooden ones. Now that no one can deny that Korean stone pagodas have developed, imitating the wooden pagodas. It is also obvious that the Stone Pagoda at Mireuksa site is the prototype of Korean stone pagodas. However, this study casts doubt on the theory that the stone pagodas in the Silla Kingdom originated not from the wooden pagodas, but from the brick pagodas, whereas the stone pagodas in Baekje Kingdom which has been said to come from the wooden ones. The fact that the temples and pagodas in both Baekje and Silla were erected by the same builders and technicians is one of the evidences supporting the assertion of the study. This study, accordingly, examines on the origin of the Silla pagodas by supposing the two genealogies. The first one can be summarized in chronological order as follows: starting from wooden pagodas, Stone Pagoda at Mireuksa site, Stone Pagoda at Jungrimsa site, Stone Pagoda at Gameunsa site, and Stone Pagoda at Goseonsa site. The second one, on the other hand, runs as follows: starting from bick pagodas, Stone Pagoda at Bunhwangsa, Uiseong Tapri five-storied Stone Pagoda, Seonsan Jukjang-ri five-storied Stone Pagoda, and Seonsan Naksan-ri three-storied Stone Pagoda in order. As the above genealogies show, the origin of the stone pagodas has been an controversy, especially because of the two different points of view: the one is that the roof-supporting strata(Okgaesuk-Bachim) originated from the brick structure and the ancient tomb ceiling of Goguryeo Kingdom, and the other is that the strata is a sort of the simplified design of the wooden roof structure. This study, however, takes note of the difference in length of the strata between the brick pagodas and the stone pagodas; the former stretches out its strata longer than the latter. Consequently, the study points out that the roof-supporting strata of the stone pagodas is originally a sort of modification of the wooden roof structure.

A Study on the Stylobate of the Wooden Pagoda Site in Hwangnyongsa Temple (황룡사 목탑 기단 연구)

  • Lee, Sang-Myeong
    • Journal of architectural history
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    • v.30 no.6
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    • pp.7-22
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    • 2021
  • This study was prepared to understand the changes in the stylobate and the characteristics of contrasting with the wooden pagoda of Hwangnyongsa Temple, which occupies an important position in ancient architecture. Literature data related to the wooden pagoda of Hwangnyongsa Temple, excavation data, and newly identified stylobate stone were examined.The reconstruction period of the wooden pagoda of Hwangnyongsa Temple, the size and form of the stylobate, the plan of the stylobate, the height plan, and the elevation plan were reviewed one after another.Since its foundation in 646, the wooden pagoda of Hwangnyongsa Temple has been rebuilt during the reign of King Gyeongmun in 873 and a stylobate has been rebuilt. Through the analysis of similar cases with the wooden pagoda's face stone members, the elevation of the stylobate was proved. It is estimated that the size and format of the wooden pagoda stylobate were similar to those of the reconstruction stylobate. It seems that the Sumijwa style stylobate was first introduced to the foundation of the wooden pagoda of Hwangnyongsa Temple. This is of great significance in that it provided a fundamental motif for the stylobate of architecture and stone architecture of the Unified Silla period.

Inquiry about 'The Theory of Brick-Copy' of the Stone Pagoda at Bunhuangsa Temple (신라 분황사탑의 '모전석탑(模塼石塔) 설(說)' 대한 문제 제기와 고찰)

  • Lee, Hee-Bong
    • Journal of architectural history
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    • v.20 no.2
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    • pp.39-54
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    • 2011
  • The Bunhuangsa stone pagoda, constructed in AD. 634, National Treasure no. 30, has been named as 'brick-copied pagoda' since the Japanese-ruling period by scholars. It is said that the Chinese brick pagoda was its precedent model, however the Bunhuangsa Pagoda is the oldest of all the Chinese-style brick pagodas except one, the Sungaksa Pagoda. The Chinese pagoda cannot have been a precedent model to copy due to its complex detail of wood vestige, as the Bunhuangsa pagoda is simple form without ornament. Domestic brick pagodas cannot have been a precedent model to copy as well, because all the domestic brick pagodas are younger than the Bunhuangsa Pagoda. Therefore, the terminology 'brick-copied pagoda' is a fallacy; it is rather that later brick pagoda copied the precedent the Bunhuangsa stone pagoda. The Bunhuangsa Pagoda is simply a piled-up pagoda of thick or thin, big or small slates of stone, facing only one smooth side and therefore needing nothing to relate to brick. The originality of the pagoda is more related to simple piled-up Indian stone stupa rather than Chinese brick pagoda. The roof form of its gradually stepped projection comes from the harmika of the summit of Indian stupa. Contrary to general history, old Silla Dynasty imported Buddhism directly from India by sea. From written national history and by temple foundation history, the Indian Buddhism evangelist possibly made influence to the erecting of temple and pagoda. The original wrong terminology has made a harmful effect gradually to the naming of mass-styled stone pagoda of only carved stepped-roof form after brick-copied pagoda. The false term 'brick-copied pagoda' should be discarded, which comes with superficial observation based on toadyism to China and colonialism to Japan. Instead of the fallacious term, this paper suggests multi-storied 'piled-up pagoda with slate stone.'

A Study about the Relations between Brick Pagodas and Stone Brick Pagodas in Korea (한국(韓國) 전탑(甎塔)과 모전석탑(模甎石塔)의 관계성(關係性)에 관한 연구(硏究))

  • Han, Wook;Kim, Ji-Hyeon
    • Journal of the Architectural Institute of Korea Planning & Design
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    • v.35 no.7
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    • pp.81-88
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    • 2019
  • The purpose of this study is to investigate the relations between brick and stone brick pagodas in all classes of pagoda with their construction and shape. Research objects of this study are brick and stone brick pagodas of National Treasure and Treasure and masonry pagodas that are similar to brick and stone brick pagoda. This study includes checking preceding researches, drawing questions from these preceding researches, and finding answers from these questions. The results of this study are as follows. First, pagoda of Bunhwangsa Temple, the first pagoda in the Silla Dynasty, was built as a masonry pagoda, not a stone brick pagoda. Second, roofs of stone brick pagoda barrows from brick pagoda's techniques for performance of material and ease construction. Third, brick or stone brick pagodas' base have Type II that has low and extensive foundation with soil and stones usually. Forth, Korean pagodas are categorized by their materials, construction methods, and shapes. Wooden pagodas, stone pagodas, and brick pagodas are categorized by materials, post-and lintel pagodas and masonry stone pagodas are categorized by construction methods, and pitched roof pagodas and terraced roof pagodas are categorized by shapes. Fifth, masonry pagodas of Buddhism that have shape of multi-story building were developed from Doltap, traditional stone stack, and they advanced with brick pagodas and stone pagodas to terraced roof stone pagodas and post-and lintel base brick pagodas.

A study on the structure of the Three storied Stone pagoda in Gameunsa Temple site. (감은사지 삼층석탑 구조에 관한 연구)

  • Nam, Si-Jin
    • Journal of architectural history
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    • v.17 no.3
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    • pp.7-21
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    • 2008
  • Three-story Stone pagodas in Gameunsa Temple site, one of the early staged stone pagodas, has been known as a standard of Silla stone pagodas. A stone pagoda is not only a stone art work and but also a stone architecture. In understanding the stone pagoda it is very important to be approached with technological side in which we can investigate the stone pagoda deeply and as well as to have been approached with art historical view. Also it needs that we should see the stone pagoda in view of structural safety. We can get many high technique from our ancestors who made Gameunsajiseoktap. 1. To reduce any deformation such as relaxation and sinking of members which is caused by a heavy load the members such as the lower tier of the base is made up of the foundation stone and side stone in each, comprising one stone. 2. A special construction method for connection between wall stone and column stone in stereobates was invented. It is to make column stone projected partially and wall stone be caved in that two members should be jointed well. This unique method is not used any longer after the three-story Stone pagodas in Gameunsa Temple Site. 3. In each side upper and lower member are not engaged as the size of roof stones and support stones of roof stones are different. It can be done for a distribution of perpendicular load and a prevention for relaxation of members. 4. It makes sure that to make upper ends of support stones 10mm lower was to be avoid upper loads to it judging from survey in disassemblying east pagoda. It proves that ancestors who made this stone pagoda had a technique to understand the structural matters to make small members as big as possible, not to engage in joint, to avoid in ends of members from upper load.

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The Study on the Jointing Method of Wooden Members at Unified Silla Architecture (통일신라건축 목조결구기법에 관한 연구)

  • Hwang, Se-Ok;Hur, Bum-Pal
    • Journal of architectural history
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    • v.18 no.1
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    • pp.7-29
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    • 2009
  • In understranding the essence of the Korea traditional Architecture, it is important to consider the jointing methods of architectural members, architectural technologies, etc. Especially the purpose of this study is understanding on the Jointing Method of Wooden Members in the period of Unified Silla Architecture. It's conclusion is summarized as follows. 1. A section of column has very close to do with the foundation stone. The structures of foundation stone and column are generally concluded by butt joint, arrow-head joint, housed joint by Grang-e method. Judu is structured by arrow-head joint And, in general, beam is structured by Sagaematchum Chumcha and sagaljudu of Don direction. At the head of Pyungju and the body of Goju, Changbang is structed by Jangbumachum with arrow-head joint or by jumukchang-machum. Also, it is surmised that Gyisoseum and Anssolim methods had been applied to columns from former ages. The example can be found at Bagjae Mireuksaji stone pagoda. Bagjae Mireuksaji stone pagoda taking wooden-pagoda form adopts Gyisoseum and Anssolim methods. We can also find such a sort of methods from other stone constructions like Budo, etc. 2. Injahwaban is structured by short Changbumachum with arrowed-head joint at upper members, and by Anjangmachum at the lower part. This sort of Gongpo style can be seen in the mural painting of tomb of Koguryo and in Buplyungsa, Buplyunsa, Bupkisa-located in Japan, which are influenced by Bakjae or Unified Silla. It is considered that at the end of the late United Silla, Injawhaban had been replaced with Chumcha and Soro on the Pyungbang under influence of Dapo style from China.

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A Study on Stone Pagodas with Silla Style in the Honam Region of Korea in Goryeo Period (고려시대의 호남지역 신라계 석탑 연구)

  • Tahk, Kyung Baek
    • Korean Journal of Heritage: History & Science
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    • v.49 no.4
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    • pp.4-21
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    • 2016
  • Until now, most studies regarding stone pagodas of the Honam region have been about stone pagodas with Baekje style because it was the territory of Baekje. However, after reviewing the designated cultural properties, I found that among the 94 stone pagodas in the Honam region there are 15 stone pagodas with Baekje style built in the Goryeo Dynasty and 34 stone pagodas with Silla style. So far, most research efforts have been concentrating on stone pagodas with Baekje style. Through a review of stone pagodas with Silla style, I sought to reveal new aspects of the pagodas in the Honam region. After reviewing the placement of pagodas, I found stone pagodas with Silla style were built mostly in South Jeolla Province during the Unified Silla period. However, in the Goryeo Dynasty stone pagodas with Silla style were erected throughout the Honam region. This shows enhanced Buddhist control over the Honam region than in the previous period. It can be verified especially in Gimje, Jeongeup, Sunchang, Damyang, Yeongam, and Gangjin, where stone pagodas with Baekje style and stone pagodas with Silla style coexist. The types of stone pagodas with Silla style in the Honam region can be divided into two. There are 21 pagodas with two-story foundation, and 12 with single foundation. They seem to have inherited characteristics of the two-story foundation of Silla pagodas. Two pagodas with single foundation were made of a single rock or natural rock for lower foundation. Regarding the body of the pagoda, there are 21 three-story pagodas and 12 five-story pagodas. 25 pagodas have first floors made of a single rock. These are likely to be in the tradition of Silla pagodas. However, the lower part of the roof stones vary as there are three, four, or five-tiered ones. Overall, 12 out of 16 pagodas with middle column in foundation, and 15 out of 21 three-story pagodas are located in South Jeolla Province. This proves that stone pagodas in the South Jeolla Province well maintained the tradition of Silla and became popular.