• Journal of the Korean Wood Science and Technology
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• 제52권3호
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• pp.243-261
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• 2024

In this study, samples were collected from various ancient wooden shipwrecks, including the Shinan shipwreck and Jindo shipwreck that used iron nails, the Yeongheungdo shipwreck carrying iron artifacts, as well as the Sibidongpado shipwreck and Wando shipwreck where degradation products were not observed, all of which were salvaged by the National Research Institute of Maritime Heritage. The aim was to analyze the characteristics of degradation products generated by iron (Fe) within the salvaged wooden shipwreck materials and establish fundamental data on degradation products in waterlogged archaeological wood. The analysis revealed that sulfur (S) is generally accumulated in wood obtained from marine environments. It was observed that the content of inorganic substances such as iron and sulfur was significantly higher in the Shinan shipwreck, Jindo shipwreck, and Yeongheungdo shipwreck compared to Sibidongpado shipwreck and Wando shipwreck, which used wooden nails. This indicates that the presence of iron affects the accumulation of degradation products and suggests that iron is a factor in the corrosion of wood. Furthermore, crystallin compounds were observed within the cell walls, and higher concentrations of iron and sulfur were found in the resin ducts, rays, and radial tissues. This suggests that during desalination and consolidation treatments, warm water or polyethylene glycol (PEG) may move degradation factors into resincanals, rays, radial tissues, etc.

• 미술이론과 현장
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• 제14호
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• pp.33-51
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• 2012

Joseph Mallord William Turner (1775-1851) has been widely regarded as the most original and brilliant English landscape painter in the 19th century. Admitted to the Royal Academy Schools in 1789, Turner was a precocious artist and gained the full membership of the prestigious Royal Academy in 1802 at the age of 27. Already in the 1800s he was recognised as a pioneer in taking a new and revolutionary approach to the art of landscape painting. Among his early works made in this period, The Shipwreck, painted in 1805, epitomizes the sense of sublime Romanticism in terms of its dramatic subject-matter and the masterly display of technical innovations. Of course, the subject of shipwreck has a long standing history. Ever since human beings first began seafaring, they have been fascinated as much as haunted by shipwrecks. For maritime societies, such as England, shipwreck has been the source of endless nightmares, representing a constant threat not only to individual sailors but also to the nation as a whole. Unsurprisingly, therefore, shipwreck is one of the most popular motifs in art and literature, particularly during the 18th and 19th centuries. Yet accounts, images and metaphors of shipwreck have taken diverse forms and served different purposes, varying significantly across time and between authors. As such, Turner's painting registers a panoply of diverse but interconnected contemporary discourses. First of all, since shipwreck was an everyday occurrence in this period, it is more than likely that Turner's painting depicted the actual sinking in 1805 of the East India Company's ship 'The Earl of Abergavenny' off the coast of Weymouth. 263 souls were lost and the news of the wreck made headlines in major English newspapers at the time. Turner's painting may well have been his visual response to this tragedy, eyewitness accounts of which were given in great quantity in every contemporary newspaper. But the painting is not a documentary visual record of the incident as Turner was not present at the site and newspaper reports were not detailed enough for him to pictorially reconstruct the entire scene. Rather, Turner's painting is indebted to the iconographical tradition of depicting tempest and shipwreck, bearing a strong visual resemblance to some 17th-century Dutch marine paintings with which he was familiar through gallery visits and engravings. Lastly, Turner's Shipwreck is to be located in the contexts of burgeoning contemporary travel literature, especially shipwreck narratives. The late 18th and early 19th century saw a drastic increase in the publication of shipwreck narratives and Turner's painting was inspired by the re-publication in 1804 of William Falconer's enormously successful epic poem of the same title. Thus, in the final analysis, Turner's painting is a splendid signifier leading the beholder to the heart of Romantic abyss conjoing nightmarish everyday experience, high art, and popular literature.

• 수산해양기술연구
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• 제27권1호
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• pp.56-63
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• 1991

This paper aims to describe the relation between the weather condition, especially typhoon and a shipwreck in Korean waters. For this study, it was investigated the statistical characteristics of a shipwreck due to the weather, pressure patterns governing the shipwreck in Korean waters. and the relation between the intensity of typhoon and the amount of a disaster. The results are summarized as follows: 1) The monthly occurrence frequency of a shipwreck was the heighest in July followed by February, March in descending order. 2) The pressure patterns governing the shipwreck were classified broadly into six types and pressure pattern which had most occurrence frequency of a shipwreck was Type V and then cames Type I, Type III and type IV in that order. 3) Occurence frequency of a shipwreck and the amount of a kinetic energy of typhoon have nothing to do with each other. In case of Wind-Typhoon that brought more a strong wind than a heavy rainfall, there were seriously affected ships and buildings by the wind.

• 한국식생활문화학회지
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• 제30권2호
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• pp.158-169
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• 2015

Tean Mado Shipwreck No. 3 is presumed to have been shipwrecked between 1260 and 1268. It departed from a Southern costal area of Yeosu in Jeonnam Province to Ganghwa Island, its final destination at which the temporal regime of Koryo Dynasty was located. In the shipwreck, a total of 35 wooden tablets were found, and forwarding places, senders, receivers, descriptions, and quantities of freight were written on the wooden tablets. The names of receivers included Kim Jun, who was influential in the late Musin Era of the Koryo Dynasty, and key institutions such as Junmin and Sambyulcho of the Musin force. Twenty wooden tables had lists of food items such as barley, abalone, salted-fermented abalone, mussel, dried mussel, salted fermented mussel, dried shark meat, fish oil, pheasant, and dried dog meat. The food items in the late 13th century were systematically examined using scientifically determined food organic remains and records of wooden tablets among the marine relics of Mado Shipwreck No. 3.

• 보존과학연구
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• 통권30호
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• pp.189-202
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• 2009

Ceramics from Taean shipwreck were studied to investigate the deterioration by soluble salts and desalination pattern according to each ceramic characterization. NaCl crystals were found as a crystal growth on the ceramic microstructure and deteriorated to push off the glaze layer of some Puncheong ware sample. As a result of monitoring the desalination pattern of ceramics for 74days, the earthenware sample with big pores and no glaze removed soluble salts so fast, but Puncheong ware and Whiteware samples removed lots of soluble salts slowly and continuously. Generally, it takes long time to remove soluble salts from porcelains, due to small pores and glaze, but the long-term desalination probably can cause the damage on the surface layer such like glaze. As some soluble salts still remains in the ceramic microstructures after desalination, it is very important to control and keep the relative humidity stable through the proper storage. There are various ceramic deterioration patterns by soluble salts. Therefore, it needs to select the desalination method of ceramics from shipwreck, considering the material characteristics and the production techniques.

• 보존과학회지
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• 제33권1호
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• pp.35-42
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• 2017

영흥도선은 인천 옹진군 섬업벌 해역에서 인양된 통인신라시대의 고선박이다. 이 고선박의 상태를 파악하기 위하여 최대함수율과 온수추출, 알카리추출, 유기용매추출, 리그닌, 홀로셀룰로오스, 회분 분석을 통한 화학조성 분석과 FT-IR 및 solid state $^{13}C$ NMR, XRD을 통해 화학적 특성을 조사하였다. 영흥도선 선체편 외층의 최대함수율은 평균 623%로 수침고목재의 전형적인 특징인 셀룰로오스 감소에 따른 리그닌의 상대적인 증가 및 회분이 증가하는 현상을 보여주었다. 즉 영흥도선 선체편 외층의 셀룰로오스 흡수피크는 소멸되거나 현저하게 감소되어 나타났다. 또한 리그닌을 나타내는 흡수피크는 급격하게 증가하였다. 그러나 영흥도선 선체편 내층의 경우 헤미셀룰로오스와 일부 결정 및 비결정 영역의 셀룰로오스 흡수피크가 감소하여 나타났다. 따라서 영흥도선 선체편의 외층과 내층의 분해 정도의 차이가 큼을 보여주었다.

• Journal of Advanced Marine Engineering and Technology
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• 제41권3호
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• pp.269-275
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• 2017

해저 아래에 난파선이 잔존하고 있다면, 해류와 조류의 유수의 작용뿐만 아니라 해저를 구성하는 퇴적물의 물성 및 퇴적환경에 영향을 받는다. 특히 우리나라 대부분의 난파선은 갯벌에 묻혀 있는 상태로 발견되었는데, 이는 퇴적물에 많은 영향을 받는다는 것을 알 수 있다. 본 연구에서는 그랩 채취기와 진동식 시추기를 이용해 퇴적물 시료를 채취하여 태안 마도3호선의 주변지역의 퇴적물의 다양한 물성을 파악했으며, 이를 통해 태안 마도 지역의 퇴적물 물성이 태안 마도3호선이 잔존하는데 미치는 영향에 대해 알아보고자 하였다. 주상시료의 퇴적물 분석 결과 깊이에 따른 밀도와 초음파 속도변화, 전단강도는 대체로 깊어질수록 측정값이 커지는 경향을 나타냈으며, 함수비와 공극률은 깊어질수록 값이 낮아지는 경향을 보였다. 입도분석의 경우 Folk's 분류법으로 결과를 도시하였다. 태안 마도3호선 지역의 깊이 3.5 m 주상시료의 입도는 주로 점토와 모래질 점토로 구성되어있으며, 표층 퇴적물의 입도는 점토질 모래로 구성되어 있었다. 퇴적률분석 결과 퇴적률은 2.84 cm/year로 나타났으며, 깊이 150 cm 조개시료의 탄소연대측정 결과 신석기 시대로 나타났다. 이러한 퇴적물 분석을 통해 태안 마도3호선의 잔존과 퇴적물 물성의 연계성에 대해 연구했다.

• 보존과학회지
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• 제31권3호
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• pp.279-285
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• 2015

이 연구의 목적은 인천 옹진군 영흥도에서 발굴된 영흥도선 목부재 방사성탄소연대 분석을 통해 고선박의 연대를 규명하는 것이다. 중앙저판에서 10년 간격으로 채취된 5개의 연륜 블록에 대한 방사성탄소연대를 위글매치한 결과, 최외각 연륜의 ${\pm}2{\sigma}$ 연대(95.4% 신뢰구간)에서 A.D. 710~730년 또는 A.D. 750~774년으로 산출되어 이 고선박이 8세기 초반 또는 중반에 제작된 것을 알 수 있었다. 이 연대는 선박의 구조와 도기의 양식으로 추론된 고고학적 편년과 일치되는 결과이다.

• 보존과학회지
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• 제4권1호
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• pp.3-10
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• 1995

This study focused on the reconstructional point of Shinan ship-wreck that was excavated between $1976\~1984$. The wreck, which might be sunk in the beginning of the 14th century, is regarded as a vessel of Yuan dynasty, China. This paper tried to find out some structural characteristics and principal dimensions for restoration. The Shinan shipwreck's structural characteristics are summarized as follow, 1) The Shinan shipwreck is formed V-shaped cross section with bar keel, 2) The vessel is divided 8 holds by 7 bulkheads. 3) The ship has flat type stem and transome stern. 4) A rabbeted clinker -built is basically adopted on planking joint. 5) A wooden sheathing, which means a sort of protecting board against marine insects, is covered outside of the main hull, 6) For making an watertight structure, oakum and lime mixtured t'ung-oil are used along the seam of planking and bulkhead. 7) A V-shaped deep water-way exists at both deck side. 8) The shipwreck is believed to have 2 masts at least. 9) The shiptimbers are classified as Chinese Red Pine(Pinus Massonina) which is mainly grown in the southern part of China. Considering as mentioned above the structural characteristics, Shinan ship-wreck could be classified as Chinese Fu-chuan type(복선형) of sea-going ship. The Shinan ship's principal dimensions which are calculated on the basis of Chinese traditional shipbuilding custom, are as follow, Length overall(L.O.A). : 34.80m Length water line(L.W.L) : 24.90m Breadth(B.max.) : 11m Breadth(B) : 10m Depth at keel line(H) : 3.75m Draft(D). : 3.15m Freeboard(F) : 0.65m Ratio, length/breadth(L/B). : 2.26 Ration, breadth/depth(B/D) : 3.5 Height of stem : 7m Height of stern : 10m Displacement : ab.340ton.

• 보존과학회지
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• 제33권4호
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• pp.275-281
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• 2017

이 연구의 목적은 충청남도 태안군 근흥면 마도에서 발굴된 마도4호선의 목부재와 곡물의 방사성탄소연대 분석을 통해 고선박의 연대를 규명하는 것이다. 선미판재에서 10년 간격으로 채취된 4개의 연륜에 대한 방사성탄소연대를 위글 매치한 결과, 최외각 연륜의 ${\pm}2{\sigma}$ 연대(95.4% 신뢰구간)에서 A.D. 1337-1356년 또는 A.D. 1412-1429년으로, 곡물은 A.D. 1415-1455년으로 산출되어 이 고선박은 15세기 초중반에 난파되었음을 시사한다. 이 연대는 선박의 구조, 자기의 양식으로 추론된 고고학적 편년과 일치되는 결과이다.