• Title/Summary/Keyword: Scenery

검색결과 597건 처리시간 0.023초

전통지식 자원의 활용실태 연구 (A Study on the Actual Utilization of Traditional Knowledge Resources)

  • 김행란;최배영;유명님;김미희;강경하
    • 한국지역사회생활과학회지
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    • 제14권2호
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    • pp.93-106
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    • 2003
  • The main purpose of this research was to study and analyze the actual utilization of traditional knowledge resources and to search for methods to activate local communities through utilization of traditional knowledge resources best suited for us. For this study, data listed on the internal web sites during August 2002 to October 2002 were searched and analyzed. In terms of statistical analysis, frequency, percentage, and x$^2$-test were operated using the SPSS 10.0 program. The major results of this study are as follows: 1) Traditional knowledge resources utilized throughout the nation totaled to 8,906 cases. These utilized resources composed of 48.0% of tangible resources, 32.3% of environmental resources, and 19.8% of intangible resources and such utilized resources were in order of life-skill, scenery, ruins and relics, community activity, exhibition, and folklores. 2) Tourism, merchandising, and festival were the major types of utilization of traditional knowledge resources, while education was the relatively minor portion in utilization type. 3) Compound linking of traditional knowledge resources, utilization type, and utilizing body showed links such as life skill-merchandising-civilian, ruins and relics-tourism-government, folklore-festival-civilian, scenery-tourism-government, and exhibition-education-civilian.

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한.중.일 고대 원지 비교 분석을 통한 안압지 조영계획의 연구 (A Study on Design and Construction of Anap Pond with a Comparative Study of Ancient Palace Ponds in Korea, China and Japan)

  • 박경자;양병이
    • 한국조경학회지
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    • 제29권3호
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    • pp.1-9
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    • 2001
  • The purpose of this article is to study the design and construction of Anap pond with a comparative study of ancient palace ponds in Korea, China and Japan. Anap pond was excavated in 1975-6 and is the oldest orignal pond to be found among Koran garden sites. Anap pond was made just before Shilla drove out Tang, after Shilla ruined Paekjae and Koguryo with the Tang army. This was a time Shilla enjoyed a multi-cultural situation due to interaction with Paekjae and Koguryo refugees, as well as information provided by the ambassadors sent to Tang who were well aquainted with Tang culture. Anap pond shows the influence of not only the indigenous mountain-god myth, but also the theoretical background common among Korea, China and Japan. But it also depicts the special form of space inbued with the exquisite aesthetic taste of Shilla people, which started with Anap pond hardened in Gaen temple, and which bloomed in Sukgulam. Scenery structure analysis gives a supposition of the center building on the western coatland, and sequential analysis gives the feeling of being at sea, analysised by root square shape analysis, equal ratio square shape and golden section, sow we can see the planned space organization by speculated planning. Thus, Anap pond is a garden of Shilla in which the cultural exchange has been inculturated and made our own, and the special aesthetic taste embodied.

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생태경관자원 활용을 고려한 신안군 경관기본계획 (Visual Landscape Plan for Shinan Province with Ecological Landscape Resources)

  • 주신하;윤희재
    • 한국환경복원기술학회지
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    • 제12권1호
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    • pp.32-43
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    • 2009
  • The purpose of this study is to suggest the visual landscape plan for Shinan province with ecological landscape resources, which is comprised of more than 1,000 islands. The plan was done by the order of image plan, landscape structure plan and detained landscape plan. The image of Shinan province was elicited as 'nature', 'complexity' and 'connectivity', by the aspects of planning, cognitive and strategic sides. The landscape zones are planned, such as leisure zone, rural & marine ecological zone and marine tourism zone, and the landscape axes are also set, such as marine axis, ecological axis and circular axis. Especially to conserve the ecological resources, some conservation zones are proposed and design guidelines for each landscape type are also provided, which are not commonly included in the urban landscape plan. Consequently, the landscape plan and ecological environmental plan were complementary to each other. In the detailed landscape plan, more specific plans and design guidelines are suggested for coastal scenery, village and forest scenery, historical and cultural landscape management and promotion. To improve the visual landscape in terms of planning and administrative aspects, the visual landscape plan has become increasingly important for the local governments. The establishment of visual landscape plan may hopefully help to make Shinan province more beautiful and attractive. The landscape plan and ecological environment plan should be integrated, and the further discussion and research are necessary.

친환경 요소로서의 경관과 그에 어울리는 소리의 선택 (The Selection of the Scenery and Sound as the Environmental Friendly Elements)

  • 김항;전지현;장길수;국찬;신용규
    • 한국소음진동공학회논문집
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    • 제16권4호
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    • pp.414-419
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    • 2006
  • In this research, the test how the evaluation of the spacial image influenced by the environmental friendly elements included in the visual information, and how the selection of the sound changed depending on the characteristics of spacial image were carried out by the 40 subjects. Vast tracts of green land and the waterfront were highly preferred and impressive than the other spaces. The green music, signal with water sound and bird chirping sound were highly scored. In the frequency characteristics of the factors, the first factor was artificial sound (high at the low frequency band), the second was natural sound(uniform at all frequency band) and the third was water sound (high at the middle and high frequency band over 500 Hz) . This shows that the proposal of the sound which has the frequency characteristics fit to the spacial image should be selected for the soundscape of the target space.

16세기 르네상스 극장에 나타난 무대와 객석공간의 특성과 변화에 관한 연구 - 테아트로 올림피코와 테아트로 파르네제를 중심으로 - (A study on the Character and translations of the Stage and Auditorium on the 16th Renaissance Theater - Focused on the Teatro Olimpico and Teatro Farnese -)

  • 임종엽
    • 한국실내디자인학회논문집
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    • 제29호
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    • pp.51-57
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    • 2001
  • This study examines the space composition and character of 16th Renaissance Theater base on the theory of typology and interpreter in the european traditional classic theater. Baroque theater and early modern theater is considered as a symbolic representation of the renaissance theater's organization. In the historical theory, theater Teatro Olimpico and Teatro Farnese was a common tool and best systeme in reflecting renaissance type and perspective system. This role of type as life cycle and new style of theater permanent design has get its value with the population increase. This study attempts to revaluate the need of space typology in modern society through a critical review of theater and its use as a visual space. Content analysis was used to discuss the topics of this study including the historical background of the theater, the relationship between amphitheater and modern theater design, and the role of scenery, auditorium and its impact on Proscenium scenery. The scope of the study is limited to the comparison of 16th european theater and contemporary theater space use program from the space critic and sociologist. Today the concept of theatrical space is altered with the typology of classic and interpreter space. This study provides insights for the future implications of theatrical space in developing space for its a new definition as cultural representation.

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$\ulcorner$원야$\Ircorner$에 나타난 계성의 원림조영이론 연구 (A study on Ji Cheng's Garden design theory in Yuanye)

  • 이유직
    • 한국조경학회지
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    • 제25권2호
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    • pp.104.2-104.2
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    • 1997
  • Ji Cheng''''s great work on garden design theory, the ''''Yuanye'''', written in 1631 and originally published in 1634 is the first surviving treatise and most famous and comprehensive work on the suvject in the Chinese tradition. He constructed Dongdiyuan in Changzhou about 1623, Wuyuan in Yizheng in 1631, and Yingyuan in Yangzhou about 1634. But no poems and paintings written by him still exist, and none of his known gardens has survived. Therefore his design philosophy is able to be interpreted only by his work, Yuanye. This study aims at investigating the garden design theory in Yuanye. The results were summarized as follows. 1) Yuanye reflected the garden tastes of literati, and Ji Cheng endeavored to express the deas of literati painting into gardens. 2) The essence of the garden design theory is Xingzao, and Yindi, following the existing lie of the land, and Jiejing, to borrow from the scenery, are two major activities of Xingzao. 3) Ji Cheng''''s design theory build up on the basis of recognizing the existence of masters. 4) Yindi is the environmental and ecological planning and design method. This is the activity to reach the state of artistry through suitability. 5) Jiejing is not merely borrowing the landscape but the making use of scenery around the garden. And only the master has the skill in fitting in with the form of the land. 6) Ji Cheng pursuits the garden which will look like something naturally created though manmade. It is the goal of the Chinese traditional gardens and ideal situation. 7) Ji Cheng aims to unify the environment and landscape design dialectically into Xingzao.

"원야"에 나타난 계성의 원림조영이론 연구 (A study on Ji Cheng's Garden design theory in Yuanye)

  • 이유직
    • 한국조경학회지
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    • 제25권2호
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    • pp.117-134
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    • 1997
  • Ji Cheng's great work on garden design theory, the 'Yuanye', written in 1631 and originally published in 1634 is the first surviving treatise and most famous and comprehensive work on the suvject in the Chinese tradition. He constructed Dongdiyuan in Changzhou about 1623, Wuyuan in Yizheng in 1631, and Yingyuan in Yangzhou about 1634. But no poems and paintings written by him still exist, and none of his known gardens has survived. Therefore his design philosophy is able to be interpreted only by his work, Yuanye. This study aims at investigating the garden design theory in Yuanye. The results were summarized as follows. 1) Yuanye reflected the garden tastes of literati, and Ji Cheng endeavored to express the deas of literati painting into gardens. 2) The essence of the garden design theory is Xingzao, and Yindi, following the existing lie of the land, and Jiejing, to borrow from the scenery, are two major activities of Xingzao. 3) Ji Cheng's design theory build up on the basis of recognizing the existence of masters. 4) Yindi is the environmental and ecological planning and design method. This is the activity to reach the state of artistry through suitability. 5) Jiejing is not merely borrowing the landscape but the making use of scenery around the garden. And only the master has the skill in fitting in with the form of the land. 6) Ji Cheng pursuits the garden which will look like something naturally created though manmade. It is the goal of the Chinese traditional gardens and ideal situation. 7) Ji Cheng aims to unify the environment and landscape design dialectically into Xingzao.

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공연장 무대공간의 구성과 전환시스템의 특성에 관한 연구 (A Study on the Characteristic of Space Composition & Scenery System in the Stage)

  • 류천혁;최성주;황미영
    • 한국실내디자인학회논문집
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    • 제15권1호
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    • pp.121-130
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    • 2006
  • The key role of performance facilities is to provide the stage shape and stage system suitable for the purpose and the property of public performance. The purpose of this study is to draw comparison analysis about the stage construction and stage machine system of the specialty theater or the multiple purpose performance facilities. The progress of the research is as followings. 1. Investigation into literature and catching on physical composition in the performing facilities, 2. Analysis of the stage organization, items of performance, construction form of stage machine systems, conversion system of the analysis samples, 3. A suggestion of the standard model of stage by each scales, through the such continuous analysis. And it was founded that the relation of stage composition, production type, stage system and distribution, and also the basic data between each elements. On the basis of the results, this study proposes the data and the application methods in domestic performance space when we are setting up the plan of performance facilities.

모지코 레트로지구의 경관관리제도와 중점지구 통합 계획적 특성 (A Characteristics of Scenic Maintenance Regime with Integral Planning in Mojiko-Retro District)

  • 김도연;유재우
    • 대한건축학회논문집:계획계
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    • 제35권1호
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    • pp.63-72
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    • 2019
  • The purpose of this study is that investigated the characteristics of integral planning related factors using the history and culture of Mojiko. It is a small city that has been urbanized after the opening of the port for logistics transportation in the modern period of Japan. As the function of the logistics city, which is the factor of the expansion of the town, declined, Mojiko applied the retro concept to the harbor which has lost its popularity due to the regional characteristics of the city to increase and revitalize local visits. Mojiko has steadily promoted the retro style of landscape and town development over 30 years, focusing on 18 Historical buildings and modern infrastructure. We analyzed characteristics of integrated urban planning include the regulation, landscape institution. Moreover, we suggest the result of the designation process of a core scenery maintenance district and the components of the plan after the designation analysis and provide essential data for revitalizing the field based on the historic city for the cultural establishment and beautiful town in the future. And deliver vital data to reviving the area based on the historical city culture establishment and beautiful town in the future.

대영도서관 소장 「무이산구곡계전도(武夷山九曲溪全圖)」로 본 중국 무이구곡의 문화경관상 (The Cultural Landscapes of Wuyi-Gugok of China as seen from the 「Landscape of the Jiuqu River in the Wuyi Mountain」 in British Library)

  • 정조하;노재현;강정
    • 한국전통조경학회지
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    • 제37권4호
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    • pp.11-31
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    • 2019
  • 대영도서관 소장의 청나라 중기에 제작된 「무이산구곡계전도」을 대상으로 그림에 명기된 경물의 명칭을 분석하는 한편 산세, 포구(浦口)와 선박, 건축요소, 토목요소, 인물, 석각 등으로 경물명을 유형화한 후 곡별 문화경관적 속성을 살펴본 결과는 다음과 같다. 「무이산구곡계전도」에 등장하는 건축요소는 총 28 건으로 정자(亭)가 7개소(25%), 사묘[廟]가 4개소(14.3%), 서원과 관(觀)이 각각 3개소(10.7%), 도원(道院)과 마을(村)이 각각 2개소(7.1%)로 집계되었으며, 토목요소는 총 29건으로 동(洞)이 9개소(31%), 고적(古跡)이 6개소(20.7%), 대(臺)가 3개소(10.3%), 도(渡)·교(橋)·지(池)가 각각 2개소(6.9%), 원(園)·문(門)·갱(坑)·정(井)·유지(遺址)가 각각 1개소(3.4%)로 나타났다. 이들 형체요소와 토목요소는 18C 중반 무이산 구곡계의 문화경관적 속성을 드러내는 중요한 유적이다. 각 곡별 형체요소는 1곡이 12개소(21.1%), 5곡이 11개소(19.3%), 4곡이 9개소(15.8%), 9곡이 8개소(14%), 3곡이 7개소(12.3%), 6곡이 4개소(7%), 2곡이 3개소(5.3%), 7곡이 2개소(3.5%) 그리고 8곡이 각각 1개소(1.8%)로 정리되어 1곡과 5곡 그리고 4곡이 갖는 문화경관적 특성이 한층 부각되었다. 한편 『무이산지』의 명소 유형에 대한 묘사에 따르면, 「무이산구곡계전도」에 표현된 경물의 묘사는 총 38개 유형으로 집계되었는데, 이중 암(岩)·봉(峰)·석(石) 등 3개 경물이 차지하는 경관적 비중이 압도적이었다. 이는 무이구곡의 벽수단산의 경색을 보이는 단하지모적 특성이 반영된 결과이다. 「무이산구곡계전도」에 표현되었거나 내포된 무이산의 문화적 함의를 분석 및 해석한 결과, 무이산 구곡계에는 이학문화, 도교문화, 불교문화, 차문화, 기타문화 등 5개 문화가 존재하는 것으로 파악되었다. 한편 「무이산구곡계전도」에 표시된 총 171곳의 경물 명중에는 현장 바위글씨[石刻]와 일치되거나 동일한 의미를 보이는 석각은 찬경제각(贊景題刻) 3방, 철리제각(哲理題刻) 3방, 길어제각(吉語題刻) 1방 등 총 7개소로 나타났으며 이는 그림과 석각 간의 상호텍스트성을 보이는 중요한 근거로 보인다.