• Journal of Korean Medical classics
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• v.23 no.3
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• pp.127-138
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• 2010

Traditional Chinese Medicine is based on Five Phase theory that link Liver, Heart, Spleen, Lung, Kidney to Wood, Fire, Earth, Metal, Water respectively. Recently, some argue that this correspondence scheme had been established by political or socio-humane issues in early Eastern Han dynasty. But according to our analysis on Changgongyeoljeon(in Sagi), it has been revealed that this scheme had their own history from early Western Han dynasty. So we may conclude that people with medical profession had preserved the current correspondence scheme in Five Phase theory regardless trends of literature and politics in Western and Eastern Han dynasty.

• Acta Via Serica
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• v.5 no.1
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• pp.57-86
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• 2020

This article is an analysis of the tale Munhŭi who bought a dream which has been reported, with few variants, both in Samguk sagi and Samguk yusa. As the tale narrates a very particular and old dream, in which a urine flood forecasts kingship and royalty, it has not been investigated here on the basis of a modern psycho-analytical approach, but within eastern and western ancient cultural patterns regarding humans' consideration for excreta and criteria of dreams interpretation. The research led the author to propose for Munhŭi's dream an archaic (and today lost) archetype of interpretation, whose origin is perhaps to be found in the Ancient Middle-East.

• Journal of The Geomorphological Association of Korea
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• v.19 no.4
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• pp.73-81
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• 2012

This study analyzed and examined the entries of natural disasters recorded in Samguk-sagi in relation to the natural thoughts. In the ancient Korean view of nature thought the Unified Shilla dynasty surveyed their view on nature in terms of terrestrial upheavals. In the first place, I came to know that the important natural disasters such as droughts, floods, hails, locusts, earthquakes, thunderstroke, storms uprooting trees, tornado etc. recorded in Samguk-sagi have something in common with the entries of natural disasters in the ancient Chinese histories. Accordingly, they interpreted natural disasters in terms of good omens and heavenly punishments. The king refrained from luxurious food and drink, released prisoners or reduced their sentence as a sign of his benevolence. They thought that natural disasters were caused by the heavenly instruction due to lack of virtue on the part of the king. I think that these were acts of ritual on the part of the king as a ruler to fulfill his responsibility for a benevolent administration.

• Journal of The Geomorphological Association of Korea
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• v.18 no.4
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• pp.153-162
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• 2011

This study analyzed and examined the entries of natural disasters recorded in Samguk-sagi in relation to the mythological thoughts. In the ancient Korean view of nature thought the Three Kingdoms surveyed their view on nature in terms of natural calamities and terrestrial upheavals. In the first place, I came to know that the important natural disasters such as droughts, floods, hails, locusts, earthquakes, landslides, storms uprooting trees, tornado recorded in Samguk-sagi have something in common with the entries of natural disasters in the ancient Chinese histories. Accordingly, they interpreted natural disasters in terms of good omens and heavenly punishments. The king refrained from luxurious food and drink, released prisoners or reduced their sentence as a sign of his benevolence. they thought that natural disasters were caused by the heavenly instruction due to lack of virtue on the part of the king. I think that these were acts of ritual on the part of the king as a ruler to fulfill his responsibility for a benevolent administration.

• Korean Institute of Interior Design Journal
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• v.14 no.5 s.52
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• pp.80-88
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• 2005

The ondol is a uniquely Korean system of providing warmth to room. The ondol rooms never use daily life furniture because the ondol warms the floor surface where people sit. Finally, the ondol floor changed the traditional housings inner space. Before use ondol where daily life furnitures[sang(상) and Tap(탑)] are installed in the room. The origin of daily life furnitures are the ancient tomb mural of Koguryo Period. The daily life furniture can be classified as three large groups in the ancient tomb mural of Koguryo. First, a single seat[Jowa-sang(좌상)] of set up a screen[병풍]. The second, It make possible Many peoples take a seat with no decoration seat[Tap(탑)]. The third, uptodately table and chairs. A radical difference between sang(상) and Tap(탑) whether set up a screen[병풍]. The meaning of sang(상) and Tap(탑) in Koguryo ancient tomb provided Oksa-jo[옥사조] in Samkuk-sagi[삼국사기] with several valuable leads to help solve the sang(상)'s meaning. Furthermore, It will be start ponit of study on constructive shape of inner space in those days.

• International Journal of Costume and Fashion
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• v.10 no.2
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• pp.37-49
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• 2010

The Samguk-yusa(三國遺事) is one of the two classics of Korean ancient history together with the Samguk-sagi(三國史記); however there has not been any positive attempt to analyse clothing culture centering on the Samguk-yusa until now. Thereupon, this study aims to find the records related to fabrics, color and fashion appearing in the Samguk-yusa, and to analyse the fashion culture of the three kingdoms projected in the Samguk-yusa, referring to the Samguk-sagi and ancient Chinese reference books. According to the records in the book, the fabrics used for clothing of those days included Jikgeum-wimun(織錦爲紋), Geum(錦), Chaebaek(彩帛), Osaek-geumchae(五色錦彩), Geumbaek(錦帛), Geumsam(錦衫), Ma(麻), Neung(綾), Geum-su-neung-ra(錦繡綾羅), Poh(布), Daecho, Bira-geumjeom(緋羅金點), Gyeon(絹). Japchoe(雜綵), Robtyeom(羅緋染). Chimilpoh(緻密布), Gi(綺) and Whan(紈), and they had colors such as brown black(緇), black(黑), purple(紫), yellow(黃), blue(碧), clear white(素), white(白), five colors(五色). There is substantial amoung of report on Buddhism, and the terms used for Buddhist clothing included Beobeui(法衣), Nabeui(衲衣), Bangpoh(方袍), Gasa(袈裟) and Yueui(由衣). It is also ascertained that Gasa had a variety of Bira-geumjeom-gasa(緋羅點袈裟), Manap-gasa(摩納袈裟) and Geumra-gasa(金羅袈裟).

• Korean Journal of Cognitive Science
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• v.14 no.4
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• pp.9-19
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• 2003

Bonneh, Cooperman and Sagi (2001) reported that when a global moving pattern was superimposed on high-contrast stationary stimuli, the latter disappeared and reappeared alternatively for periods of several seconds. They named this as motion-induced-blindness. In present research a rotating transparent cylinder composed of white dots was superimposed on a stationary green dots. When observers watched these stimuli wearing a red filter on his/her right eye, the stationary green dots disappeared or reappeared as did in Bonneh et al. The new MIB was observed only when the cylinder rotated and observers weared a red filter. As the luminance contrast of the green dots and that of white dots against the background reduced, and as the number of green dots and white dots decreased, the duration of MIB reduced. Also, the relative depth of the rotating cylinder and the stationary green dots affected the duration of MIB. These results imply that the new MIB is different from the MIB which was observed by Bonneh et al and that the new MIB cannot be explained by binocular rivalry. Further more, the results imply that the later stage of visual information processing is involved in the new MIB.

• KOMUNHWA
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• no.59
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• pp.88-111
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• 2002

This report tried to find the characters of the historical records about the kings' tombs of Shilla on Samgook-Sagi(chapter of Shilla) and Samgook-Yousa(chapter of Shilla Dynasty and strange things). As the result, Samgook-Sagi is the direct form of the d

• Journal of Korean Classical Literature and Education
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• no.37
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• pp.47-73
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• 2018

This thesis aims to find out the purpose of recording . I tried to understand the reason that the compiler of included this song in the record of King Yuri. The result of tracking the intention of the compiler in this thesis is as follows. I think that was chosen as a symbol of King Yuri's character, especially connected with his inner side. By introducing a hobby that contained the inner side of King Yuri, the compiler implied that his failures and mistakes in subsequent governments stem from human limitations that did not adequately refine his qualities. I think that the compiler who showed the character of King Yuri through only one short song also showed the highest level of enjoying poetry. The enjoyment of literature is a pleasure in understanding the life of someone through literature and bring it back into their lives. In this respect, by pursuing the intend of the compiler, we will be close to the value of the song, .

• Journal of the Korean Society of Costume
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• v.59 no.5
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• pp.180-201
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• 2009

I scrutinized the idea that Parhae Marek was inherited from Kokuryo which was presented in "The study on the Marek" published in the journal of the Korean Society of Costume 55-5, and concluded the following results: 1. The Marek which Samguk sagi recorded is the red head scarf used for dancers who do Koguryo dance in the Babarian Music System in Tang dynasty. Since its original record Tong dian tells that Kokuryo performers' costumes then had strikingly changed and Quichi and GaoChang dancers also wore Marek, so the idea that Marek was originated from Koguryo should be reconsidered. 2. Considering the Yaksoori mural's indistinguishable condition as well as the same scenes from other Kokuryo mural paintings, I can't evidently tell that the first person who carries shouldering drum puts Marek on. 3. should be pronounced [Mal] for the meaning of a head scarf and its definition can't be limited only for the sash type. 4. Diverse historical data on head scarves deny the assumption that the sash type of hairband would have been succeeded from Kokuryo to the Parhae Marek. 5. The Marek of Princess Junghyo's mural painting can be an example that shows the costume of Tang influenced Parhae's. But the similarity in styles of costume between contemporary countries doesn't mean their reciprocal racial or political identity.