• 헤리티지:역사와 과학
• /
• 제50권1호
• /
• pp.42-57
• /
• 2017

어보(御寶)는 조선시대(朝鮮時代)에 왕(王), 왕비(王妃), 세자(世子), 대왕대비(大王大妃) 등을 책봉(冊封)하거나 존호(尊號), 시호(諡號) 등의 이름을 올릴 때 제작하는 인장(印章)이다. 어보는 금보(金寶)와 옥보(玉寶) 등으로 제작하는데 인장의 주인이 승하하면 종묘(宗廟)의 각 실(室) 보장(寶欌)에 봉안(奉安)되었다. 숙종대(肅宗代)에는 왕실(王室) 문화를 정비하고 보수하려는 노력이 있었다. 이러한 흐름의 일환으로 1705년에는 종묘에 봉안되어 있던 어보의 의장(儀仗)에 관한 문제가 논의되었고, 이에 따라 어보를 포장하는 부속품을 일괄로 제작하였다. 뿐만 아니라 전란 중에 잃어버린 금보와 그동안 만들어지지 않았던 금보 10과(顆)를 새롭게 제작하였다. 그 결과, 이 시기에는 종묘의 각 실마다 최소 어보 1과를 갖추게 되었다. 이 과정을 기록한 것이 "금보개조도감의궤(金寶改造都監儀軌)"이다. 조선 전 시기 동안 금보를 대량으로 제작해서 종묘에 봉안하는 유일한 의례(儀禮)인 점을 감안하면 이 도감이 갖는 중요한 의미를 짐작할 수 있다. 따라서 본고에서는 먼저 금보개조도감의 설치과정을 통해 그 시기 손상된 어보의 보관과 관리방법 등을 살펴보았다. 또한 금보의 제작과정을 "금보개조도감의궤"와 다른 의궤(儀軌)들을 비교해서 보의 귀뉴(龜?)형태를 만드는 견양(見樣), 밀납주조방식, 수은아말감기법의 도금(鍍金), 세부 문양을 새기는 과정을 순서대로 고찰하였다. 나아가 당시 금보를 만드는 장인(匠人)인 금보장(金寶匠)의 활동방식을 동시기 의궤를 통해 분석하여 금보장의 계승 방식을 확인하였다. 이후 현존하는 작품을 중심으로 금보의 양식을 고찰하였다. 이러한 과정을 통해 1705년 금보개조도감에서 제작한 금보의 제작방법과 장인의 특성을 종합적으로 확인할 수 있었다.

• 한국진공학회:학술대회논문집
• /
• 한국진공학회 1993년도 제5회 학술발표회 논문개요집
• /
• pp.11-13
• /
• 1993

• 복식
• /
• 제58권3호
• /
• pp.149-162
• /
• 2008

The Regular rule of Sang-uiwon served as a manual of Royal Attires. According to the procedures, like as making letters about the affairs, consulting, and permission, Royal ceremonial attire was made and presented to the royal family. The materials for the Royal informal dress were presented in accordance with usual tributes. There was no difference in informal dress between the royal family and noble class. But the name of items was different such as Goa du[man's jacket], Go ui[woman's jacket], etc. The royal family continued to wear old days dress as akjurm and noui, which were not worn by common people any more, as a means of differentiating clothes. Bub-bok, which was designed only for key figures of the royal family such as the king, crown prince, queen, and crown princess, was the best status symbol. Because of its highly limited example of wearing, bub-bok was the authority of the wearer itself; with only difference in color, pattern, and material depending on social status. Yong-po is the most frequently worn by the Royal men. Yong-po worn with jong-lip served as yung-bok or gun-bok, and iksun-gwan functioned as sang-bok. Royal Attire for men was clearly divided into Yong-po as sang-bok, bub-bok as myun-bok and gangsa-po, while jeok-ui for women functioned as both sang-bok and bub-bok. However, the use of jeok-ui was defined by differentiate sang-bok from bub-bok like as the pattern of Hyung-bae, number of embroidered round badges, shoes and ornaments.

• Strategy21
• /
• 통권38호
• /
• pp.221-249
• /
• 2015

The Royal United Services Institute(RUSI) was founded in the middle of the 19th century in Britain. It was developed through 'Naval Historical Revitalization Movement' in that time. Many celebrities and people who were interested in the Navy participated in the activities of the RUSI. For example, the forums and lectures were held by prestigious persons, like Sir Garnet Wolseley and the Duke of Cambridge. It also became the milestone for guiding the flow of the Royal Navy's thought with the Naval Intelligence Department and the Naval Records Society. The forum of the RUSI was the place for debating naval hot issues. The journal of the RUSI was the space for suggesting an idea and gathering public opinions for developing Britain's sea power. Therefore, the RUSI was the public sphere for the Royal Navy in the 19-20th Century. And especially, the paper prize contest of the RUSI was the culmination of the RUSI's activities for the Royal Navy. Naval prize essays gave messages to the Royal Navy about the changing situation of European naval powers. Also, they made many meaningful debates for the Royal Navy to overcome the difficult situations in that time. Those essays were reflecting the issues of the Royal Navy and leading the way for getting over it. Besides, some people appeared through the contest and they played important roles for making the contingency and planning the war. The contest reflected the past, anticipated the future, and selected the talented persons to shape the future. This developing aspects of the RUSI could apply to the Korea Institute for Maritime Strategy(KIMS). The KIMS already carries out the role of the RUSI very similarly. If the KIMS changes to the way for open-door policy to more people, it will work more efficiently for their goal. In this respect, the messages of the RUSI will be very useful for improving the activities of the KIMS.

• 한국임상수의학회:학술대회논문집
• /
• 한국임상수의학회 2007년도 춘계학술대회
• /
• pp.110-110
• /
• 2007

• 건축역사연구
• /
• 제23권5호
• /
• pp.61-71
• /
• 2014

Through the changes of royal architectural bureau in Gungnaebu, this study attempts to find out the modern transition of traditional facilities belonging to Gungnaebu as well as the constituent of human resources in royal architectural bureau. Yeongseonsa, the royal architectural bureau in Gungnaebu after 1905, was comprised of traditional architectural engineers including Sim Euiseok, and they tried the modern transition of traditional royal facilities gradually. But, Yeongseonsa was transformed to Naejangwon Tomokgwa which was comprised of Kim Yungu and Japanese modern architectural engineers. As Kim Yungu was the modern civil engineer not architectural engineer, Japanese architectural engineers took the lead in the architectural activities of Naejangwon Tomokgwa, and Japanese architectural technology was applied to Korean royal facilities since then.

• 한국식생활문화학회지
• /
• 제5권3호
• /
• pp.287-299
• /
• 1990

To analyse the royal marriage of Yi-Dynasty, the authors studied 'Kuk Hon Geong Rea', which is a historical record, published in 1749(King Yong-Jo), on the usage of marriage articles in the royal family. The essential steps or articles described in the record were as follows, Royal marriage of King : Wedding presents, black and red silks from the bridegroom's to bride's, proclamation of Queen and wedding ceremony(納采) (納徵) (冊妃) (親迎 尊雁 同牢). Royal marriage of Crown Prince : Wedding presents, black and red silks from the bridegroom's to bride's. proclamation of Crown Princess, wedding ceremony, and bride's gifts to her parents-in-law(納采) (納徵) (冊嬪) (親迎 尊雁 同牢) (朝見體). Royal marriage of Crown Princess : Wedding presents, black and red silks from the bridegroom's to bride's, wedding ceremony, bride's gifts to her parents-in-law(納采) (納徵) (尊雁 同牢) (見舅姑禮). Necessary articles for weddings were different according to royal status of the member in the royal family.

• 패션비즈니스
• /
• 제16권6호
• /
• pp.80-95
• /
• 2012

This study covers the literature of theoretical backgrounds of royal ceremonial hair styles during Chosun Dynasty and demonstrates reproduction works of those hair styles reinterpreted in modern methods. As for the Chosun royal hair styles for ceremonies, there are Daesoo, Gudoomi, and Euyoumi for a royal queen, royal concubines, and royal lady attendants of Nae Myung Boo, department of general affairs of the royal court. These hair styles represents well that Chosun Dynasty kept its own class symbols through hair styles, which is valuable cultural resources of Korean traditional beauties. This study compares the new reproduction works of Daesoo, Gudoomi, and Euyoumi with existing literature pieces and related photos for clear understanding of these traditional hair styles. This study aims to activate the relevant researches into Korean traditonal hair styles, their reproduction methods and applicable usages in Modern Korea as well as useful data for them.

• 한국임상수의학회:학술대회논문집
• /
• 한국임상수의학회 2006년도 춘계학술대회
• /
• pp.135-135
• /
• 2006

• 한국임상수의학회:학술대회논문집
• /
• 한국임상수의학회 2006년도 춘계학술대회
• /
• pp.137-137
• /
• 2006