• Title/Summary/Keyword: Roof-End Tile

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A Study on Production Techniques of Ridge-end Roof Tile Excavated from Middle gate site in Bunhwangsa Temple (분황사 중문지 출토 치미의 제작기법 연구)

  • Yang, Hee Jae;Park, Do Hyun;Jeong, Min Ho
    • 보존과학연구
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    • s.35
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    • pp.57-71
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    • 2014
  • As results of this study about the restoration and production techniques of the ridge-end roof tiles excavated from middle gate site in Bunhwangsa Temple, the ridge-end tile was considered that can be combined with four distinguished parts such as a body with upper and lower portions, a back, a belly, and a wing. And also some patterns can be verified. The body and the wing were piled up the coil clay and the back-side was bonded. The pileup process was assumed that three types of wood tools were applied to bond the facing surfaces. After the completion of the pileup process, the entire exterior was retouched by hand. For touching the inside, bare hands or some tools like a wooden branches were used to scratch and to re-face a clay plasterwork. And also, the stamped patterns which produced by framework were bonded to the body. The results from the XRD and the TG-DTA, Tridymite which shows the phase transition in more than $867^{\circ}C$ could not be identified, and also the endothermic reaction peak at $1063^{\circ}C$ showed the result that the alkali feldspar such as the albite was changed into a different mineral at $1050^{\circ}C$. Therefore, the ridge-end tiles can be considered that the firing temperature was below $867^{\circ}C$.

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A Study on the Design & Construction Method of Traditional Landscape Space through the 『Imwongyeongjeji』 「Seomyongji」 and the 'Standard Specification for Repairing Cultural Heritages' (『임원경제지』 「섬용지」와 문화재수리 표준시방서를 통해 본 전통조경공간 설계 시공방법)

  • Lee, Jung-Han
    • Journal of the Korean Institute of Traditional Landscape Architecture
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    • v.37 no.4
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    • pp.1-10
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    • 2019
  • The purpose of this study is to examine the design & construction methods of the traditional landscape space of the past and the repair and maintenance of cultural heritages to maintain it today. To this end, the method of narrative description, process extraction and construction related to traditional landscaping were compared to each other based on the 『Imwongyeongjeji』 「Seomyongji」 and 'Standard Specification for Repairing Cultural Heritages'. The results are as follows; First, to analyze at the description methods of the 『Imwongyeongjeji』 「Seomyongji」 and 'Standard Specification for Repairing Cultural Heritages' and related processes in the field of traditional landscaping. 『Imwongyeongjeji』 「Seomyongji」 was an encyclopedia of the overall construction method of the living space, describing the location, effect, and advantages and disadvantages of each component and presenting quantitative figures to institutionalize the construction of traditional landscaping spaces. 'Standard Specification for Repairing Cultural Heritages' presented the entire process of repairing cultural heritages, and it is becoming a kind of guide for reference at the site. Among them, foundation construction, roof construction, landscape construction, and fence construction were drawn as items that could be applied to traditional landscaping areas. Second, the traditional landscape space construction method was divided into the processes of foundation construction, roof construction, landscaping construction, and fence construction. Foundation construction is a way of repeating the process of land-tramping. During the construction of the roof, the tile-roofed building was built on top of the rafters and roofed with tiles. And thatched roof was made to a number of rice straws bundles to cover the roof one after the other. Instead of tiles, the stone roof was made of thin and wide stones, and the wooden boards were used for the single roof and the bark roof were constructed with many layers of dried corrugations. Landscape construction mainly consists of the Paving technique through tramping rubble and the construction of terraced flower by planting stone, plants, and shrubs on the top. According to the building materials, the wall construction was derived from the earth-stacked earthen wall, stone walls using stone and clay, marble walls made of tile patterns, and the construction of a board wall using a wood board as a wall. Third, comparing the construction methods of the 『Imwongyeongjeji』 「Seomyongji」 and 'Standard Specification for Repairing Cultural Heritages', 『Imwongyeongjeji』 「Seomyongji」 focuses on standardizing the construction methods to create a new traditional space. There is a difference in the setting of the scope of the 『Imwongyeongjeji』 「Seomyongji」 and the construction because 'Standard Specification for Repairing Cultural Heritages' provides the overall construction procedure considering the diversity of the cultural heritages. In addition, the traditional landscape space used to be a residential space in the past, but today, the maintenance process of the already established facilities as designated cultural heritages has been carried out, and construction methods have been added to create viewing conditions. In terms of the succession of traditional knowledge, some similar methods were found in the repair of cultural assets today, and some cases were also confirmed in the reconstruction of traditional technologies such as application of some materials or mix, separation of added facilities and introduction of efficient construction methods.

Manufacturing Techniques and the Conservation Treatment of Chimi - (Ridge-end tile) Excavated from the Beopcheonsa Temple Site, Wonju - (원주 법천사지 토제 치미의 제작기법과 보존처리)

  • Lee, Seung Gang;Jo, Seong Yeon;Huh, Il Kwon
    • Journal of Conservation Science
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    • v.35 no.5
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    • pp.518-527
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    • 2019
  • This investion studies the manufacturing techniques of chimi(ridge-end roof tiles based on the) fragments excavated from the Wonju Beopcheonsa temple site(Historic site No. 466) and aids in the conservation of the fragments. The results of the investigation are categorized into the production of the body parts, the wing and the feather attachment, the production of the decorative parts, the scratches in the upper and lower part, the perforations connecting the upper and lower parts, and the formative features(bending phenomenon). The procedures in the conservation treatment of the chimi was performed in a sequential order beginning with a preliminary examination, followed by the removal of foreign substances, coating, joining and restoration, and color retouching. A three-dimensional scanning data was employed to restore the missing parts after adhesion to determine the location, size, and angle of the original shape. The restored chimi measures 118 cm in height and weighs 121 kg, which makes it the fifth largest in size among any chimi(including restored) in Korea. We expect that the pointed feathers will make the chimi from the Beopcheonsa temple site a rare reference as no specimens with these features have been found in Korea until now.

The Styles and Chronicle Years of Lotus Flower Patterns of the Shape of Straight and Pointed Petals of Baekjae (백제 판단첨형식 연화문의 형식과 편년)

  • Cho, Weon Chang
    • Korean Journal of Heritage: History & Science
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    • v.42 no.3
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    • pp.132-153
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    • 2009
  • A lotus flower pattern of the shape of straight and pointed petals has the forms whose lotus flowers are pointed, and is one of the representative forms of lotus flower pattern of Baekjae along with a round and a triangle protruded style. This style of lotus flower pattern was applied to roof-end tiles, halos of Buddhist images, containers of Buddha's bones, head supports, etc. from the Hanseong period to the Sabi period of Baekjae. However most of lotus flower patterns that remain today were used for the tiles of the Sabi period. Many of them were produced under the influence of the Northern Dynasties and the Southern Dynasties of China, and of Goryeo, which implies the active cultural exchange of Baekjae at that time. Among the present lotus flower patterns of the shape of the straight and pointed petals, that of the earliest time is from Gyeongdang district of Poongnab mud castle and belongs to the mid-fifth century. However there is a higher chance that the gradual subsequent excavation and research will find some tiles of the earlier period and other styles can also be unearthed.