• 건축역사연구
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• 제17권2호
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• pp.67-81
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• 2008

Aldo Rossi explained Roman Forum as a significant urban artifact, because Roman Forum analogically showed not only an image of Roman Empire but also a figure of primitive design for its region. Thus the comparison and analysis between characteristics of Aldo Rossi's architectural works which are based on the theory of 'Analogical city' and the forums, the urban artifacts, was proceeded in this study. Consequently, it was discovered that Aldo Rossi had used his analogical thinking from the forum for his architectural languages such as gable roofs, square windows with depth, columns and so on. His analogical use of organizing spaces, such as courtyard type and pillar corridor type, has also shown that their types came from forum spaces. His analogical aspects of the forum: a space where urban images are analogically formed; were expressed in the 'Theater of Science' with the urban architecture form as the actor and the Theatre as the stage for analogical urban performances. Nevertheless, the expression of primitive design which divides the Roman Forum from other forums was actualized in 'the Theater of the World'. He not only analogically used types from Roman Forum in architectural design but also used boat in Water space, which decided the lifestyle and culture of Venice even before the civilization, to express the primitive design of Venice. Consequently, Aldo Rossi, by aiming the severance from the tradition, provided the possibility of explaining the newest modem type within the historical meaning by forming type which finds its continuance in history through 'the Theater of the World' and through analogical thinking along with the level of modern culture, to our urban architectural atmosphere that has lost its historical meanings.

• 한국실내디자인학회논문집
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• 제19권6호
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• pp.150-160
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• 2010

The origin of the Roman public basilica is Rome's indigenous style morphologically but actually it seems that developed the Greek semi-open style stoa into the Roman practical interior space. In the early ages, the arrangement of Roman forum had been planned high symbolical temple as the center but gradually changed into the basilica centered which were used often by citizen. Through the Roman period, the important types of early Roman basilica have Fano basilica in the first century BC, Pompei basilica of mid period in the first century AD, Doclear basilica with apse as late type in the second century AD. Pompei type well characterized the feature of Roman public basilica among them. The result of the floor plan analysis shows that the long side access to the interior space is over 76 percent of examples and nearly 70 percent have no apse and the average of vertical horizontal length ratio presents as 1:2.3. The typical plan of Roman public basilica can be defined that most of access are being entered from one of the long side, and most of basilica have no apse, and normally having inner columns arranged in one or more concentric rectangles around nave as a center.

• 한국실내디자인학회논문집
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• 제22권6호
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• pp.151-161
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• 2013

This study which analyzed 4th century Constantinus basilica church architecture is on how the Roman basilica architecture became to christianized and christian architecture became romanized. Basilica architecture of Rome which has strong public characteristic had approach from various direction, especially it has formed inter communicable open space to center forum. Even though, the early christian church has became to bigger size on the process of domus ecclesia centered growth, but it has formed essencially unhierarchy community of home based, it also seemed to have loose religious community below hundred. The result of analyzing 22 of 4 century basilica churches had been shown that more than 60% of them were built on historical place such as tomb of martyr, nearly 70% of them were long axis type, the size of church showed up $3,200m^2$ of average total area. In conclusion, this study concluded the result of christianized showed closeness pursue holiness by separation from the secular world, and long axis it was revealed as mass for the procession ceremony of catholic church. The result of romanized occurred from the process that the basilica church abandoned the unhierarchy, small sizing, worship simplicity of early domus ecclesia characteristics and accept hierarchy, big sizing, worship formalism and complexity of Roman empire system in the roman basilica churches. Through this study it could be grasp that the romanized of early christianity bring not only the change of church architecture but also degeneration of christian itself.

• 한국실내디자인학회논문집
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• 제21권5호
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• pp.57-64
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• 2012

The ideologie of modern society as per something to phenomenology problem is to show various different looks. The community space is spring from Greek and Roman of community place by agora and forum is make a active communicate to interpersonally. Subject to centrically In the context, this paper is study on the Sustainable development for community space about interactive space. and focusing is Response to human of interact in each other intelligent space. And this paper suggestion is composition method of community space in technology advanced, Interactive interface form for human, sustainable to community space direction elements. First, I'll rearrange the distinctive features of modern society through references of various scholars. This is to understand how interactivity affects the whole society and what is the importance of this interactive wave. Second, I'll analyze several trends of modern community space and figure the change of methodology of design based on the advancement of design technology. This is to understand the interactive relation of the subjects. Third, I'll seek how community space design has changed in modern society and under which process design is made. This is to clarify the fact that the portion of interaction will increase in future design according to the intervention of equipment, which is one of the objects of interaction space.

• 한국과학예술포럼
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• 제20권
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• pp.315-326
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• 2015

본 연구는 현대 철학과 예술, 문화 전반에 영향을 준현대 미학의 메타 담론중 하나인 미장아빔 기법의 개념과 특성이 현대건축에서 어떠한 방식으로 표현되어지는지에 대한 의구심으로부터 시작하였다. 미장아빔은 소설가 앙드레 지드의 소설에서 처음 도입된 이 후 누보로망 작가들에 의해 주로 사용되진 기법이다. 이는 동 시대 예술 전반에 확대 적용된 예술표현 기법이자 포스트모더니즘 이 후의 예술에 있어서 필수적으로 등장하는 메타 담론이다. 두 개의 거울 사이에 상이 끝없이 맺히는 것을 의미하는 미장아빔은 그 당시 활동하던 들뢰즈, 데리다와 같은 다양한 철학가들의 담론과 연관을 맺었다. 또한 그들의 철학에 영향을 받은 현대 건축가들에 의해서 건축이라는 언어로 표현되었다. 이러한 맥락에서 예술에서 주로 사용되는 미장아빔 기법과 건축가의 공간표현 방식간의 연계성을 가진다. 본 연구는 미장아빔 기법과 현대 건축표현 방식 간의 연계성을 기반으로 현대건축 표현 방식에서 나타나는 미장아빔적 특성에 대하여 고찰해 보았다. 또한 이를 바탕으로 비 물질화와 특이성을 건축적 언어로 사용하는 장누벨의 건축 작품을 분석하였다. 건축에서 미장아빔기법의 표현 특성은 건축물의 외관을 구성하는 표피의 소재에 의해 구현되거나 반영과 그래픽적 요소를 활용에서 표현됨을 연구를 통해 확인할 수 있었다. 본 연구를 통하여 비록 미장아빔을 표현하는 수단이 다르고 분야가 다르지만 근본이 되는 개념이 가지는 특성을 서로 공유하고 있다는 것을 분석을 통하여 확인하는 기회를 가졌다. 또한 특정한 주류가 없는 현대에 현대건축을 이해하는 하나의 척도로써 미장아빔 기법이 가지는 의의를 생각해보는 기회를 가졌다.