• 보존과학연구
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• s.28
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• pp.39-58
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• 2007

The Seated Buddha image carved on rock surface of Yuneulgok in Bae-ri, Gyeongju constituted of alkali feldspar granite. There is surface weathering by abrasion, exfoliation and break out. As a result various experiment was carried out testing rock material property to quantitatively grade weathering. Besides, this study is focused on properties of rock and correlation between things. Additionally, comparison of chemical properties to nondestructive weathering grade in the buddha image carved on rock. This result utilized on important resource for scientific conservation system compared with weathering appearance.

• 보존과학연구
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• s.34
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• pp.6-17
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• 2013

Bukjiri Seated Rock-carved Buddha of Bonghwa is a rock carved Buddhist Statues on the Two-Mica Granite with mid-size grains. The non-destructive diagnosis on the statues showed that their surfaces had been damaged by exfoliation or granular decomposition and their physical properties are also found to be weak. In addition, the evaluation of slope stability showed that there are the possibility of toppling failure, or planar and wedge failure. So, we have recovered the physical strength and structural stability of rock using the scientific conservation treatment. We also founded that the existing shelter was damaged by the poor ventilation and water leakage. So we constructed it in a way that there is no water leakage while the ventilation is good.

• Economic and Environmental Geology
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• v.52 no.6
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• pp.617-626
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• 2019

In this study, we investigated the petrographic characteristics and physical property of the Rock-carved Seated Buddha at Bugmireugam hermitage of Daeheungsa temple in Haenam. The Buddha Statue was carved on micrographic granite, and the rock was composed of the fine quartz encircled by orthoclase. The results of diagnosis for deterioration evaluation have shown a highly damage rate of black contaminants (8.4%) and crack index (6.6). The ultrasonic velocity have detected SW (slightly weathered) grade of weathering coefficient (mean 0.18). Various weathering factor on the surface of the Buddha Statue was affected by precious shelter, and physical property with ultrasonic was directly influenced by the structural characteristics and fissure of host rock.

• Journal of Conservation Science
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• v.33 no.1
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• pp.1-10
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• 2017

The rock-carved seated Buddha of Unju temple of Hwasun, Jeonnam, the only Triad Buddha among the stone Buddhas of Unju temple, is currently designated as a tangible cultural property No. 275 of Jeollanam-do. The rock of the seated Triad Buddha bedrock is light-green andesitic tuff breccia that is composed of quartz and feldspar. The results of measurement of the whole rock magnetic susceptibility characteristics, the rock consists of a single sedimentary layer from top to bottom. The results of ultrasonic velocity measurement, show that the number of frequency of 1500~2000 m/s increased and the number of frequency of 2000~2500 m/s decreased in 2009 compared to 2015, and the measurement value for 2000 m/s or below was 87.5% in 2015, a 68.8% increase in comparison to that in 2009. Moreover, on the top, bottom, left side, and head areas of the Triad Buddha, a partial expanding tendency was observed in the range of low ultrasonic velocity. As weathering of the Triad Buddha occurs in the long term, on-going monitoring is required to ascertain the degree of change with time.

• Korean Journal of Heritage: History & Science
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• v.53 no.3
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• pp.62-79
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• 2020

The rock-carved seated Avalokiteśvara statue at Ganghwa Bomunsa Temple is a giant rock-carved Buddhist statue that was built in 1928 during the Japanese colonial era. Although it is a year-recorded Buddhist statue that occupies a prominent place in modern Korean Buddhist sculpture history, it has not been the subject of in-depth discussion due to weak research on modern Buddhist sculptures. In this study, to examine the various significant aspects of the rock-carved Seated Avalokiteśvara statue at Bomunsa Temple as a modern Buddhist sculpture, I have managed to determine its construction year, artificers, and patrons by deciphering the inscription around the rock-carved statue; in addition I have researched the effects of the rock shapes and landforms on the formation of the Buddhist statue by comparing and analyzing the points of view of both artificers and worshipers. I have also identified the specific circumstances of the time of construction from interviews with the descendants of artificers. A monk from Geumgangsan Mountain, Lee Hwaeung, took the role of sponsor and chief painter to construct the rock-carved seated Avalokiteśvara statue at Bomunsa temple. In the beginning of its construction in 1928, more than 100 donators jointly sponsored the construction of the statue. Gansong Jeon Hyoungphil sponsored alone at the time of the place of worship's expansion in 1938. Bomunsa Temple has been regarded as one of the top-three sacred places of Avalokiteśvara Bodhisattva together with Naksansa Temple in Yang Yang and Boriam in Nam Hae, due to the construction of the rock-carved statue. It took about three months to construct the statue. Lee Hwaeung drew a rough sketch and then Un Songhag and five masons from Ganghwa Island took part in the carving process. We can observe the line drawing technique around the rock-carved statue because the statue was carved based on the rough sketch of the monk painter. The aspect of Lee Hwaeung as a painter is revealed; therefore, we can identify the clue of painting pattern leading to Seogongchulyou- Hwaunghyoungjin- Ilonghyegag. The rock-carved seated Avalokiteśvara statue at Bomunsa Temple is a typical Avalokiteśvara that wears a jeweled crown and holds Kundica. It makes a strong impression as it has a big square-shaped face and a short neck and is unsophisticated in general. The artificers solved the issue of visual distortion of the rock-carved statue caused by carving on a 10-meter high and 40-degree sloping rock by controlling motion to its maximum, omitting detailed expression by emphasizing symmetry, and adjusting the head-to-body proportion to be almost one-to-one. In this study, especially, I presume the unified form of sacred sculptures and Buddhist altars, without making a Buddhist altar like the rock-carved seated Avalokiteśvara statue at Bomunsa Temple, to be a key characteristic of modern Buddhist sculptures. Furthermore, I make newly clear that the six letters of Sanskrit carved on nimbus, which had been interpreted as a Six-Syllable Mantra, are a combination with Jeongbeopgye and Sabang Mantras. In addition, three iron rings driven on eaves rock were used as a reference point, and after construction they were used as a decoration for the Bodhisattva with hanging wind chimes.

• Journal of Conservation Science
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• v.29 no.4
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• pp.321-332
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• 2013

Namwon Singyeri Maaeyeoraejwasang (Rock-Carved Seated Buddha Statue) is composed mainly foliated granite and is different metamorphic grade and weathering degree on rock location. As the results of deterioration evaluation, upper part of the buddha statue was estimated that granularity decomposition was serious and rock strength was lower than lower part. Furthermore organism assessed most effect of among weathering factors. Chl. a amount of organism species were calculated $0.2{\mu}g/cm^2$ of crustaceous lichen, $1.1{\mu}g/cm^2$ of foliose lichen, $2.3{\mu}g/cm^2$ of bryophyte. Organism was taken treatment in order of amount of Chl. a and pre-cleaning, dry cleaning, wet cleaning in sequence. It should be establish conservation plan that strengthening in consideration of lithology characteristics and setting in good condition environment to conserve long-term of Maaeyeoraejwasang.

• 한국문화재보존과학회:학술대회논문집
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• 2007.05a
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• pp.54-55
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• 2007

• Korean Journal of Heritage: History & Science
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• v.53 no.3
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• pp.224-243
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• 2020

The rock-cut relief of two Buddhas seated side-by-side in Wonpungri is a large Buddha sculpture in relief on the side of a cliff in Wonpung-ri, Goesan. This Buddha sculpture is from the Buddhist scripture Sutra of the Lotus. <法華經> Two seated Buddhas statues were prevalent in the Balhae Kingdom, but this was not popular in Silla and Goryeo. In the main text, the time that the two seated Buddhas in Wonpung-ri was created is identified as being during the 10th century. King Gwangjong created a Buddha statue for political purposes. The relief of two seated Buddha image carved on a cliff is located on an important traffic route over the Sobaek Mountain Range. After King Gwangjong took the throne, he paid close attention to the reigning powers of Jincheon and Cheongju because the people of Jincheon and Cheongju were engaged in a power struggle against Gwangjong. The huge relief of two seated Buddhas statue shows the authority of King Gwangjong. In particular, the people of Jincheon and Cheongju had to see this Buddha statue when crossing the Sobaek Mountain Range. The image contained in the relief of the two seated Buddhas features many characteristics of the sculpture style of the Balhae Kingdom. After the fall of Balhae, many of the Balhae people settled in Mungyeong. Balhae people from Mungyeong participated in the production of the relief of the two seated Buddhas. Through the relief of the two seated Buddhas, King Gwangjong wanted to show the people of Jincheon and Cheongju that the Balhae people were supporting him. The relief of two seated Buddhas reflects the historical situation of the King Gwangjong era in the late 10^th century and the style of sculpture.

• Journal of Conservation Science
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• v.26 no.2
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• pp.121-132
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• 2010

The Bukjiri Maaeyeoraejwasang (National Treasure No. 201) consists of two-mica granite in medium size, which was the simbol of power in the region of the Silla period. Magnetic susceptibility of the host rock was measured as 0.41(${\times}10^{-3}$ SI unit), which has the similar range with surrounding outcrop. The Buddha developed parallel discontinuous plane of NE to SW strike and damaged seriously by exfoliation, granular disintegration and brown discoloration as 41.5%, 16.7% and 40.0%, respectively. As a result of the ultrasonic velocity, which was relatively weak values as 1,629m/s (Buddha area) and 1,549m/s (surrounding outcrop), improved about 900m/s compared to last treatment. From the results of the evaluation for slope stability, identified the possibility of toppling failure in the Buddha, and planar and wedge failure in host rock. Therefore, we suggest for the safely conservation of the Buddha, continuance monitoring for understand behavior of discontinuity system of the surface, and necessitate foundation reinforcement method for the rock which has the danger of collapse.

• Journal of the Mineralogical Society of Korea
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• v.30 no.2
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• pp.71-81
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• 2017

Rock properties and the effects of chemicals that were used for conservation were studied for effective conservation treatment of Seated Buddha rock carving, which is composed of grayish white tuff, at Golguram Hermitage, Gyeongju. The rocks contain 3-5% montmorillonite, a swelling mineral and reacting with water, the d spacing of swelling minerals was increased (1.54-2.69%). On the one hand, the physical properties of the rock samples, such as surface hardness, water absorption rate, and porosity improved after the application of ethyl silicate-based stone strengthener. On the other, the interlayer of swelling minerals decreased and greater the of swelling mineral content, the greater is the extent of swelling (4.23-12.12%). When the ethyl silicate-based stone strengthener was applied after pretreatment with a swelling inhibitor, the physical properties were similar to those of the stone strengthener alone. There was no interlayer spacing change of swelling minerals due to swelling inhibition treatment; however, when the stone strengthener was applied after the swelling inhibitor, interlayer changes were similar to those when only the stone strengthener was treated (4.10-11.85%). Though the peak intensity of swelling minerals in X-ray diffraction pattern decreased, the effect of the swelling inhibitor was almost negligible. Therefore, it is not appropriate to use ethyl silicate-based stone strengthener for Golgulam rock containing swelling minerals and supplementing them with a swelling inhibition system is not effective. Because weathering rapidly progresses when swelling minerals contact moisture, for now, measures to prevent water contact, such as expansion of the canopy, are needed in the lower and side parts of the carving.