• Proceedings of the KSPS conference
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• 1996.10a
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• pp.224-228
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• 1996

This paper is intended as a study on how an utterance is divided into rhythmic units in Standard Korean with respect to its syntactic structure. With respect to the data in this study I used 150 sentences which contained similar number of words and various syntactic structures. Those sentences were read by 7 speakers of Seoul dialect in a conversation style. Each sentence was read twice in a normal speed and twice in a fast speed. As a total, 4200 sentences were recorded. Then listening to them, the author marked the sentences with two kinds of boundaries i.e. strong and weak. To explore the relationship between rhythmic units and syntactic structure I devised a framework of grammatical symbols. Each symbol is designed to have both syntactic and morphological information at the same time. So I assigned those grammatical symbols to the sentences. Having sentences marked with grammatical symbols on the one hand, and with the rhythmic boundaries on the other hand, 1 could show the relationship between rhythmic units and syntactic structure; which syntactic structures are likely to be pronounced as one rhythmic unit, and which are on the rhythmic boundaries.

• MALSORI
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• no.21_24
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• pp.90-110
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• 1992

The purpose of this thesis is to investigate the intonation features of the last two syllables of rhythmic units, with the exception of the sentence final unit, in the Seoul dialect of Korean. The Model 5500 Sona-graph was used to measure the pitch and duration of the target syllables. There are two classes of materials. One class was designed to determine the intonation of rhythmic units in a natural situation and the other to investigate the intonation of rhythmic units in an artificial situation, in which speakers were asked to read the materials pausing only at the marked boundaries, with a view to identifying the intonation of Seoul dialect more clearly. The findings of this investigation are as follows: (1) Korean averages an 11% rising intonation between the two syllables at the end of a rhythmic unit. (2) The rising rate between the final two syllables' pitch values at the subject rhythmic unit is generally higher than those at other units in a sentence and it seems to be meaningful syntactically. (3) Before a boundary the rhythmic units undergo 'pre-lowering', in which the pitch gradually lowers from the first syllable to the penultimate. (4) Every syllable in each rhythmic unit tends to lengthen when speakers read the materials with a pause between units and the tendency is most salient at the final syllable before a boundary.

• Korean Journal of Applied Biomechanics
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• v.28 no.2
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• pp.79-85
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• 2018

Objective: This study aimed to create a strategic training method to enhance optimal athletic ability using information from 1H to 10H rhythmic units. Method: Top three world class athletes and three national winners of 110-m hurdle finals from the 2010 Daegu International Athletics Competition and 2017 National Athletics Championship, respectively, were selected. To analyze the kinematic variables, Dartfish 9.0 was used for two-dimensional analysis. Results: Regarding the interval time from the start to the finish line, the national athletes took less time during the pure acceleration phase (start to 1H) than the foreign athletes. The horizontal velocity increase was slower after 1H; the national athletes showed a lack of ability to accelerate at the interval phases. Moreover, the hurdle clearance time between phases was longer in the national athletes than in the foreign athletes and lacked consistency. Conclusion: The national athletes lacked the ability to accelerate at the transition, maximum rhythm, rhythm maintenance, and re-acceleration phases and showed a longer hurdle clearance time. If technical improvements and strategic training methods using rhythmic units are applied for hurdling motions, the national athlete's hurdling abilities, performance, and consistency could improve.

• Speech Sciences
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• v.7 no.4
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• pp.27-40
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• 2000

The goal of quantitative linguistics is to show the quantitative behavior of linguistic units. There are several studies which examine the frequency of Korean phonemes, which are important in comprehending the internal function of the linguistic units. However, the frequency information, from the pure phonological level without any consideration of rhythmic group, cannot adequately represent linguistic phenomena. Therefore, to provide the effective information, the phonological transcription must be carried out on the level of rhythmic group. In this paper, we made the transcription to analyze Korean phonology. We were not satisfied with merely investigating the frequencies of the phonemes, but also examined whether the distribution of Korean phonemes show the binomial distribution within linguistic constraints.

• MALSORI
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• no.25_26
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• pp.52-64
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• 1993

This paper aims to explore the rhythmic phenomena of standard Korean by an experimental phonetic method. A total of 16 informants taking part in this experiment were divided into four groups : old males(OM) and old females(OF) in their fifties and young males(YM) and young females(YF) in their twenties. The informants were asked to read speech data consisting of two rhythmic units, each of which began with a stressed syllable with a long wowel. Starting with the frame / 'ma:1 'ma:nta /, the first rhythmic unit was expanded up to five syllables in all while keeping the second rhythmic unit constant with a view to investigate the pattern of increase in the interstress time interval. The results of this study are as follows: 1. There is a considerable difference between yen and old generations with respect to the duration of interstress interval . The young generation tends to speak faster than the old generation. This observation is supported by difference in the interstress intervals as exhibited by OM(389.66), OF(473), YM(275.55), YF(285.83) in the test frame '말 많다' ['ma:1 'ma:nta]. 2. Young and old generations showed a different tendency in the increase rate of duration between mono-syllables and polysyllables. In other words, the rhythm of young generation shows the tendency of syllable-timed language whereas that of old generation clearly leans towards the stressed-timed language.

• Proceedings of the KSPS conference
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• 2000.07a
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• pp.117-134
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• 2000

Kim, Key-Seop(2000). English Restructuring and A Use of Music in Teaching English Pronunciation. JSEP 2000 voU This study has two-fold aims: one is to clarify the restructuring of English in utterance, and the other is to relate it to teaching English pronunciation for listening and speaking with a use of music and song by suggesting a model of 10-15 minute pronunciation class syllabus for every period in class. Generally, English utterances are restructured by stress-timed rhythm, irrespective of syntactic boundaries. So the rhythmic units are arranged in isochronous groups, of which the making is to attach clitic(s) to a host or head often leftwards and sometimes rightwards, which results in linking, contraction, reduction, sound change and rhythm adjustment in utterance, just as in music and song. With English restructuring focused on, a model of English pronunciation class syllabus is proposed to be put forward in class for every period of a lesson or unit. It tries to relate the focused factor(s) in pronunciation to the integrated, with teaching techniques and music made use of.

• Speech Sciences
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• v.9 no.3
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• pp.185-200
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• 2002

The current study confirmed the existence of an ip prosodic level in French intonation structure, as previously proposed by Sun-Ah Jun & $C\acute{e}cile$cile Fougeron (2000). However, in contrast to the previous suggestion of the plateau realized in an ip in several syntactic structures, the current study supposed that the plateau doesn't come from the different type of syntactic structures but arise from the unspecified syllables without any PA in an ip. Because if we limited ip phrasal tone to the syntactic structure, it would be difficult to find the more general reasons of ip level. Besides /Hi/ and /$H^*$/ we also used /$Hi^*$/ for the focused syllable in the current study. In emphasized sentences, in general, /$Hi^*$/ appeared in the first or second syllable of a leftward AP in an ip and /$H^*$/ in the final syllable of a rightmost AP of an ip, In contrast to these PAs, /$Hi^*$/ might appear in any syllable in an ip, but not to far from /$H^*$/ because the duration time and length t of plateau realized between /$Hi^*$/ and /$H^*$/ or /Hi/ and /$H^*$/ would make an essential harmonious rhythmic unit, Therefore, the current study determined the duration time and the number of syllables realized in each plateau in an ip level composed of more than one AP. As a phrase constituent structure, there is a practical need for intermediate prosodic units to allow for generalization over the many possible combinations of prosodic patterns that can occur. Further evidence is still needed to analyze and relate the different pitch ranges of the plateau of an ip according to the syntactic structure, to identify the considerable character in the French prosodic hierarchy.

• The Sea:JOURNAL OF THE KOREAN SOCIETY OF OCEANOGRAPHY
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• v.7 no.1
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• pp.32-42
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• 2002

The late Quaternary deposit of Cheonsu Bay, up to 20 m in thickness above the Jurassic granite basement, consists of two sedimentary units: an upper Holocene mud and sandy mud deposit (Unit M1), and a lower late Pleistocene sand and mud deposit (Unit M2; 'Kanweoldo Deposit&apos). Unit M1 is a typical Holocene tidal-flat deposit of Cheonsu Bay, showing a coarsening upward, retrogradational facies trend. This retrograding facies trend is probably due to a relative low sedimentation rate during Holocene transgression. Overlain unconformably by Unit M1, Unit M2 deposit reaches up to 14 m in thickness and is mainly composed of muddy sediment with yellow to gray color. This unit is characterized by a variety of tide-influenced signatures such as rhythmic bedding, flaser bedding, crab burrow fossil, marine dinoflagellate assemblage and authigenic glauconite mineral, indicating very similar depositional environment to those of Unit M1 deposit. It suggests that Unit M2 was probably accumulated under the tidal-flat environment during a pre-Holocene sea-level highstand. In particular, the uppermost 3-4 m of Unit M2 appears to have undergone subaerial exposure and subsequent weathering during the sea-level lowstand after deposition. Therefore, stratigraphic unconformity between Holocene and late Pleistocene sediments is highlighted by the desiccated and weathered surface of Unit M2.