• 디지털융복합연구
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• 제15권2호
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• pp.355-360
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• 2017

디자인의 기본 요소인 선을 활용하여 금속조형물을 시각적으로 완성하기 위해 시작된 본 연구는 선의 다양한 특징과 개념을 살펴보고 선행된 연구 중에서, 선을 중심으로 진행된 작품연구들을 통해 선의 조형적 아름다움을 알아보았다. 그 결과 선의 조형적 해석은 크게 선의 굵기와 선의 장단에 의한 의도적 표현으로 진행됨을 알 수 있었다. 선행 연구들을 바탕으로 연구자는 기존의 선의 조형적 표현에서 벗어나 시각적으로 자유로우면서도 미적 아름다움을 함께 느낄 수 있는 금속조형물을 얻기 위해 적동판과 인청동선 용접을 활용하여 선의 변형과 반복으로 하나의 패턴을 완성하고 이를 통해 작품으로 연계하였다. 그 결과 선의 면적인 표현은 물론 전체적 형태의 입체감과 속도감, 통일감을 함께 느낄 수 있었다. 앞으로도 선의 조형적 해석은 더 많이 연구되어야 할 것이며, 더 나아가 선의 표현을 통한 감성적, 내재적 아름다움에 대한 다양한 연구가 계속 되어야 할 것이다.

• 한국융합학회논문지
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• 제12권6호
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• pp.107-112
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• 2021

이 연구는 현대농구의 빠른 템포와 공격적인 흐름에 맞추어 보다 정확한 득점방법을 연구하고자 디지털압력센서를 탑재한 스마트 농구공을 설계, 개발하는데 목적이 있다. 농구는 드리블, 패스, 슈팅 등의 복합적 결합으로 구성된 스포츠종목으로 지구상의 모든 스포츠에서 가장 많은 득점이 이루어지는 경기방식을 가지고 있다. 특히 경기의 승패를 좌우하는 슈팅은 득점과 가장 직접적으로 연결되는 기술이다. 이 연구는 슈팅 시 공의 투사각을 측정할 수 있는 스마트 농구공을 설계함으로써 농구경기 현장에서 슈팅 성공률을 향상시키는데 유용한 보조기구를 제시하였다. 스마트 농구공은 일정한 포물선의 각도를 유지하여 슈팅의 정확성을 높이는 훈련이 가능하며, 선수의 경기력 향상을 기대할 수 있다.

• 한국조경학회지
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• 제38권5호
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• pp.122-133
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• 2010

인간은 장소와 일체감을 이루고자 하며, 이를 통해 자신의 정체성과 장소의 정체성을 동시에 이루어간다. 인간은 자신들이 속한 문화와 환경에 따라 고유한 관념을 형성하고, 그 관념은 상징을 통해 장소에 표현되는데, 상징은 공간구조와 이를 형태화하는 디테일에 의해 장소에 구체화된 형태를 나타낸다. 본 연구는 이슬람정원을 대표하는 '사자의 중정'을 대상으로 공간구조와 디테일을 비교 검토하여 둘의 상호보완적 관계와 디테일이 장소성에 미치는 영향을 고찰하고자 하였다. 양자 간의 비교는 내재하는 상징과 의미, 디자인 언어, 형성배경과 디테일을 통한 장소체험의 측면에서 이루어졌다. 먼저, 공간구조는 차하르바그의 기본형태로 구성되어 코란에서 표현하는 낙원을 상징하였다. 이슬람교, 아랍문화, 스페인 무슬림왕조의 생활양식을 배경으로 공간구조가 형성되어 전통적인 이슬람정원과 크게 다르지 않았다. 디테일은 공간구조를 형태화하는 동시에 낙원, 왕권, 신성, 자연 등을 상징하고, 이슬람교, 스페인 무슬림왕조의 문화, 아랍문화, 안달루시아의 지역성, 무데하르 양식 등을 나타내고 있다. 디테일은 스페인 무슬림왕조의 일상에 생동감과 변화감을 주어 폐쇄적인 궁전생활에 활력을 주며, 안달루시아지역 왕조의 특성을 갖는 사자조각상으로 중정의 중심을 이루어 다른 이슬람정원에서 볼 수 없는 독특한 분위기를 자아내었다. 사자의 중정의 디테일은 오감을 통한 체험의 대상이며, 인간과 장소가 하나가 되도록 해주어 장소성을 형성했음을 알 수 있었다. 사자의 중정의 디테일을 통해 스페인 무슬림왕조의 일상과 이상을 파악할 수 있었고, 그들과 정원이 일체감을 이루었으며, 디테일은 공간구조보다 더 풍부한 의미와 디자인언어를 담고 있음을 알 수 있었다. 결론적으로 디테일은 장소성을 형성하는 중요한 체험적 대상임이 파악되었다.

• 복식
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• 제52권5호
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• pp.173-186
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• 2002

Street Style, occurred in British and America, has been expressed the character of the new generation by repeating developments and changes. Nowadays, pop music reflects the phase of society. and simultaneously it has influence on from culture to society. Rock Music was rooted in Country 8l western of America. Upon Country & Western, Afro-Americans Rhythm & Blues was added, and that was the birth of Rockabilly. Rockabilly developed to Rock'n 'roll and it started to change to various forms of Rock since 1950s. As the commercial impact and the breakthrough of teenagers emotion, the rock culture comprised the base of the youth culture. However. it formed the anti-establishment culture against the established value, accepting working class subculture. The teenager culture was affected by the Rock culture, also found relief in the opulence provided by the established generation, imitating it as it was. Simultaneously, it had a contrary aspect as anti-establishment form under the banner of revolt against languor in richness. The youth culture created street style that was escaped from high fashion, every time Rock music had changes. Since Street style was based on resistance of established culture and it fully refused vogue, it was indifferent from high fashion. The results of this study were as following. First, every time Rock music had changes, the new youth culture was concomitant with, the youth culture created street style. Secondly, rockahibilly style was characterized as diamond shaped design, embroidery, extra wide shirt collar, vivid contrast color . Rockers style was represented as metal studs, beads, denim, leather jacket, boots. Fusion of hippies style and Psychedelic, long hair, beads. worn denim were elements of headbangers style. Punks style was characterized as ripped T-shirt. rooster hair, over decorated jacket, short skirt. net or plastic T-shirt. Lastly, the firm relation between popular art and fashion was proved by examining the history of Rock Music and Street Style.

• 한국패션뷰티학회지
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• 제3권1호
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• pp.1-12
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• 2005

The purpose of this thesis is to study the formative characteristics and symbolism shown in Rock stars' hairstyles through rock music to have influenced youth culture. There were a D.A style and a mop top style which included the youth characteristic to seek a new desire and value as the hairstyles of Rock & Roll stars, along with the characteristics of Rock & Roll music to represent the feeling of teenagers in 1950's at that time unlike the previous music due to high beats mixed with Rhythm & Blues (R & B) and Country music, and use of electronic guitars. We can see the desire for challenge and freedom against the then present regime, shouting love and peace, and resistance in the Psychedelic Rock music stars' hairstyle, which are untrimmed and disheveled, that is, natural. We can find explosiveness in Mohican and Spike style of Punk Rock stars playing fierce and aggressive music, along with words including indignation and assertion against the society's regime. The Artistic characteristic is implied in the following hairstyles: Glam Rock stars' hairstyle, a man's long-haired but a little long crew-cut style to reduce the bulky feeling and to give a bisexual, visible shock with hair dyed in orange to emphasize magnificence, and Punk Rock stars' hairstyle showing beauty in their own way with expression of anti-beauty to intentionally look ugly. Like this, the 20th Century's Rock music and youth culture are closely associated each other, and showed a new style, and played a leading role in street fashion, which became a momentum to much influence high fashion as a look of the 20th century modern fashion.

• 한국HCI학회:학술대회논문집
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• 한국HCI학회 2008년도 학술대회 2부
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• pp.405-410
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• 2008

There is always a rhythm in our language and speech. As soon as we speech out, even just simple words and voice we make are edited as various emotions and information. Through this process we succeed or fail in our communication, and it becomes a fun communication or a monotonous delivery. Even with the same music, impression of the play can be different according to each musician' s emotion and their understanding. We 'play' our language in the same way as that. However, I think, people are used to the variety, which is, in fact, the variation of a set format covered with hollow variety. People might have been living loosing or limiting their own creative way to express themselves by that hollow variety. SPACIAL POEM started from this point. This is a new type of 'real-time visual interaction' expressing our own creative narrative as real-time visual by playing a musical instrument which is an emotional human behavior. Producing many kinds of sound by playing musical instruments is the same behavior with which we express our emotions through. There are sensors on each hole on the surface of the musical instrument. When you play it, sensors recognize that you have covered the holes. All sensors are connected to a keyboard, which means your playing behavior becomes a typing action on the keyboard. And I programmed the visual of your words to spread out in a virtual 3D space when you play the musical instrument. The behavior when you blow the instrument, to make sounds, changes into the energy that makes you walk ahead continuously in a virtual space. I used a microphone sensor for this. After all by playing musical instrument, we get back the emotion we forgot so far, and my voice is expressed with my own visual language in virtual space.

• 한국정보통신학회:학술대회논문집
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• 한국해양정보통신학회 2001년도 춘계종합학술대회
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• pp.512-515
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• 2001

홀터 심전계는 휴대용 소형 심전도 기록기로서 신체에 부착한 후 일상생활을 계속하면서 심장의 운동 및 전위변화를 기록, 분석하여 심장질환의 유무를 판단하는데 유용하게 쓸 수 있으므로 연구가 활발하게 진행되고 있다. 깨끗한 심전도를 얻기 위해서는 심전도(ECG) 신호에 섞여있는 60Hz 전원 잡음, 기저선 변동, 근 잡음을 제거해야 된다. 홀터 심전계에서 심전도 신호를 기록하는데 있어서 가장 큰 문제를 야기하는 부문이 기저선 변동인데 전극을 부착한 부위의 근육수축과 호흡의 리듬에 따라서 발생하게된다. 그러한 기저선은 상하로 심하게 불규칙한 변동을 하면서 흔들리게 되어 심전도 신호를 진단하는데 어려움이 있으므로 기저선 변동을 제거하는 부분이 매우 중요하다. 본 연구에서는 아날로그 단에서 기저선 변동을 안정화하고 실시간으로 신호 처리할 수 있는 디지털 필터를 구현함으로써 기저선 변동을 제거하는 시스템을 설계하여 환자의 심장질환을 분석하는데 응용할 수 있도록 하였다.

• 대한간호학회지
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• 제48권2호
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• pp.208-220
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• 2018

Purpose: The aim of this study was to analyze the effects of neurofeedback training for reducing stress and enhancing self-regulation in late adolescence to identify the possibility of use for nursing intervention. Methods: A nonequivalent control group pre-post quasi-experimental design was used. Participants were 78 late adolescents assigned to the experimental group (n=39) that received the neurofeedback training and the control group (n=39). Data were collected on heart rate variability (HRV) and skin conductance level (SCL) to assess stress-biomarker response. The questionnaire contained 164 items from: Positive and Negative Affect Schedule (PANAS), Symptom Checklist-90-Revised (SCL-90-R) and Self-regulatory Ability scale. The neurofeedback training was based on the general adaptation syndrome and body-mind medicine. The intervention was conducted in a total of 10 sessions for 30 minutes per session with high-beta, theta and sensory motor rhythm training on scalp at central zero. Results: There were significant difference in standard deviation of normal to normal interval (p=.036) in HRV and SCL (p=.029) of stress-biomarker response between the two groups. Negative affect (p=.036) in PANAS and obsessive compulsive (p=.023) and depression (p<.001) in SCL-90-R were statistically significant. Self-regulation mode (p=.004) in self-regulation ability scale showed a significant difference between the two groups. Conclusion: The results indicated that the neurofeedback training is effective in stress-biomarkers, psychoemotional stress response and self-regulation. Therefore, neurofeedback training using neuroscientific approach based on brain-mind-body model can be used as an effective nursing intervention for late adolescents in clinics and communities for effective stress responses.

• 재활간호학회지
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• 제7권1호
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• pp.68-77
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• 2004

The Purpose of this study is to explore the effects of Craniosacral therapy(CST) on the chronic headache patients, and the research was used the one-group pretest-posttest design. The subjects were 31 chronic headache patients, who received Craniosacral therapy by once per week for 6 weeks. The data were collected from July 1, 2003 to August 28, 2003. In order to evaluate the effects of craniosacral therapy, Visual Analogue Scale(VAS) for headach intensity, blood pressure, pulse rate, respiration rate, craniosacral rhythm rate, depression and stress perception were measured before and after treatment. The results are as follows : 1) The mean score of intensity of headache (VAS) significantly decreased after each session of Craniosacral therapy(F=86.14, p<.001). 2) The mean score of systolic blood pressure significantly decreased after each session of craniosacral therapy(F=6.99, p<.001), and the mean score of diastolic blood pressure significantly decreased after 3rd session of Craniosacral therapy(t=5.710, p<.001). The means of pulse(F=6.19, p<.001), respiration (F=7.93, p<.001) and craniosacral impulse rate(F=22.84, p<.001) significantly decreased after each session of Craniosacral therapy. 3) The means score of depression significantly decreased after Craniosacral therapy(t=6.627, p<.001) and stress also significantly decreased after Craniosacral therapy(t=5.987, p<.001). Therefore, these results of this study suggest that Craniosacral therapy could be an effective nursing intervention to reduce the intensity of headache.

• 한국의류학회지
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• 제21권3호
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• pp.544-558
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• 1997

Black street style has made unique fashion in popular music such as Jazz, Soul, Rhythm Il Blues. Reggae, and Rap, and it is counterculture and subculture against white. Furthermore, the black street style has played a starring role in the development of white culture as well as black culture, which emerged in direct opposition to the dominant cultures practised by a fraction of fellow countrymen within the black diaspora. The objectives of this study are to examine the social chronology of the black street style and the contemporary fashion, and the influences of the black street style on white culture. The seeds of black's style were sown in the late forties, developing throughout the fifties with the arrival of black immigrants from the west Indies and its examples were zooties, hip cats 8l hipsters, modernists. Rude boy & two-tone was anti·fashion style in sixties and then rastafarians continued in seventies costume is used to convey an essential symbolic class and ethnic message. The latest black's street fashion is hip-hop dress, which is pluralistic and electric, and funk is also erratic. During its ten-year reign as an international style, it has undergone numerous shifts because it is decline of racism B-boy & flygirls toraggamuffins & bhangra style to acid Jazz. These have played a crucial part in influencing the gigh fashion and avant-grade fashion designers' work. Today's street fashion has characteristics of postmodern culture without a racism in global village. Moreover, pop music stars take an effect on the street style continuously. With the opening of a new century, the study of the street style will overcast popular fashion and suggest the direction of fashion design.